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Voices in Fantasy Literature, Part II

Voices in Fantasy Literature, Part II

Apex Magazine August 2013-smallI sometimes give writing workshops in the Ottawa area and mentor local writers. One piece of advice that I feel comes off as a broken record is that there is *so much* good short fiction out there, for readers to taste and for writers to learn from.

Not everyone is into short fiction. My formative reading experiences were novels and comic books, two media that lend themselves to very long arcs with exploratory digressions. Only after largely failing at two novels (consuming ten years of writing time), did I finally take the old science fiction advice: work my writing career up to novels through short fiction.

Although I didn’t appreciate it then, short stories really are their own medium, with conventions and beat structures that take a lot of time to internalize. I forced myself to read a lot of short fiction, from Year’s Best collections to Hemingway and other Nobel winners. I didn’t enjoy the form for about two years, until I stumbled upon an editorial taste that worked for me, and that happened to be Escapepod, and then Podcastle.

Consistently listening to several stories a week gave me such a broad view of the kinds of writing out there and what I liked and how the different forms connected to each other and what rules each played in, or broke, as the case may be. So, I’m a late convert to short fiction and I feel the missionary need at times to show people just how much range and quality is out there. I picked three stories I wanted to recommend to the world.

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Winter 2014 Subterranean Magazine now Available

Winter 2014 Subterranean Magazine now Available

Subterranean magaine Winter 2014-smallHow does Subterranean magazine get such gorgeous covers, issue after issue? Editor Bill Schafer must keep a host of talented artists chained up in the basement. I wish I’d thought of that.

The Winter Issue isn’t just a pretty face — it’s got personality, too. Have a look at the spectacular table of contents:

The Scrivener” by Eleanor Arnason
Bit Players” by Greg Egan
The Prelate’s Commission” by Jeffrey Ford
Nanny Anne and the Christmas Story” by Karen Joy Fowler
Hayfever” by Frances Hardinge
Caligo Lane” by Ellen Klages
I Met a Man Who Wasn’t There” by K J Parker
Pilgrims of the Round World” by Bruce Sterling

We published Jeffrey Ford’s “Exo-Skeleton Town” back in Black Gate 1. It won the 2006 Grand Prix de l’Imaginaire, the French national speculative fiction award, and has been reprinted many times — including in the anthology Alien Contact, where editor Marty Halpern said:

This is probably the quirkiest story in the anthology. And it remains one of the more unique story concepts I’ve ever read. In fact, even though I’m the editor, I’m almost tempted to ask Jeff: “Where the hell did this idea come from?”…

You can read the complete story here. We published Ellen Klages wonderful fantasy “A Taste of Summer” in Black Gate 3; she has since been nominated for the Hugo, Nebula, Campbell, and World Fantasy Awards for her short fiction.

Subterranean is edited by William Schafer and published quarterly. The Winter 2014 issue is completely free and available here; see their complete back issue catalog here. We last covered Subterranean magazine with their previous issue, Fall 2013.

Life Underground

Life Underground

manfrommarsI suppose it’s only natural that I’d consider the decade of my formative years – the 1970s – to have been the “perfect” one in which to grow up. I have little doubt that those whose childhoods encompassed the ’80s or even (Merritt forfend!) the ’90s may feel the same way. They’re wrong, of course, at least if you were the kind of kid who enjoyed hearing tales of the weird, the strange, and the occult. The 1970s were alive with such nonsense, from Bigfoot to ancient astronauts to the Loch Ness Monster, not to mention The Exorcist, In Search Of, and The Night Stalker. And let us not forget that the decade also saw the popularization, through books and movies and television, of the watered-down Theosophy of the New Age movement. In retrospect, it all makes sense if you look at the ’70s as a ten-year hangover in the aftermath of the various counterculture movements that spread like wildfire during the 1960s.

