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The HBO Season 4 Finale of Game of Thrones: How Different Was it from George R.R. Martin’s Version?

The HBO Season 4 Finale of Game of Thrones: How Different Was it from George R.R. Martin’s Version?

Daenerys Targaryen Sseason 4 Game of Thrones-smallThough it’s one of the best works in the epic fantasy genre, there’s no denying that George R.R. Martins A Song of Ice and Fire series has its share of flaws. The HBO series, based on the books, lacks in some areas in comparison (simply due to a more compressed narrative), but has proven itself to be as good, if not better, than the source material – especially when it comes to plot execution.

Which is why last Sunday’s finale (available on demand through HBOGo or DirecTV, if you haven’t seen it already) was as filled with surprises for those who have read the book as it was for show-only fans.

SPOILER ALERT! Spoilers for the Season 4 finale ahead.

For instance, as much as we love Daenerys, it’s obvious her story was in danger of becoming somewhat dry, which led the show’s editors David Benioff and DB Weiss to make the decision to bring the period of her rule in Meereen forward in time, as opposed to when it occurs in the books. They made the same choice with Bran Stark, who at the point in the novels where the events of the finale are happening in King’s Landing has yet to even cross the Wall.

The show’s producers also fleshed out what had been insignificant or smaller scenes, such as the battle at Craster’s Keep, and reorganized the series of events for most significant impact. Imagine if Jaime hadn’t been around to watch his son Joffrey die -– in the books, he returns shortly after, instead of weeks prior.

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My Favorite Fantasy Villains

My Favorite Fantasy Villains

Darth Vader Wants to Shake Your HandLast month, I did an article about my favorite fantasy heroes. Now it’s time to give the bad guys some love.

And I do love villains. I was the kid in the theater rooting for the Death Star to shoot down those annoying rebel fighters. I cheered when Hannibal Lector escaped captivity. I laughed out loud when the horse died on the ferry boat in The Ring. (Hey, even Death needs a fan club.)

Anyway, as a young boy I would get so frustrated with shows, movies, and books because the villain always lost at the end, no matter how much smarter, tougher, or cooler they were than the “heroes.” And it continues to this day.

Also, villains are a blast to write. There’s something about viewing a story from that perspective—the person who wants what he wants and screw anyone who gets in the way—that is so sublime. And I accept it as a maxim that heroes (and even stories) are defined by their antagonists. Even the most dynamic and driven heroine looks drab when matched against a sub-par foe.

For all these reasons and more, here’s my list of some of my all-time favorite fantasy villains.

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New Treasures: Shanghai Sparrow by Gaie Sebold

New Treasures: Shanghai Sparrow by Gaie Sebold

Shanghai Sparrow-smallGuess what I found at Barnes & Noble this Sunday? Guess guess guess. You’re right! Gaie Sebold’s latest novel, Shanghai Sparrow, a Far Eastern steampunk tale of Espionage, Etheric Science, and Murder, according to the cover blurb. Man, you’re a good guesser.

Gaie’s been on a tear recently. If you remember your Black Gate history, we published her funny and suspenseful contemporary fantasy “A Touch of Crystal” (co-written with Martin Owton), way back in BG 9, and reported on her first novel Babylon Steel (described in the press as “Sword & Sorcery for the girl who wants to be Conan”) here. Babylon Steel received two Gemmell Award nominations, and the sequel Dangerous Gifts appeared early last year. For her third novel, Gaie turns to the Far East and introduces us to a heroine she describes as “Someone who learned to lie, cheat, and steal in order to survive; and ended up rather good at it.” Here’s the back cover blurb.

Eveline Duchen is a thief and con-artist, surviving day by day on the streets of London, where the glittering spires of progress rise on the straining backs of the poor and disenfranchised. Where the Folk, the otherworldly children of fairy tales and legends, have all but withdrawn from the smoke of the furnaces and the clamour of iron.

Caught in an act of deception by the implacable Mr Holmforth, Evvie is offered a stark choice: transportation to the colonies, or an education – and utter commitment to Her Majesty’s Service – at Miss Cairngrim’s harsh school for female spies.

