Future Treasures: Wintersong by S. Jae-Jones

Future Treasures: Wintersong by S. Jae-Jones

Wintersong-smallRemember the 80s fantasy classic Labyrinth? Of course you do. Directed by the brilliant Jim Henson and introducing a 15-year-old Jennifer Connelly, the film revolved around the efforts of Sarah to rescue her brother Toby from the clutches of the Goblin King (played with marvelous panache by David Bowie).

Labyrinth is chiefly remembered today for its terrific puppetry and Brian Froud’s ace conceptual designs. But the story it tells is a very old one, one which recurs often in fairy tales. Debut author S. Jae-Jones brings us a fresh new retelling in her novel Wintersong, coming in hardcover next month from Thomas Dunne. Roshani Chokshi (The Star-Touched Queen) says, “This was Labyrinth by way of Angela Carter. Deliciously romantic, with a nuanced Goblin King and a strong heroine, this story was rife with fairy tales, music, and enchantment.”

The last night of the year. Now the days of winter begin and the Goblin King rides abroad, searching for his bride…

All her life, Liesl has heard tales of the beautiful, dangerous Goblin King. They’ve enraptured her mind, her spirit, and inspired her musical compositions. Now eighteen and helping to run her family’s inn, Liesl can’t help but feel that her musical dreams and childhood fantasies are slipping away.

But when her own sister is taken by the Goblin King, Liesl has no choice but to journey to the Underground to save her. Drawn to the strange, captivating world she finds ― and the mysterious man who rules it ― she soon faces an impossible decision. And with time and the old laws working against her, Liesl must discover who she truly is before her fate is sealed.

Rich with music and magic, S. Jae-Jones’s Wintersong will sweep you away into a world you won’t soon forget.

Wintersong will be published by Thomas Dunne Book on February 7, 2017. It is 448 pages, priced at $18.99 in hardcover and $9.99 for the digital edition. Read a massive 44-page excerpt (in PDF format) at the Macmillan website.

The Public Life of Sherlock Holmes: Not Impressed With “The Mazarin Stone”

The Public Life of Sherlock Holmes: Not Impressed With “The Mazarin Stone”

Mazarin_StickCurrent writers of Sherlock Holmes stories (such stories are known as ‘pastiches’) are held to the standard of Sir Arthur Conan Doyle’s originals. And rightfully so. But that’s not to say that all sixty of Doyle’s tales featuring his famous detective are of the same quality. Followers of the great detective debate the merits of various stories. I myself am less than thrilled with “The Dying Detective,” since Holmes doesn’t do much of anything in it. He’s less mobile than Nero Wolfe in that one.

But I can’t think of too many fellow Sherlockians (and I don’t mean followers of the BBC television show) who are enamored with “The Mazarin Stone.” I definitely am not and consider it one of the weakest in the entire Canon. Of course, if you haven’t read it, you probably should do so before continuing. You’re back? Good.

The Play’s the Thing

Jack Tracy’s The Published Apocrypha contains the full text of the play The Crown Diamond, as well as an informative essay. “The Adventure of the Mazarin Stone” and The Crown Diamond are pretty much the same story and share much dialogue, differing only in a few minor details.

One of those details worth noting is that Colonel Sebastian Moran is the villain in play, whereas it is Count Negreto Sylvius in the story. Using Moran makes sense, since playgoers likely would know the character, based on his feature role in “The Empty House.” Both men like air guns and are big game hunters, so the real difference is negligible.

Dennis Neilson Terry starred as Holmes in the stage production of The Crown Diamond.  It’s nowhere near as good as Doyle’s play, The Speckled Band, which I wrote about in this post.

