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Expand Your Digital Library with 300 Kindle Books for $3.99 or Less

Expand Your Digital Library with 300 Kindle Books for $3.99 or Less

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three-parts-dead-smallI don’t know about you, but when I first bought my Kindle, I dreamed of having a vast portable library of great new fantasy books, patiently acquired through diligent bargain hunting. Also, I dreamed about Jennifer Lawrence in a Carmen Miranda banana hat, but that’s a different topic.

The Kindle turned out to be pretty great. Huge avalanche of great new digital books over the last few years — also great. But who has time to constantly hunt for the latest discounts?

John DeNardo at SF Signal, that’s who. John regularly keeps up-to-date on digital special offers at Amazon.com and reports on them in fabulous detail. But this morning, he outdid himself, posting a list of 300 Science Fiction, Fantasy, and Horror Kindle eBook deals for $3.99 or less — including some of the most intriguing books we’ve covered in the last few months:

The Winds of Khalakovo by Bradley Beaulieu — $0.99
The Straits of Galahesh by Bradley Beaulieu — $0.99
Legends: Stories in Honor of David Gemmell edited by Ian Whates — $3.99
The Woodcutter by Kate Danley — $0.99
The Death of the Necromancer by Martha Wells — $2.99
Three Parts Dead by Max Gladstone — $2.99
Necropolis by Michael Dempsey — $1.99
Clockwork Phoenix edited by Mike Allen — $3.99
The Shambling Guide to New York City by Mur Lafferty — $1.99
Stories, edited by Neil Gaiman and Al Sarrantonio — $3.79
Chrysanthe by Yves Meynard — $1.99
The Lives of Tao by Wesley Chu — $3.79

And many, many others. See John’s detailed list of discount digital delights at SF Signal. And remember to thank him, next time you see him.

New Treasures: Necessary Evil by Ian Tregillis

New Treasures: Necessary Evil by Ian Tregillis

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Necessary Evil Ian Tregillis-smallWe celebrate the start of many a fantasy series here on Black Gate; I think we should pay just as much attention when an author brings one to a close. Especially when it involves Nazi supermen, the warlocks of Britain, and world-destroying Cthulhu-like monsters, like Ian Tregillis’s Milkweed alternate history trilogy.

We covered the first volume, Bitter Seeds, when it was released in paperback in 2012. Volume two, The Coldest War, was published in paperback in July of last year, and the closing volume, Necessary Evil, arrives in paperback today.

12 May 1940. Westminster, London, England: the early days of World War II.

Again.

Raybould Marsh, one of “our” Britain’s best spies, has traveled to another Earth in a desperate attempt to save at least one timeline from the Cthulhu-like monsters who have been observing our species from space and have already destroyed Marsh’s timeline. In order to accomplish this, he must remove all traces of the supermen that were created by the Nazi war machine and caused the specters from outer space to notice our planet in the first place.

His biggest challenge is the mad seer Gretel, one of the most powerful of the Nazi creations, who has sent a version of herself to this timeline to thwart Marsh. Why would she stand in his way? Because she has seen that in all the timelines she dies and she is determined to stop that from happening, even if it means destroying most of humanity in the process. And Marsh is the only man who can stop her.

Ian Tregillis’s latest novel, Something More Than Night, a murder mystery set in Heaven, was published in hardcover in December. Emily Mah interviewed him for Black Gate early last year, and our roving reporter Howard Andrew Jones reported on Ian’s appearance (and his uncanny resemblance to our Managing Editor) at ConFusion in Detroit just last month.

Necessary Evil was published today by Tor Books. It is 384 pages, priced at $14.99 in trade paperback and $9.99 for the digital edition. See all of our recent New Treasures here.

Vintage and New: Revisiting The Night Land with James Stoddard

Vintage and New: Revisiting The Night Land with James Stoddard

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nightland-1William Hope Hodgson (1877-1918) was an English author and poet who died in Flanders Fields (how poetic) at the age of 40, his career cut short by an artillery shell. Perhaps you’ve heard of him?

