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Category: Vintage Treasures

Lyrical, Mysterious, and Ingenious: The Tales and Poems of Clark Ashton Smith

Lyrical, Mysterious, and Ingenious: The Tales and Poems of Clark Ashton Smith

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The Last Oblivion: Best Fantastic Poems of Clark Ashton Smith (Hippocampus Press, January 13, 2021)

January 13 will mark the 132nd natal anniversary of the great Clark Ashton Smith, accomplished writer of weird fiction, horror, and poetry; visionary illustrator, painter, and sculptor. Smith’s tales of Averoigne, Atlantis, Hyperborea, and Zothique have fascinated me for years. Smith was incredibly gifted, writing tales fantasy, terror, science fiction, and the supernatural.

He also is considered one of the greatest poets of the twentieth century. The Last Oblivion contains a wonderful selection of his poetic works. Smith’s exotic language and fertile imagination are unparalleled in these weird, supernatural, and otherworldly poems. I highly recommend it if you’re looking for something different yet evocative.

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G.W. Thomas on Fred Saberhagen’s Berserkers

G.W. Thomas on Fred Saberhagen’s Berserkers

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Three collections in Fred Saberhagen’s Berserker Saga: Berserker, Brother Assassin, and The Ultimate Enemy
(Ace Books, September 1978, December 1978, and September 1979). Covers: Boris Vallejo and Michael Whelan

Ace SF blogger G.W. Thomas, working atop a demon-haunted tower in Alberta, has been digging deep into a lot of my favorite old SF paperbacks, including C. L. Moore & Henry Kuttner’s Earth’s Last Citadel, Murray Leinster’s Get Off My World!, and Space Operas You May Have Missed.

But I think my favorite recent piece was his two-part series on a writer who’s largely forgotten today: Fred Saberhagen, author of The Book of Swords, Empire of the East, and The Dracula Tape, and his most enduring creation: the galaxy-roving Berserkers. which appeared in some seventeen volumes.

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Robert Adams was a Master of Narrative Drive

Robert Adams was a Master of Narrative Drive

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The first ten novels in the Horseclans series by Robert Adams (Signet/
New American Library editions, 1979-1983). Cover art by Ken Kelly

Franklin Robert Adams (1933 – 1990) only used his middle and last name on his books. He wrote twenty-six of them, in three different series, and edited nearly a dozen more.

His first and most famous series is called Horseclans. It’s set on a post-apocalyptic Earth, after a nuclear war, and begins on America’s great plains with tribal groups organized along Native American lines. Later, it moves toward a more feudal society with city states and knights in armor. There’s a fairly elaborate back story about how the modern societies were built from the remnants of American survivors and some of the invaders.

The first book was called The Coming of the Horseclans and published in 1975. The last one published was #18, The Clan of the Cats, and it appeared in 1988, two years before Adams’ death. The series may be post-apocalyptic, but it’s long after Earth’s recovery has begun so it really feels more like standard Sword & Sorcery. There is some magic with undying heroes, telepathy, and “Witch” men. It’s definitely not Sword & Planet but most folks who like S&P like these pretty well.

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Gothic Noir: The Shadow of the Wind by Carlos Ruiz Zafón

Gothic Noir: The Shadow of the Wind by Carlos Ruiz Zafón

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The Shadow of the Wind (Penguin Books, February 1, 2005). Cover by Tal Goretsky

Shadow of the Wind is the English rendering of  La sombra del viento, the 2001 novel by Carlos Ruiz Zafón and the first (though a standalone story sans cliffhangers) in his five book Cemetery of Forgotten Books series, translated by Lucia Graves (a serendipitously appropriate last name and, as it happens, the daughter of poet and historical novelist Robert Graves, he of I Claudius and The White Goddess fame). I hope this is a literal translation as Shadow of the Wind perfectly captures the story’s gothic and noirish essence. We can’t actually see wind, nor does wind cast a shadow; rather we feel the wind, detecting by inference the sometimes destructive aftereffects of high winds. Or, to paraphrase as someone else famously put it, the allegory is blowing in the wind.

