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Doug Draa on Weird Tales and Keeping the Brand Alive: The Paperback Years

Doug Draa on Weird Tales and Keeping the Brand Alive: The Paperback Years

Creeps by Night-smallLong before Doug Draa became an occasional blogger for Black Gate, I was a reader of his blog, Uncle Doug’s Bunker of Horror, which we’ve celebrated before. I especially enjoyed his habit of using any excuse whatsoever — and I do mean any excuse — to post luscious high-res images of countless beautiful old paperbacks. Reading Uncle Doug’s Bunker was like browsing a superb used bookstore (without any money).

As Doug has become busier with other projects, including becoming an Online Editor for Weird Tales, he’s been less and less able to keep up his blog. So I was delighted to see that he’s now started to post at the Weird Tales site. His recent articles include “The 15 most entertaining Horror Films from the 1980s,” “Four Decades of the Lovecraftian Aesthetic in Paperback,” “Lin Carter’s Weird Tales” and more fun stuff like that (see a complete archive here.)

On May 25, Doug posted one of his best recent articles, continuing his series on 90 Years of Weird: Keeping the Brand Alive: The Paperback Years. Doug surveys three decades of paperback anthologies reprinting WT fiction, from the death of the pulp magazine in September 1954 through its rebirth in 1988, generously illustrated with nearly three-dozen high-res scans. Here’s a quick snippet:

Lin Carter has a special place among the ranks of Weird Tales preservationists and revivalists. During the late 1960s and early 70s he edited and reprinted many H. P. Lovecraft and Clark Ashton Smith collections as part of his Adult Fantasy Series published by Ballantine. Mr. Carter never failed to sing praises to Weird Tales from the roof tops in his numerous introductions to the collections in this series. At the beginning of the 1980s Mr. Carter even went as far as to revive Weird Tales in paperback format for four issues. This incarnation wasn’t a darling of the critics, but I found it to be enjoyable and true to the original vision of the magazine… Thank you Mr. Carter, I drink to your Shade!

See the complete article here.

Kirkus Looks at Andre Norton’s Young Adult Novels

Kirkus Looks at Andre Norton’s Young Adult Novels

Star Born Andre Norton-smallAndrew Liptak has written a fine series of pulp and classic SF retrospectives SF at Kirkus Reviews over the last few months. In his latest, which he introduces at his website, he looks at the often-neglected YA novels of the great Andre Norton:

Norton wrote largely for what we now call the YA audience: teenagers, with fantastical adventures throughout numerous worlds and times. She was also largely ignored or dismissed for writing ‘children’s literature’, which is a shame, because it’s likely that she had as great an influence on the shape of the modern genre as Robert Heinlein, [whose] Juvenile novels attracted millions of fans to new worlds. Norton was the same, and influenced countless readers and writers for decades. It’s fitting that the major SF award for YA fiction is titled The Andre Norton Award for Young Adult Science Fiction and Fantasy.

Go read the entire article here. Or have a look at some of Andrew’s previous articles, including:

Astounding Science Fiction
Galaxy Science Fiction
Donald A. Wollheim and the Ace Double
The Meteoric Rise and Fall of Gnome Press

Digging further, I note that Andrew has also published blog posts on Leigh BrackettHeinlein and Asimov, Philip K. Dick, Francis Stevens, C.L. Moore, Judith Merril, Margaret St. Clair, Katherine MacLean, and Anne McCaffrey, all at the Kirkus site. How did I miss all that? Clearly, I have some catching up to do!

New Treasures: Trail of Cthulhu: Eternal Lies

New Treasures: Trail of Cthulhu: Eternal Lies

Eternal Lies-smallI haven’t played Call of Cthulhu or its sister game Trail of Cthulhu in a long, long time. But that’s okay, because I still enjoy reading the fabulously creative adventures.