For a lot of adults living at the time, it probably wasn’t pretty, but, for me, as a child with a sense that there was more to the universe than what we saw everyday, it sure was fun. Though far more skeptical today, I still retain a keen interest in such oddities, as well as the sense – or is it merely the hope? – that I was not wrong in my youthful intuition that there are more things in heaven and earth than are dreamt of in our philosophy. Like Fox Mulder, “I want to believe,” even if I find it increasingly hard to summon up the credulity necessary to do so. Perhaps that’s why, even as I scoff, I nevertheless retain a more-than-grudging admiration for men and women who do believe, often in the face not merely of seemingly contradictory facts, but also of social ridicule, ostracism, and abuse.

That probably explains why I’ve long been intrigued by “the Shaver Mystery,” which first burst upon the world in the form of the story “I Remember Lemuria,” published in the March 1945 issue of Amazing Stories. The story purports to be an ancient, first-person account (preserved in “thought records”) of an advanced subterranean civilization that once existed on Earth and whose remnants continue to have intermittent – and often unpleasant – contact with the surface.

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Monthly Short Story Roundup — December

Monthly Short Story Roundup — December

oie_5233198hV9ZnPHThis past December, new short stories in heroic fiction were almost as scarce as good Conan pastiches. Not that it’s been a bad month for heavier fantasy fiction, as both the Milton Davis/Charles Saunders-edited Griots: Sisters of the Spear and John R. Fultz’s trilogy-ending Seven Sorcerers came out. It’s just short fiction that wasn’t happening.

In the past three issues of Beneath Ceaseless Skies, I found only a single story that fits the S&S bill (sort of). It’s like the editors have decided they will not satisfy my need for more/new/good tales of S&S adventure. I feel like they’ve read my short story roundups and are looking to spite me for being disappointed in their emphasis on almost everything but heroic fiction lately. Fortunately, Swords and Sorcery Magazine came through with its regular monthly pair of stories.

Swords and Sorcery Magzine #23’s first story (even though it’s referred to as the second in the editor’s preface) is “I Think Therefore I Die” by Fraser Sherman. Sherman, whose earlier work has appeared in Allegory and on Drabblecast, presents a Renaissance France where the key to what most of the world considers magic is really only the application of mathematical principles uncovered by Rene Descartes. Utilizing the techniques of advanced geometry, practitioners of Cartesian mathematics can travel between distant geographical points instantaneously. They can also affect minor healing on themselves. For the story’s roguish hero, Hugh of Essex, a skirt-chasing Cartesian prone to dueling, the ability to staunch his wounds is a valuable one.

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January/February Magazine of Fantasy & Science Fiction now on Sale

January/February Magazine of Fantasy & Science Fiction now on Sale

F&SF Jan-Feb 2014-smallJust how excited I am by the arrival of F&SF every two months is probably unfairly influenced by the cover.

I can’t help it — I’m just a sucker for good cover art. Some of my favorite recent covers have been Max Bertolini’s marvelous down-in-the-dungeon piece for May/June 2012, Maurizio Manzieri’s enigmatic alien egg for July/August 2011, and our own Mark Evan’s first cover for F&SF, the 2012 Jan/Feb issue.

Of course, all the best magazine covers feature space ships, intrepid humans exploring foreboding alien landscapes and — especially! — robots. Which is why I was especially taken with the cover for the January/February 2014 issue, by the great Ed Valigursky.

Valigursky, who painted covers for IF, AmazingFantastic, and many others (not to mention many of my all-time favorite vintage paperback covers, like Space Viking and The Cosmic Computer), died in 2009, so I’m not sure how editor Gordon van Gelder managed to get his hands on a cover I’ve never seen before, but he did. Valigursky’s piece pays tribute to the classic look of F&SF from the 50s and 60s, and still somehow manages to look modern and fresh. That’s no small feat.

Chuck Rothman reviews the issue for Tangent Online, including Oliver Buckram’s novelette “The Museum of Error.”

Sometimes a wonderful conceit is more than enough to hold a story together. “The Museum of Error” is one of these: a museum that features various scientific mistakes –- the “Rounding Errors Through the Ages” exhibit, robots who insist they’re human, the Never-Right Clock, and Pete the Petrified Cat. Herbert Linden is the Assistant Curator for Military History, and is called to find out what happened to Pete, who may have been stolen by their competitors, the Science Institute. Oliver Buckram’s story is filled with imagination, and is very cleverly constructed, with a mishmash of what seem to be one-liners [that] all come together in the end.

