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Category: Editor’s Blog

The blog posts of Black Gate Managing Editor Howard Andrew Jones and Editor John O’Neill

The November Fantasy Magazine Rack

The November Fantasy Magazine Rack

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Lots of magazine news in early November. The huge Kickstarter-funded Queers Destroy Horror! special issue of Nightmare shipped, and small press magazine Crossed Genres announced that it will close with the December issue. In reviews, Learned Foote took a look at Emil Ostrovski’s “Tragic Business” in the October Lightspeed, and Richard Horton examined the January 1962 issue of Fantastic, with fiction by Randall Garrett and Erle Stanley Gardner, in his latest retro-review.

Check out all the details on the magazines above by clicking on the each of the images. Our mid-October Fantasy Magazine Rack is here.

As we’ve mentioned before, all of these magazines are completely dependent on fans and readers to keep them alive. Many are marginal operations for whom a handful of subscriptions may mean the difference between life and death. Why not check one or two out, and try a sample issue? There are magazines here for every budget, from completely free to $12.95/issue. If you find something intriguing, I hope you’ll consider taking a chance on a subscription. I think you’ll find it’s money very well spent.

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John DeNardo’s Five Reasons to Read Short Speculative Fiction Anthologies

John DeNardo’s Five Reasons to Read Short Speculative Fiction Anthologies

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The Year's Best Science Fiction Thirty-Second Annual Collection-smallI love short fiction. It’s how I was introduced to science fiction and fantasy, reading The Hugo Winners and The Early Asimov in the trailer in our back yard when I was twelve. I highlight a lot of anthologies and collections here on the blog, new and old (as you may have noticed).

John DeNardo, founder of the great SF Signal, shares my obsession with short genre fiction, and at the Kirkus Reviews site he uses a meditation on short stories as a crafty way to review Gardner Dozois’ 32nd volume of The Year’s Best Science Fiction, in his article “5 Reasons to Read Short Speculative Fiction Anthologies.” Take, for example, Reason #4: Short Fiction Is Fun.

People read fiction for fun, and where else can you experience so many fun stories than in a speculative fiction anthology that offers cool new worlds and ideas around which to tell them?

Few stories are as page-turning as “The Regular” by Ken Liu, set in a near-future Boston where a cybernetically enhanced investigator goes looking for a deadly serial killer. “West to East” by Jay Lake is as superb an adventure story as you’re ever likely to read. It involves a pair of space travelers stranded on an alien planet with a harsh atmosphere and having no way to return home. If you could encapsulate everything that is weird and wonderful about 1950s Sci-Fi B-movies, it’d probably look like “Passage of Earth” by Michael Swanwick, the story of an alien invasion as seen from the perspective of a medical examiner and his ex-wife. Then there’s the fast-moving “Red Light, and Rain” by Gareth L. Powell, a gripping action story about two time-traveling enhanced humans who wage a battle on the streets of present-day Amsterdam.

Read John’s complete article here, and see our coverage of The Year’s Best Science Fiction (including the complete TOC) here.

Support the Dungeon Crawl Classics Role Playing Game Kickstarter

Support the Dungeon Crawl Classics Role Playing Game Kickstarter

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Dungeon Crawl Classic Fourth Printing-smallThe Dungeon Crawl Classics RPG is one of the most successful OSR (“Old School Renaissance”) games on the market, with a well-designed, modern rules system grounded in the origins of sword & sorcery. Now publisher Goodman Games is going back to press with a fourth printing, and to fund it they’ve announced a Kickstarter. Here’s the basic spiel.

Return to the glory days of fantasy with the Dungeon Crawl Classics Role Playing Game. Adventure as 1974 intended you to, with modern rules grounded in the origins of sword & sorcery. Fast play, cryptic secrets, and a mysterious past await you: turn the page…

What if Gygax and Arneson were able to build upon thirty years of game design when they created D&D? What if they were freed to focus on their stated inspirations — rather than creating the RPG building blocks from scratch? What if someone were to attempt just that: to immerse himself in the game’s inspirations and re-envision the output using modern game design principles?

That, in short, is the goal of DCC RPG: to create a modern RPG that reflects D&D’s origin-point concepts with decades-later rules editions. From the company that was publishing old-school modules before the OSR ever existed, DCC RPG is not an old-school clone, but a re-imagining of what D&D could have been, utilizing the game’s primary sources of inspiration.

The goal was a modest $15,000; as of this writing the campaign has surpassed $91,000 in pledges, with 18 days left and absolutely no signs of slowing down. The publishers have added an extravagant number of stretch goals — and the ones that have already cleared include sewn-in satin ribbon bookmarks, a full color dust jacket, two built-in 4-panel judge’s reference panels, reprints of five out-of-print modules, and gilded page edges. It’s not too late to jump on board and get all the stretch goals — and the 480-page hardcover rule book — for just a $40 pledge.

