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Vintage Treasures: Feather Stroke by Sydney J. Van Scyoc

Vintage Treasures: Feather Stroke by Sydney J. Van Scyoc

Feather Stroke Sydney Van Scyoc-smallMy sister-in-law Mary Dechene passed away unexpectedly two weeks ago. She was 52, never married, and lived alone in a small apartment in Madison, Wisconsin. She was also a Black Gate reader and I’ll miss the letters she used to send me after she read each issue cover to cover.

Her funeral was Saturday. Afterwards came the sad duty of parceling out her belongings to various siblings, nieces, and nephews as the family packed up and cleaned out her apartment. Mary was a dedicated fantasy fan — really, it was all she read — and she left behind thousands of fantasy paperbacks dating from the late 80s and on, packed in dozens of boxes. I think many folks assumed I would want them, but I’m already pretty well stocked in fantasy paperbacks from that era and thought it made more sense for them to go to her sister Marty, so I gallantly waved away any claim to them.

At least until I casually peeked in the first box. I discovered that Mary was surprisingly widely read, and in addition to a virtually complete collection of Terry Brooks, David Eddings, Mercedes Lackey, Robin Hobb, and other bestselling fantasy, she had several surprises. In fact, she had dozens of books I never even knew existed. And trust me when I tell you, that doesn’t happen to me very often.

In a matter of minutes, I was secluded in the garage, digging through box after box. While the rest of the family divided Mary’s jewelry and appliances, I was stacking hundreds of paperbacks in neat rows. In addition to being a completest, Mary was also a very careful reader — the books were in great shape. It really was a treasure trove, far more fantasy novels than I’d seen virtually anywhere. And I’ve been in some of the best book stores on the planet.

In the end, I made it through less than half the boxes. I felt a little guilty about pillaging Mary’s collection anyway, especially after her sister had already laid claim to it, but Marty didn’t seem to mind. I didn’t find anything really valuable, but I did fill a great many holes in my collection, and brought home one very nearly full box of Mary’s delightful collection. I settled back with the first one tonight —  Sydney J. Van Scyoc’s Feather Stroke, a standalone 1989 fantasy from Avon with a terrific Keith Parkinson cover.

Written on the first page, in her famously cramped script, are the words Mary Dechene. A reminder of where they came from. Thank you, Mary. We shared a passion for fantasy, and I’m glad fate brought us together for a short time. I’ll treasure these books, and they will always remind me of you. Rest in peace.

New Treasures: The Best Science Fiction and Fantasy of the Year Volume 8, edited by Jonathan Strahan

New Treasures: The Best Science Fiction and Fantasy of the Year Volume 8, edited by Jonathan Strahan

The Best Science Fiction and Fantasy of the Year Volume 8-smallHurrah!  The Best Science Fiction and Fantasy of the Year Volume 8 is in the house.

You’d think that after seven outstanding previous volumes, one more would be a slam dunk. But no. There was drama. The original publisher was in peril and no one knew if there would be an eighth. Well, maybe somebody knew, but it wasn’t me. And I’m the one with 9 column inches to fill every day.

At length, cooler heads prevailed and Volume 8 reappeared on the schedule from a new publisher, Solaris Books. It’s been redesigned so it looks slightly funky standing next to the uniform previous volumes, like a red-headed stepchild at a family reunion. But looks aren’t important to us here at Black Gate, which explains our love for Paul Giamatti and five dollar haircuts.

Well, enough superficiality. What’s in the book?

28 stories by some of the best writers at work in the field today, including multiple Hugo and Nebula award nominees — such as “Selkie Stories are for Losers” by Sofia Samatar (Hugo and Nebula nominee), “The Truth of Fact, the Truth of Feeling,” by Ted Chiang (Hugo), and “The Ink Readers of Doi Saket,” by Thomas Olde Heuvelt (Hugo). See the complete table of contents in our previous article.

(And while we’re on the topic of Hugos, editor Strahan is on the ballot this year for Best Professional Editor, Short Form. You go, Jonathan! We’ve got ten bucks on you, buddy.)

Strahan’s Best of the Year volumes include both SF and fantasy, and year after year are some of the best values in the industry. If you’re not reading them, you’re missing out on some of the finest new writing in the field.