This issue contains stories from C.C. Finlay (whose novella “The Nursemaid’s Suitor” appeared in Black Gate 8), Albert E. Cowdrey, Robert Reed, Alex Irvine, and others.

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Ares Magazine Kickstarter Begins!

Ares Magazine Kickstarter Begins!

Ares Magazine 2014-smallLast month, I wrote a post about the Rebirth of Ares Magazine. Today, their Kickstarter campaign goes live.

Check it out here. They’ve got a great preview movie along with some other teasers, including an awesome illustration for a story I wrote.

If you’d like to see a magazine with both fiction and a playable game in each issue, jump in with your support today.

New Treasures: Weird Fiction Review 3

New Treasures: Weird Fiction Review 3

Weird Fiction Review 3-smallTwo years ago I reported on the first issue of S. T. Joshi’s new magazine devoted to the study of weird and supernatural fiction, Weird Fiction Review (not to be confused with Ann and Jeff VanderMeer’s new online journal, also called Weird Fiction Review. Go figure.)

I recently stumbled across a pic of the third issue of Joshi’s WFR (at left), and it made me laugh out loud. I had to order a copy, and it arrived this week.

There’s lots to enjoy with the massive, 232-page issue. The front and back covers (see both here) are tributes to Mad magazine and the timeless artwork of Don Martin. Inside there are seven original stories from Michael Cisco, Joseph S. Pulver, Sr, and others.

There’s also a host of intriguing articles. Darrell Schweitzer looks at Lovecraft’s influence on one of the most important pulp SF stories ever written, “Who Goes There?”, in “John W. Campbell’s Lovecraftian Tale,” and Bradley H. Sinor presents a previously-unpublished interview from 1994, in “Excellence Demanded, Whiners Piss Off: The Last Interview of Karl Edward Wagner” (which picks up several of the themes in Wagner’s letter to editor Robert A. Collins published in Fantasy 55.)

There’s also a 16-page gallery of art by Jason Zerrillo, the latest installment of John Pelan’s column Forgotten Masters of the Weird Tale, a survey of the year in horror and gothic novels from Daniel Olson, a look at the classic 1966 kaiju film War of the Gargantuas (which author Stuart Galbraith IV calls “kind of a monster movie Nirvana, a film that delivers on the promise of its ingenious title in an orgy of gargantua vs gargantua action” — pic here), and lots more.

Weird Fiction Review 3 was edited by S.T. Joshi and published by Centipede Press on March 19, 2013. The issue contains fiction, poetry, and reviews on high quality paper with lots of color. It is 232 pages, priced at $25 for the sewn trade paperback. It’s a high quality package throughout. It’s limited to 500 copies, and is currently on sale for $20 from the publisher. Get more detail and order copies at Centipede Press.

Galaxy Science Fiction, July 1951: A Retro-Review

Galaxy Science Fiction, July 1951: A Retro-Review

galaxy science fiction July 1951-smallWith a colorful, 4th of July holiday-appropriate cover, the July issue of Galaxy hit newsstands (or arrived in your mailbox if you were a subscriber), much to the delight of its readers (or so I imagine). The issue felt very full — as though H. L. Gold used some undetectable device to cram extra fiction into the folds. Or perhaps it was the anticipated conclusion of “Mars Child” and the absence of any science article. At any rate, I think this was one of the better issues.

“Venus is a Man’s World” by William Tenn — Ferdinand is the only boy on a rocket filled mostly with young women on a journey to Venus. That world offers a better opportunity of finding a suitable husband than Earth, where the population is mostly made up of women. Not that Ferdinand cares about any of that. He just wants something to do, so he explores the ship, including restricted areas, like one of the lifeboats. Except that someone’s already in the lifeboat — a stowaway who calls himself Butt. And Butt knows all kinds of things that Ferdinand’s sister never talks about. If only he’d let Ferdinand hold his gun…

I absolutely loved this story, and it was easily my favorite of the issue. The narration is told in first-person from Ferdinand’s point of view, and it is hilarious and engaging. Butt’s character is outstanding. This is also a piece that stands the test of time. It was eventually collected in William Tenn’s third collection, The Square Root of Man (1968).

