Goth Chick News Crypt Notes: It’s a Chia-Pocalypse

Goth Chick News Crypt Notes: It’s a Chia-Pocalypse

Chia Zombies-smallYou may truly be unaware of this little tid bit, and no one would blame you if you were, but the Chia Pet has been around for almost 40 years.

Marketed by Joe Pedott’s California-based company Joseph Enterprises Inc., Pedott first learned about Chia Pets when he attended a housewares show in Chicago in 1977. But it wasn’t until that mind-worm of a catchphrase (“Ch-ch-ch-chia!”) and the release of the ram Chia Pet in 1982 that they became little terrracotta icons.

Chia Pets have managed to survive in exactly the same way that Pet Rocks and Beenie Babies have not. Maybe part of the reason for their longevity is that Chia Pets have kept pace with pop culture, with Chias hitting the market depicting everything from Disney characters to Looney-Tunes, The Simpsons to SpongeBob and recently, Duck Dynasty and President Obama.

So I considered it complete validation of my assertion that zombies are the current “it” monster — successfully unseating angsty, flannel-wearing vampires — when a Chia Zombie arrived at my door, direct from none other than Joseph Enterprises themselves.

You won’t see Chia Zombies around until fall, since Chias are traditionally only on store shelves for the holiday buying season, but I did find them on Amazon.

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The Public Life of Sherlock Holmes: Terry Pratchett’s ‘City Watch’

The Public Life of Sherlock Holmes: Terry Pratchett’s ‘City Watch’

CityWatch_GuardsCoverAs readers of this column are certainly aware, I’m quite the fan of detective and private eye novels. Beyond just the guy that the whole thing is named after. As I mentioned in last week’s post on Isaac Asimov’s Caves of Steel, I’ve made several posts about the genre.

Related yet distinct is the police procedural (though some stories, like the aforementioned Caves, fit in both genres). As you can guess from the name, these focus on police officers, rather than private operatives. They are all over television, such as Castle, CSI (insert name here), Hill Street Blues, and brand new shows like Battle Creek. Ranging from Dragnet and The Streets of San Francisco to Hawaii Five O (which lasted 12 seasons before coming back in its current incarnation).

The literary police procedural, while popular, has a lower profile than its television version and is definitely overshadowed by the private eye story.

Evan Hunter (better known as Ed McBain), who I consider THE master of the mystery short story, wrote more tales of New York’s 87th Precinct than I can count: and I can count to one, two, three, many (that’s a Terry Pratchett joke). Probably my favorite straight police procedurals are Tony Hillerman’s novels about The Navajo Tribal Police. The subject of a future post, they are superb police mysteries, set in the Indian reservation lands of the Four Corners. (I ended up doing a pretty solid three-part series on those fantastic books)

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New Treasures: The Haunting of Sunshine Girl by Paige McKenzie and Alyssa B. Sheinmel

New Treasures: The Haunting of Sunshine Girl by Paige McKenzie and Alyssa B. Sheinmel

The Haunting of Sunshine Girl-smallThe Haunting of Sunshine Girl is a popular YouTube web series starring Paige McKenzie, created by Nick Hagen and Mercedes Rose. The series focuses of 16-year old Sunshine following her move to Washington state from Texas with her mother, as she enters a new school, meets new friends (and boys)… and discovers her hew house is haunted by a host of malevolent spirits.

The Haunting of Sunshine Girl is the first book based on the web serial, and it has received a lot of attention all on its own. Written by star Paige McKenzie and author Alyssa B. Sheinmel (Second Star, The Beautiful Between), it is the opening book in a promising horror series aimed at young adults.

Shortly after her sixteenth birthday, Sunshine Griffith and her mother Kat move from sunny Austin, Texas, to the rain-drenched town of Ridgemont, Washington. Though Sunshine is adopted, she and her mother have always been close, sharing a special bond filled with laughter and inside jokes. But from the moment they arrive, Sunshine feels her world darken with an eeriness she cannot place. And even if Kat doesn’t recognize it, Sunshine knows that something about their new house is just … creepy.

In the days that follow, things only get stranger. Sunshine is followed around the house by an icy breeze, phantom wind slams her bedroom door shut, and eventually, the laughter Sunshine hears on her first night evolves into sobs. She can hardly believe it, but as the spirits haunting her house become more frightening — and it becomes clear that Kat is in danger — Sunshine must accept what she is, pass the test before her, and save her mother from a fate worse than death.

The Haunting of Sunshine Girl was published by Weinstein Books on March 24, 2015. It is 304 pages, priced at $16 in hardcover and $9.99 for the digital edition. Check out the YouTube series here.

Susan Kaye Quinn on Mind Control, Cashing Out Souls, and Publishing Your Own Way

Susan Kaye Quinn on Mind Control, Cashing Out Souls, and Publishing Your Own Way

The Legacy Human-smallSusan Kaye Quinn is an author and a rocket scientist who hails from the Chicago area. It’s hard to say what she’s best known for. Her YA science fiction Mindjack trilogy, noir science fiction Debt Collector serial, South Asian steampunk Dharian Affairs trilogy, and middle grade fantasy Faerie Swap have all been well received.