The Best Science Fiction and Fantasy of the Year Volume 8 was edited by Jonathan Strahan and published by Solaris on May 13, 2014. It is 614 pages, priced at $19.99 in paperback and $7.99 for the digital edition. We last covered Strahan’s The Best Science Fiction and Fantasy of the Year with Volume 7.

The Shout of a Young Man Who Finds the World a Complicated Place: The Eternal Champion by Michael Moorcock

The Shout of a Young Man Who Finds the World a Complicated Place: The Eternal Champion by Michael Moorcock

oie_272267fTHTh1HnWhen I was a kid, all my friends read Michael Moorcock’s sprawling Eternal Champion series. Endlessly resurrected and reincarnated, the Eternal Champion exists to right the balance between Law and Chaos. According to Moorcock in the introduction to the 1994 edition of the novel, The Eternal Champion:

I use the ideas of Law and Chaos precisely because I am suspicious of simplistic notions of good and evil. In my multiverse, Law and Chaos are both legitimate ways of interpreting and defining experience. Ideally, the Cosmic Balance keeps both sides in equilibrium. By playing “the Game of Time”… the various participants maintain that equilibrium. When the scales tip too far toward Law we move toward rigid orthodoxy and social sterility, a form of decadence. When Chaos is uppermost we move too far towards undisciplined and destructive creativity.

Seemingly deep stuff for teenagers to be reading, but I think it was part of the series’ appeal. Teenagers are constantly pushing boundaries and trying to get a grip on right and wrong. I think many of them are as suspicious of supposedly “simplistic notions of good and evil” as Moorcock was. It appeared to be presenting a more nuanced way of looking at the world.

Most of the guys (and it was all guys) I knew who read swords & sorcery back in the 1970s and early ’80s were SF/F geeks, potheads, or metalheads and there was a lot of overlap amongst those groups. In my experience, gaming had a lot to do with bringing those tribes together and we all loved Moorcock’s stories and heroes.

Most preferred the morose albino, Elric, of doomed Melniboné. Dressed in black armor, wielding the evil soul-drinking sword Stormbringer, and riding a dragon — I totally get it. A few liked Dorian Hawkmoon von Koln and his adventures across post-apocalyptic Europe and America better. Personally, I did and still do enjoy the two trilogies about Corum Jhaelen Irsei, last of the Vadhagh. Steeped in Irish myth and a gloomy Celtic miasma, I think they’re the most intense and beautiful books in the series.

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Compiling The Big Book of Swashbuckling Adventure

Compiling The Big Book of Swashbuckling Adventure

The Big Book of Swashbuckling Adventure-smallGreetings, Black Gate readers! You may be familiar with my work as the game designer Lawrence Schick – possibly from role-playing material like the White Plume Mountain D&D scenario, video games such as Sword of the Samurai, or my recent work as Loremaster for The Elder Scrolls Online.

But I also write, edit, and translate historical fiction as Lawrence Ellsworth, and in that capacity I have a new title coming out from Pegasus Books, an anthology called The Big Book of Swashbuckling Adventure. Our friends at Black Gate asked me to write an article about compiling that anthology, and here it is.

I’ve been reading and collecting swashbuckling adventure fiction for many years – my whole life, really. A couple years ago, while in the middle of a long (and still uncompleted) translation project, it occurred to me that I probably knew enough about the subject to be able to compile a pretty interesting anthology. The more I thought about the idea, the better I liked it, so I sat down and starting making notes.

I decided the anthology had to meet four criteria. First, it would need to catch the attention of contemporary readers, which meant including recognizable, marquee names, of both characters and authors. Second, it would have to be attractive to mainstream publishers, which meant inexpensive to produce (works in the public domain), and couched in a familiar, saleable format – in this case, a “Big Book,” a fat collection of at least 200,000 words. Third, for variety I wanted a good mix of pirates, cavaliers, and outlaws – and they all had to be cracking good stories that would hold the attention of modern readers. Fourth, not just any stories would do – I wanted carefully hand-picked works that weren’t overly familiar and would re-introduce some of my favorite forgotten authors to the 21st century.

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Event Report: The Last Unicorn Tour

Event Report: The Last Unicorn Tour

The Last UnicornIn 1962, Peter S. Beagle began writing a fantasy novel he called The Last Unicorn. Published in 1968, the book was both serious and whimsical, a kind of extended fable about a unicorn who found she was the last of her kind and adventured through a medieval fantasyland, possibly Irish and possibly not, in search of the wicked king holding all other unicorns captive. The tone embraced both the comic (one of the major characters is an incompetent magician named Schmendrick) and the dreamlike (as in the terrifying Red Bull who emerges as a crucial antagonist). The book’s a tremendous accomplishment, a vivid working-out of classic fantasy themes.

