Black Gate

Cover art by Dominic Harman

I was impressed with David Boop’s 2017 anthology Straight Outta Tombstone, one of the better Weird Western volumes of the last few years. So I was excited to see the sequel, Straight Outta Deadwood, arrive this week from Bean. Boop gives us a taste of what to expect in his Foreword, “Histories Mysteries.”

My directive to all the authors in these anthologies [was] to give me the Old West the way it really was, where applicable. I wanted the history within to be accurate, the voices authentic… But I also asked them to give me, and you the readers, the world we wished to see: dragons flying overhead, or the ability to drink with dwarves, or hear how grandpappy fought off zombies in Deadwood…

For those of you who read read Straight Outta Tombstone, this second anthology is my Empire Strikes Back. It’s darker, and include a couple pieces that left me shaken afterward… Don’t worry if you get scared easily, though. I have broken the narrative up with humor, victories over evil, and gunfights.

Lots of gunfights.

There’s been a distinct lack of decent Weird Western recently, and Straight Outta Deadwood addresses that nicely. It contains brand new short fiction by Steve Rasnic Tem, Charlaine Harris, Stephen Graham Jones, Lacy Hensley, Jane Lindskold, Cliff Winnig, D.J. Butler, and many others. Here’s the complete table of contents.

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Charlaine Harris was the first really big interview we ever scored at Black Gate. This was thirteen years ago, before the breakout success of the True Blood HBO series based on her Sookie Stackhouse novels, but she was already hugely popular. Goth Chick met with her at a restaurant, before a big signing event here in the suburbs of Chicago, and came back totally charmed. We included the interview in Black Gate 8, the Summer 2005 issue, and it was a big hit with readers.

Harris has reached a point in her career where she can do whatever she wants. Fortunately for us, what she wants to do appears to be tell Weird Western tales. Her latest, An Easy Death, is set in a southwestern country known as Texoma, where magic is common and a young gunslinger named Lizbeth Rose takes a job to be a local guide for a pair of Russian wizards. But all is not what it appears to be, and dark forces are aligning against Lizbeth and her clients. It was published in hardcover earlier this month by Saga Press.

The beloved #1 New York Times bestselling author of the Sookie Stackhouse series, the inspiration for HBO’s True Blood, and the Midnight Crossroad trilogy adapted for NBC’s Midnight, Texas, has written a taut new thriller — the first in the Gunnie Rose series — centered on a young gunslinging mercenary, Lizbeth Rose.

Set in a fractured United States, in the southwestern country now known as Texoma. A world where magic is acknowledged but mistrusted, especially by a young gunslinger named Lizbeth Rose. Battered by a run across the border to Mexico Lizbeth Rose takes a job offer from a pair of Russian wizards to be their local guide and gunnie. For the wizards, Gunnie Rose has already acquired a fearsome reputation and they’re at a desperate crossroad, even if they won’t admit it. They’re searching through the small border towns near Mexico, trying to locate a low-level magic practitioner, Oleg Karkarov. The wizards believe Oleg is a direct descendant of Grigori Rasputin, and that Oleg’s blood can save the young tsar’s life.

As the trio journey through an altered America, shattered into several countries by the assassination of Franklin Roosevelt and the Great Depression, they’re set on by enemies. It’s clear that a powerful force does not want them to succeed in their mission. Lizbeth Rose is a gunnie who has never failed a client, but her oath will test all of her skills and resolve to get them all out alive.

An Easy Death was published by Saga Press on October 2, 2018. It is 306 pages, priced at $26.99 in hardcover and $7.99 for the digital edition. The cover is by Colin Anderson. Read the complete first chapter here.

Laura Anne Gilman’s The Devil’s West trilogy is a Weird Western that follows Isobel, a sixteenth year-old who chooses to work for the devil in his territory west of the Mississippi. The opening novel Silver on the Road was a Locus hardcover bestseller and a Publishers Weekly Top Ten Pick for Fall 2015, and SF Signal said it “marks a major landmark in the burgeoning subgenre of Weird West Fantasy.” In his NPR review Jason Sheehan wrote:

Gilman… [has] chosen a fertile place to begin her new series (the broad plains, red rock and looming mountains of the American West), and amped up the oddity of it all by planting the Devil there as a card dealer, fancy-pants and owner of a saloon in a town called Flood.

