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New Treasures: Night Owls by Lauren M. Roy

New Treasures: Night Owls by Lauren M. Roy

Night Owls Lauren M. Roy-smallI love fantasies about book stores. They already seem magical to me anyway, so they’re a logical setting for tales of strange goings-on and otherwordly adventure. Add a cast of quirky characters and a supernatural menace or two, and I’m sold.

Night Owls bookstore is the one spot on campus open late enough to help out even the most practiced slacker. The employees’ penchant for fighting the evil creatures of the night is just a perk…

Valerie McTeague’s business model is simple: provide the students of Edgewood College with a late-night study haven and stay as far away as possible from the underworld conflicts of her vampire brethren. She’s experienced that life, and the price she paid was far too high for her to ever want to return.

Elly Garrett hasn’t known any life except that of fighting the supernatural beings known as Creeps or Jackals. But she always had her mentor and foster father by her side — until he gave his life protecting a book that the Creeps desperately want to get their hands on.

When the book gets stashed at Night Owls for safekeeping, those Val holds nearest and dearest are put in mortal peril. Now Val and Elly will have to team up, along with a mismatched crew of humans, vampires, and lesbian succubi, to stop the Jackals from getting their claws on the book and unleashing unnamed horrors…

I can’t find much about author Lauren M. Roy — I eventually uncovered her website — but I did discover she is a bookseller, in addition to being a first-time novelist and a freelance writer for games such as Trail of Cthulhu, Dragon Age, and A Song of Ice and Fire Roleplaying. I also found a pic of her wearing a cool hat at GoodReads. I think all authors should be required to wear cool hats, so we can spot them in public. And buy them lunch.

Night Owls was published on February 25, 2014 by Ace Books. It is 296 pages, priced at $7.99 for both the paperback and digital versions. It is the first volume in the Night Owls series.

Review of Pathfinder Tales: Stalking the Beast by Howard Andrew Jones

Review of Pathfinder Tales: Stalking the Beast by Howard Andrew Jones

Pathfinder Tales Stalking the Beast-smallLike many fantasy fans of my generation and the generation before (Gen X and Baby Boom respectively), I was ushered into the genre by Edgar Rice Burroughs, Robert E. Howard, and C.S. Lewis. There were others, of course, but those were the big three. Narnia gave me my first taste of a secondary world populated by mythical creatures, witches and wizards, and talking beasts. Burroughs inched me toward a more Americanized “sword and sorcery” via the “sword-and-planet” Barsoom novels. Howard’s gritty, fabled world of a certain barbaric Cimmerian delivered the full-on S&S.

Branching out from Narnia, I found my way to the towering, epic high fantasy of J.R.R. Tolkien’s Middle-Earth. And moving on from Howard I stumbled into the dangerous alleyways of Lankhmar in Fritz Leiber’s world of Nehwon.

Not surprisingly, when I got wind of a game that allowed you to invent your own characters and take them on adventures in such worlds via some cool dice, maps, rulebooks, and a little bit of imagination, I was all over it. By the sixth grade I was a devout Dungeons & Dragons player, and Tolkien was my favorite author. Both statements remain true.

So perhaps it’s a bit surprising, given this profile, that I never delved into any of the D&D novelizations — the Dragonlance Chronicles and their ilk. (I did read some of the D&D Endless Quest books, which were in the style of Choose Your Own Adventure, lured by their solo-gaming appeal — a craving that was better met by the Lone Wolf and Fighting Fantasy game books.)

My reading of Howard Andrew Jones’s new novel Pathfinder Tales: Stalking the Beast may be a test case on whether it stands on its own merits because, first, I’ve just never been much into tie-in novels. (Somewhere along the line I read a Star Wars novel, and in junior high I went on a Doctor Who kick. There were also a couple movie novelizations in the mix — inevitably written by Alan Dean Foster. But when it comes to full disclosure on that point, there’s just not much to disclose.)

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The Novels of Michael Shea: The A’rak

The Novels of Michael Shea: The A’rak

The A'rak-smallMichael Shea’s classic Nifft the Lean was published in 1982 and won the World Fantasy Award, a rare honor for a  sword and sorcery collection. Nfift returned in a three-part novel serialized in Algis Budrys’ Tomorrow Speculative Fiction magazine (June – November, 1996), eventually collected by Baen Books in paperback as The Mines of Behemoth.

Nifft made one last appearance in the year 2000, in his third and final book: The A’rak.

Prosperous Hagia’s vaults brimmed with gold. Her warehouse bulged with the goods of the Southern Seas. She had the Spider-God to thank for her prosperity.