In 1982, Rankin/Bass Productions released a film version of the book, with a screenplay by Beagle. The designs had a nice touch of art nouveau, the voice cast was strong (including Mia Farrow, Angela Lansbury, Jeff Bridges, and Christopher Lee) and the plot was remarkably faithful to the book. That approach had its strengths and weaknesses: the fable-like quality of the original story was lost. On the other hand, the literalness of the adaptation gave the film a quality of strangeness of its own — by maintaining the shape of the book, it created a shape unlike most other movies.

Beagle is currently touring with a digital 2K print of the Last Unicorn movie, presenting it at showings with a question-and-answer period and an opportunity to buy Beagle’s books and Last Unicorn-related merchandise. The tour will go on through April 2016 and will visit Australia, New Zealand, Japan, Ireland, the UK, and Germany, as well as cities across North America. An extensive Canadian leg of the ongoing Last Unicorn tour has just wrapped up; I saw a showing of the film in Montreal, on Sunday, May 18, and took a few notes.

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Everything’s Coming up Aces: All the Covers of Galactic Derelict

Everything’s Coming up Aces: All the Covers of Galactic Derelict

Galactic Derelict 1961-big Galactic Derelict 1971-small Galactic Derelict 1978-small

Click any of the images to see the complete wrap-around covers.

Last week I wrote a brief Vintage Treasures article about Andre Norton’s classic SF adventure novel Galactic Derelict. Here’s what I said about the book’s printing history:

Galactic Derelict was published in 1959 by the World Publishing Company and has been reprinted in eight different editions over the last half-century. It first appeared in paperback from Ace Books in 1961. It is 192 pages in paperback, priced at 35 cents. The cover is by Ed Emshwiller. If I have a few moments this weekend, I may assemble some of the other covers to display them here.

Well, on this leisurely Memorial Day weekend, I finally have a few minutes to pull together half a dozen covers from the book’s five decades in print, and here they are.

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The Public Life of Sherlock Holmes: The Hammer Hound

The Public Life of Sherlock Holmes: The Hammer Hound

CushingHoundPoster1
There are several good posters for this film.

Last week, we looked at Tom Baker’s relatively unknown Hound of the Baskervilles. As this post is being published on May 26, which is the birthday of a classic Holmes, we’ll look his version of The Hound. For on this date in 1913, Peter Cushing was born in Surrey.

Basil Rathbone’s contract expired in 1946 and, feeling imprisoned in the role of Sherlock Holmes, he refused to renew it. So great was his shadow that it would be thirteen years before another studio even attempted to make a Sherlock Holmes movie. Hammer Films is legendary in England for their run of horror films, starting in the fifties.

Those old Universal classics from America had never caught on across the pond. Hammer, however, made a series of successful horror films, frequently co-starring Peter Cushing and Christopher Lee.

In 1959, Hammer broke new ground with the first colorized version of The Hound. Not surprisingly, they turned to Cushing and Lee to carry the movie.

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Sumerian Zombies, Chicago Vampires, and Stephen King: David C. Smith’s The Man Who Would Be King and Other Stories

Sumerian Zombies, Chicago Vampires, and Stephen King: David C. Smith’s The Man Who Would Be King and Other Stories

The Man Who Would Be King and Other Stories David C Smith-smallDavid C. Smith has been a friend to Black Gate almost as long as we’ve been around. I remember attending a World Fantasy Convention with Howard Andrew Jones many, many moons ago when we were both four years old (or thereabouts), when Howard dragged me excitedly to an autograph session to meet him. Dave was astoundingly gracious to two young sword & sorcery fans, entertaining us with tales of writing Red Sonja novels with Richard L. Tierney and the wild S&S publishing scene in the 1970s.