One of the best — and certainly one of the most elaborate and ambitious — I’ve come across in some years is Eternal Lies from Pelgrane Press. A massive new campaign for Trail of Cthulhu, Eternal Lies is packed full of surprises and adventure.

I originally covered it here when it was first released last year (see my original post for more details), but this week I finally got my hands on a copy. I was not disappointed, even after the lengthy wait.

Trail of Cthulhu is a standalone game of Lovecraftian horror, and one of Pelgrane Press’s most successful and acclaimed products. Set in the 1930s, it uses  Robin D. Laws’s GUMSHOE system, which is also the basis for several other successful games, including The Esoterrorists, Fear Itself, and Mutant City Blues. Now in its third print run, Trail of Cthulhu won two Ennie awards for Best Rules and Best Writing, as well as an honorable mention for Product of the Year.

It is superbly supported, with some of my favorite recent RPG releases, including Rough Magicks, Bookhounds of London, Arkham Detective Tales, The Armitage Files, and two omnibus adventure collections: Out of Space and Out of Time.

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Review: They Say the Sirens Left the Seas

Review: They Say the Sirens Left the Seas

12742577d05381f961017e2b538dc745fd253fc50a37d322-thumbThe very talented darkly-humored poet James Hutchings returns with his third collection, They Say the Sirens Left the Seas. I previously reviewed his first offering, The New Death and Others, back in 2011. This new collection offers readers more of what they have come to expect from this eccentric and highly original voice.

Hutchings is just as much at home spinning fables as he is dishing up Gothic treats or plunging into the ridiculous with no consideration of social conventions. All three of his excellent collections are available at Amazon as eBooks or direct from the Smashwords website for download for less than a dollar apiece.

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In Praise of Paperbacks

In Praise of Paperbacks

The Chessmen of Mars-smallFirst, a disclaimer. The Luddite rant that follows is my personal view only. I acknowledge the many benefits and advantages of electronic reading devices and to all of the people (many of them dear friends of mine) who would never think of parting with their Kindle, iPad, Nook, or whatever, this is in no way a judgment or condemnation of you or your reading preferences. It is simply about me and my preferences. Now, let the rant begin.

I teach elementary school, and when I began that job, ten years ago, I was faced with the “problem” of what to do with my summers. Yardwork? Get the garage in order? Any of the thousand other home projects that clamor for attention during the working week and never get done for lack of time or energy? Attractive as these options are, I quickly hit upon the happy idea of passing my summers in the same way I did as an adolescent, in reading through as many SF/fantasy paperbacks as I possibly could in the allotted time. Though age does take its toll, and gone are the days when I had the stamina to read The Chessmen of Mars or Have Spacesuit, Will Travel through in a single sitting, as I did when I was thirteen, I still manage to do all right. The choice to spend my extended vacations reliving those great days of blissful, carefree reading is one of best I’ve ever made.

A couple of summers ago, having just finished one book (I think it was one of E.C. Tubb’s Dumarest of Terra novels), I looked around for my next read. There on the shelf was a paperback copy of The Stars Are Ours by Andre Norton. My copy is a 40 cent paperback, published by Ace in 1954. The book is great fun and I quickly zipped through it.

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Future Treasures: Grudgebearer by J.L. Lewis

Future Treasures: Grudgebearer by J.L. Lewis

Grudgebearer-smallJ.F. Lewis is the author of the Void City novels, about a vampire who runs a strip club and suffers from short-term memory problems.

With Grudgebearer, the first volume of the Grudgebearer trilogy, Lewis turns to more classic second-world fantasy with a setting full of action, adventure, and carnivorous elves…

Kholster is the first born of the practically immortal Aern, a race created by the Eldrennai as warrior-slaves to defend them from the magic-resistant reptilian Zaur. Unable to break an oath without breaking their connection with each other, the Aern served the Eldrennai faithfully for thousands of years until the Sundering. Now, the Aern, Vael, and Eldrennai meet every hundred years for a Grand Conjunction to renew their tenuous peace.

