Black Gate – Page 813 – Adventures in Fantasy Literature

Vintage Treasures: Heroic Visions, edited by Jessica Amanda Salmonson

Friday, May 15, 2015 John ONeill Comments 5 comments

We’ve covered so many classic paperbacks here at Black Gate, in so many sub-genres, that I sometimes forget that our original focus was Heroic Fantasy. We’ve kept true to that promise (more or less) here on the website, although as a matter of course we’ve broadened our focus as the years have gone by.

But it’s good to be reminded from time to time that it was heroic fantasy that lured many of us into this field. This week’s reminder came in the form of a slender 1983 Ace paperback I found titled Heroic Visions. It collects sword & sorcery tales by Jane Yolen, Alan Dean Foster, F.M. Busby, Robert Silverberg, Michael Bishop, Joanna Russ, Phyllis Ann Karr — and a brand new Fafhrd and the Gray Mouser novella by Fritz Leiber. It was followed by a sequel, Heroic Visions II, with new stories from Thomas Ligotti, Manly Wade Wellman, Keith Roberts, Ellen Kushner, Michael Bishop, Avram Davidson, Jessica Amanda Salmonson, and many others. Both are fine collections featuring some of the top fantasy writers of the 80s.

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Knights of the Dinner Table #219 Now on Sale

Friday, May 15, 2015 John ONeill Comments 1 comment

DC Showcase 12 Challengers of the Unknown-small

The latest issue of Knights of the Dinner Table boasts another great Kirby tribute by the fabulous Fraim brothers. The cover is an homage to DC Showcase #12, featuring the Challengers of the Unknown, drawn by the great Jack Kirby and originally published in 1957. (Kirby later claimed he reused elements from this series at Marvel Comics, when he collaborated with Stan Lee to create The Fantastic Four four years later.) Click on the images for bigger versions.

I remember buying the very first issue of KoDT, at a comic convention here in Chicago. I had no idea then that it would become one of the longest-running independent comics in history.

Knights of the Dinner Table Magazine is written and drawn by my friend Jolly R. Blackburn, with editorial assistance by his talented wife Barbara. Readers of the print version of Black Gate may remember the KoDT spin-off The Java Joint, which appeared in the back of every issue (and was eventually collected in a single volume in 2012).

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Goth Chick News: Stoker Award Winners Just In Time for Summer Indulging

Thursday, May 14, 2015 Sue Granquist Comments 0 Comment

Back in February the Horror Writers Association announced their nominees for the annual Bram Stoker Awards for superior writing in eleven categories, including traditional fiction of various lengths, poetry, screenplays and non-fiction.

This week they announced the winners, who will receive what must be the coolest trophy ever.

Here are all the winners, as well as the runners up.

Superior Achievement in a Novel – Blood Kin, Steve Rasnic Tem (Solaris)

Suffer the Children, Craig DiLouie (Gallery)
Jade Sky, Patrick Freivald (JournalStone)
Beautiful You, Chuck Palahniuk (Jonathan Cape/Vintage)
The Vines, Christopher Rice (47North)

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Future Treasures: The Mammoth Book of Dieselpunk, edited by Sean Wallace

Thursday, May 14, 2015 John ONeill Comments 1 comment

What the heck is Dieselpunk?

Sean Wallace gave an enticing description of this funky new sub-genre in his call for submissions for The Mammoth Book of Dieselpunk last year:

If you need to know what dieselpunk is, it’s a subcategory of steampunk, essentially, covering the 1920s through the 1950s, including the Roaring Twenties, the Depression, World War II, and even a little beyond that, but here’s the thing: I want material from all over the world, I don’t want a white-washed representation of this theme.

The book is scheduled to be published in July, and I have to say, it looks pretty good. Packed with stories by Genevieve Valentine, Carrie Vaughn, E. Catherine Tobler, Nick Mamatas, Jeremiah Tolbert, and many others, it could be a lot of fun.

Dieselpunk: an emerging retro-futuristic sub-genre, similar to steampunk, based on the era between the First World War and the start of the Atomic Age, merging elements of noir, pulp, and the past with today’s technology… and sometimes a dash of the occult.

Award-winning editor Wallace presents a cutting-edge collection of twenty-five vibrant stories that explore the possibilities of history while sweeping readers into high-powered hydrocarbon-fuelled adventures. Join us in an era when engines were huge, fuel was cheap and plentiful, and steel and chrome blended with the grit and grease of modern machines.