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Things Your Writing Teacher Never Told You: I’d Rather Be a “Librarian” Than a Disney Princess

Things Your Writing Teacher Never Told You: I’d Rather Be a “Librarian” Than a Disney Princess

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On the advice of my students, I’ve finally delved into The Librarian/s franchise. If you haven’t encountered it yet, there’s three made-for-TV movies (The Librarian: Quest for the Spear; TL: Return to King Solomon’s Mines; and TL: Curse of the Judas Chalice), starring Noah Wylie, Bob Newhart, and Jane Curtin. They’re a wacky spoof of adventure films like Raiders of the Lost Ark and Congo. Seeing Bob Newhart wield a broadsword and fend off villains is worth the price of a theater admission.

In 2014 the franchise was turned into a TV series, The Librarians, which made the unique move of keeping the three movie leads on in bit or slightly bigger parts, while bringing in three new young assistant librarians and a guardian (bodyguard) who have the bulk of the adventures. They also introduced a new “caretaker,” (mentor and minder) who is the immortal Sir Galahad, played with disarming charm by John Larroquette. Christian Kane is one of the new librarians. He plays basically the same character he played on Leverage, which is delightful.

The series airs on TNT. The movies and previous seasons are available on Amazon Prime video, at the moment. Jonathan Frakes has directed eight episodes. Matt Frewer, Vanessa Williams, Rene Auberjonois, John de Lancie, Felicia Day, and Bruce Campbell (as Santa) are among the guest actors from the genre world.

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January 2017 Apex Magazine Now Available

January 2017 Apex Magazine Now Available

Apex Magazine January 2017-smallThe January 2017 Apex is a Special Double Issue, with brand new short stories by Lia Swope Mitchell, Iori Kusano, James Beamon, and J.J. Litke, a novelette by Ursula Vernon, and reprints from Rich Larson and Mike Allen. Mike’s contribution, “The Quiltmaker,” the sequel to his Nebula nominee “The Button Bin,” is a massive 20,000 word novella which Mike calls “easily my most gruesome published work to date” (and as the guy who edited and published his The Black Fire Concerto, easily the most gruesome novel I’ve ever read, I can tell you that means something). Here’s editor Jason Sizemore with his summation of the January issue.

Ursula Vernon returns to our pages with the powerful “The Dark Birds.” This dark fantasy (and dare we say…horror) allegory is my favorite Vernon piece thus far. James Beamon explores time travel and racism in “Soliloquy in a Cheap Diner Off Route 66.” “The Invisible Box” is a fun and quick little story of revenge. “Next Station, Shibuya” by Iori Kusano continues the conversation our magazine has ongoing with Japanase-influenced horror and SF. In “Mag, the Habitat and We” Lia Swope Mitchell’s little protagonists protect and fight for their home. Our two reprints are from Mike Allen and Rich Larson. “The Quiltmaker” is a terrifying dark fantasy/horror novella that will leave a mark. “Masked” by Rich Larson will have you thinking of Black Mirrors, but hey, his story came out before the third season of the show, so we’re giving Rich all the credit for the idea!

Our nonfiction includes interviews with cover artist Aaron Nakahara and author James Beamon. Dr. Amy H. Sturgis contributes a scholarly piece titled “The Once and Future Chief: Tecumseh in (Science) Fiction.” Be sure to check out our August, 2017 issue as Dr. Sturgis will be our guest editor and will focus on First Nations and Indigenous authors of North America.

Poetry contributors this month include Barton Paul Levenson, Laura Madeline Wiseman, Tracy May Adair, and Amanda Pekar.

Here’s the complete TOC, with links to all the free content.

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Oz’s Bag of Holding: My Beef with Lev Grossman’s The Magicians and Philip Pullman’s His Dark Materials

Oz’s Bag of Holding: My Beef with Lev Grossman’s The Magicians and Philip Pullman’s His Dark Materials

the magiciansI have here a Bag of Holding. I am now going to pull some things out of it…

Well, I did read Lev Grossman’s The Magicians back in 2011. Now that The Magicians Trilogy is generating so much buzz (consequent to the popular Syfy series now in its second season), I suppose I’ll have to say something about it. However, what I say won’t be very nice. [Here is another review by Chris Braak that appeared in Black Gate back in 2011.]