But on the decadent streets of Shanghai, where the corruption of the Empire is laid bare, Holmforth is about to make a devil’s bargain, and Eveline’s choices could change the future of two worlds…

Read Gaie’s article on Creating Shanghai Sparrow over at the Fantasy Fiction blog and try an excerpt from the novel here (note: excerpt is a PDF download).

Shanghai Sparrow was published by Solaris Books on April 29, 2014. It is 384 pages, priced at $7.99 in paperback and $6.99 for the digital edition.

The Public Life of Sherlock Holmes: New Treasures: The Game’s Afoot (Wordsworth)

The Public Life of Sherlock Holmes: New Treasures: The Game’s Afoot (Wordsworth)

Wordsworth_GamesAfootOur fearless leader, John O’Neill, has been reviewing entries in Wordsworth’s Tales of Mystery & The Supernatural series: with emphasis on the supernatural end. So…I figured I’d look at one of the mystery entries.

Sherlock Holmes: The Game’s Afoot, offers twenty new tales of the world’s first private consulting detective. The real mystery is why I couldn’t find a single reference to this book anywhere on Wordsworth’s website. Curious, indeed.

Sherlockian pastiches are meant to emulate the style of Sir Arthur Conan Doyle’s original tales. As opposed to parodies, which spoof Holmes.

With the explosion of self-publishing, the quality of pastiches has come to vary wildly. There is quite a bit of dreck out there and the days of buying every Holmes story listed on Amazon are long gone.

The eleven authors who contributed to this collection worked hard to create the same kind of atmosphere Conan Doyle did. David Stuart Davies is the editor of this Wordsworth series and is a well-respected Sherlockian. He includes three of his tales. June Thomson, John Hall, Dennis O. Smith … there are some well-respected Sherlockian names in this collection.

 

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Were These the 10 Best Ghost Stories as of 1927?

Were These the 10 Best Ghost Stories as of 1927?

photo 1In 1927, Funk & Wagnalls Company published a 10-volume set titled The World’s One Hundred Best Short Stories. Edited by Grant Overton, each small (about 4” by 6.5”), red, hardbound book had a distinct sub-heading: V1. Adventure, V2. Romance, V3. Mystery, V4. Love, V5. Drama, V6. Courage, V7. Women, V8. Men, V9. Ghosts, V10. Humor.

Before I get to the meat-and-potatoes of this post (and if you think that would be volume 9, you would be eerily correct), a couple random observations about the series overall…

First: what an idiosyncratic parsing of genres! Four or five of them would be recognizable genres today, but I’ve yet to see a “courage” section in any bookstore.

Second: I wonder what distinguishes stories of “love” from stories of “romance”? My first thought was that maybe “romance” was being used in an earlier sense — as describing literature like the tales of King Arthur and stories that we would today classify as “fantasy.” Nope. A brief perusal was enough to see they’re romance stories in the modern sense.

Third: “Drama” here is meant to denote what we’d probably just deem mainstream or literary fiction. That volume includes stories by Kathleen Norris, Stephen Crane, and Guy de Maupassant (“The Necklace”, one of my first introductions to “literary fiction” in school — a story that fostered the oft-reinforced impression that “literary” fiction has to be depressing). “Drama” as it is used today — and back then too, for that matter — denotes stage scripts, at least in literary studies. Come to think of it, “drama” as Overton applied it to short stories back in 1927 is how it is now used in classifying films.

Okay, enough of the general observations. What really piqued my curiosity, when I came across these little volumes in a box dropped off at the bookstore where I work, was that ninth volume. Ghosts.

