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Category: Weird Western

The Fiction of Edgar Rice Burroughs, Part III: The Westerns and The Mucker

The Fiction of Edgar Rice Burroughs, Part III: The Westerns and The Mucker

Westerns by Edgar Rice Burroughs: The Bandit of Hell’s Bend and The Deputy Sheriff of Commanche County (Ace Books); Apache Devil and The War Chief (Ballantine Books). Covers by Boris Vallejo, the Brothers Hildebrandt, and Frank McCarthy.

Like many pulp writers of his day, ERB dipped his toes into the western genre. He wrote four: two pretty standard ones and two that incorporate the Native American experience. He knew something of what he wrote, having worked on his brother’s ranch in Idaho at age 16, and having served with the 7th cavalry in Arizona in the late 1890s.

His first standard western was The Bandit of Hell’s Bend (1924), followed by The Deputy Sheriff of Commanche County in 1940. Both of my copies are later printings from Ace with very cool Boris illustrations. I like these better than many of Boris’s paintings because they seem less static. He does a good job of portraying action here.

In Bandit, we have a disgraced ranch foreman and a young woman who has inherited the ranch, and various villains who want to steal the ranch from her because they know there’s silver on it. The foreman, Bull, has to rise to the occasion. There’s great action and pretty good plotting, although you’ll probably figure it out pretty soon. And, as always, ERB creates sympathetic heroes and dastardly villains.

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Neil’s Horror Corner: The Weird, Weird West, Part III

Neil’s Horror Corner: The Weird, Weird West, Part III


The Dead and the Damned (Mattia Borrani Productions, 2010), The Pale Door (Shudder,
2020), and The Magnificent Dead (Broom Closet Video, 2010)

The Dead and the Damned (2011) – Tubi

Stand-off with six guns?

Lots of unconvincing shootin’.

Uncomfortable chaps?

Rubbish zombies.

Any good?

As with some previous entries, it gives me no pleasure to rip into this film.

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Neil’s Horror Corner: The Weird, Weird West, Part II

Neil’s Horror Corner: The Weird, Weird West, Part II


The Wind (IFC Midnight, 2018), Devil Rider (Curb/Esquire Films,
1989), and Luz, the Flower of Evil (Afasia Films, 2019)

The Wind (2018) – Prime

Stand-off with six guns?

A bit of shotgun.

Uncomfortable chaps?

Demons of the Prairies.

Any good?

Yes, very good. A slow burn, ensemble production with stunning cinematography and an awesome soundtrack.

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The Martian Chronicles Meet True Grit: The Strange by Nathan Ballingrud

The Martian Chronicles Meet True Grit: The Strange by Nathan Ballingrud


The Strange (Saga Press, March 21, 2023). Cover uncredited

I wish I could take credit for the headline of The Martian Chronicles Meet True Grit for Nathan Ballingrud’s terrific novel, but according to the author, Karen Jay Fowler came up with it. I hope she won’t mine me stealing it because it is as spot on as any description I could come up with.

The more prosaic version is that The Strange is a Western riff on Ray Bradbury’s vision of Mars, but without the canals. A Mars in an alternate 1930s timeline when interplanetary space travel first began during the Civil War, an oblique reference (among a slew of oblique references to classic SF tropes and personages) to Edgar Rice Burroughs’ John Carter, an ex-Confederate Barsoom warlord. Just as Bradbury had no interest in explaining how humans could actually exist on Mars sans space suits in a sort of off-world version of 1950s Illinois, or Burroughs how you can get astrally projected from an Arizona cave to Mars, Ballingrud just wants you to suspend disbelief and enjoy the ride.

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Neil’s Horror Corner: The Weird, Weird West, Part 1

Neil’s Horror Corner: The Weird, Weird West, Part 1


Dead Noon (Igotshde Productions, 2009), Mad at the Moon (Republic Pictures
Home Video, 1992), and Bullets for the Dead (Visionquest Entertainment, 2015)

I’m sometimes asked why I haven’t got around to watching Oppenheimer or Killers of the Flower Moon yet, and that’s because I’m too busy watching this sort of stuff.