Her most recent release is dystopian cyberpunk The Legacy Human, which is the first book of her Singularity series. A member of the Indelibles (one of the first indie author groups to take off, back in the day) and the Emblazoners (an equally pioneering middle grade indie author group), she is also the author of The Indie Author’s Guide.

Now, this interview is a little out of sync with reality. I conducted it in September 2013, and then hit some technical difficulties, and then got buried by my startup business, so I apologize that the projects she’s talking about are now all published (but that means you don’t have to wait to read any of them.)

I have the privilege of sharing a German translator with Susan, and we both started our indie careers at around the same time (I’m E.M. Tippetts in indie world, a chick-lit writer). Together we’ve seen indie publishing evolve from an unheard of option with a strong stigma, to what it is today, providing both her and me a living. I’m just lucky.

She, on the other hand, is good, so I strongly recommend you hear what she has to say!

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James Maliszewski Launches The Excellent Travelling Volume

James Maliszewski Launches The Excellent Travelling Volume

The Excellent Travelling Volume-smallJames Maliszewski, Black Gate blogger and creator of the long-running hobby gaming site Grognardia, has launched a new magazine, The Excellent Travelling Volume.

The Excellent Travelling Volume is a 28-page, digest-sized print-only fanzine dedicated to Empire of the Petal Throne (EPT), the first roleplaying game set on M.A.R. Barker’s world of Tékumel. EPT was first released in 1975 by TSR, making it one of the first RPGs ever published.

Tékumel is one of the most popular and enduring settings in fantasy gaming. No less than four RPGs have used it since it first appeared, including Swords & Glory (Gamescience, 1983/84), the excellent Gardasiyal: Adventures in Tekumel (Theater of the Mind, 1994), and Tékumel: Empire of the Petal Throne (Guardians of Order, 2005). It was also the setting for several novels by Barker, including The Man of Gold (DAW, 1984) and Flamesong (DAW, 1985).

While Tékumel has remained popular, the original game which launched it, Empire of the Petal Throne, is now 40 years ago and an extremely rare TSR collectible. It was reprinted only once, by Different Worlds Publications in 1987. However, RPGNow sells a PDF version of the original rules for just $11. The game has a strong group of core fans who have kept it alive for four decades.

The Excellent Travelling Volume is produced under license from the Tékumel Foundation. The first issue (cover at left; art by Jason Sholtis — click for bigger version) was released in December 2014 and is already sold out. Issue #2 is now available. Issues have a very limited print run (200 copies) and go out of print fairly quickly; if you’re interested, I would suggest you act quickly.

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Fantasy Scroll Magazine 5 Now Available

Fantasy Scroll Magazine 5 Now Available

Fantasy Scroll Magazine 5-smallThe fifth issue of the Kickstarter-funded online-only Fantasy Scroll Magazine is now available.

Fantasy Scroll was launched with an Introductory Issue #0 in January 2014, which was used as a proof-of-concept for a Kickstarter campaign. The campaign ended on April 23, 2014, raising $2,956 against a $2,500 goal, enough to fund a full year (four issues).

Fantasy Scroll has become a poster child for the right way to fund and launch a new fantasy magazine. All four issues were released last year, as promised, and the mag has been successful enough to self-fund issue #5. It’s accomplished that by selling merchandise, launching a mobile app, soliciting donations — and additional funding drives, creating a Starlight Patrol of enthusiastic backers and supporters at Patreon who help keep the magazine going.

Fantasy Scroll has published original short fiction by Ken Liu, Mike Resnick, Piers Anthony, Cat Rambo, Rachel Pollack, Seth Chambers, and many others. The magazine is edited by Iulian Ionescu, Frederick Doot, and Michelle Muller. It’s published quarterly, and the contents include all kinds of fantastic literature — science fiction, fantasy, horror, and paranormal short-fiction — and run the gamut from short stories to flash fiction to micro-fiction.

Issue #5 is cover-dated February 2015, and includes 10 short stories from Emily Cataneo, Laurie Tom, Jarod Anderson and others — including “How the Grail Came to the Fisher King,” a new story by Black Gate author and blogger Sarah Avery.

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The Three Phases of Marvel’s Adam Warlock, Part One

The Three Phases of Marvel’s Adam Warlock, Part One

250px-Marv_premiere_01I think that my first encounter with Adam Warlock was in The Power of Warlock #2. Even at 11 or 12, I gravitated towards the lonely, brooding heroes of the Marvel universe, like Daimon Hellstrom and Doctor Strange, so I was hooked on my first look at Warlock. Like Hellstrom and Strange, Adam Warlock walked around with a heavy touch of destiny and Warlock #2 was a pretty brain-expanding issue. I read a lot of Adam Warlock since then.

In my head, I break down Adam Warlock’s history into three periods: (1) pre-Jim Starlin, which covers from his “birth” to the cancellation of his series in 1973, (2) the Starlin era, covering from 1975 until Warlock’s death in 1977 and (3) the post-Starlin era (which I name with wild inappropriateness, because Starlin still had a big hand in it), which basically covers Warlock’s resurrection onwards.