While the tortures of slavery remain fresh in Kholster’s mind, most of the rest of the world has moved on. Almost six hundred years after the Sundering, an Eldrennai prince carelessly breaks the truce by setting up a surprise museum exhibit containing sentient suits of Aernese armor left behind, never to be touched, lest Kholster kill every last Eldrennai. Through their still-existing connection with their ancient armor, the Aern know instantly, and Kholster must find a way to keep his oaths, even those made in haste and anger. While Kholster travels to the Grand Conjunction with his Freeborn daughter and chosen successor Rae’en, his troops travel by sea, heading for war.

Grudgebearer will be published on September 2 by Pyr Books. It is 400 pages, priced at $18 in trade paperback and $11.99 for the digital edition.

See all of our recent articles on upcoming books here.

Vintage Treasures: The Great Steamboat Race by John Brunner

Vintage Treasures: The Great Steamboat Race by John Brunner

The Great Steamboat Race John Brunner-smallJohn Brunner is one of my favorite writers. He wrote one of the finest SF novels I’ve ever read, the Hugo Award-winning Stand on Zannibar, and over a career that spanned 40+ years he produced nearly 60 SF novels  and 15 short story collections.

I have virtually all of his SF output, but a few months ago I stumbled on a Brunner novel unknown to me: The Great Steamboat Race, published in a premium trade paperback edition by Ballantine in 1983. Based upon the true story of an epic race between the steamboats Natchez and Robert E. Lee down the hazardous Mississippi River on the July 4th 1870 weekend, The Great Steamboat Race is a massive historical saga and a significant departure for Brunner. It’s the only book like it in his catalog and Ballantine obviously sunk some money into the production — it’s packaged very much like a historical bestseller.

A decade before it appeared, a virtually unknown sword & sorcery writer named John Jakes escaped midlist obscurity by turning from SF and Fantasy to historical fiction with his novel The Bastard. That single novel made Jakes one of the most popular writers in America and the series that grew from it, the Kent Family Chronicles, eventually sold 55 million copies (to put that in perspective, that’s roughly twice George R.R. Martin’s sales for all the volumes of A Song of Ice and Fire.) Jakes’s success inspired many of his fellow SF writers to experiment with straight historical fiction, including Robert Silverberg (with Lord of Darkness, 1983) and a handful of others.

Although The Great Steamboat Race was well-reviewed, it was not a success. It was never reprinted in mass market paperback (although copies of the trade paperback edition are easy to find, even today) and John Brunner returned to writing SF and fantasy. He never wrote another historical novel.

The Great Steamboat Race was published by Ballantine Books in February, 1983. It is 568 pages, originally priced at $7.95. New copies are available on eBay for roughly the same price today.

The Constant Tower by Carole McDonnell

The Constant Tower by Carole McDonnell

oie_92323565jFPqCc4When I started my blog (Swords & Sorcery: A Blog), one of my goals was to force myself to read new fantasy. I knew I’d get bored pretty quickly if all I did was write about books and stories I’d read many times. As a fan, it’s too easy to allow oneself to get comfortably caught up in a cycle of reading and rereading the same old dusty stack of Howard, Leiber, and Moorcock. My newer go-to books include Norton, Saunders, and Wagner, but most of their books are still between thirty-five and fifty years old.

Like any other person writing, I also wanted people to read my work. Another article about “Queen of the Black Coast” or “Adept’s Gambit” out in the universe was going to bore most readers as much as it would me while writing it. This meant finding my way back into the thicket of current heroic fantasy, which I’d stopped reading a long time ago.

Turns out I picked about the perfect time to start reading heroic fantasy again, as there was an exciting revival taking place. One discovery I made was Milton Davis and the tremendous efforts he was making to write and publish sword & soul stories. My interest was piqued by the idea that someone was doing something different in the genre, not just regurgitating the same heroic fantasy tropes that have been done to death.