Maybe not. Though the recognition will be significantly higher among readers of this site, for the general public his is a pretty obscure name (at least until a major HBO series drops references to his work, a la True Detective and Robert W. Chambers).

If you have heard of him, it’s likely because H.P. Lovecraft considered Hodgson’s novels to have been among the most brilliant works of weird horror, and more recent writers like Gene Wolfe and China Mièvelle concur.

Ironically, Lovecraft himself was once nearly forgotten — like Hodgson, he was well served by literary executors who worked tirelessly to keep his work alive until he could be more widely recognized and take his rightful place in the canon.  Hodgson’s widow and his sister-in-law both managed to keep his works in print so that the likes of Lovecraft could discover him. Unlike Lovecraft, much wider recognition has not been — and likely will not be — forthcoming, and that is largely Hodgson’s own fault.

Most new readers of Hodgson come to him through recommendations by influential popular writers; two of the most influential cheerleaders have been Lovecraft and C.S. Lewis. Although there could hardly be two more different authors than Lovecraft and Lewis, and though their fan base probably does not much overlap, both were struck by the power of Hodgson’s weird, startling imagination and had the highest praise for two novels in particular: The House on the Borderland (1908) and The Night Land (1912).

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Adventure On the Page: Genre Fiction vs. Joyce Carol Oates

Adventure On the Page: Genre Fiction vs. Joyce Carol Oates

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36314The more I write, the more opprobrium I feel for categorical definitions of fiction, notably “genre fiction” and “literary fiction.” I like to think I practice both, and that most readers read both. Crazier still –– lunacy, truly –– I suffer the apparent delusion that often the two categories cannot be separated, except by book vendors aiming to simplify or streamline the shopping experience.

Not long ago, I delved back into Joyce Carol Oates’s introduction to a delicious anthology, Tales of H.P. Lovecraft, and I came across this passage:

However plot-ridden, fantastical or absurd, populated by whatever pseudo-characters, genre fiction is always resolved, while literary fiction makes no such promises; there is no contract between reader and writer for, in theory at least, each work of literary fiction is original, and, in essence, “about” its own language; anything can happen, or, upon occasion, nothing.

Now –– and I say this as a long-time and self-avowed fan of your work, Ms. Oates –– them’s fightin’ words.

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Ghosts of the Past: Vernon Lee

Ghosts of the Past: Vernon Lee

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Pope Jacynth and More Supernatural TalesWith Women in Horror Month having just wrapped up (and Women’s History Month having just started in many places), I thought I’d take a moment to write a few words about Violet Paget, a Victorian-era art critic and writer of ghost stories who published under the name Vernon Lee. I’ve not read her criticism, but I recently found a collection of her fiction and was tremendously impressed.

You can get an excellent overview of Paget’s life and works from this article by Brian Stableford. To summarize: Born in 1856 in France, she first published a story at the age of 13, and adopted her pseudonym — a nod to her poet half-brother Eugene Lee-Hamilton — in 1877. Her first book, Studies of the Eighteenth Century in Italy, appeared in 1880 alongside a collection of Tuscan fairy tales. Paget was living with Lee-Hamilton in Florence at this time; she never married, but her life was marked by intense emotional relationships with several women. Various ghost stories and tales followed through the 1880s and 90s, along with essays (primarily travel writing and pieces on medieval Italian art and architecture), plays, and non-supernatural novels. The stories largely ceased with the opening of the twentieth century, but she continued to produce essays and the occasional novel. She died in Italy in 1935.

A passionate traveller who was called “the cleverest woman in Europe,” known for being energetic, argumentative, and a frequent wearer of men’s clothes, Paget was an Aesthete, although apparently not overly impressed by Oscar Wilde; Stableford quotes her as describing Wilde as “plain, heavy and dull, but agreeable.” Still, she published a story in The Yellow Book in 1895. She effectively established the word ‘empathy’ in English, specifically with reference to one’s reaction to art. Even in her fiction, her sensitivity to art comes through, as does her engagement with the past — with ruins and remnants, and specifically with the culture and inheritance of Italy. You can find much of her work online.

