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Author: John ONeill

Tor.com is Buying Science Fiction Novellas

Tor.com is Buying Science Fiction Novellas

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Tor.com bannerTor.com is on a roll. Their new line of novellas has been a commercial and critical hit — the $2.99 digital price pretty much makes them irresistible, and Nnedi Okorafor’s Binti just won a Nebula Award. Plenty of others in their catalog are getting award attention, too. And in addition to their premium publishing line, they continue to publish fine novellas for free on their website.

All in all, it’s not an exaggeration to say that Tor.com has helped usher in a new era for the novella in SF & Fantasy publishing. They certainly haven’t done it alone — Clarkesworld, Beneath Ceaseless Skies, and other top sites have all recently announced that they’re starting to publish longer work — but they’ve definitely led the way in making the novella sexy again.

So I was delighted to see Tor.com recently open a new reading period for unsolicited novellas. Here’s the announcement.

Starting June 5th, Lee Harris and Carl Engle-Laird will be reading and evaluating original novellas submitted by hopeful authors to http://submissions.tor.com/tornovellas/. You can find full guidelines here, and we highly recommend you read the guidelines, because we’re doing things a little differently this time. Until the end of June, Tor.com will only be considering novellas of between 20,000 and 40,000 words that fit one of the following science fiction subgenres:

  • Time Travel
  • Space Opera
  • Near Future Thriller
  • Cyberpunk

…As always, both Lee Harris and Carl Engle-Laird actively request submissions from writers from underrepresented populations. This includes, but is not limited to, writers of any race, gender, sexual orientation, religion, nationality, class and physical or mental ability.

If you’ve had that unfinished space opera/cyberpunk thriller gathering dust on your hard drive, now is definitely time to polish it off an submit it! Read complete details here.

Future Treasures: Icon by Genevieve Valentine, Book II of The Persona Sequence

Future Treasures: Icon by Genevieve Valentine, Book II of The Persona Sequence

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Genevieve Valentine’s first novel Mechanique received a Nebula nomination and placed #2 on the Locus Award list for Best First Novel. Her second was the highly acclaimed The Girls at the Kingfisher Club. Her third, Persona, was the first installment in The Persona Sequence; it was released last year as part of the freshman class of Saga Press releases, and very warmly received.

The sequel, Icon, arrives at the end of the month. Here’s the description.

Suyana Sapaki survived an assassination attempt and has risen far higher than her opponents ever expected. Now she has to keep her friends close and her enemies closer as she walks a deadly tightrope — and one misstep could mean death, or worse — in this smart, fast-paced sequel to the critically acclaimed Persona.

A year ago, International Assembly delegate Suyana Sapaki barely survived an attempt on her life. Now she’s climbing the social ranks, dating the American Face, and poised for greatness. She has everything she wants, but the secret that drives her can’t stay hidden forever. When she quickly saves herself from a life-threatening political scandal, she gains a new enemy: the public eye.

Daniel Park was hoping for the story of a lifetime. And he got her. He’s been following Suyana for a year. But what do you do when this person you thought you knew has vanished inside the shell, and dangers are building all around you? How much will Daniel risk when his job is to break the story? And how far will he go for a cause that isn’t his?

Icon will be published by Saga Press on June 28, 2016. It is 322 pages, priced at $24.99 in hardcover, and $7.99 for the digital edition

New Treasures: Alive by Scott Sigler

New Treasures: Alive by Scott Sigler

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New York Times best-selling writer Scott Sigler is the author of fifteen novels, included Infected and Pandemic. His popular Generations Trilogy began with Alive, published in hardcover in July of last year, followed by Alight, released on April 5 of 2016. The final novel, Alone, is scheduled to be released in March of next year.

Alive follows the story of a band of young teens who awaken in a coffin-strewn underground chamber, and the disturbing discoveries that await them when they finally escape. Led by a girl who has no memory of her identity, they explore a labyrinth of corridors filled with bones and dust… and much worse. Cherie Priest (Boneshaker) calls it “A tense, unsettling page-turner of a story — both deeply strange and wildly compelling,” and Entertainment Weekly say it “lives up to its hype, packing plenty of thrills.” It was an Amazon Best Book for July 2015. Del Rey released a trade paperback edition earlier this year, at the bargain price of $10. Well worth checking out.