“Common Denominator” by John D. MacDonald — As humanity begins to study another advanced race in the galaxy, they discover that the aliens have a crime rate and insanity rate of nearly zero. Charting the past millennia reveal that it all improved eight thousand years in the past. Lambert, Chief of the Bureaus of Racial Maturity, has the chance to speak with one of them and to try to understand how such a change was possible.

While the story itself is written well, I found the premises simplistic and absurd. But I’m not going to reveal the reason for the alien race’s rise in peace and safety because that is part of the bite of the story. I’m starting to see more of this trend in some of Galaxy’s fiction, though, where an author will envision what humanity (or a variety of humanity) might look like if X or Y was subtracted or added. And that utopia is but one tweak away.

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The End of Electric Velocipede

The End of Electric Velocipede

Electric Velocipede 27-smallWe are very sad to report that Electric Velocipede, one of the finest small press magazines in the genre, has published its final issue. Editor and publisher John Klima addresses the reasons for his decision in his editorial, A Remembrance of the Future:

This was not an easy decision.. Finishing this final issue is my way of closing things out mostly on my terms.

There is outstanding money owed me that just isn’t coming. That means money meant for Electric Velocipede’s future needs to be used on the present; we’re unable to make new issues when we still have to pay for old issues. There are limited options for electronic subscriptions; and the largest and most popular, Amazon, stopped taking new magazines right around the time I ran an Electric Velocipede Kickstarter based around the plan of having Amazon subscriptions for future revenue.

I have outstanding debt from running Electric Velocipede — and since the magazine can’t even support itself, it doesn’t make sense to keep it going and continue to spend money without earning any.

Electric Velocipede was one of the most acclaimed independent genre magazines on the market. It was nominated for the World Fantasy Award four times, and won the 2009 Hugo Award for Best Fanzine. We reported on the successful Kickstarter, which raised over $7,500 to fund the magazine, in happier times last September.

Electric Velocipede 27, the final issue, contains short fiction from Daniel Ausema, Helena Bell, Geoffrey W. Cole, and many others. The cover is by Thom Davidsohn. Copies are available for your Nook or your Kindle for just $1.99.See complete details here.

We last reported on Electric Velocipede with issue 25.

Explore The Dark

Explore The Dark

The Dark Issue 1-smallSean Wallace is an editing powerhouse.

I don’t use that term lightly. But let’s just look at the man’s accomplishments: in the last few years he’s edited or co-edited multiple magazines, including Jabberwocky, Fantasy Magazine, and the prestigious Clarkesworld, for which he was nominated for the Hugo four times (winning three times) and the World Fantasy Award three times. He’s edited numerous anthologies, including Best New Fantasy, Japanese Dreams, The Mammoth Book of Steampunk, People of the Book, Robots: Recent A.I., and War & Space.

Of course, that’s on top of his day job as founder, publisher, and managing editor of Prime Books — where he’s produced a terrific assortment of excellent titles. We covered more than a few, including Weird Detectives, Rich Horton’s The Year’s Best Science Fiction & Fantasy series, Circus: Fantasy Under the Big Top, The Return of the Sorcerer: The Best of Clark Ashton Smith, the War & Space anthology, and others.

So I was extremely intrigued when I heard he was launching a new online magazine of dark and strange fiction with Jack Fisher, former editor and publisher of the award-winning Flesh & Blood magazine. The debut issue of The Dark was released in October, 2013, and the second issue arrived on December 1st.

The first issue feature original fiction from Lisa L. Hannett, Nnedi Okorafor, Angela Slatter, and Rachel Swirsky. Issue 2 has all-new stories from Willow Fagan, Amanda E. Forrest, Sarah Singleton and E. Catherine Tobler.

The Dark is published bi-monthly; you can read issues free online, or help support the magazine by subscribing to the ebook editions, available for the Kindle and Nook in Mobi and ePub format. Issues are around 49 pages, and priced at $2.99.

A one-year sub (six issues) is just $15, and so far I really like what I see. Get in on the ground floor of a promising new magazine — subscribe today.