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Humor, Evocative Images, and Just the Right Touch of Pathos: I.F Rowan’s Welcome To The Underworld

Humor, Evocative Images, and Just the Right Touch of Pathos: I.F Rowan’s Welcome To The Underworld

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Welcome to the Underworld-smallThere are many pleasures involved in running a magazine. But nothing like watching the talented young writers you’ve published and nurtured move on to even greater success and acclaim.

Iain Rowan is a fine example. I published four of his delightful adventure fantasies in Black Gate, all featuring the clever con man/accidental exorcist Dao Shi. Since those early days, Iain has gone on to great success as a crime novelist, with his debut novel, One of Us, shortlisted for the UK Crime Writers’ Association Debut Dagger award. He followed that with the YA novel Sea Change, about haunted, folklore-ridden England, and two collections, Nowhere to Go and Ice Age.

He’s also published over thirty short stories, been reprinted multiple times in Year’s Best anthologies, and won a Derringer Award.

But his clever and funny Dao Shi stories — “Looking for Goats, Finding Monkeys“ (BG 6), “The Turning of the Tiles” (BG 8), “Welcome to the Underworld” (BG 10, selected for Rich Horton’s 2007 Best of the Year), and “From the Heart of the Earth to the Peaks of the Sky“ (BG 11, selected for Dave Truesdale’s 2007 SF & Fantasy Recommended Reading List) — remain my favorites. What can I say?

Now Iain has finally collected all four stories in a single volume, with an entertaining afterword discussing the tales. Published under the name I.F. Rowan — presumably to differentiate it from his crime work — Welcome to the Underworld offers a compact and economical way to read all four tales, nearly 40,000 words of adventure fantasy.

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New Treasures: Immortal Muse by Stephen Leigh

New Treasures: Immortal Muse by Stephen Leigh

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Immortal Muse-smallI bought my first Stephen Leigh book, Slow Fall to Dawn, the opening volume in the epic tale of the space-faring Hoorka assassins, way back in 1981. Since then, he’s published some 20 novels and over 40 short stories, including six volumes in Ray Bradbury Presents, and The Woods (2012). The most recent was the omnibus Assassin’s Dawn, which collects all three books in the Hoorka Trilogy: Slow Fall to Dawn (1981), Dance of the Hag(1983), and A Quiet of Stone (1984).

He also writes fantasy under the name S.L. Farrell, including three volumes of the Nessantico Cycle and The Cloudmages Trilogy.

His newest novel features the famous alchemist Nicholas Flamel, who’s also featured prominently in Michael Scott’s bestselling The Secrets of the Immortal Nicholas Flamel and Harry Potter and the Sorcerer’s Stone, just to name some recent examples. I wonder if we’re witnessing the birth of the new genre of Nicholas Flame literature. Could happen.

Immortal Muse is an unforgettable tale that sweeps readers from 1300s Paris to modern-day New York — with interludes in the 1635 Rome of Bernini, the 1737 Venice of Vivaldi, the French Revolution in Paris with Lavoisier and Robespierre, 1814 London with William Blake and John Polidori, fin de siècle Vienna with Gustav Klimt, and World War II France with Charlotte Salomon.

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Confessions of a Reluctant Self-Publisher — Now with extra Giveaways!

Confessions of a Reluctant Self-Publisher — Now with extra Giveaways!

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Forever In The Memory Of God-smallI’ll be giving away copies of my mini-ebook-collection Forever in the Memory of God and Other Stories to the first five commenters who ask for one. But why should you bother? Read on!

Here is a list of things I want to do: Write; make a living with my pen.

And a list of the things I don’t want to do: marketing; selling; formatting; cover design; manual reading; forum perusing; guru worshipping; elbowing my way through the pack; self-publishing…

And yet, here we are.

