The Importance of Good Fantasy Art

Wednesday, June 24th, 2020 | Posted by Robert Zoltan

FrankFrazettaConan-small MichaelWhelanStormbringer-small JeffreyCatherineJonesSwordsAndDeviltry-small

Art by Frank Frazetta, Michael Whelan, and Jeffrey Catherine Jones

An adventure tale isn’t good just because it features a bare-chested hero and a sword, and neither is a painting. Stories and art are successful because they are created by talented people who have devoted long hours (usually 10,000 or more) to educate themselves about their field and develop the proper skills and style to express that talent. And the presentation of that talent is absolutely vital to the success of the fantasy genre — creatively, culturally, and commercially.

In Flame and Crimson: A History of Sword and Sorcery, Brian Murphy discusses the root causes of the sword and sorcery revival of the 1960s:

…published in paperback with arresting covers by the most talented artist ever to work in the subgenre, the convergence of authorial and visual artistry, marketing, and business acumen led to the re-emergence and conscious reawakening of sword-and-sorcery in the subgenre’s “silver age,” or renaissance.

No doubt all those elements were important, but I can guarantee you that those books never would have sold in those numbers without that great cover art by Frank Frazetta.

Read More »


Three Tips to Writing When You Just Can’t

Tuesday, June 16th, 2020 | Posted by S.M. Carrière

993159_dark-fantasy-walls-1920x1080-hd-wallpapers-and-free-stock-photo_1920x1080_h

Pick a character. I’m the shady ranger on the far left.

Good morning, Readers!

As many creatives these days, it feels like the world is getting harder and harder to create in; so much tragedy, hatred, anger and inhumanity filling up the airwaves. Couple that with an uncertain future for many of us, who have been furloughed from our jobs due to the pandemic. It’s hard to get creative when the stress of trying to ensure we have a roof over our heads and food in our bellies is taking up so damned much of our physical, emotional and mental energy.

For many, what was once difficult — creating — is now almost impossible. I know I’ve been struggling a great deal with it, and based on the chatter I’m hearing from my friends and creative circles, I’m not the only one.

I have good days and terrible days, but I’ve managed to pull myself along in my creative work, and I figured I’d tell you how. Maybe it’ll help you get work done, too.

This, of course, comes with the usual caveat that all advice, especially as it pertains to any creative endeavour, should be taken with the largest possible grain of salt. What works for one person won’t work for everyone, or perhaps anyone else.

Read More »


Let’s Get Diverted Together

Tuesday, June 2nd, 2020 | Posted by S.M. Carrière

122577

This might work.

Good morning, Readers!

I’ve been doing a great deal of thinking about my writing and my writing skills… or lack thereof depending on who you ask. I fall short in a lot of areas, particularly any story that is supposed to be short. My inability to keep things short has helped me with the whole novel-writing thing I love to do, but I’m slightly miffed at myself for being so inept at something creative. Short stories simply aren’t my forte. I mean, the last time I tried to write one, it became a two volume epic. So, there’s that.

It’s not like I’ve never written anything short. I was the short story champion in high school, and my short story writing ability got me one of the highest QCS (Queensland Core Skills) scores in my class back when I was exiting secondary school. My marks dragged down my eventual exit OP (Overall Position) score, because high school was hell and I didn’t cope.

Anyway, the point is, I stopped writing short stories and now I feel like I have simply lost the knack.

I would like to fix that. But, you know, without the pressure of it counting towards any kind of grade.

And, I’d like for us all to join in for a communal, no pressure, bit of shared creativity.

Let me explain.

Read More »


Viewpoint Intimacy Through a Third Person Lens

Sunday, May 31st, 2020 | Posted by R. J. Howell

Cordelia's Honor-small The Goblin Emperor Katherine Addison-small A Memory Called Empire paperback-small

Cordelia’s Honor by Lois McMaster Bujold (Baen 1996, cover by Gary Ruddell), The Goblin Emperor by Katherine Addison (Tor 2014,
cover by Anna Balbusso and Elena Balbusso), and A Memory Called Empire by Arkady Martine (Tor 2019, cover by Jaime Jones)

Since quarantine has brought an unexpected windfall of time for me, I’ve been beta-reading more than usual, and from sources beyond my immediate network of writer-friends. With these new novels, however, I’ve noticed this trend of a lack of intimacy with third person viewpoint characters.

I’m not sure if this is a discomfort with diving deeper into their character’s viewpoint, not knowing how to deep-dive into PoV, or taking the “show-don’t-tell” adage a step too far, to the point where the prose only “shows” action and all moments of interiority and reflection are seen as “telling.”

Or perhaps it’s that some writers watch more films, or play more video games, than they read, and recycle techniques borrowed from visual media that don’t have the same impact in prose? This is not to disparage visual and/or interactive entertainment, nor writers who learn how to tell stories in that media. However, visual media uses a different skill-set to convey emotion, and there are things that can be done with prose that can’t be done as well in film.