Since it had been awhile, I went back and skimmed through the final chapters of the first installment. It was enough to remind me why I did not enthusiastically delve into the second book (I did pick up The Magician King, got a chapter in and set it aside. I might go back to it, if anyone furnishes me with a compelling argument that the trilogy as a whole manages to ameliorate the criticism I am about to level against the first book.)

It is well written. The thinly-veiled pastiches of Narnia, Hogwarts, and other beloved fantastical realms are, on the whole, perceptively done. Grossman manages both to evoke the sense of wonder of those books and to convincingly portray characters sensitive to the special draw of Faerie — kindred spirits who, deep down, wish they could escape our world into those imaginary places. Grossman is clearly no stranger to the deep affinity such works can stir in the receptive reader. And he gets great mileage (meta-mileage?) out of having the characters allude to and reference J.K. Rowling and J.R.R. Tolkien and all the other fantasy authors they grew up with.

But, like Philip Pullman with the His Dark Materials trilogy, Grossman seems to feel some obligation to poop on that to which he is ostensibly paying homage.

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Launched! The Future Chronicles

Launched! The Future Chronicles

The Jurassic Chronicles-smallThe Jurassic Chronicles is live, and $0.99 for a limited time! This is the latest installment in Samuel Peralta’s Future Chronicles anthology series, and was edited by Crystal Watanabe. Hugh Howey states: “The best place to discover new SF authors, I think, is any of the anthologies coming from Samuel Peralta.” Don’t just take his word for it, though. Check out the authors and stories included in this one:

“Fatal Mutation” (Anthony J Melchiorri)

A Baltimore beat cop is called to check out screams coming from a run-down laboratory. But when she answers the seemingly routine call, she finds herself embroiled in a deadly race to solve a terrifying mystery compounded by two hundred million years of evolution.

“Noble Savage” (Terry Maggert)

Other worlds are possible through the massive engine of The Point project, but where it leads will reveal that humanity is the alpha predator only as long as it remains on Earth. With the promise of unlimited power, one woman will make the decision to match wits with beings who are not our equal. They’re better.

“An Implant and a Hard Place” (Zen DiPietro)

To achieve her dream of becoming a cyberneticist, Brak had to fight everything it means to be Briveen. Now, she has to wrestle with her morals. Can she disregard them in order to help other people?

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Black Gate Online Fiction: An Excerpt from Mad Shadows II by Joe Bonadonna

Black Gate Online Fiction: An Excerpt from Mad Shadows II by Joe Bonadonna

Mad Shadows 2 cover by Erika M. Szabo-small MAD SHADOWS 2 BACK Cover-small

Joe Bonadonna’s Dorgo the Dowser novelette “The Moonstones of Sor Lunarum,” part of Joe’s first swords and sorcery collection, Mad Shadows: The Weird Tales of Dorgo the Dowser, is one of the most popular pieces of fiction ever posted at Black Gate. Joe’s other contributions to the Black Gate Online Fiction library include an exclusive excerpt from Waters of Darkness, his supernatural pirate dark fantasy novel co-written with David C. Smith, and his recent story “Queen of Toads,” an old-fashioned pulp horror tale.

Black Gate is very pleased to offer our readers an exclusive excerpt from Part Three of Mad Shadows II — Dorgo the Dowser and The Order of the Serpent, published in trade paperback and digital formats this month.

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The Late January Fantasy Magazine Rack

The Late January Fantasy Magazine Rack

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The-Ultimate-RPG-Handbook-rack Black-Static-56-rack Shimmer-35-rack Some-of-the-Best-from-Tor-2016-rack

This month the first issues of Analog and Asimov’s SF in their new bimonthly format arrived — with an extra 16 pages each — and I like the change already. We also welcome PC Gamer to our magazine checklist for the first time, courtesy of the irresistible Ultimate RPG Handbook special issue. But the big news for short fiction fans was the release of the massive annual compilation of Some of the Best From Tor.com, containing 25 recent stories from one of the most acclaimed digital magazines in the genre. I hope you managed to nab a free copy at Tor.com while they were available! If not, free copies are still available through Amazon.com and B&N.com for a limited time.