In this first post, I want to talk about the first period, the pre-Starlin Adam Warlock. I have always felt that this run of comics is a bit like a tiny restaurant serving great food that no one knows about but me.

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What Really Happened at the First Siege of Orleans? And, Where Does Dark Age History Come From?

What Really Happened at the First Siege of Orleans? And, Where Does Dark Age History Come From?

Copy of Final Cover
I borrowed a trick from Bernard Cornwell and plunged my hero into the thick of all the epic battles.

When I was writing Shieldwall: Barbarians! I borrowed a trick from Bernard Cornwell and plunge my hero into the thick of all the epic battles. That’s how Prince Hengest and his Jutes ended up at the Siege of Orleans.

No, not the Battle of New Orleans. And not the one with the Maid in it either.

This one was much much earlier – AD451 – when Orleans was Aurelianum. There was however a hero in a dress, if that’s an appropriate way of referring to a bishop’s vestments.

Here’s what happened:

King Attila with perhaps 100,000 Huns, Lombards, Gepids, Ostrogoths, renegade Romans and other riffraff pushed through the patchwork remnants of Roman Gaul, knocking over cities for supplies, until he reached Orleans.

Then he went away again.

Oh, was that anticlimactic?

You want to know the detail of what happened?

Hah! Sorry, the Dark Ages should really be called the “Historiographically Challenged Period”, meaning the ages are “dark” because we have difficulty seeing what was going on.

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Future Treasures: The Year’s Best Science Fiction & Fantasy Novellas: 2015 edited by Paula Guran

Future Treasures: The Year’s Best Science Fiction & Fantasy Novellas: 2015 edited by Paula Guran

The Year's Best Science Fiction & Fantasy Novellas 2015-smallJust this morning, in my article on Peter Crowther’s anthology Cities, I observed that the novella is the natural length for fantasy and science fiction. The novella has an exceptional history in this field, from H.G. Wells “Time Machine” to John W. Campbell’s “Who Goes There?” to Clifford D. Simak’s “The Big Front Yard” and Fritz Leiber’s “Ill Met in Lankhmar.” Unfortunately, there aren’t a lot of places that publish them these days… and even fewer that reprint them. Only a handful of Year’s Best volumes can afford to make space for novellas, which means that, if you miss their original appearance (frequently in small press outlets), you may never see some of the finest works published every year.

Paula Guran has set out to rectify that with a brand new anthology series: The Year’s Best Science Fiction & Fantasy Novellas: 2015, from Prime Books. It’s the companion volume to Rich Horton’s popular The Year’s Best Science Fiction & Fantasy from the same publisher, which publishes its seventh volume this year, and Paula’s own Year’s Best Dark Fantasy & Horror. Here’s the description.

The Year’s Best Science Fiction and Fantasy Novellas: 2015 inaugurates a new annual series of anthologies featuring some of the year’s best novella-length science fiction and fantasy. Novellas, longer than short stories but shorter than novels, are a rich and rewarding literary form that can fully explore tomorrow’s technology, the far reaches of the future, thought-provoking imaginings, fantastic worlds, and entertaining concepts with the impact of a short story and the detailed breadth of a novel. Gathering a wide variety of excellent SF and fantasy, this anthology of “short novels” showcases the talents of both established masters and new writers.

Here’s the complete Table of Contents.

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Help Uncover the Birth and Rise of Science Fiction: Support the Futures Past Kickstarter

Help Uncover the Birth and Rise of Science Fiction: Support the Futures Past Kickstarter

Futures Past 1926-smallLast month I was delighted to shine a spotlight on the first issue of Futures Past, a new magazine devoted to covering the birth of modern science fiction. Futures Past was originally a highly-regarded print fanzine, which published four issues in the early 1990s, each covering one year of SF history, from 1926-29. Editor Jim Emerson has resurrected it as a 64-page digital magazine, with gorgeous full-color pages illuminating the highlights of science fiction publishing in magazines, books, books and even conventions. The first issue, covering 1926, was released last July, and it looks terrific.

Now Emerson has launched a Kickstarter campaign to fund a print edition of the magazine:

In the pages of Futures Past we will be covering in unprecedented detail, the birth and development of modern science fiction from 1926 to 1975. Unlike other science fiction reference works which offer a mere page or two to a given year, highlighting only the most notable items, we will be devoting an entire volume to each year. This will not only include comprehensive coverage of all the books, films and magazines published, but also in-depth review of less prominent topics such as early fandom, conventions, fanzines, old time sf radio plays and serials, as well as extensive consideration to international science fiction. Each volume of the series is presented in proper sequential order, beginning with 1926 when the first science fiction magazine, Amazing Stories, was published.

The money raised by the Kickstarter will be used to pay for backer rewards, printing costs and computer upgrades, and content for future issues, including reprints and “new articles by the top science fiction writers and historians in the field” — folks like Mike Ashley and Bud Webster.

The campaign has a goal of $16,800, and will close on April 29. See all the details and pledge your support here.