Swords and Edgar Rice Burroughs
ERB is probably best known to people who enjoy Fantasy and SF as the creator of the John Carter of Mars series, the Carson of Venus books, and the Pellucidar world-in-the-centre-of-the-earth stories. Then, of course, there’s Tarzan, probably second only to Dumas’s Three Musketeers as a source of movies, TV shows, and comics.
Following up on my recent sword-fighting posts, I’d like to talk about two ERB novels that are much less well-known than the ones I refer to above, and yet which have the same spirit of adventure and, for me almost more important, the same emphasis on sword play.
Both The Outlaw of Torn (1914) and The Mad King (1915) are what used to be called “romantic adventures.” This wasn’t because there was a love interest (though everyone familiar with ERB’s work knows there was), but because of the extraordinary demands placed on the hero, usually for extreme action, courage, fortitude, and sacrifice.
The Indiana Jones films are probably the closest deliberate modern equivalent to this genre, and while it’s hard for us to think of Iron Man, or Spiderman, as romantic adventurers, in the way the term was understood back then, that’s exactly what they would be.