The titular Cemetery of Forgotten Books is a somewhat fantastical labyrinth repository of rare books. Unlike Julia Alvarez’s Cemetery of Untold Stories, where texts are buried and talk to one another in their afterlife, the Cemetery of Forgotten Books could be some idiosyncratic bookshop with obsessively weird stock accessible only to certain people, which is not that all different from certain kinds of booksellers.

But the touch of fantasy  is when our hero, Daniel Sempere, taken to the Cemetery of Forgotten Books by his bookshop owning father, is tasked to select one volume, and one volume only, he feels drawn to from among a complex maze of shelvings. That book is Shadows of the Wind  by Julian Carax, and, yes, we’re getting metafictional here. What kicks the plot off is that there are no other surviving copies of the work, Carax’s output having been destroyed in a warehouse fire of mysterious origins.

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Chess in Sword & Planet Fiction, Part III: From Zelazny to Infinity

Chess in Sword & Planet Fiction, Part III: From Zelazny to Infinity

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Pawn to Infinity, edited by Fred Saberhagen with Joan Saberhagen (Ace Books,
June 1982), and Unicorn Variations by Roger Zelazny (Timescape Books,
February 1984). Cover artists: unknown, and Gerry Daly

Pawn to Infinity: Ace Books, 1982, cover artist unknown, though this is a very cool cover. Although not Sword & Planet specifically, this is definitely the greatest collection of fantasy and SF stories to involve chess or a chess like game ever published.

There are many great stories in here, and at least two masterpieces: “The Immortal Game” by Poul Anderson, and “Unicorn Variation” by Roger Zelazny. There are other fine stories by Fritz Leiber, Fred Saberhagen (who also edited the collection) and George R. R. Martin. There’s a great old Ambrose Bierce story in it called “Moxon’s Master.”

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Enter the Prince of Darkness:Dracula by Bram Stoker

Enter the Prince of Darkness:Dracula by Bram Stoker

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“Listen to them—the children of the night. What music they make!”

Dracula to Jonathan Harker

I’ve heard tell my generation had nightmares about nuclear war, worried someone was going to press the big red button and trigger the annihilation of the world.

Not me. I was scared of vampires.

Heck, some nights I didn’t even have nightmares because I was too scared to sleep, convinced they were hiding behind the mottled sycamore trees that lined my block. I’m not sure where it came from. Probably from watching The Night Stalker TV movie (1972, dir. John Llewellyn Moxley) in which vampire Janos Skorzeny ravages sleazy seventies Las Vegas. It introduced the world to monster-hunter, Carl Kolchak and I saw it when I was seven or eight (thanks, Mom!). That fear disappeared quickly enough, but I was left with a taste for vampire stories.

I must have read some vampire stories in the various horror anthologies I bought regularly, though none spring to mind. I saw tons of movies and read stacks of horror comics featuring the bloodsucking fiends. It was two novels, though, that cemented my taste for the Central European monsters: Salem’s Lot (1975, Stephen King) and They Thirst (1981, Robert McCammon). They’re both big books, packed with characters and inventive takes on the idea of a master vampire trying to take over somewhere, a misbegotten Maine town in the first book and all of Los Angeles in the second.

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G.W. Thomas on Science Fiction of the 30s by Damon Knight

G.W. Thomas on Science Fiction of the 30s by Damon Knight

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Conan the Barbarian: Archie Style! From Everything Archie
#111 (May 1984). Art by Stan Goldberg and Larry Lapick.

G.W. Thomas has gradually become my favorite genre blogger. Not just because of his constant stream of content — he posts every two days at Dark Worlds Quarterly, and has been doing so for nearly a decade — but because of his endlessly zany topics. In the past few months he’s covered Haunted Houses in 50s comics, the Top Ten Ghostbreakers from Weird Tales, Werewolves of EC Comics, Space Heroes of the Golden Age, Fearless Vampire Killers of the pulps, Top Ten Fantasy Fight Scenes from 1980-1985 sword & sorcery flicks, Plant Monsters, Conan in Archie Comics, and so, so much more. For pulp and comic enthusiasts of a Certain Age, G.W. has tapped a nostalgic mother lode.