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Enjoy the New Supergirl Trailer

Thursday, May 14, 2015 John ONeill Comments 3 comments

The new Supergirl trailer has just been released, and it’s already drawing some pretty harsh criticism. Meredith Woerner at io9 called it “depressingly paint-by-numbers,” and compared it (rather unfavorably) to the Saturday Night Live parody skit featuring Black Widow.

But I watched it this morning, and frankly loved it. It looks like the kind of show that I could watch with my fifteen year-old daughter (who digs Arrow and Buffy in a major way), and we could both enjoy. The show is already getting some defenders — author Chuck Wendig posted “Hey, I Liked That Supergirl Trailer” this morning, saying:

Listen, I like dark stuff. I write dark stuff. But sometimes, I just want fun… I loved Guardians of the Galaxy because it was weird, wonky shenanigans from start to finish. Supergirl looks like its bringing its own kind of goofy glee to the mix…

Did you see the photo above? She’s smiling! What mad hell is this?!

Watch the complete six-and-a-half-minute trailer above. Supergirl stars Melissa Benoist as Supergirl, Mehcad Brooks as Jimmy Olsen, and Calista Flockhart as Cat Grant. It debuts on CBS in November 2015.

New Treasures: Hexed: The Sisters of Witchdown by Michael Alan Nelson

Thursday, May 14, 2015 John ONeill Comments 0 Comment

I’m not familiar with the the BOOM! comic Hexed, but perhaps I should be. It’s apparently a spin-off from the horror comic Fall of Cthulhu, but you don’t need to be familiar with her appearances there to enjoy her adventures in her own comic. I’m not sure how many issues were published, but enough to be collected into at least two graphic novels, the first published in March 2010, illustrated by Pretty Deadly Artist Emma Rios, and the second by newcomer Dan Mora, to be released this July.

Lucifer the thief, the star of Hexed, seems like a pretty interesting character, and The Sisters of Witchdown marks her first appearance in a prose novel. It’s being marketed as a YA title, but I’m intrigued enough to check it out.

Luci Jenifer Inacio das Neves, Lucifer for short, isn’t your typical teenaged girl. She’s a thief who survives by stealing bad things from bad people in the magical and mystical underworld hidden beneath our own. So when a policeman’s daughter, Gina, is kidnapped by a force he can’t explain, Lucifer is the only one who has a chance at getting his daughter back.

With the unsolicited help of Gina’s friends, including Gina’s boyfriend David, Lucifer’s investigation leads to the unfortunate truth of the kidnapping. Gina was taken to an otherworldly dimension by a creature of unspeakable evil: one of the Seven Sisters of Witchdown. Against all odds, Lucifer must use every magical tool hidden in her trick bag to steal her way into the Shade and bring Gina back before the Sister sacrifices her for her own dark ends. But the closer Lucifer gets to Gina, the closer she gets to David. And David to her. Lucifer must risk her life by confronting demons, witches, and the cruel demigoddess controlling her destiny — all to save the one girl who stands in the way of Lucifer finally finding love.

Michael Alan Nelson’s comic writing includes 28 Days Later, Supergirl, Valen the Outcast, Dominion, Cthulhu Tales, Dead Run, and many others.

Hexed: The Sisters of Witchdown was published by Pyr on May 5, 2015. It is 279 pages, priced at $14.99 in trade paperback and $9.99 for the digital version. The cover is by Larry Rostant.

Nazi Film Review: Hitlerjunge Quex

Wednesday, May 13, 2015 Sean McLachlan Comments 6 comments

When the Nazi Party took over in 1933, Germany was already a leading nation for film production. From the late 1910s through the early 1930s, its silent films and early talkies were seen all across Europe and were popular in the United States as well. But the year saw a major change in the nation’s film industry as well as its political makeup. Like with every other industry, movie making had to subordinate itself to the goals of National Socialism.

The Nazi party’s first targets were Communists and Socialists, who had fought against them for control of the streets. Many lives were lost on both sides during this era of riots, and one of the more famous of those was a member of the Hitler Youth named Heini Völker, who was killed while distributing Nazi flyers in a Communist neighborhood. There had already been a popular book about the boy published in 1932 titled Hitlerjunge Quex. (“Quex” means “quicksilver”, a nickname Heini got for being such an eager worker). This was turned into a film in the first year Hitler was in power.

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Beneath Ceaseless Skies 172 Now Available

Wednesday, May 13, 2015 John ONeill Comments 1 comment

I love a good weird western. So you can imagine how intrigued I was by the latest issue of Beneath Ceaseless Skies, Scott H. Andrews’ magazine of literary adventure fantasy. It’s a special weird western issue, celebrating the release of their new themed anthology Ceaseless West. Issue 172 contains three new stories, a reprint, a podcast, and more.