And the Devil, he runs the Territory. Owns it in a way. Wards it against things meaner than he is, because Gilman’s Devil isn’t exactly the church-y version. He’s dapper in a fine suit and starched shirt. He’s power incarnate — a man (no horns, no forked tail, just a hint of brimstone now and then) who gets things done; who offers bargains to any who come asking and always keeps to the terms because, as everyone in the territory knows, “The Devil runs an honest house.” He never asks for anything you’re not prepared to give, never gives anything that doesn’t have a price.

So when Isobel, who has worked since childhood as an indenture in the Devil’s house, comes of age and has the chance to cut her own deal with Old Scratch, she gives the only thing she owns — herself — into the employ of the Boss and becomes the Devil’s Left Hand.

The sequel The Cold Eye arrived last year to similar acclaim; Library Journal called it “a fabulous coming-of-age tale of magic and power, set in a conflict-ridden alternative Wild West,” and NPR said “It’s like the Oregon Trail of magical voodoo western novels.”

The third and final volume, Red Waters Rising, finally arrived in June, and our friend John DeNardo at Kirkus Reviews called it “a gripping conclusion.” It’s been too long since I’ve had a great Weird Western to dig into, and finally having all three books on my shelf has proven irresistible. They will be my pleasure reading this weekend.

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As Rachael Acks, Alex Acks published some two dozen stories in places like Lightspeed, Shimmer, and Mothership Zeta. For novels he uses the name Alex Wells; his first, Hunger Makes the Wolf, was released last March by Angry Robot, and it got praised by a whole lot of people I respect. E Catherine Tobler said “It has a wonderful weird west vibe and some of the phrasing is simply delicious… Alex crafts a host of fascinating characters here – the Weathermen, the Bone Collector – and I reckon you’re going to love their adventures.” And at Tor.com, Liz Bourke said “It’s a science fiction Western thriller, and it is great, and I’m really, intensely, eagerly looking forward to the sequel.”

Well I have good news for Liz: the sequel has arrived. Blood Binds the Pack was released last week, it sounds as engaging as the first, and I ordered a copy as soon as it was available. Here’s the description.

War is coming to Hob Ravani’s world. The company that holds it in monopoly, TransRift Inc, has at last found what they’re looking for — the source of the power that enables their Weathermen to rip holes in space and time, allowing the interstellar travel all of human society now takes for granted. And they will mine every last grain of it from Tanegawa’s World no matter the cost.

Since Hob Ravani used her witchy powers to pull a massive train job and destroy TransRift Inc’s control on this part of the planet, the Ghost Wolves aren’t just outlaws, they’re the resistance. Mag’s miner collective grows restless as TransRift pushes them ever harder to strip the world of its strange, blue mineral. Now Shige Rollins has returned with a new charge — Mr Yellow, the most advanced model of Weatherman, infused with the recovered mineral samples and made into something stranger, stronger, and deadlier than before. And Mr Yellow is very, very hungry.

Blood Binds the Pack was published by Angry Robot on February 6, 2018. It is 496 pages, priced at $8.99 in paperback and $6.99 for the digital edition. The cover is by Ignacio Lazcano. Read the first two chapters here.

The Trials of Solomon Parker doesn’t look it, but it’s part of a series. A loose series maybe, but still a series. The first novel, Dr Potter’s Medicine Show, was published by Angry Robot back in March. At least you don’t have to wait long between installments.

John Shirley called the first novel “A powerful alchemical elixir concocted of post Civil War historical fiction, dark fantasy, and Felliniesque flavoring.” And the Barnes & Noble Sci-Fi & Fantasy Blog labeled it a “gritty, down-and-dirty debut.” In her feature review at Tor.com, Arianne Thompson described it as:

An Enthusiastic Carnival of Horrors… even though Dr. Potter rightly belongs on the “horror/occult” side of the Weird Western spectrum, it cleaves apart from the sensational grimdark vogue that so heavily tints our view of the past. Fischl’s command of his characters’ world is grotesque, vivid, joyful, and sublime — an uncommon realism that honors the human side of history, and a reminder that a carnival of horrors is still a carnival, after all, with miracles and spectacles awaiting anyone brave enough to venture into the sideshow tent.

The B&N Sci-Fi Blog says “compelling and broken characters, and damn good storytelling elevates The Trials of Solomon Parker to whole new level of weird western. Two excellent books in a calendar year – Fischl is definitely a writer to watch.”

The Trials of Solomon Parker was published by Angry Robot on October 3, 2017. It is 384 pages, priced at $7.99 in paperback and $6.99 for the digital edition. The cover is by Steven Meyer-Rassow.