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Future Treasures: The Godless by Ben Peek

Future Treasures: The Godless by Ben Peek

The Godless Ben Peek-smallI’ve been covering a lot of new and upcoming anthologies recently — from John Joseph Adams’s Dead Man’s Hand to Jonathan Strahan’s Best Science Fiction and Fantasy of the Year Volume 8 and George R.R. Martin & Gardner Dozois’s massive Rogues. Nothing wrong with that. But every once in a while, I like to settle down with something a little more weighty. Not just a quick read, but a genuine fat fantasy with an epic scope, huge cast of characters, and intriguing premise. Ben Peek’s The Godless, the first installment of a new series, weighs in at 562 pages and looks like it will fit the bill nicely.

The Gods are dying. Fifteen thousand years after the end of their war, their bodies can still be found across the world. They kneel in forests, lie beneath mountains, and rest at the bottom of the world’s ocean. For thousands of years, men and women have awoken with strange powers that are derived from their bodies. The city Mireea is built against a huge stone wall that stretches across a vast mountain range, following the massive fallen body of the god, Ger.

Ayae, a young cartographer’s apprentice, is attacked and discovers she cannot be harmed by fire. Her new power makes her a target for an army that is marching on Mireea. With the help of Zaifyr, a strange man adorned with charms, she is taught the awful history of ‘cursed’ men and women, coming to grips with her new powers and the enemies they make. Meanwhile, the saboteur Bueralan infiltrates the army that is approaching her home to learn its terrible secret. Split between the three points of view, the narrative of Godless reaches its conclusion during an epic siege, where Ayae, Zaifyr and Bueralan are forced not just into conflict with those invading, but with those inside the city who wish to do them harm.

The Godless will be published on August 19 by Thomas Dunne Books. It is 562 pages, priced at $25.99 in hardcover and $12.99 for the digital edition.

Emperor of Thorns by Mark Lawrence Wins the 2014 David Gemmell Legend Award

Emperor of Thorns by Mark Lawrence Wins the 2014 David Gemmell Legend Award

Emperor of Thorns-smallMark Lawrence’s Emperor of Thorns, the final volume of The Broken Empire trilogy, has won the David Gemmell Legend Award for Best Fantasy Novel of 2013.

The David Gemmell Legend Award (DGLA) is a fan-voted award administered by the DGLA. This is its sixth year; it was first granted in 2009.

The DGLA also recognizes the top debut fantasy of the year and best cover art. This year, the Morningstar Award for Best Debut Novel went to Brian McLellan for Promise of Blood and Jason Chan received the Ravenheart Award for Best Cover Art for his cover for Emperor of Thorns.

The nominees for the 2014 Legend award also included The Daylight War by Peter V Brett, The Republic of Thieves by Scott Lynch, A Memory of Light by Brandon Sanderson & Robert Jordan, and War Master’s Gate by Adrian Tchaikovsky. See the complete list here.

The previous winners of the award were:

Andrzej Sapkowski’s Blood of Elves (2009)
Graham McNeill’s Empire: The Legend of Sigmar (2010)
Brandon Sanderson’s The Way of Kings (2011)
Patrick Rothfuss’ The Wise Man’s Fear (2012)
Brent Weeks’s The Blinding Knife (2013)

Complete details are available at the DGLA website.

Congratulations to all the winners!

Future Treasures: Path of Smoke by Bailey Cunningham

Future Treasures: Path of Smoke by Bailey Cunningham

Path of Smoke-smallBailey Cunningham’s Pile of Bones, the first novel of Parallel Parks, came out in July of last year and introduced us to Wascana Park, which transforms into the magical kingdom of Anfractus after midnight, and the group of ordinary university students who step inside and become a company of heroes — warriors, bards, and archers in a real-life role-playing game. (See our write-up from last August here.)

Now in the second volume, the stakes are raised and the team must learn to function without one of their most important members. Path of Smoke will be released late next month, which gives you plenty of time to get caught up with the first volume!

The company of heroes has thwarted the plan of the power-hungry basilissa to conquer Anfractus, but not without a cost. Andrew’s character, Roldan, died, leaving him cut off from the mystical realm without any memory of its existence. If the others reveal the park’s magical nature to Andrew, his banishment will become permanent. So they must hide their nighttime adventures — and hope that his memory returns.