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The New Yorker on the Tangled Cultural Roots of Dungeons & Dragons

The New Yorker on the Tangled Cultural Roots of Dungeons & Dragons

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Empire of Imagination-smallIn a lengthy and sometimes rambling article for The New Yorker, Jon Michaud reviews Michael Witwer’s new biography Empire of Imagination: Gary Gygax and the Birth of Dungeons & Dragons, with particular focus on the anti-D&D satanic scares of the late 70s, and the apparently surprising fact that Gygax was a practicing Jehovah’s Witness. Ultimately though, he finds Gygax a worthy subject for a 320-page biography.

Gygax was an ur-nerd who not only changed the way games are played but who also endured a tumultuous business career that, in the right hands, could make as compelling a story as that of Steve Jobs. He was a high-school dropout who lost his father when he was still young, never had a driver’s license, married early, had six children, two wives, turned an obsession with military war-gaming into a worldwide phenomenon, started a successful company from which he was later pushed out only to return and then be bought out once again. Following a well-trodden path, he went to Hollywood, where he briefly prospered, snorting cocaine and hosting pool parties at King Vidor’s mansion, before failing, miserably, to get a motion picture made. His influence can be seen in everything from video games to The Hunger Games. Like Debbie in Jack Chick’s Dark Dungeons, Gygax, who died in 2008, made his way back to God at the end of his life, writing in January of that year, “All I am is another fellow human that has at last, after many wrong paths and failed attempts, found Jesus Christ.”

Read the complete article here.

A New Star Trek TV Series is in the Works

A New Star Trek TV Series is in the Works

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USS Enterprise-smallHollywood Reporter is reporting that a new Star Trek TV series is in development, for broadcast in early 2017.

The new series will be the sixth live-action show to be based on Gene Roddenberry’s original creation, which ran from 1966-67 on NBC. It will be produced by Alex Kurtzman, co-writer of the 2009 reboot Star Trek and its sequel Star Trek Into Darkness, for CBS Television Studios. It is scheduled to premiere in January 2017 with a preview episode on CBS, before it moves exclusively to CBS All Access, an on-demand and streaming service.

The new Star Trek will introduce new characters seeking imaginative new worlds and new civilizations, while exploring the dramatic contemporary themes that have been a signature of the franchise since its inception in 1966… A search is under way for a writer to take on the cult hit. The franchise is poised to celebrate its 50th anniversary as the original series debuted Sept. 8, 1966…

CBS TV Studios distributed the original series, which was produced by Paramount Television and Desilu Productions. Created by Gene Roddenberry and starring William Shatner and Leonard Nimoy, the series ran for three seasons and 79 episodes from 1966-67 on NBC and became a monster hit via syndication. It spawned an animated series (1973-74), a series of feature films — starting in 1979 — and four TV follow-ups including The Next Generation (1987-1994), Deep Space Nine (1993-99), Voyager (1995-2001) and Enterprise (2001-05).

News of a new Star Trek TV series comes as the franchise has been mired in rights issues between CBS and Paramount after Viacom merged with CBS in 2000. CBS Corp. absorbed Paramount for television, while Paramount Studios — the company that distributed the films — went to Viacom.

No news yet on what time frame the series will take place it, although it is reportedly not linked to the new movie franchise. Read the complete article here. (Hat tip to io9 for the news.)

Finding One Girl in the Whole Solar System: Catherynne M. Valente’s Radiance

Finding One Girl in the Whole Solar System: Catherynne M. Valente’s Radiance

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Radiance Catherynne Valente-smallCat Valente changed the way I collect books.

Actually, there’s a bit of a story there. I first met Cat at the World Fantasy Convention in Madison, Wisconsin, in 2005. We had tiny side-by-side booths in the back corner of the vast Dealer’s Room. I was hawking the first few issues of my fledgling adventure fantasy magazine, and she was selling her first books, including her novel The Labyrinth, and her poetry collection Apocrypha. We hit it off immediately. At the end of the con I bought a copy of The Labyrinth, and she autographed it for me. “I’ve only signed a few of these,” she admitted. “And I never know what to write.”

Fast forward to 2006, at the World Fantasy Convention in Austin, Texas. Cat’s fourth novel, In the Night Garden, had just been released, and everyone was talking about it. It would eventually receive a World Fantasy Award nomination, and win the Tiptree Award. I bought a copy, and asked her to sign it. “I still don’t know what to write when I autograph books,” she confessed. “What should I say?”

“Well, if you’re leaving it up to me,” I said, “I think you should write, ‘To My One True Love, John.'” Cat laughed, scribbled something in the book, and I left happy.

Now, I bring a lot of books home when I go to conventions. I mean, a lot. Boxes filled with books. I sit in my big green chair and unpack them happily, humming to myself. Sometimes my wife Alice will come and watch disapprovingly, and comment how some of the money I used could also have come in handy feeding and clothing our children. Rarely, as she is going on in this manner, a book will catch her eye. Even more rarely, as happened in this instance, she will open a book. And it just so happened that this time she opened my brand new copy of In the Night Garden.