Once upon a time, it was all so very different. I wrote a book and the first agent I sent it to loved it. So did a large number of publishers and in no time at all, they were clawing each other’s eyes out to get access to my manuscript. Then, exactly as it had happened in all my dreams, editors were engaged in an auction for the right to publish me. Me!

My agent used to ring me once or twice a day, cackling with glee over the latest rise in the price and the shameless favours being offered, until finally, we had hitched ourselves up to a brilliant and famous editor. How could it go wrong?

Oh, it didn’t! Not yet! Because, next came foreign language publishers from every corner of the globe. They too pledged undying love for a li’l ole book called The Inferior, and what they said about the story and the characters made me blush in parts of my body that few cameras have ever seen.

I’m sick of this boasting. Can we get to the bad part?

Yes, let’s start the dive now. Or “death-spiral,” if you prefer.

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Travel the Magic Highways with The Early Jack Vance, Volume Three, edited by Terry Dowling and Jonathan Strahan

Travel the Magic Highways with The Early Jack Vance, Volume Three, edited by Terry Dowling and Jonathan Strahan

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Magic Highways The Early Jack Vance-smallLast February, I wrote about how excited I was to find a copy of Dream Castles: The Early Jack Vance, Volume Two in the Dealer’s Room at Capricon. I had purchased Volume One, Hard Luck Diggings, when it was released in 2010; it is now long out of print and new copies start at around $450 at Amazon.com. Dream Castles is now sold out as well and prices are already starting to creep up, so I was pretty jazzed to find a copy when I did.

When I wrote enthusiastically about Dream Castles last year, I said:

Jack Vance, who at 96 years old is still with us, is one of the last remaining writers from the Golden Age of Science Fiction (the only other one I can think of is Fred Pohl). He is the author of some of the most celebrated SF and fantasy of the 20th Century, including “The Dragon Masters,” “The Last Castle,” and The Dying Earth novels.

Jack Vance died on May 26th of last year, and Frederik Pohl passed away less than four months later, robbing us of two of our genre’s brightest lights.

Still, their words are still with us — and what words they are. I have no idea how many volumes are projected in The Early Jack Vance (Volume Four, Minding the Stars, is scheduled to be released this month), but every one is a delight.

Part of that is the gorgeous covers by Tom Kidd; part is the high quality production and design from publisher Subterranean, and of course part of it is simply finally having the early pulp fiction of one of the greatest fantasy writers of the 20th Century collected for the first time.

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An Origin Story Mashed With a First-Contact Story: A Review of The Lives of Tao by Wesley Chu

An Origin Story Mashed With a First-Contact Story: A Review of The Lives of Tao by Wesley Chu

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The Lives Of Tao-smallThe Lives of Tao is the rare science fiction book set in modern times. No space exploration here, unless you mean the Quasing, the alien race that’s been quietly (and sometimes not so quietly) orchestrating human events since… well, since there were humans to orchestrate.

Quasing are beings so ethereal that they must live within a corporeal host to survive. Once inside a host, the Quasing can only leave if the host organism dies. In essence, Quasings are immortal as long as there is a living host nearby.

The Quasing’s main goal used to be to get humans to create interstellar travel so they could get to their home planet. Now, however, the Quasing are split into two factions (the good-guy Prophus and the bad-guy Genjix), whose main goal seems to be defeating the other. Tao is a member of the Prophus faction.

When Tao’s host dies during a mission against the Genjix, Tao needs to find a new host, pronto. Enter Roan Tan: an overweight programmer with low self-esteem who’s never run a mile, let alone held a gun, in real life. The next few months finds Tao whipping Roan into some semblance of a covert operative so they can thwart the Genjix’s secret project.

There’s plenty here to enjoy. Chu choreographs vivid action scenes, he injects humor seamlessly into dialogue, and he makes the world-building fun. Chu had all of history at his disposal, after all, and he took full advantage.

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