Black Gate

Alien: Romulus (20th Century Studios, August 16, 2024)

To begin, I’d like to review two important facts. First, with the 2019 acquisition of Fox, Disney became the owners of the long-running Alien sci-fi franchise. Second, in 2012 Ridley Scott, who created the original masterpiece that was Alien (1979), decided to leap back in after five other directors had a go at some portion of the story. This effectively scuttled the planned Alien movie we all deserved, which would have been a sequel to Aliens (1986) directed by Neill Blomkamp and would have ignored the movies which followed Aliens. This story would have reunited Ripley (Sigourney Weaver) and Hicks (Michael Biehn), and probably would have been awesome.

Instead, what we got was Sigourney Weaver permanently bowing out from the franchise, and two prequels from Scott, which were anything but awesome. Though nostalgia and eternal optimism caused die-hard fans to make Prometheus (2012) a technical box office hit ($130M budget against a $403M take), we’d learned our lesson by the time Alien: Covenant came around in 2017. It was considered a disappointment by Hollywood standards, bringing in less than half the ticket sales of its predecessor. Personally, I wished Scott would have kept his hands to himself.

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The original design submitted by Diving Faces (aka Jonny Campbell)

During 2020 when I was looking to fill quite a lot of downtime, I discovered the Lego Ideas website. Though I have never been a Lego builder or collector, I am still endlessly fascinated by the incredible creations true aficionados come up with. At Lego Ideas, hardcore Lego builders create and showcase unique designs. There are regular “challenges” creators can enter, but the big prize goes to those ideas submitted to the new products challenge. In the end, the creation in that category, with the most community votes, becomes a new Lego set produced for sale.

In May 2022, a Lego master builder going by the handle “Diving Faces” submitted a build depicting the final scene in the movie Jaws. In that scene it’s the shark against the three heroes, Quint (Robert Shaw), Brody (Roy Scheider) and Hooper (Richard Dreyfuss), in Quint’s boat the Orca. “Diving Faces,” recently unmasked as Lego-master Jonny Campbell, created a 14-inch-high replica of the boat, as well as the iconic shark, all with Legos.

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It was during the silent movie era, which lasted from 1894 to 1929, that Bram Stoker penned his most famous work, Dracula (1897). However, it wasn’t Stoker who decided to bring his vampire to the silver screen, but instead, German filmmaker F.W. Murnau ultimately plagiarized Dracula for his 1922 film Nosferatu, kicking off one of the first high-profile copyright cases in history.

Florence Stoker, Bram Stoker’s widow, was living in London when she received the program of the Berlin premiere of Nosferatu that proclaimed the film was “adapted from Bram Stoker’s Dracula.” She realized Nosferatu was violating Stoker’s copyright and therefore costing her royalties. As his widow, Florence was entirely reliant on Stoker’s legacy, so she decided to act.

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It is no secret around the Black Gate offices that if the “King of the North” ever drops by asking for Goth Chick, I am absolutely, unequivocally always available. It’s true that Jon Snow could be a little too angsty at times, but it was never about his dialog and all about how he looked saying it.

So pairing actor Kit Harington with one of my favorite classic movie monsters had me watching this trailer for The Beast Within over and over when it dropped Tuesday morning.

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An American Werewolf in London (Universal Pictures, August 21, 1981)

I am relieved to report that this is my final week of traveling which has been utterly unassociated with any fun save for my horror movie marathon. Notice how I carefully avoided additional adjectives like “classic” or “retro” for fear of catapulting you and me into a tailspin of denial. What I will say is that my binge-watching has been confined to movies that have celebrated their 40th anniversaries, so we’ll just leave it there.

Though nearly every evening of the last five weeks has seen me streaming my way through a list of titles inspired by my personal DVD archival vault (a couple of plastic tubs in my crawl space), I’ve chosen to do a deep dive on my favorites. This week’s marathon included The Lost Boys (1987), Prince of Darkness (1987), and Fright Night (1985), all of which would have made wonderful articles. But when the opening of American Werewolf in London (1981) started rolling on my laptop, there was no question what I’d be talking to you about today.

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The Tingler (Columbia Pictures, July 1959), and The Fly (20th Century Fox, July 1958)

Though I have previously described how my Dad first introduced me to classic horror, Mom would likely be mortified to know I credit her as well. Though there is one lone, totally fabulous drive-in movie theater left in Chicagoland, Mom used to tell me how there were a dozen or more ‘back in the day.’ She explained how, when she and Dad were dating, there was no finer way to spend a summer evening than seeing the latest film under the stars. What seemed strange to me about these stories were the titles of the movies they used to see. Apparently, in her youth, Mom also liked horror.

I remember listening with rapt attention as she described a scene from The Tingler in which the disembodied spinal cord crawled up over the front seat to attack a couple at the drive-in. She said this was the scariest thing she had ever seen as she and Dad were watching The Tingler at the drive-in. Mom also talked about The Fly (1958), starring David Hedison, Patricia Owens, and Vincent Price. Apparently, Vincent Price’s performance gave her nightmares.

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The Fury (20th Century Fox, Release date March 10, 1978)

As I mentioned a couple weeks back, I am in the middle of some tedious travel and am amusing myself by streaming from a list of horror films I hadn’t thought about in ages. Some of these titles came from an archeological expedition to the back reaches of my crawl space. There, I have multiple storage bins containing VHS tapes, which I am certain will someday fund my retirement when a future generation becomes nostalgic for the good old days of movie viewing.

I must admit, it was fun to dig through these titles. Each tape is like a 7”x4” bookmark for a point in time in my personal history, reminding me of an evening sitting in front of a friend’s “projection TV” following a trip to Blockbuster, or a date night where I could pretend to be scared.

When VHS began its decline, I collected many meaningful titles from “$3 or less” bins at various stores, finally snagging the motherload when the local “Family Video” store had a going-out-of-business sale. In that case, I pretty much scored one of everything from their horror section allowing me to catch up on a lot of titles I was too young to see in the theater due to the R-ratings.

Which brings me to how I spent last evening; streaming The Fury.

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I have made no secret here of how I feel about Twilight; books, and movies. To be fair, I only made it through two of the books, understanding I was far from the target audience. Over the years since their release, I have managed to watch most of the movies piecemeal, taking them in ten-minute micro-bites, which is about all I could stand to stream in one sitting. Again, I realize I am not the target audience. But to lifelong devotees of vampires in literature, on screen, and in folklore, watching what Twilight did to our favorite monster was more than any fang-fan can be expected to endure.

I mean, would Bela Lugosi ever, EVER trade his cape for a flannel shirt? Or London for Washington state? Or (I can barely type this) sparkle…?

If you must imagine what vampires are doing in the 2000s, for crying out loud binge-watch What We Do in the Shadows.

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