Dead Noon (2009) – Prime

Stand-off with six guns?

Yep. Flaming bullets too.

Uncomfortable chaps?

Zombies, demons etc.

Any good?

No, ma’am.

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Ten Things I Think I Think: October 2023

Ten Things I Think I Think: October 2023

A (Black) Gat in the Hand takes a week off for a somewhat Robert E. Howard-centric installment of Ten Things I Think I Think. Books, television, movies, and even a computer RPG are in the mix today.

1) Jules De Grandin is a new favorite

Being a Robert E. Howard guy, I am familiar with Weird Tales – home to much of his best work, including Conan, Kull, historical fiction, and Solomon Kane, among much more. But not being into horror, I don’t really read anyone else from ‘The Unique Magazine.’

But I recently bought the audiobook for The Horror on the Links. It is Volume One of The Complete Tales of Jules De Grandin. A few stories have been a bit much for me in the macabre category, but Seabury Quinn’s doctor-former Surete policeman is an Occult Detective version of Hercule Poirot. I am absolutely loving the mix. I’m nearing the end of this collection, and I’ll be listening to Volume Two next.

De Grandin is a French transplant to fictional Harrisonville, New Jersey. His Watson is Dr. Trowbridge, and they investigate both cases that have natural, as well as supernatural, solutions. Each audiobook is about 25 hours long, which is a lot of entertainment. Paul Woodson does a great de Grandin. There are over 90  stories – including one serialized novel. As a Poirot fan, I’m totally in on these. I’ve been kicking around the idea of a de Grandin/Nero Wolfe crossover.

 

2) “The Horror from the Mound” is Quite a Story

Sticking with horror, I was hoping to have an essay ready today for Robert E. Howard’s “The Horror from the Mound.” It’s a (then) contemporary Weird Western which also appeared in Weird Tales. I’d read it before, and with one foot in ‘today’ and one firmly in the mid 1600s, may be my favorite REH horror story. Still working on the essay.

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A (Black) Gat in the Hand: William Patrick Murray on Cross-Genre Confusion, and Supernatural Westerns

A (Black) Gat in the Hand: William Patrick Murray on Cross-Genre Confusion, and Supernatural Westerns

“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Last week was part two of  fellow Robert E Howard Foundation Award-winner John Bullard’s look at Robert E. Howard’s humorous Westerns. Earlier this summer, Pulp maven (and fellow Sherlock Holmes afficionado) William Murray revealed right here in this column, that Dashiell Hammett did not actually write “The Diamond Wager/” Will, who has written about Doc Savage, and The Spider, for A (Black) Gat in the Hand, is back at it again. 

Will – who has written THE look at Western pulps – Wordslingers: An Epitaph for the Western – takes us into the world of Weird Westerns. It’s no surprise that Pulp editors were leery of ‘crossing the streams’ for these types of stories. Read on!

Cross Genre Confusion

In the beginning, the pulp magazine was an undifferentiated product.

Starting with the first of its type, The Argosy, it was essentially a colorful cornucopia of fiction, much of it belonging to no particular category. Stories of city, farm, and tenement life were common. Yarns set in the half-tamed West were not always gunsmoke sagas, but simply narratives set in the contemporary West. Historical tales were also common. As were simple homespun comedies. Many were quasi-adventure stories of men at their work. Thus we often discover coal mining episodes, off-field yarns, and Mountie exploits.

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Adventure in a Nightmare-fueled Landscape: Deadlands: the Weird West

Adventure in a Nightmare-fueled Landscape: Deadlands: the Weird West

Deadlands: the Weird West (Pinnacle Entertainment Group, April 2021)

Kickstarter completely transformed board gaming a decade ago, and over the last few years it has thoroughly reinvigorated role playing as well. It’s the de facto launch platform for the hobby gaming industry these days, and it doesn’t look like that’s going to change any time soon. I’ve been playing RPGs since 1979, and in all those years I’ve seen countless new and innovative game systems fail because they couldn’t grow beyond a small but dedicated fan base. Kickstarter has brought those systems a whole new lease on life — and an explosion of new content.

