A (Blak) Gat in the Hand: Rory Gallagher and the Continental Op

A (Blak) Gat in the Hand: Rory Gallagher and the Continental Op

Gat_GallagherBlindsYou’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” — Phillip Marlowe in Raymond Chandler’s The Big Sleep

I just finished the intro for Volume 4 of Steeger Books’ The Continental Op series. I’ll post it here after the book comes out, of course. But being in an Op mood, I wanted to bring back an Op mashup post which I did waaaay back in 2018.

Rory Gallagher passed in 1995. Wow – that’s 31 years ago now. An Irish blues-rock guitarist and singer, he is still revered throughout Europe. I don’t mean ‘popular.’ Think Eric Clapton status. There are statues of, and public spaces named after, him, in Ireland.

Of course musicians in America know of him. But he is not popularly-remembered here. Ask someone to name their ten favorite guitarists, and I don’t think you’ll hear his name very often.

Which is a shame, because he was a spectacular musician. We can all name bands and musicians we feel are underappreciated. But Gallagher should be on the same pedestal we put Buddy Guy and Jimmy Page on. He should be at least as well-remembered  and popular as Robert Cray is (still alive, of course). I strongly recommend listening to an album or two and just immersing yourself in his talent.

I mentioned ‘mashup’ because Gallagher was a hardboiled Pulp fan. His second-to-last album, Defender, is literally a Pulp/Noir album. Jazz is typically the musical genre associated with hardboiled PI and Noir films and shows. But Gallagher infused hardboiled with his power blues. I Ain’t No Saint shreds the blues. And he did an entire song (with a way cool video) about the Continental Op. Read on, MacDuff.

Rory Gallagher was a world-class guitarist from Ireland who died of liver problems in 1995 at the age of 47. Sadly, he emulated Hammett in living the hard life with booze. In 1987, he recorded a song entitled, “The Continental Op,” which was included on his Defender album. There’s also a song called “Kickback City” on that album and the lyrics are very much in the style of Raymond Chandler and other Pulpsters who depicted the corruption and hopelessness of urban cities. And you could take the story of “Loanshark Blues” and you’d have a pretty good character for a hardboiled PI story. I recommend giving Defender a listen.

But we’re here to talk about his tribute to Dashiell Hammett, “The Continental Op.”

If you’ve come here to A (Black) Gat in the Hand, you probably already know about The Op. While The Thin Man and The Maltese Falcon are Hammett’s best-known works, it’s the Op that made him the father of the hardboiled school. In seven years, he wrote over three dozen tales featuring the nameless private eye for the Continental Detective Agency. I don’t think any other PI series has equaled the Continental Op stories.

As I mentioned above, I’m writing intros to new volumes of the Op stories, from Steeger Books. The Op stories are cornerstone hardboiled reading. The Op was also the main character in two Hammett novels: Red Harvest, and The Dain Curse.

I cannot give Gallagher enough kudos for writing a song about the Continental Op, then providing a video that absolutely captures the hardboiled, pulp feel. The black and white, graphic novel style is pure throwback. You could almost storyboard a movie from it. Some of the frames fly by so fast, I had to rewatch them several times. But the overall effect works.

Watch the video. Then work through the rest of the post with me. It should be fun.

 

Now, we’re going to try and reconstruct the story from the video. And it’s not easy, as this isn’t a straight, linear explanation, like we’d have in a book. It’s visual storytelling, following song lyrics. And some things go by pretty quickly on the screen. It’s not clear how it all fits together. But we’ll do our best.

With all the skyscrapers, I think of New York City, but the Op worked out of San Francisco. And of course, the bay brings the latter city to mind first, so we’ll go with that.

Gat_Gallagher_ProfileA body is found in the bay and we learn that the murder case of Agatha Dempsey was supposed to be closed.

There are blood stains on the dress of a millionairess.

The Continental Op, named Regan, is apparently on the case. Regan was the name of a prominent character in The Big Sleep, though we never actually see him.

Regan saw someone leaving town and is going to track them down.

A boxer named Kid Gloves is involved, somehow.

An apparently beautiful woman, wearing a nice dress, is found dead in alley, with someone over her body.

Gallagher sings, “Call the agency, we never close.” That’s likely a reference to the Pinkertons, whose motto is “we never sleep.” The image of an unblinking eye as their logo is actually the source of the term, ‘private eye.’

“The first consultation is free.”

There is a menace on the streets, giving infants sweets. The lead suspect was arrested because they found a set of his prints. Presumably matched up with those from the scene.

The scenes show someone visiting the Op’s office and having a drink. The fingerprints were collected from that.

There’s a shot of Kid Gloves boxing again.

The beautiful woman (whose face we don’t see) visits the killer in what looks like his office.

Then the picture again of the police catching the killer over the woman’s body in the alley.

Then another fast-moving Montage and some great guitar work.

I love everything about this video. That the song is an homage; the way the video looks; the great guitar work; it’s just massively cool. Go ahead and give Defender a listen and soak in the hardboiled atmosphere.

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Erle Stanley Gardner’s ‘The Shrieking Skeleton’
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Thomas Parker’s ‘They Shoot Horses, Don’t They?’
Joe Bonadonna’s ‘Hardboiled Film Noir’ (Part One)
Joe Bonadonna’s ‘Hardboiled Film Noir’ (Part Two)
William Patrick Maynard’s ‘The Yellow Peril’
Andrew P Salmon’s ‘Frederick C. Davis’
Rory Gallagher’s ‘Continental Op’
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Bob Byrne’s ‘A (Black) Gat in the Hand’ made its Black Gate debut in 2018 and has returned every Summer since.

His ‘The Public Life of Sherlock Holmes’ column ran every Monday morning at Black Gate from March, 2014 through March, 2017. And he irregularly posts on Rex Stout’s gargantuan detective in ‘Nero Wolfe’s Brownstone.’ He is a member of the Praed Street Irregulars, and founded www.SolarPons.com (the only website dedicated to the ‘Sherlock Holmes of Praed Street’).

He organized Black Gate’s award-nominated ‘Discovering Robert E. Howard’ series, as well as the award-winning ‘Hither Came Conan’ series. Which is now part of THE Definitive guide to Conan. He also organized 2023’s ‘Talking Tolkien.’

He has contributed stories to The MX Book of New Sherlock Holmes Stories — Parts III, IV, V, VI, XXI, and XXXIII.

He has written introductions for Steeger Books, and appeared in several magazines, including Black Mask, Sherlock Holmes Mystery Magazine, The Strand Magazine, and Sherlock Magazine.

You can definitely ‘experience the Bobness’ at Jason Waltz’s ’24? in 42′ podcast.

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