He also delves pretty deep into more serious topics of real interest, like that time he wrote a one-sentence review of every story in Damon Knight’s classic anthology Science Fiction of the 30s, complete with the original pulp illustrations.

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Chess in Sword & Planet Fiction, Part II: Dray Prescot and Gor

Chess in Sword & Planet Fiction, Part II: Dray Prescot and Gor

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Dray Prescot 20: A Sword for Kregen (DAW, August 1979) and Players of Gor
(DAW Books, March 1984). Covers by Richard Hescox and Ken Kelly

My second exposure to Sword & Planet chess came in one of my favorite Sword & Planet books, which I’ve mentioned in this series already a couple of times. This was A Sword for Kregen, by Alan Burt Akers (aka Ken Bulmer). In this book, Dray Prescot, our earthman hero, becomes a living Jikaida piece in a battle to the death.

Jikaida is war game similar to chess, although considerably more complicated. There are several different variations played across the world of Kregen. It’s usually played on a board of much more than 100 squares of either black and white or blue and yellow. There are typically 36 pieces to a side, arranged in three ranks. I never tried to play Jikaida, though the rules are available. Here’s a link to an online description of the game.

John Norman also introduced an S&P version of chess in his Gor series. He called it Kaissa, which is clearly a nod to the Goddess of chess — Caissa — who first appeared in a 1527 poem by Hieronymus Vida telling the story of a chess game between the Gods Apollo and Mercury.

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Chess in Sword & Planet Fiction: The Chessmen of Mars by Edgar Rice Burroughs

Chess in Sword & Planet Fiction: The Chessmen of Mars by Edgar Rice Burroughs

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The Chessmen of Mars (Ace Books, December 1962). Cover by Roy Krenkel, Jr.

Chess in Sword & Planet fiction: I learned the basic rules of chess in grade school and liked that it was a game that didn’t require luck. I didn’t do well at “luck!” The first adult I played was my brother-in-law, who rather gleefully mopped the floor with me. Out of resentment, I began to study and in our next game, probably when I was about 16, I mopped the floor with him.

I played quite a bit in college and actually joined a chess club in graduate school and began to study the game seriously. I got close to “expert” level, still well below Master level, before realizing I had to quit serious chess if I were going to be able to do my graduate work. Both were very time consuming and chess wasn’t going to pay the bills so it had to go bye bye.

I bring the game up here because I remember with distinct pleasure discovering Edgar Rice Burroughs’ The Chessmen of Mars. Wow! A whole book in which a chess-like game plays a major role, and where living chess pieces must fight for the control of squares during the game. I know this isn’t the first time someone used the concept of living chess pieces but it was my first exposure to it. It sent my imagination soaring.

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Tarzan and Beyond: Philip Jose Farmer, Part II

Tarzan and Beyond: Philip Jose Farmer, Part II

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Tarzan Alive and Doc Savage: His Apocalyptic Life (Playboy
Paperbacks, August 1981 and July 1981). Covers: uncredited, Ken Barr

Read the first half of this article, The World of Tiers and Beyond: Philip Jose Farmer, Part I.

Continuing our examination of Farmer’s pastiches, Farmer soon gave up the Grandrith and Caliban names and went full on with the characters in two fictional biographies called Tarzan Alive (1972) and Doc Savage: His Apocalyptic Life (1973), both from Playboy’s Science Fiction line.

The cover for Tarzan Alive is very cool but is uncredited. Ken Barr seems to have done the Doc Savage cover and it’s also very cool. I liked both of these books pretty well. The Tarzan book rambles a bit. The Doc Savage is better than many of the original Doc Savage novels. It references quite a few. These books are true to the characters and have none of the bizarre sexual exploits described in A Feast Unknown.

These books also suggest that Tarzan, Doc Savage, and such other fictional characters as Sherlock Holmes are all related to each other and are the product of inherited mutations caused by a meteor that struck England in 1795 called either the Wold Cottage or the Wold Newton Meteor.

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