Whatever the root cause, I’ve read multi-viewpoint novels where the writers specifically stated that the plot was deeply character driven, and yet, for the life of me, I couldn’t tell you anything about the characters that wasn’t directly tied to the plot. It’s as if the writer feared to bog down the narrative with character backstory, either as a result of excessive edits or an unwillingness to include it in the first place. By the end, all that was left was what was introduced in Chapter 1. The characters had no past, and their only future derived from events in the story. I felt so removed, like I was watching things unfold from a distance, and while the plot escalated and had the necessary dramatic beats, I simply didn’t feel anything. I wasn’t experiencing, I wasn’t sinking into the prose and being transported.

Read More »


Musing on a Writer’s Ambition

Tuesday, May 19th, 2020 | Posted by S.M. Carrière

How-to-Improve-Writing-Skills-

I’ve always wanted a proper fountain pen. I still don’t have one. I should fix that.

Good morning, Readers!

This blog post is personal to me and my experience with writing and publishing, but I thought a few of you might be able to relate.

I am, despite my better judgement or desire, an ambitious person. I try not to be. Or at least, try not to be so ambitious. I try to find contentment where I am. I struggle to, however.

You see, I don’t think my ambitions are all that great. I don’t want millions of dollars. All I really want is for my writing to reliably sustain me. That it pays my bills, and even gives me a little left over for fun things like travel… and the ability to support my video gaming and artistic hobbies. In publishing, however, that is one hell of an ambition. Even published and celebrated authors are forced to work outside of writing to feed, clothe and house themselves.

There’s not much money in publishing, to be frank.

Sure, some writers hit it big. People looking on, who might not know what it’s like in the trenches, would be forgiven in assuming that writers are doing far better than they are, what with such high profile authors out there. Those authors, however, a rare. The vast majority of us, published or not, languish in the dark, having to work elsewhere in order to support ourselves and our writing.

In my case, I work a full-time job as a receptionist and a side-job as a martial arts instructor.

Or I did. Before the plague.

Read More »


Writing Advice: Structuring Your Story (Red Sneaker Writers)

Monday, March 16th, 2020 | Posted by Bob Byrne

Bernhardt_StoryStructureI started reading William Bernhardt’s Ben Kincaid books back in the mid-nineties. I seem to recall I went on a ‘lawyer’ kick and read him, Steve Martini, and Robert K. Tannenbaum. But years later, Bernhardt made a bigger impact on me with his Red Sneaker Writers series. These slim volumes with the brightly attractive colors, are jam-packed with great writing advice. The first book I read was on Story Structure, and I think it’s still my favorite. Though every one has been both interesting to read and thought-provoking. If I ever get my act together, I’ll add “taught me a lot.”

I’ve read through a couple of them more than once, making notes ( I CANNOT highlight a physical book. I’m incapable of it). Last year, I decided to be a little more systematic and I went through EVERY title, be it Theme, Plot, Character – all of them: and I outlined the key points in each chapter. I printed them all out and have a very cool binder. Which, if I ever actually sit down and write a novel, will be of great use.

I sent one of the outlines to him, telling him that I’d like to include it in a Black Gate post, promoting the series. He kindly granted his permission. So, here we are.

I’m fortunate that many actual, real, Writers (note the capital ‘W’) with books you can buy on Amazon, or at bookstores (if you can find one that is still in business) are friends of mine. And they are FAR more qualified than I am to talk abut writing advice. I think I hold my own as a Black Gate blogger, and there are worse Sherlock Holmes short stories out there than mine (And certainly better ones!). But I’ve got two unfinished novels, which doesn’t mean squat.

Read More »


Hot Take: Fan Fiction is Great

Tuesday, February 25th, 2020 | Posted by S.M. Carrière

Fantasy Book Clipart

Good day, Readers!

I’ve been doing a lot of thinking of late.  Shocking, I know. Anyway, I had been struggling with finishing the second book of a series I’m currently trying to sell, and so decided to move on to another story for a while to give my brain a break and let it figure out the story in the background while I work on other stuff.

This other project, though, is something that I’m not going to be able to sell to anyone. It is, essentially, fan fiction. Sort of. I mean, I’m absolutely using the world and assets of another thing (a video game, if you must know) in order to tell this story.  It’s fan fiction.  But this post isn’t really about the fan fiction I’m writing.  It’s about fan fiction in general, and how wonderful I think it is (with some caveats).

Read More »


IMHO: Giving Voices to Your Characters

Wednesday, January 29th, 2020 | Posted by Joe Bonadonna

JamesDoohan_scotty

James Doohan (as Scotty): “I’m giving her all she’s got, Capt’n!”