When I went from looking at the amazing cover of his and Charles Saunders’s anthology Griots and actually reading the contents (reviewed at my site), I was hooked. Other than Davis and Saunders, I didn’t recognize any contributors to the collection. Several really grabbed me, but the story that I liked best was “Changeling,” a tale of daughterly duty and sibling jealousy by Carole McDonnell.

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New Treasures: Dead Man’s Hand edited by John Joseph Adams

New Treasures: Dead Man’s Hand edited by John Joseph Adams

Dead Man's Hand John Jospeh Adams-smallJohn Joseph Adams is having a good year.

Back in April, he was nominated for a Hugo Award for Best Professional Editor, Short Form (his seventh nomination), for his work as editor of Lightspeed, Nightmare, and anthologies like The Apocalypse Triptych.

That’s not his only triumph this year — far from it. His popular anthology Robot Uprisings (co-edited with Daniel H. Wilson) was released on April 8, and the special Women Destroy Science Fiction issue of Lightspeed has just arrived, and is being recognized as a landmark issue.

But the JJA project I’ve most been looking forward to this year is his original anthology of Weird Western tales, featuring brand new stories from Alastair Reynolds, Joe R. Lansdale, Tad Williams, Seanan McGuire, Tobias S. Buckell, David Farland, Alan Dean Foster, Jeffrey Ford, Laura Anne Gilman, Fred Van Lente, Walter Jon Williams, and many more.

Dead Man’s Hand was published by Titan Books on May 13. It is 409 pages, priced at $16.95 in trade paperback and $9.99 for the digital edition. Read more details — and the complete book description — in my April 13 Future Treasures post.

Here’s the complete Table of Contents.

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A Monster Index for Shub-Niggurath, Cthuhlu or Azathoth: A Review of Lovecraft’s Monsters

A Monster Index for Shub-Niggurath, Cthuhlu or Azathoth: A Review of Lovecraft’s Monsters

Lovecraft’s Monsters-smallI love H. P. Lovecraft. Moreover, I think he is the foremost horror and weird writer of all time! I’m not going to attempt to defend that claim here other than to say that I personally love his writing style (purple prose and all), his creatures, his gods, his mood setting — all of it! Thus, as I’ve said in another review, I’m pretty much a sucker for any book advertised or alluded to as “Lovecraftian.” It should be no shock then that I bought the recent anthology Lovecraft’s Monsters.

This book is edited by the multiple award-winner SF&F editor Ellen Datlow. Datlow typically compiles her anthologies around certain themes. The title Lovecraft’s Monsters should thus be fairly self-explanatory. But in detail, each story in this volume contains a monster that is from, similar to, or inspired by one of H.P. Lovecraft’s horror stories.

New to Lovecraft and his monsters, you say? Ever wonder who Shub-Niggurath, Cthuhlu, or Azathoth are? Ever curious as to what shoggoths, “deep ones,” or the Hounds of Tindalos are? Wonder no longer! There is a helpful “Monster Index” compiled in Lovecraft’s Monsters, by Rachel Fagundes, that introduces all such beasties. Besides identifying which stories within Loveccraft’s Monsters contain these creatures, the index also points to where they are first found in Lovecraft’s original stories.

I should also point out that this is a very attractive book with creepy illustrations throughout provided by John Coulthart. In fact, there is one illustration for each story and poem (Gemma Files provides two poems here). Coulthart’s work provides the cover illustration as well. These are nice little extras not usually offered in anthologies.

But of course no anthology is worthwhile without some good stories. And thankfully Lovecraft’s Monsters does not disappoint. There are some very well-known authors here, including Neil Gaiman, Joe Lansdale, Caitlín Kiernan, Elizabeth Bear, and Laird Barron. Most of the stories are reprints, including some older works such as Karl Edward Wagner’s. But with the exception of one story, I had never read any of these tales before.

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