“Who is Catherynne M. Valente?” my darling wife asked, in a casual voice that ten years of marriage had taught me was absolutely not-at-all-casual.

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The Winners of the 2015 British Fantasy Awards

The Winners of the 2015 British Fantasy Awards

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Cuckoo Song Frances Hardinge-smallCherrio! The winners of the 2015 British Fantasy Awards have been announced by the British Fantasy Society.

The nominees in 13 categories were announced in July, and the complete list of winners follows. Congratulations to all the winners!

Best Fantasy Novel – The Robert Holdstock Award

Cuckoo Song, Frances Hardinge (Macmillan Children’s Books)

Best Horror Novel – The August Derleth Award)

No One Gets Out Alive, Adam Nevill (Macmillan)

Best Novella

“Newspaper Heart,” Stephen Volk (The Spectral Book of Horror Stories)

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Forbes on the Tragic Failure of Jem And The Holograms

Forbes on the Tragic Failure of Jem And The Holograms

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Jem And The Holograms-smallLast week Box Office Mojo reported that Guillermo del Toro’s gothic horror film Crimson Peak “crashed and burned into 2,984 theaters to the tune of an estimated $12.8 million.” So what did it make of Jem And The Holograms‘ historically bad take of one-tenth of that total this weekend, $1.3 million from 2,413 theaters? It calls it one of “the year’s biggest flops… the fourth worst opening for a film in more than 2,000 theaters.”

Jem And The Holograms was a much-loved 80s cartoon produced by Hasbro, Marvel, and Sunbow (the same team behind G.I. Joe and Transformers). Featuring the plucky Jerrica Benton, whose father left her virtually flawless hologram technology that allowed her to disguise herself as a beautiful pop singer, Jem was the brainchild of comics writer Christy Marx (Sisterhood of Steel, Conan, Red Sonja). Forbes writer Scott Mendelson sees the massive failure of the live-action version as a genuine tragedy.

The film took a source material that is over-the-top colorful and over-the-top exciting, filled with larger-than-life characters and musically-charged action sequences where Jem and her friends had to both be kick-ass rock stars and kick-ass crime fighters at the same time, and made a toned-down, muted, and overly patronizing “young girl gets in over her head due to fame and artistic success and forgets what matters” fable that basically penalized its young heroes for wanting and achieving success and power…

It was the kind of film that Josie and the Pussycats spoofed a decade ago, and basically operated as a dark-n-gritty origin story that spent the entire film building up to the possibility of maybe seeing a Jem movie that Jem fans wanted to see the first time out in a would-be sequel. Okay, so a cheap film that spit on the source material bombed, who cares right? Well, here’s the rub: The overriding message of Jem and the Holograms is that a girl-centric action cartoon from the 1980′s doesn’t deserve or justify even 5% of the resources given without a second thought to boy-centric properties cashing in on 80′s nostalgia.

Read the complete article here.

The Mid-October Fantasy Magazine Rack

The Mid-October Fantasy Magazine Rack

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Lots of exciting magazine news in late October. D.M. Ritzlin has launched an intriguing new publication that promises to review the best in forgotten fantasy, Scrolls of Legendry, and the first issue more than lives up to that promise. Contributing Editor Rich Horton checked in with his latest Retro-review, a look at the October 1960 issue of Amazing Stories, with classic stories by Clifford Simak and A. Bertram Chandler. Donald Crankshaw shared the good news of a new market for short fiction, the upcoming Christian anthology Mysterion, and Fletcher Vredenburgh and Learned Foote review the best new fiction in Clarkesworld, Swords and Sorcery Magazine, and Grimdark.

Check out all the details on the magazines above by clicking on the each of the images. Our October Fantasy Magazine Rack is here.

As we’ve mentioned before, all of these magazines are completely dependent on fans and readers to keep them alive. Many are marginal operations for whom a handful of subscriptions may mean the difference between life and death. Why not check one or two out, and try a sample issue? There are magazines here for every budget, from completely free to $12.95/issue. If you find something intriguing, I hope you’ll consider taking a chance on a subscription. I think you’ll find it’s money very well spent.

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Canadian Inventor Creates the Goblin Glider

Canadian Inventor Creates the Goblin Glider

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This week Canadian inventor Catalin Alexandru Duru conducted the first successful test flight of a working hoverboard over a pond in Quebec.

Duru broke the world record for the longest hoverboard flight — more than 250 meters, five times the previous record — at Quebec’s Lake Ouareau in May of this year, but he’s been working on a “secret, next-generation version” of his device for the past five months. On Wednesday of this week, the 31-year-old Canadian inventor and his company, Omni Hoverboards, invited Reg Sherren of the CBC to witness the first test of the new prototype in Quebec. Watch the one-minute clip above for the results, and read all the details at the CBC website.

All I can say is: It’s about time, 21st Century. And now I know what I want for Christmas.