Alive was published by Del Rey on February 2, 2016. It is 369 pages, priced at $10 in trade paperback, and $9.99 for the digital edition. The cover was designed by David G. Stevenson.

Get an Inside Look at the Hottest Boardgames with Meeple Monthly

Get an Inside Look at the Hottest Boardgames with Meeple Monthly

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Meeple Monthly May 2016-smallIf you hang out in game stores (and who doesn’t?) you’ve doubtless seen copies of GTM, Game Trade Magazine, a monthly industry mag for the Adventure Hobby industry that also doubles as a handy catalog for Alliance Game Distributors. GTM is always a pleasant read, with fun articles and full color pics of upcoming RPGs and card games. While I was browsing the magazine rack at my local game store last month, I came across something called Meeple Monthly, and at first couldn’t believe my eyes. It looked like GTM, except for board games… a full color magazine devoted to the very latest releases, with full color throughout, chatty articles, a nice assortment of ads, and enthusiasm for the industry dripping off every page. And that’s exactly what it was.

Ah, what a marvelous world we live in. An inexpensive color magazine devoted to new board games? Yes please! I snatched up that issue and brought it home, and I’ve bought every one I could find since. The May issue, featuring a cover feature on Fireside Games and USAopoly’s Star Trek Panic, covers games shipping in July. It also contains:

  • An inside look at Happy Salmon from North Star Games
  • A sneak peak at 400 new monsters for Dungeons and Dragons Ancient Bestiaries in Tome of Beasts, from Kobold Press
  • Wade Rockett’s preview of the excellent artwork in Tome of Beasts
  • Robin Laws’ inside look at Gumshoe going One-2-One in Cthulhu Confidential, from Pelgrane Press
  • The Battle for Hill 218 comes to the Ogre Universe in Ogre: Objective 218, the newest from Steve Jackson Games

All that plus over a dozen pages cataloging every upcoming board game, from all the major publishers, all in full color. What’s not to love?

Meeple Monthly is edited by Jenna Piller and published by ACD Distribution. It is 48 pages, full color, priced at just $3.95. See more details — including news on the upcoming June issue — at their Facebook page.

The Return of Dabir and Asim

The Return of Dabir and Asim

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the-desert-of-souls UK-smallHoward Andrew Jones sent me a letter in the very early days of Black Gate. It was articulate and delightful, and I remember it well. He welcomed the magazine to the fold, speaking enthusiastically about our focus on classic adventure fantasy. He also included a story featuring two characters of his own creation, Dabir and Asim, sleuths and adventurers who strode the crowded streets and dark ways of ninth century Arabia, facing dark sorcery and ancient evils, armed only with their wits and cold steel.

Dabir and Asim had many adventures together. I bought two of those tales for Black Gate — “Sight of Vengeance” (BG 10), and “Whispers from the Stone,” (BG 12) — and they became some of the most popular stories we ever published. Dabir and Asim appeared in two novels, The Desert of Souls and Bones of the Old Ones, one collection, The Waters of Eternity, and many other places (such as the awesome Kaiju Rising: Age of Monsters anthology), before Howard turned his talents to other worthy endeavors. But you can’t keep great characters down for long, and on his blog yesterday Howard announced the return of Dabir and Asim in a brand new tale — and hinted at further adventures in the works.

For the first time this year I’ve sold a short story. I’m delighted to relay that the upcoming Skelos magazine will be carrying a never-before-published Dabir and Asim story in its second issue! You can see magazine details here and there is, briefly, still time to get in on its kickstarter.

I still fully plan to finish writing at least one more Dabir and Asim novel. If I can actually maintain the pace with this current set of drafts, I hope to find time to create a new Dabir and Asim every other year or so and market it as an e-book.

Welcome back, lads! You were missed.

Read our own coverage of the exciting launch of Skelos here, and Howard’s complete announcement on his blog.

The June Fantasy Magazine Rack

The June Fantasy Magazine Rack

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Lots of great reading for fantasy fans in June, and the month is just getting started.