Check out all the details on the magazines above by clicking on the each of the images. Our early January Fantasy Magazine Rack is here.

As we’ve mentioned before, all of these magazines are completely dependent on fans and readers to keep them alive. Many are marginal operations for whom a handful of subscriptions may mean the difference between life and death. Why not check one or two out, and try a sample issue? There are magazines here for every budget, from completely free to $35/issue. If you find something intriguing, I hope you’ll consider taking a chance on a subscription. I think you’ll find it’s money very well spent.

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You Live in Pellucidar: The Weird Inner World of Cyrus Teed and the Koreshan Unity

You Live in Pellucidar: The Weird Inner World of Cyrus Teed and the Koreshan Unity

model-of-cellular-cosmogonyWhen Edgar Rice Burroughs wrote At the Earth’s Core (1914) and Pellucidar (1915), he brought to a summit the previous century’s passion to explore the fantastic possibilities of what lies below the crust of the Earth. Numerous Victorian scientific romances arose from these theories about the interior of the planet. It’s only natural that once you state, “The world is round,” you follow up with, “Yeah, but what’s inside it?”

A man named Cyrus R. Teed provided perhaps the strangest answer of all: “You.”

Cyrus Teed, his theory of Cellular Cosmogony, and the utopian religious commune movement that arose from it are among the most beguiling offshoots of hollow earth theories. They’re also a peculiar parallel with Burroughs’s fantastic adventure tales. Cyrus Teed believed in a concave inner world with the sun at its center, similar to the popular theory of John Cleves Symmes. But for Teed there was no reason to search for an entrance to the Earth’s interior, because the human race was already living in it. In other words, Pellucidar is real, and it’s your home.

The tale of Cyrus Teed and the Koreshan Unity is a curious historical footnote. But it has intriguing things to say to readers of fantasy and science fiction, as well as to historians interested in the utopian communes that ballooned and popped across the U.S. in the nineteenth century. Edgar Rice Burroughs certainly knew about it, since after writing At the Earth’s Core he kept notes on different hollow earth theories. (The fictional ERB even mentions this in Tanar of Pellucidar.) His curiosity is easy to understand, especially when it leads to discovering something like this…

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Books and Craft: The Power of Point of View

Books and Craft: The Power of Point of View

Slow River Del Rey-small Slow River Del Rey-back-small

Today, I begin a new column here at Black Gate. I’ve been toying with the idea for “Books and Craft” for some time now. As an avid reader, a professional author, a writing mentor and instructor, and a lifelong student of craft, I have long been interested in what it is about certain books that capture our imaginations and elicit our passions. Why do we return again and again to certain stories? What qualities define “classic” novels and “must-read” new ones?

In this column, I hope to address those questions. I plan to look at a variety of fantasy novels, and science fiction as well, with an eye toward identifying an element of craft that contributes to their success. Sometimes the books will be familiar — those classics of the genre we know so well. Sometimes they’ll be more obscure titles — hidden gems that you might not know, but ought to. And sometimes they’ll be new works that demand our attention.

Let me be clear: I am not so presumptuous as to suggest that the specific craft element I identify is necessarily THE single factor in a given book’s success. Just because I might focus on, say, world building in Guy Gavriel Kay’s Tigana, that doesn’t mean his character work (or his prose, or his pacing) isn’t spectacular as well. My articles are intended to be illustrative and even instructive, but certainly not definitive. Whether as readers or as writers, we have something to learn from the work of successful artists. My hope is that these articles will help you see aspects of storytelling that you might not have noticed previously.

And so…

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