But beneath Hagia’s ancient bargain with the A’Rak lay the direst danger. That mercenary kingdom had mortgaged its soul in its pact with the giant arachnoid. When the note fell due, death of the most hideous kind awaited the multitudes of that affluent and bustling nation.

As Hagia’s debt falls due, two foreigners arrive in Big Quay, her capital: Lagademe and her team, foremost among the world’s Nuncios — deliverers of anything to anywhere — and Nifft the Lean, thief and rogue extraordinaire.

Nifft and Lagademe, strangers to one another at the outset, will soon be struggling side by side for their lives — and a nation’s survival — against the most hideous foe in the annals of Sword and Sorcery fiction.

The A’rak was published by Baen in October 2000. It is 320 pages, originally priced at $6.99 in paperback. The cover was by Gary Ruddell. It was never reprinted, and there is no digital edition, so copies are in some demand.

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Caught Between Rebels and the Empire’s Blackest Magic: Beyond the Veil: The Revised and Expanded Author’s Cut by Janet Morris

Caught Between Rebels and the Empire’s Blackest Magic: Beyond the Veil: The Revised and Expanded Author’s Cut by Janet Morris

Beyond the Veil Janet Morris-smallI continue with my review of the 5-star, Author’s Cut editions of Janet Morris’s classic of Homeric Heroic Fantasy, the Beyond Sanctuary Trilogy, of which Beyond the Veil is the second book. Once again, she does not disappoint in this stirring novel of political and religious intrigue, dark magic, gods and men, witches and mages, and the price of love and war.

This is a pivotal book in the trilogy, where foreshadowing and story threads begin to weave in and out to form a tapestry, telling a tale of friends who become foes, enemies who become allies, and what fate lies in store for certain demigods and mortals.

Now, after the battle to win Wizardwall that took place in book one, Beyond Sanctuary, Tempus, Niko, and the Sacred Band are caught between the local rebels and the empire of Mygdonia’s blackest magic. Once again, “War is coming, sending ahead its customary harbingers: fear and falsity and fools.”

It begins with the murder of a courier on his way to meet with Tempus, and the arrival of a young woman named Kama, of the 3rd Commandoes, (a unit of special rangers originally formed by Tempus) who seeks audience with Tempus, who is also known as Riddler. Her mission is to take 11-year old Shamshi, the young wizard-boy, back home to Mygdonia.

Shamshi, once a pawn in the game played by the late sorcerer Datan in the previous novel, is still under the spell of Roxane the witch, but is now being held as a guest-hostage by Tempus and the Sacred Band. Though he may be a child in the eyes of men, Shamshi is already plotting against Tempus and Niko.

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The Novels of Michael Shea: The Mines of Behemoth

The Novels of Michael Shea: The Mines of Behemoth

The Mines of Behemoth-smallThe last two Michael Shea novels we discussed, The Extra and Attack on Sunrise, took his career in an intriguing and very different direction. But I still admit a greater fascination with his Nifft the Lean novels, Nifft the Lean (1982), The Mines of Behemoth (1997), and The A’rak (2000). Baen Books published the last two in attractive paperback editions, with covers by Gary Ruddell, and I’ve always thought they were some of the most eye-catching sword-and-sorcery on the market.

We lost Michael last month, but very fortunately for us, he left a fine body of work behind to remember him by, including The Color Out Of Time (1984), In Yana, the Touch of Undying (1985); and his highly acclaimed collections Polyphemus (1987), The Autopsy and Other Tales (2008), and Copping Squid and Other Mythos Tales (2010).

Nifft the Lean, and his companion-at-arms, Barnar Hammer-Hand, were often lucky. Enroute to working Costard’s sap mine — very dangerous, and sometimes nauseating work far below ground — they were shipwrecked. But this proved fortuitous, when they met Bunt, who had been seeking just such as they. If they would work the sap mine, but also bring back twenty gills of fluid, he would make them exceedingly wealthy. So it was settled. They would suck the sap from the servants of the monstrous insectile queen — and they would bring back some of the ichor that she alone exuded — and they would be rich. It seemed relatively easy. They wouldn’t have to go to hell at all, for instance.

Of course, the best laid plans sometimes do go a little astray.

The Mines of Behemoth was published in 1997 by Baen Books. It is 256 pages, with an original price of $5.99 in paperback. It is out of print and there is no digital edition.

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Goth Chick News: For Love or Money? Anne Rice Resurrects the Vampire Lestat

Goth Chick News: For Love or Money? Anne Rice Resurrects the Vampire Lestat

Anne Rice
Anne Rice

Long before Edward, Angel, or Erik; before vampires owned bars, fell in love with humans, or (heaven forbid) sparkled in sunlight – there was The Vampire Lestat.

