Smart Guy, Huh?

Smart Guy, Huh?

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ScorpionIt used to be okay to be the smartest person in the room – at least on paper, real life isn’t my area of expertise. Sherlock Holmes was definitely a loner, and eccentric, no question. But when he left Baker Street, he was appropriately dressed, even, or perhaps especially, when in disguise. He knew, understood and used all the social conventions, and could converse easily with everyone and anyone, from any walk of life. He may not have been interested in women romantically, but he had no trouble interacting with them.

This facility used to be part of being the smartest person in the room. Now, we see more examples of this extremity of genius than ever before, including two versions of Holmes. It might have been CSI that started this off – what was Grissom but the smartest guy in the room? – and since then we’ve had House MD bringing in the medical side, and The Mentalist for the con artist in all of us, and this season alone we’ve got Forever, and Scorpion, plus, I believe, a couple more coming along soon.

And let’s not forget, that for as long as most of us have been alive, we’ve had Dr. Who.

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Goth Chick News: When Gaming, Books and Zombies Converge…Oh the Joy

Goth Chick News: When Gaming, Books and Zombies Converge…Oh the Joy

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Dying Light-smallIt’s been over a year since we first got a peek at an upcoming zombie-killing, gaming extravaganza entitled Dying Light.  Back in August, 2013, Dying Light’s creators Techland hinted that the game would be released in all formats somewhere around May, 2014.

Several months (and delays) later, we finally have a firm date of January 27, 2015 and a lot has changed – not the least of which appears to be the angle of the storyline, though officially the delays were due to the extreme complexity of development.

A year ago we were told this:

Dying Light is a first-person, action survival horror game set in a vast and dangerous open world. During the day, players traverse an expansive urban environment overrun by a vicious outbreak, scavenging the world for supplies and crafting weapons to defend against the growing infected population. At night, the hunter becomes the hunted, as the infected become aggressive and more dangerous. Most frightening are the predators which only appear after sundown. Players must use everything in their power to survive until the morning’s first light.

Awesomeness.

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Writerly New Year’s Resolutions and How to Make Them Work: Part 2

Writerly New Year’s Resolutions and How to Make Them Work: Part 2

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Writing Space
It all comes down to time and space to write.

How are the New Year’s Resolutions working out?

Are you being a more productive writer?

If not, then you probably need to set things up so you can be more productive, which is what I promised to talk about this week.

It all comes down to time and space to write.

You can squeeze more into your existing writing time by having an effective writing process — we had that rant already in Part 1 — and by learning to touch type.

Touch typing rocks. The words appear on the screen by telepathy. No distractions, no fiddling fingers. You think better, write faster.

However, what you really want is more writing time, with less interruption, which in turn means establishing a better physical space within which to do it. The time and space then need defending.

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Redwing in Flight

Redwing in Flight

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RedwingThere’s a new anthology out that I want to talk about, partly because of what it is and mostly because I think it’s quite good. But you shouldn’t trust me on this. I’m going to be honest, in that I’m going to write what I think about the book, but what I think may be shaped by my connection to it: my girlfriend, Grace Seybold, is the editor. So.

The book is called Redwing, and it’s available as an ebook at Amazon and the Kobo store. It’s officially published by Grace&Victory Publications, a micropress consisting of Grace and graphic designer Victoria Feistner. There are ten stories in the book, all science fiction and fantasy, mostly by new or up-and-coming writers.

Redwing is entirely Grace and Victoria’s project; I had no input on it, and did not read any of the submissions until I read the final product after it was published. When I did, I was impressed. Any anthology’s going to be a mixed bag, but I thought the book did what good anthologies do: create a kind of overall feel in which the tonal variety of the stories becomes a strength, while still developing an identity as a whole. Anchored by some stories that I feel are stand-outs by any definition, Redwing seems to me to be an excellent small-press production.