Deadlands is fine example. Created by Shane Lacy Hensley and published by Pinnacle Entertainment Group in 1996, the horror/steampunk game was a huge artistic and creative success, easily one of the most talked-about RPGs of the 90s. Talk wasn’t enough to keep it alive though, and for long stretches of the last 25 years the game has sadly been unavailable.

In 2017 Pinnacle stuck a toe in the waters with a reprint of the 1999 edition, Deadlands 20th Anniversary Edition, funded by a crowdfunding campaign. Emboldened by that success, last year they tried something much more ambitious: Deadlands: the Weird West, a massive box set containing a complete system relaunch using the Savage Worlds core rules. Deadlands‘ small but loyal fanbase enthusiastically rallied to support the new Kickstarter campaign, and it blew through its $10,000 goal, with 4,973 backers pledging a whopping $568,636.

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Future Treasures: Gunfight on Europa Station edited by David Boop

Future Treasures: Gunfight on Europa Station edited by David Boop

Gunfight on Europa Station (Baen Books, January 25, 2022). Cover Art by Dominic Harman

I’ve been enjoying David Boop’s weird western anthologies for Baen (Straight Outta Tombstone, Straight Outta Deadwood, and Straight Outta Dodge City). His newest takes the series in a different direction — deep space! — but keeps the six shooters and saddle spurs. That’s different. But what the hell — I’m on board.

Gunfight on Europa Station arrives on January 25, and comes packed with new fiction by an impressive list of contributors: Alan Dean Foster, Jane Lindskold, Wil McCarthy, Gini Koch, Martin Shoemaker, Cat Rambo with J.R. Martin, Alastair Mayer, Alex Shvartsman, Patrick Swenson, Elizabeth Moon, and Michael L. Haspil. These books are a lot of fun, and I’m looking forward to the newest with anticipation.

I’m especially excited to see Alex Shvartsman’s contribution. I was at his reading at Worldcon last month (from his upcoming novel The Middling Affliction), and it was easily the most entertaining of the dozen or so I attended, a raucous and funny tale of an exorcist/con man who winds up over his head in a tangled supernatural mystery. It’s always a pleasure to discover a new writer, and it’s doubly so when you have the chance to hear a skilled entertainer perform their own work.

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New Treasures: Corporate Gunslinger by Doug Engstrom

New Treasures: Corporate Gunslinger by Doug Engstrom

Corporate Gunslinger-small Corporate Gunslinger-back-small

Corporate Gunslinger by Doug Engstrom (Harper Voyager, June 2020). Cover design by Yeon Kim

Doug Engstrom definitely has one of the more original debuts of the month with Corporate Gunslinger, a new-future adventure tale in which…. well, maybe it’s best if we jump right to the Publishers Weekly review.

Engstrom’s promising debut offers a stark, dystopian vision of a near-future American Midwest in which debt slavery is commonplace and livestreamed gunfights are a popular form of entertainment. Former actor Kira Clark accepts a sponsorship from TKC Insurance Company to duel civilians on live TV to avoid defaulting on her student loans and resigning herself to a life of debt slavery. Kira adopts a cold, composed persona in her gunfights, but outside the arena she’s kind-hearted and loyal, if gradually becoming more unstable. At her side are her best friend, Chloe Rossi, and her mentor, Diana Reynolds, who support Kira through all of her highs and lows… [a] grim, intelligent examination of the American debt crisis… fans of insightful dystopias will find plenty to enjoy.

Read the whole thing here. You know, I’m not even sure what category this is. Weird Western? Future Western? Western Dystopia? File it next to Westworld; that should be close enough.

Corporate Gunslinger was published by Harper Voyager on June 16, 2020. It is 320 pages, priced at $15.99 in hardcover and $10.99 in digital formats. The cover was designed by Yeon Kim. Read the first three chapters here, and listen to an audio excerpt here. See all our recent New Treasures here.