Anne Rice single-handedly catapulted vampires into vogue in 1976 with her debut novel Interview with the Vampire. Until then, vampires hadn’t been cool since Bela Lugosi brought Dracula to the Broadway stage in 1927.

Rice’s characters and subsequent novels spawned nothing less than a new vampire sub-culture in the early 80s, giving rise to clubs, music, clothing lines, and more copycat literary off-shoots than can easily be counted.

As a native of New Orleans, Rice made the city itself one of her main players, creating a tourism boom. To this day, and much to the chagrin of the neighbors, Rice devotees continue to flock to First Street in the Garden District to view Rice’s former house, which was the setting for several of her novels. Fans from around the globe follow top-hat-wearing guides around the French Quarter on “vampire tours” and come October, every corner tchotchke shop is sold out of plastic fangs and dental adhesive in preparation for the annual Vampire Ball.

And for many years, I too donned velvet and lace, making an annual pilgrimage to partake in the most interesting masquerade ball you could ever imagine. At that time, Rice herself participated in these events, reigning as the Grande Dame of Darkness over her loving throngs.

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The Novels of Michael Shea: Assault on Sunrise

The Novels of Michael Shea: Assault on Sunrise

Assault on Sunrise-smallWe’re back on the record with the fourth installment of our survey of the books of Michael Shea, who passed away last month. This time, we’re looking at his final novel, Assault on Sunrise, the sequel to The Extra and the second book of The Extra Trilogy — which, sadly, will presumably never be completed. As I mentioned last time, I honestly wasn’t sure it was the same Michael Shea when I first saw the cover of The Extra, as it looked more like an urban thriller than the kind of adventure fantasy Michael was famous for. With this volume, all my doubts were swept away. Only Michael Shea could pull off a giant-insect attack with this kind of panache in 2013.

Less than a hundred years in the future, pollution, economic disaster, and the rapacious greed of the corporate oligarchy has brought America to its knees and created dystopian urban nightmares, of which L.A. may be the worst.

Curtis, Japh, and Jool are film extras, who — with the help of a couple of very gutsy women — survived being anonymous players in a “live-action” film in which getting killed on-screen meant getting killed for real. Surviving the shoot made them rich enough to escape the post-apocalyptic Hell that L.A. has become. But their survival was not what Panoply Studios’ CEO Val Margolian had in mind, especially since it cost his company millions.

Now he’s taking his revenge. After several plainclothes police are found dead in the former extras’ new home, the bucolic, peaceful town of Sunrise, California, the entire town is subjected to Margolian’s invidious plan to punish the entire town… and make a fortune doing it. Margolian has created toxic, murderous wasp-like mechanical creatures to set upon the people of Sunrise, while his film crew captures the carnage in what promises to be the bloodiest “live-action” film yet. With their haven from L.A. besieged by the deadly assault, the former extras — and their fellow townspeople — are faced with a grim task: to defeat the creatures and take back their town and their freedom. Michael Shea’s Assault on Sunrise is a saga of courage and sacrifice in a world gone mad.

Assault on Sunrise was published August 13, 2013 by Tor Book. It is 287 pages, priced at $25.99 in hardcover and $12.99 for the digital edition. There is no paperback edition. I bought my copy new on Amazon for $3.98 in early March; discounted copies are still relatively plentiful from several sellers.

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Jon Sprunk’s Blood and Iron, Volume One of The Book of the Black Earth, on Sale Today

Jon Sprunk’s Blood and Iron, Volume One of The Book of the Black Earth, on Sale Today

Blood and Iron Jon Sprunk-smallJon Sprunk’s highly anticipated Blood and Iron, the first book in his new series, The Book of the Black Earth, finally goes on sale today. We gave you the scoop on the book last month; last week Jon peeled back the curtain on the book’s origins in a guest post at Fantastical Imaginations.

The Book of the Black Earth series is set in the same secondary world as my Shadow Saga, but in a different region far to the east of Caim’s adventures. It follows three people as they struggle for freedom in an ancient land called Akeshia, where magic is worshipped and powerful God-Kings (and –Queens) hold the power of life and death over a vast race of people.

Horace is a shipbuilder and sailor who embarks on a Great Crusade for his country, but winds up shipwrecked on the shores of his enemy. Taken captive and made a slave, he discovers a hidden talent for sorcery, and thereby comes of the attention of the local ruling queen. Alyra is a slave. As one of the queen’s handmaidens, she is lovely, intelligent, and obedient. She is also a spy in the service of a foreign government, sent to turn the greedy eyes of the Akeshians away from her homeland. Jirom is a former mercenary turned gladiator. Dragooned into the queen’s army, he joins a group of subversive slaves who crave freedom…

One of the things I really wanted to tackle in this series was an original magic system. I played around with a few concepts until I hit on one that fit my world and my story. It plays on the basic “elemental” magic (earth, air, fire, and water) with a few twists of my own.