Which is one of the things I find interesting about the book: its status as a creation of a small press. I’ve heard a lot about how self-publishing through Amazon and similar venues is now a viable choice for authors, but Redwing’s proof that changes in the market are also making things easier for people to found ‘micropresses.’ In this case, a micropress consisting of two people. Grace is a writer — with stories in venues including Tesseracts 12 and This Is How You Die — and a freelance editor; Victoria is a professional graphic designer, who has sold some stories herself. Between them, they have the skillset necessary to package a book. And so they did. Let’s take a look:

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Vintage Treasures: Horrors Unseen, edited by Sam Moskowitz

Vintage Treasures: Horrors Unseen, edited by Sam Moskowitz

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Horrors Unseen-smallAbout six months ago I bought a small collection of vintage horror paperbacks on eBay (see the whole set here). It was a delightful batch of books, mostly anthologies and short story collections from the 60s-70s, and I’ve been gradually working my way through it.

I previously covered Night Fear by Frank Belknap Long, Carl Jacobi’s Revelations in Black, and Anthony Boucher’s The Compleat Werewolf, from the same set.

Horror anthologies are still published today, of course, and we’ve covered several recent examples right here. But over the years the market has shrunk enough that they are nowadays exclusively published in hardcover, or (at best) trade paperback. The days of the cheap paperback horror anthology, when a wide range of titles crowded the shelves, are long over. I miss them.

Sam Moskowitz was a well-known editor with some 25 anthologies to his name, and Horrors Unseen was the last. It was the third in a loose series which started with Horrors Unknown (1971) and Horrors in Hiding (1973; edited with Alden H. Norton). Sam was a pulp enthusiast, and these books are crammed full of classic horror tales from the pulps — this one includes the first reprint of C. L. Moore’s “Daemon” from Famous Fantastic Mysteries, and other reprints from Imagination!, Colliers, and other places.

Horrors Unseen was edited by Sam Moskowitz and published in June 1974 by Berkley Medallion. It is 208 pages, originally priced at 75 cents. It has never been reprinted, and there is no digital edition, but it’s not a rare book and copies are available online for $2-3. The cover artist is not credited, but it sure looks like Vincent di Fate.

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The Royal Armory of Vienna

The Royal Armory of Vienna

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This highly decorated harness was made in Nuremberg around 1555.
This highly decorated harness was made in Nuremberg around 1555. Many of the pieces in the Vienna collection retain their paint and gold inlay.

Last week we looked at the Royal Armory of Madrid, founded by the Hapsburgs in the 16th century. Another of the great Hapsburg armories of Europe is the one in Vienna. Part of the Kunsthistorisches Museum and housed in the Neue Burg palace, it is one of the most impressive collections of royal arms and armor anywhere.

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C.C. Finlay Appointed Editor of The Magazine of Fantasy & Science Fiction

C.C. Finlay Appointed Editor of The Magazine of Fantasy & Science Fiction

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Charles Coleman Finlay-smallC.C. Finlay has been named the editor of The Magazine of Fantasy & Science Fiction. He replaces Gordon van Gelder, who has been editor since 1997. C.C. Finlay was the guest editor of the July/August 2014 issue, which was well received, and had been expected to edit two additional issues in 2015. Several reviewers noted that he brought a high percentage of new names to the magazine.

He is the author of the Traitor to the Crown fantasy trilogy, published by Del Rey in 2009. Under the name Charles Coleman Finlay he has published some highly regarded short fiction, including the Hugo and Nebula Award nominees “The Political Prisoner” and “The Political Officer.” We published his story “The Nursemaid’s Suitor” in Black Gate 8. In 2003 he was a finalist for the John W. Campbell Award for Best New Writer. He addresses the announcement on his blog:

As some of you may have guessed, my guest editing gigs at F&SF were a job audition. I guess I did okay…. Officially, I take over with the March/April issue this year… March/April is at the printers so that means I’m already working on May/June. I started reading submissions for the magazine on January 1. Originally, it was going to be just for a guest editor spot in September/October, but now it is for all future issues of the magazine. So that worked out well…

Current editor Gordon Van Gelder has an inventory of stories for the magazine. After the March/April issue, these will be mixed in with the stories that I select. It will probably take a few issues to make the transition, but it won’t be sudden. Readers will still see many of the familiar writers they love. And I expect there to be new voices as well.

Gordon Van Gelder will remain publisher. We covered the January/February issue of F&SF here.

George R.R. Martin’s The Winds of Winter Will Not Appear in 2015

George R.R. Martin’s The Winds of Winter Will Not Appear in 2015

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Martin The Winds of Winter-smallHopes that the sixth book in George R.R. Martin’s epic Song of Ice and Fire would arrive this year were dashed earlier this month, when Martin’s UK publisher Jane Johnson tweeted that the book was not on the 2015 schedule.