I owe a great debt of gratitude to my two good friends, who were of immense help to me in the creation and shaping of my two (so far) volumes of Mad Shadows. Neither are strangers to Black Gate, for I interviewed both of them for this e-zine: Ted Rypel (author of the Saga of Gonji Sabatake: The Deathwind Trilogy, Fortress of Lost Worlds, A Hungering of Wolves, and Dark Ventures); and David C. Smith (author of the Oron series, The Fall of the First World Trilogy, the original Red Sonja novels (with Richard L. Tierney), Dark Muse, the recently-released Bright Star; Robert E. Howard: A Literary Biography, for which he won the 2018 Atlantean Award from the Robert E. Howard Foundation, and many other novels, including Waters of Darkness, on which we collaborated.) Both gentlemen write wonderful dialogue, and taught me how to make my characters “talk like real folks.”

Now, I don’t claim to be a great writer nor do I think I’m a “know-it-all” when it comes to plotting, creating characters, telling a story and writing crisp, entertaining and enlightening dialogue. I am far from being a literary genius. I’m not a college professor or a grammar Nazi. I’m not here to tell you what to do and how to do it. We each have our own styles and methods. I’m here to just pass on my own way of doing things, hoping what I have to say will help a writer or two. As far as creating compelling dialogue is concerned — and we’ve all heard this one — my personal rule is:

Give Each of Your Characters Their Own Unique Voice.

Read More »


The Illustrated Safari

Sunday, January 26th, 2020 | Posted by Milton Davis

Changa and the Jade Obelisk cover-small

Cover for Changa and the Jade Obelisk #1

Changa’s Safari began in 1986 as a concept inspired by Robert E. Howard’s Conan. I wanted to create a heroic character with all the power and action of the brooding Cimmerian but based on African history, culture and tradition. Although the idea came early, the actual execution didn’t begin until 2005, when I decided to take the plunge into writing and publishing. During its creation I had the great fortune to meet and become friends with Charles R. Saunders, whose similar inspiration by Howard led to the creation of the iconic Imaro. What was planned to be a short story became a five-volume collection of tales that ended a few years ago with Son of Mfumu.

I had always seen Changa’s story as a visual experience. When I began writing the first story I imagined Michael Clarke Duncan as Changa, the Indian Ocean with his crew from adventure to adventure. After Duncan passed away; I settled on Michael Jai White as a worthy replacement for my hero. Having Changa travel the world for his various adventures was also part of the visual experience. It was my hope to one day see it all take place on the silver screen.

A few years ago I embarked a project to make Changa’s Safari an animated series, a project that is still in development. But recently I imagined Changa as a comic book series. I still had a strong desire to see Changa visually, and I felt that the comic book medium would be the fastest way to do so. The comic book would also serve as storyboards for a possible movie, if the opportunity ever came up.

Read More »


RBF Author: Writing Sword and Sorcery in the Days of High Fantasy

Friday, January 10th, 2020 | Posted by Ty Johnston

Howard changed my lifeAuthor C L Werner is one of a number of authors to provide an essay for publisher Rogue Blades Foundation‘s release later this year of the book Robert E. Howard Changed My Life. Below Werner writes of Howard and the influence of sword and sorcery literature.

I have a curious relationship as regards sword and sorcery, because for me this tribe of fantasy fiction was encountered only after spending my formative years with what would be termed “high fantasy” in modern parlance. The Tolkien epics, the Arthurian sagas, and a good deal of Dungeons & Dragons during its heyday in the mid to late 1980’s when there was an emphasis on a grand scale for narratives, as demonstrated by the Dragonlance novels. I didn’t really get a proper introduction to sword and sorcery until much later, after moving to Arizona in 1993. That was when I first read the actual stories (or at least the Lin Carter/L. Sprauge deCamp revisions of them) of Robert E. Howard and his creations Conan the Cimmerian, Solomon Kane, and Kull of Atlantis.

Now I’d had a peripheral awareness of Robert E. Howard’s characters before, through comic books and the Conan movies (and that really cool stunt show Universal Studios had back in the 1980s), but my belated discovery of the actual stories really had a profound effect on me. While I did enjoy The Lord of the Rings and The Hobbit, I was always off-put by The Silmarillion and became jaded on many versions of the Arthurian tales. My investment in Dragonlance also waned over time, and I think the culprit can be found in an inability to be engaged by protagonists who are so far beyond relatability. Elf lords who can single-handedly cross swords with a balrog or wizards who can one-shot a dragon become, sadly, not as engaging as a character who has limitations to what they can do and how they can do it. In Howard’s stories, Conan or Solomon Kane get knocked about by the bad guys, put through the ringer by the ordeals they face. Certainly these characters overcome incredible odds and mighty foes, but these triumphs always felt like they were earned rather than an inevitable, foregone result. The reader experiences the struggle to prevail alongside the hero and in a more visceral way than often can be found in narratives that are operating to some legendary scale of warring gods and unfolding prophecies.

Read More »


  Earlier Entries »

This site © 2020 by New Epoch Press. All rights reserved.