Jon Sprunk is the author of the Shadow Saga (Shadow’s Son, Shadow’s Lure, and Shadow’s Master) and a mentor at the Seton Hill University fiction writing program. He is a regular blogger for Black GateBlood and Iron was published by Pyr Books on March 11, 2014. It is 445 pages and is available in trade paperback for $18.00 ($11.00 for the digital version). Learn more at Pyr Books or read our exclusive excerpt here.

The Novels of Michael Shea: The Extra

The Novels of Michael Shea: The Extra

The Extra Michael Shea-smallWe’re continuing our look at the career of Michael Shea, who died last week, leaving behind a legacy of underappreciated novels. We started with his Sword & Sorcery classic Nifft the Lean (1983) and his dark fantasy In Yana, the Touch of Undying (1985).

Now we turn to something more recent, the first of a pair of novels that Locus Online called “dark, satirical novels about the movie industry.” The Extra arrived unexpectedly in hardcover in 2010, and when I first saw it I remember wondering if this was the same Michael Shea – it looked more like a biotech thriller than the kind of moody, cutting edge fantasy we’d come to expect from him. But, as Locus noted, there was a sharp satirical edge to this novel of a murderous, out-of-control Hollywood:

Producer Val Margolian has found the motherlode of box-office gold with his new “live-death” films whose villains are extremely sophisticated, electronically controlled mechanical monsters. To give these live-action disaster films greater realism, he employs huge casts of extras, in addition to the stars. The large number of extras is important, because very few of them will survive the shoot.

It’s all perfectly legal, with training for the extras and long, detailed contracts indemnifying the film company against liability for the extras’ injury or death. But why would anyone be crazy enough to risk his or her life to be an extra in such a potentially deadly situation?

The extras do it because if they survive they’ll be paid handsomely, and they can make even more if they destroy any of the animatronic monsters trying to stomp, chew, fry, or otherwise kill them. If they earn enough, they can move out of the Zoo — the vast slum that most of L.A. has become. They’re fighting for a chance at a reasonable life. But first, they have to survive…

The Extra was followed three years later by Attack on Sunrise, the second book in the Extra Trilogy. It was also set in a future Southern California, this time featuring a reality TV series based on the invasion of a small bankrupt town by murderous robot wasps. We’ll cover that one in our next installment.

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Future Treasures: Mary Robinette Kowal and Blake Hausladen Read from Upcoming Books at Capricon

Future Treasures: Mary Robinette Kowal and Blake Hausladen Read from Upcoming Books at Capricon

Mary Robinette Kowal reads from Valour and Vanity at Capricon 2014
Mary Robinette Kowal reads from Valour and Vanity at Capricon 2014

There are lots of reasons to attend conventions. To meet your favorite authors, to network with fellow writers and editors, to browse in the Dealer’s Room (yeah!), to check out the Art Show, to attend entertaining panels.

But the thing I find most delightful these days is author readings. There’s something about hearing beloved characters brought to life right in front of you by the author herself that’s truly magical. In just the past few years, I’ve been lucky enough to attend readings by Peter S. Beagle, Gene Wolfe, Neil Gaiman, Patty Templeton, C.S.E. Cooney, Martha Wells, Fredric Durbin, and Steven Erikson, among many others.

It’s also a great way to discover new writers. I make it a priority to attend as many readings as I can by writers I’m not familiar with. And let me tell you, that’s really paid off — I’ve discovered some of my favorite new writers because I had an empty 30 minute slot between the Firefly panel and the midnight showing of Destroy All Monsters. Over the decades, that’s included people like Charles Saunders, N. K. Jemisin, Mark Sumner, Bradley Beaulieu, Alex Bledsoe, and — believe it or not — George R.R. Martin.

Take my advice: if you find yourself in a place where professional storytellers are willing to stand before you and entertain you, take advantage of it. You won’t be sorry. You can attend that anime panel next year.

A few weeks ago, I was at Capricon 34 in Wheeling, Illinois, with a few other Black Gate staffers, including Patty Templeton and Steven Silver. We didn’t have a booth — we haven’t bothered with one since the print version of the magazine died in 2011 — and I’m still getting used to being able to wander without being tied to the Dealer’s Room. I didn’t get to attend everything I wanted to — I missed Wesley Chu’s Saturday morning reading because I was mailing back issue orders at the post office — but I did catch some terrific panels. And, not too surprisingly, the most delightful and entertaining events at the convention were three readings, from Hugo-Award Winning author Mary Robinette Kowal, Strange Horizons editor Mary Anne Mohanraj, and self-published writer Blake Hausladen.

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