There was a flurry of speculation about the imminent release of The Winds of Winter late last year, triggered by a Twitter countdown from his publisher, but Martin put the rumors to rest on his blog, saying:

I don’t play games with news about the books. I know how many people are waiting, how long they have been waiting, how anxious they are. I am still working on Winds. When it’s done, I will announce it here.

It’s been almost four years since the release of the fifth volume, A Dance With Dragons; that book appeared six years after A Feast for Crows.

Given that two volumes remain in the series, The Winds of Winter and A Dream of Spring, and that Martin has said that he expects both to be big (1,500 manuscript pages each), fans are understandably nervous that the series may never be completed. More than a few recall the unexpected death of Robert Jordan, who left his 14-volume Wheel of Time series incomplete at the time of his death in 2007.

Altogether, it took Martin 11 years to produce the two most recent books. Martin is currently 66 years old; if he stays true to form, we can reasonably expect him to complete the series in 2022, at the age of 73. Jordan died at age 58.

For those who can’t wait, Martin offered an excerpt from The Winds of Winter on his blog two years ago; check it out here.

New Treasures: The Inheritance Trilogy by N. K. Jemisin

New Treasures: The Inheritance Trilogy by N. K. Jemisin

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The Inheritance Trilogy Jemisin-smallIt’s tough to come up with a title for a new fantasy trilogy these days. Titles are like web domains — all the good ones are taken, and most of the not-so-good ones, too. As Scott Adams had noted, if you want a completely original title (or web domain) nowadays, you’re stuck with a shrinking number of phrases that resemble monkey sounds.

Take “The Inheritance Trilogy.” The title has already been used a few times — mostly famously for the first three novels of Christopher Paolini’s best selling fantasy series, which began with Eragon. It’s also the name of an Ian Douglas military SF trilogy beginning with Star Strike, published from 2008-2009, as another example.

Well, we all know that good things come in threes. So I wasn’t all that surprised to see the omnibus volume of N.K. Jemisin’s first fantasy series published under the name The Inheritance Trilogy last month. If you can’t be original, go for something popular.

Titles aside, the omnibus volume of The Inheritance Trilogy is definitely a book you want on your shelf. Modern fantasy is a vibrant and exciting field, and talented new writers are emerging all the time, but precious few of them hold a candle to Jemisin. She is one of the most gifted fantasy writers I have come across in a very long time, and this new one-volume edition contains the complete text of her first three novels, in a single affordable (and massive) package.

The Inheritance Trilogy omnibus includes the novels The Hundred Thousand Kingdoms, The Broken Kingdoms, and The Kingdom of Gods. As a special bonus, it also includes a brand new novella set in the same world, The Awakened Kingdom, which appears here for the first time.

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Ody-C Issue #2: In Which I Try to Not Use the Word “Weird” at All

Ody-C Issue #2: In Which I Try to Not Use the Word “Weird” at All

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ODY-C-1-Cover

Author’s Note: I had wondered how I would handle spoilers as I review my way through the first handful of issues of Ody-C, the new genderqueer retelling of Homer’s Odyssey. At first I thought this wouldn’t be necessary: how many spoilers will there be in the retelling of a three thousand year old myth? As of now, with the second issue released, I can safely say “At least a few”. So while I will avoid any plot-altering spoilers to the fullest extent possible, if you don’t want to be spoiled on world building or character development, read no further.

At the conclusion of the first issue of Ody-C, I wasn’t certain of how I felt about the series. I had opinions, certainly, and I had impressions and ideas, but it was hard to compile those into a solid opinion. After reading the second issue, which was released last week, I feel far more comfortable saying that I think I am going to love this.

As a single issue goes, Ody-C #2 is slender in terms of both page length and events. But it is incredibly dense in terms of world-building. While the bones of this story were familiar in issue 1, the setting and surroundings were so strange as to leave this reader at least feeling a bit adrift. Issue 2 leads us deeper into the world, and while it is in some ways more surreal it is also leaves us far more grounded in what the world Matt Fraction and Christian Ward are creating looks like.

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