In addition to all the new magazine releases, our intrepid reviewers kept you posted on classic fiction — including the latest installment from Matthew Wuertz of his long-running re-read of Galaxy magazine from the early 50s, and our look at the first two volumes of The Best of Amazing Stories, The 1926 and 1927 Anthologies, edited by Steve Davidson and Jean Marie Stine.

Check out all the details on the magazines above by clicking on the each of the images. Our May Fantasy Magazine Rack is here.

As we’ve mentioned before, all of these magazines are completely dependent on fans and readers to keep them alive. Many are marginal operations for whom a handful of subscriptions may mean the difference between life and death. Why not check one or two out, and try a sample issue? There are magazines here for every budget, from completely free to $35/issue. If you find something intriguing, I hope you’ll consider taking a chance on a subscription. I think you’ll find it’s money very well spent.

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Future Treasures: Dreams of Distant Shores, by Patricia A. McKillip

Future Treasures: Dreams of Distant Shores, by Patricia A. McKillip

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A new collection by Patricia A. McKillip is a major event. In the first four decades of her very accomplished career she released a scant two short story collections: The Throme of the Erril of Sherill (1984) and Harrowing the Dragon (2005). Taychon Publications has doubled that number just in the last four years, starting with Wonders of the Invisible World (2012), and now Dreams of Distant Shores, on sale in trade paperback next week.

Dreams of Distant Shores includes four short stories, a novella, and a short (121 page) novel, Something Rich and Strange, set in Brian Froud’s Faerielands, which won the Mythopoeic Fantasy Award for Adult Literature in 1994. It also includes “Writing High Fantasy,” a 6-page essay by Patricia A. McKillip, and “Dear Pat: Afterword,” a new 6-page essay by Peter S. Beagle. See the back cover above for the complete description (click for a more legible version.)

Dreams of Distant Shores will be published by Tachyon Publications on June 14, 2016. It is 274 pages, priced at $15.95 in trade paperback and $9.99 for the digital edition. The cover is by Thomas Canty.

New Treasures: Central Station by Lavie Tidhar

New Treasures: Central Station by Lavie Tidhar

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Lavie Tidhar is a fast-rising superstar. His novel Osama won the World Fantasy Award in 2012, and his “Guns & Sorcery” novella Gorel & The Pot Bellied God won the British Fantasy Award. The Violent Century, his most recent novel, was called “A masterpiece” by both the Independent and Library Journal, and his second short story collection Black Gods Kiss was nominated for the British Fantasy Award.

His latest is Central Station, a fix-up novel composed of nearly a dozen stories published in places like Analog, Interzone, and Clarkesworld, plus two new tales. NPR Books calls it “just this side of a masterpiece — short, restrained, lush — and the truest joy of it is in the way Tidhar scatters brilliant ideas like pennies on the sidewalk.” Tor.com said it is “without question the best assemblage of short stories I’ve read in recent memory,” and Starburst Magazine gives it 10 out of 10 stars, calling it “profound, incredibly moving and, quite simply, stunning.”

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June Analog Now on Sale

June Analog Now on Sale

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Analog Science Fiction June 2016-smallI know I said last time that I’d limit myself to covering issues of Analog that have dinosaurs on the cover. But Bob Eggleton’s cover for the June issue is so good I made an exception (click the image at right for a super-big version. You’re welcome.)

To be honest, I kinda gave up on Analog during the Stanley Schmidt era. The science was great, but the fiction just didn’t cut it for me. And since he was the longest-serving editor in the magazine’s history (34 long years, from 1978 to 2012), that’s virtually all of my adult life. I want to like Analog, I really do, but at this point it’s kinda like trying to date the girl who kissed you on the playground in Junior High… the memories are magical, but there’s been a lot of years, and a whole lotta great kisses, between then and now.

But I hear good things about the new editor, Trevor Quachri. Promising things. And Quachri sure knows how to pique my interest with his issue summaries. Here’s his enticing words for the June issue.