In person and on the page, Dave is a natural storyteller. We both live in Chicago and I’m honored that we’ve become friends over the past few years. We’ve published his fiction and non-fiction here at Black Gate — including an excerpt from his new noir thriller Dark Muse, and one of the most popular works of fiction we’ve ever posted: an excerpt from his supernatural pirate dark fantasy novel Waters of Darkness, written in collaboration with Joe Bonadonna

Dave and Joe co-wrote one of our most popular blog posts in 2012, “The Big Barbarian Theory,” and Dave followed it up with a classic article that still brings traffic to our site today, “New Pulp Fiction for Our New Hard Times.” Howard interviewed Dave for us in 2007, and Jill Elaine Hughes conducted a interview/career retrospective a few months later.

Dave’s latest book is a new collection of four new short stories, a novella, and more — including “The Man Who Would Be King,” the tale of a writer who resents Stephen King’s success, until an odd encounter with the most popular horror writer in America changes his life. The Man Who Would Be King and Other Stories also includes a story set in the universe of his popular novel Oron, a zombie tale, a sample chapter from The West Is Dying, author notes, and much more.

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Vintage Treasures: The Year’s Best Horror Stories: Series XIII edited by Karl Edward Wagner

Vintage Treasures: The Year’s Best Horror Stories: Series XIII edited by Karl Edward Wagner

Year's Best Horror Stories 13-smallI’m still working my way through the fabulous collection of pulps, digest magazines, and paperbacks I brought back from the Windy City Pulp & Paperback show in April.

I found the artifact at left mixed in with a delightful assortment of 80s horror paperbacks near the back of the Dealer’s Room. It’s the 13th volume of The Year’s Best Horror Stories, which Karl Edward Wagner took over from editor Gerald W. Page in 1980 with the eighth volume.

The Year’s Best Horror was a long-running paperback horror anthology published by DAW. Like Donald Wollheim’s World’s Best SF and Lin Carter and Arthur Saha’s Year’s Best Fantasy, both also from DAW, it was a staple on bookstore shelves through the late 70s and early 80s, and served as a terrific introduction to a wide range of new and established writers every year.

For young readers new to science fiction, fantasy, and horror, DAW’s annual Best collections were a terrific way to explore the field. They were ubiquitous, extremely well edited, and — best of all — marvelously inexpensive.

Wagner edited fifteen installments in the series, until he drank himself to death in 1994. The last one was volume XXII, and the series died with him.

If you want to collect DAW’s World’s Best SF and Year’s Best Fantasy, you’re on your own, relegated to tracking down tattered paperbacks in the collector’s market — and paying a pretty penny when you found them. Karl Edward Wagner Year’s Best Horror volumes, however, established an early and enviable reputation as a treasure trove of high-quality horror… so much so that Underwood Miller made the unprecedented decision in the early 90s to collect them  in hardcover omnibus editions, three per volume, under the title Horrorstory — and what gorgeously packed volumes they were.

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Love in War and Realms Beyond Imagining: The Fish, the Fighters and the Song Girl by Janet Morris and Chris Morris

Love in War and Realms Beyond Imagining: The Fish, the Fighters and the Song Girl by Janet Morris and Chris Morris

The Fish, the Fighters and the Song Girl-small

“Your commander reaches for yonder stars and gods do eye him. And there are more Fates in the wide worlds of men than those whom he has aided.” – from The Fish, the Fighters and the Song Girl.

The Fish, the Fighters and the Song Girl
Janet Morris and Chris Morris
Revised Author’s Cut, published by Perseid Press (386 pages, May 24, 2012, $24.95)
Cover art: Peter Paul Rubens, “The Consequences of War” (detail), 1637-1638

The team of Janet Morris and Chris Morris once again grace us with another excellent collection of Homeric Heroic Fantasy, featuring Tempus, Niko and their Sacred Band of Stepsons. This compilation is comprised of both new stories and earlier tales, herein revised from the original Thieves’ World® series, stories such as “What Women Do Best,” “Power Play,” and “Sanctuary is for Lovers.” Brand-new tales, written especially for this book, include “Shelter from the Storm,” “Lemnian Deed,” “Ravener, Where Art Thou?” and the title story.

All the magic, action, adventure, humor and human drama I’ve come to expect from Janet and Chris Morris are here in spades, and there are enough revelations and plot twists along the way to keep you on your toes.

This collection takes place after the Morris’ masterpiece, The Sacred Band, and gives us more of the history of the Sacred Band as Tempus takes his Stepsons and Thebans north, a world away, into unexplored regions and a mythic country. Though they are courageous, these fighters, they are no strangers to fear. Though they are warriors, hard and tough, they are not immune to love and compassion, to decency and common humanity.

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