Pursued by the basilissa’s forces, the rest of the group keeps a low profile in Anfractus until they uncover an unholy alliance between their enemy and the silenoi, satyrlike creatures who hunt humans — an alliance that threatens to cross the barrier into the real world.

And while his friends struggle to prevent an invasion in both worlds, Andrew receives a visitor determined to restore his memory of Anfractus by leading him down a very dark path…

Path of Smoke will be published by Ace Books on July 29, 2014. It is 304 pages, priced at $7.99 in paperback and $5.99 for the digital version.

Doug Draa on Weird Tales and Keeping the Brand Alive: The Paperback Years

Doug Draa on Weird Tales and Keeping the Brand Alive: The Paperback Years

Creeps by Night-smallLong before Doug Draa became an occasional blogger for Black Gate, I was a reader of his blog, Uncle Doug’s Bunker of Horror, which we’ve celebrated before. I especially enjoyed his habit of using any excuse whatsoever — and I do mean any excuse — to post luscious high-res images of countless beautiful old paperbacks. Reading Uncle Doug’s Bunker was like browsing a superb used bookstore (without any money).

As Doug has become busier with other projects, including becoming an Online Editor for Weird Tales, he’s been less and less able to keep up his blog. So I was delighted to see that he’s now started to post at the Weird Tales site. His recent articles include “The 15 most entertaining Horror Films from the 1980s,” “Four Decades of the Lovecraftian Aesthetic in Paperback,” “Lin Carter’s Weird Tales” and more fun stuff like that (see a complete archive here.)

On May 25, Doug posted one of his best recent articles, continuing his series on 90 Years of Weird: Keeping the Brand Alive: The Paperback Years. Doug surveys three decades of paperback anthologies reprinting WT fiction, from the death of the pulp magazine in September 1954 through its rebirth in 1988, generously illustrated with nearly three-dozen high-res scans. Here’s a quick snippet:

Lin Carter has a special place among the ranks of Weird Tales preservationists and revivalists. During the late 1960s and early 70s he edited and reprinted many H. P. Lovecraft and Clark Ashton Smith collections as part of his Adult Fantasy Series published by Ballantine. Mr. Carter never failed to sing praises to Weird Tales from the roof tops in his numerous introductions to the collections in this series. At the beginning of the 1980s Mr. Carter even went as far as to revive Weird Tales in paperback format for four issues. This incarnation wasn’t a darling of the critics, but I found it to be enjoyable and true to the original vision of the magazine… Thank you Mr. Carter, I drink to your Shade!

See the complete article here.

Kirkus Looks at Andre Norton’s Young Adult Novels

Kirkus Looks at Andre Norton’s Young Adult Novels

Star Born Andre Norton-smallAndrew Liptak has written a fine series of pulp and classic SF retrospectives SF at Kirkus Reviews over the last few months. In his latest, which he introduces at his website, he looks at the often-neglected YA novels of the great Andre Norton:

Norton wrote largely for what we now call the YA audience: teenagers, with fantastical adventures throughout numerous worlds and times. She was also largely ignored or dismissed for writing ‘children’s literature’, which is a shame, because it’s likely that she had as great an influence on the shape of the modern genre as Robert Heinlein, [whose] Juvenile novels attracted millions of fans to new worlds. Norton was the same, and influenced countless readers and writers for decades. It’s fitting that the major SF award for YA fiction is titled The Andre Norton Award for Young Adult Science Fiction and Fantasy.

Go read the entire article here. Or have a look at some of Andrew’s previous articles, including:

Astounding Science Fiction
Galaxy Science Fiction
Donald A. Wollheim and the Ace Double
The Meteoric Rise and Fall of Gnome Press

Digging further, I note that Andrew has also published blog posts on Leigh Brackett, Heinlein and Asimov, Philip K. Dick, Francis Stevens, C.L. Moore, Judith Merril, Margaret St. Clair, Katherine MacLean, and Anne McCaffrey, all at the Kirkus site. How did I miss all that? Clearly, I have some catching up to do!