It’s rare that we’ll pick a later installment in a series to be the lead in an issue, but when the story is as good as Michael F. Flynn’s “The Journeyman: In the Great North Wood,” we make an exception. As the title suggests, we find Teodorq sunna Nagarajan in the Great North Woods, where he and his compatriots are roped into protecting a team of proto-archeologists, but of course, there’s more going on than anyone expects or understands. (And as ever, the story rewards close reading.)

We also have part two of Edward M. Lerner’s time travel fact piece, “Here we go Loopedy Loop,” as well as a story about time travel, Bill Johnson’s “When the Stone Eagle Flies”; and a story about, well, the opposite of time travel, in Marie Vibbert’s “Hold the Moment”; as well as Christopher L. Bennett’s tale of “Murder on the CisLunar Railroad”; Jay Werkheiser’s “The Anthropic War”; J.T. Sharrah’s tongue-in-cheek (but not entirely unrealistic) “The Nult Factor”; and Brandon Ghislain’s take on the dangers of taking some proverbs too literally in “That Which Grows on Trees.”

There’s a Bill Johnson story? I love Bill Johnson! We shared an office at Motorola about a hundred years ago, around the time he won a Hugo for his magnificent tale “We Will Drink a Fish Together.” I even bought a novella from him, “Mama Told Me Not to Come,” which I published in Black Gate 4. Okay, if Bill Johnson is back in Analog, things are definitely looking up.

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Read the Best of Matthew David Surridge in Once Only Imagined: Collected Reviews, Vol II

Read the Best of Matthew David Surridge in Once Only Imagined: Collected Reviews, Vol II

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Once Only Imagined Matthew David Surridge-smallMatthew David Surridge is Black Gate‘s most successful blogger, both in terms of critical and popular success (his post “A Detailed Explanation,” on why he declined a Hugo nomination last year, is the most popular article in our history). He’s also one of our most prolific, with 270 articles to his credit, and he’s had more reprinted than anyone else on our staff. Of course, that’s mostly due to last year’s Reading Strange Matters, which collected 24 of his posts, chiefly focusing on 21st Century writers.

Reading Strange Matters was successful enough to encourage his publishers to produce a second volume, Once Only Imagined, released last week. It collects another 30 articles, with a slightly different focus than last year’s book. Matthew is our sure-footed guide to the true origins of modern fantasy, tracing them through the twisted maze of late 20th Century publishing to the nearly-forgotten fantasy masters of the era. Here’s Matthew, from his introduction.

My first collection of essays about fantasy fiction, Reading Strange Matters, looked at books from the twenty-first century. This second one moves back in time, to the second half of the twentieth… There was a revival of sword-and-sorcery adventure fiction at about this time, relatively short novels focused on plot, action, and violence. And Ballantine Books reprinted several pre-Tolkien fantasies under the editorship of writer and fan Lin Carter. But many of the fantasy novels published in the 1960s and 1970s had a veneer of science fiction about them — their setting explained as another planet (as in the case of Andre Norton’s Witch World and Anne McCaffrey’s Dragonriders of Pern series), or their magic explained as pseudo-scientific psionic powers (as in Katherine Kurtz’ Deryni series).

1977 is usually cited as the year when everything changed, with the publication of Terry Brooks’ The Sword of Shannara and Stephen R. Donaldson’s Lord Foul’s Bane ushering in a new age of commercial fantasy fiction. This ignores several important predecessors, I feel, not only Norton, McCaffrey, and Kurtz, but also Patricia McKillip, whose The Riddle-Master of Hed came out in 1976. I think the form that eventually developed for commercial fantasy was shaped in part by these books… Writers like Raymond Feist and David and Leigh Eddings (the first few of whose books were published under David Eddings’ name alone) soon had popular series as well…

Still, it’d be wrong to think of the fantasy genre of the 1980s as populated entirely by Tolkien knock-offs. Some writers were trying to do new things, and some idiosyncratic books were published as the genre developed. Writers like Glen Cook, with his Black Company series, challenged the new conventions with gritty stories set in a pseudo-medieval world but told in a very modern tone.

Matthew’s knowledge of fantasy is breathtaking, and his deep insights into the evolution of the genre — and many of its greatest and most neglected works — are profoundly illuminating. At $3 for the digital edition, it’s the best purchase you’ll make all year.

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