“Splitskin” by E. Catherine Tobler
My love reveled in winter’s sunbroken days, when the light spills to the fresh-fallen snow to stab a person in the eyes. Gugán flit from path to stone, a trickster comfortable with his Raven heritage. I, as Eagle, startled at every shift of snow, caught always unawares in the bright sun as he pelted me with clumps of melting cold.

“Swallowing Silver” by Erin Cashier
John Halpern knew it should be a heavy weight on his conscience, to wake up and know that he was going to kill a thing that used to be a man. Whether it was or wasn’t was a topic of much internal contemplation for him as he walked up the long path to his brother-in-law’s house to ask for help. The fact that his brother-in-law was himself a devil-man did not escape him.

“The Snake-Oil Salesman and the Prophet’s Head” by Shannon Peavey
Leaving Leo alone, with his brother’s head. Leo stepped closer to the jar. Cary’s white-blond hair floated up from his skull, the tips waving slightly. It looked like strands of spiderweb, or exposed nerves. “You still telling people things they don’t want to hear?” He tapped on the glass. As if he might rouse it to speech.

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You Gotta Know When to Fold ‘Em

Wednesday, May 13, 2015 Elizabeth Cady Comments 8 comments

In my review of issue #4 of Ody-C I said that it might be my last. I read Issue #5 hoping to be proven wrong.

I wasn’t.

Artistically, Ody-C is still strong, and a lot of people out there are going to love it. I’m just not one of them. What I love about Homer and the direction Fraction and Ward are taking the work are two very different things. And that’s ok. That’s how re-creations work. But as someone who has far less time to read than things she wants to read, this is going to have to drop off the list for now to make room for something else.

And that in turn made me wonder: what is it that makes you, as a reader, stop reading? When I was younger I always finished books, even when I didn’t like them. I wanted to really dissect what I didn’t like about them. I’m also just too curious to go without finding out how a story ends.

As I’ve gotten older, though, the reasons I drop a book or series have multiplied. There are those that I simply don’t like, like Ody-C. There are those that I’ve just gotten tired of, like a TV series that shall remain unnamed but is in its tenth season and probably ought to go. Even the actors look tired of their parts, my favorite side characters are gone, and the sense of peril has completely drained away.

(OK I lied. It’s Supernatural. Bobby’s gone, Ellen and Jo are gone in a way I’m still angry about, and there are only so many times your main characters can die before it stops meaning anything. Also, I think they have run out of new monsters.)

And maybe it’s age leading to crankiness, but there are storylines and characters I’m getting tired of. I’m really, terribly bored with ‘very tough on the outside and won’t accept any help but deeply emotionally vulnerable on the inside with a load of childhood traumas’. Of all available genders. This makes reading entire genres difficult.

But again, these are my objections. What are yours? What makes you drop something: a show, a comic, a book? And what could bring you back to it?

Vintage Treasures: Under the Moons of Mars, edited by Sam Moskowitz

Wednesday, May 13, 2015 John ONeill Comments 4 comments

Some folks I know date the creation of modern SF and Fantasy to Star Trek in the mid-60, or the release of Star Wars in 1977. Those who are a little more knowledgeable date it to the first issue of Amazing Stories, in April 1926.

Folks who are really knowledgeable date it even earlier, to the “Scientific Romances” that became popular in early pulp magazines — so popular, in fact, that a young entrepreneur named Hugo Gernsback decided that the time was right for a magazine devoted exclusively to them. That magazine was Amazing Stories, and the rest, as they say, is history.

When editors first began combing the old pulps for stories to anthologize in the late 40 and early 50s, virtually all of them began with Amazing Stories #1. There was a great deal of popular SF and fantasy published well before that, but it was overlooked. And, as the decades went by, it was gradually forgotten.

Where did it appear? I have no idea — the really knowledgeable could tell you, but I’m not one of them. As we look backwards through history, my vision goes dark right around Lost in Space.

Fortunately, the great genre historian Sam Moskowitz was one of the really knowledgeable. And he used his vast knowledge for good. Specifically, he used it to assemble the anthology Under the Moons of Mars, which collected some of the very best of the early science fiction and fantasy from the days before there were magazines dedicated to such things — including stories and novel excerpts from Edgar Rice Burroughs, A. Merritt, Ray Cummings, Murray Leinster, Austin Hall and Homer Eon Flint, and many others.

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