Behind the Mask: Dr. Phibes Rises Again from Script to Screen

Behind the Mask: Dr. Phibes Rises Again from Script to Screen

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doc-phibestumblr_lfvzefdggz1qc1sduo1_500Dr. Phibes Rises Again (1972) brought back Vincent Price and director Robert Fuest for a second go-round with AIP’s favorite madman. Phibes’ original screenwriters William Goldstein and James Whiton penned the first draft of the sequel entitled The Bride of Dr. Phibes. While the resulting film retained significant elements from this work, AIP chose to hand the writing chores over to Robert Blees with director Robert Fuest making final revisions on the produced script. Whiton and Goldstein’s sequel script would resurface several times over the years for AIP as a possible third film re-titled Phibes Resurrectus and later for AIP’s successor, New World Pictures for a revival titled Phibes Resurrected. Between these attempts, Goldstein came very close to getting a television series, The Sinister Dr. Phibes off the ground with comic book legend Jack Kirby providing the designs for the network presentation. A survey of the development of the sequel makes the film’s international title, Frustration seem all too apt.

The October 1971 draft of The Bride of Dr. Phibes makes it evident that Goldstein and Whiton (like many screenwriters before and since) were cheated of a story credit for the sequel since much of the resulting film’s structure is derived from their unproduced script. Phibes’ carefully-planned resurrection and his scheme for reanimating his late wife are exactly as one finds in the finished film. Additionally, the central characters of Emil Salveus and his mistress Daphne Burlingame are virtually identical to the film’s central characters, Jonathan Biederbeck and Diana Trowbridge. Goldstein and Whiton focus the sequel on a the Institute for Psychic Phenomenon which houses a Satanic cult led by the now adult Lem Vesalius seeking vengeance against Phibes nine years after the events of the first film. The Scotland Yard stalwarts, Trout, Schenley, and Crow return to good effect. Although Crow’s role seems better suited to his direct report, Waverley who is missing here. There’s a gripping sequence set at Wembley Arena that is remakably similar to a scene in one of the early Fantomas novels where the detectives think they’ve nabbed Phibes only to discover it is one of his automatons. It is easy to see why this excellent script would not die and resurfaced several times under variant titles over the ensuing decade.

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Sale at Rogue Blades Entertainment

Sale at Rogue Blades Entertainment

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sages-swordsRogue Blades Entertainment, publisher of top-notch heroic fantasy, is having a one-of-a-kind online sale.

Here’s RBE publisher-mastermind Jason Waltz  to ‘splain the details:

RBE has to clear the shelves! Rogue Blades presents its first 2-for-$15 sale. Purchase any 2 of these RBE titles for $15.00 plus shipping!

Rage of the Behemoth, limited editions
Mythic Memories
Demons: A Clash of Steel
Sages & Swords

Simple! Now’s your chance to catch up on some of the best in new short fantasy, including fiction by Tanith Lee, Howard Andrew Jones, Joseph A. McCullough V, Sean T.M. Stiennon, Bill Ward, Elaine Isaak, C.L. Werner, and many others, and all at a great price.

Rage of the Behemoth is one of the best fantasy anthologies I’ve read in the past few years. Contributors include Andrew Offutt & Richard K. Lyon, Lois Tilton, Mary Rosenblum, Sean T. M. Stiennon, Brian Ruckley, Bruce Durham, Jason Thummel, and many more. Read more about it, including Theo’s great review,  here.

Demons is an anthology “devoted to the devilish fiends who seek to wreak havoc among mankind upon the mortal plane.”  Contributors include Bill Ward, Brian Dolton, Steve Goble, Elaine Isaak, C.L. Werner, Laura J. Underwood, and many others. You can read more in our news article here.

At $15 for two titles, these books won’t last long.  Check out this terrific sale today.

Goblin Fruit: Autumn 2011

Goblin Fruit: Autumn 2011

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gfwolfieThe new Goblin Fruit is LIVE!!! It’s ALIVE, I tell you!

Now, I know I’ve said that before. Always the same way, too. “LIVE!!!” must be capitalized, with exclamation points, because, you see, I’m pretending I’m Frankenstein. I’m sure you knew. It’s not like it’s a secret or anything.

This new issue features poet Neile Graham, including an interview in which her poetry is described as “very green and very blue, full of cedar and rain and stone and sea.” Here is a hint, a taste, a tongue’s dip worth of her verse:

“…Hillfolk trade their cranky babes for our sweet sleepers. Tempt away

our pretty ones. Make deals we pay for. Seduce our poets
underhill for seven silent years then gift them with sore truth…”

– The Ones Outside Your Door

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Goth Chick News: For Your Halloween Reading Pleasure: The Night Circus

Goth Chick News: For Your Halloween Reading Pleasure: The Night Circus

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image001When I first heard about new author Erin Morgenstern’s book The Night Circus, it was billed as an antidote for the withdraw symptoms Harry Potter fans were experiencing. Though I wouldn’t go so far as saying I’m having Potter DDT’s, I must admit that the sudden void left in my literary life by the lack of pure escapism fantasy was making me a bit twitchy.

But good luck living up to my Hogwarts-sized expectations, I thought. Another book about magic we don’t need.

However, once The Night Circus hit store shelves on September 13th I couldn’t seem to get around the title. It just kept nagging my imagination, which conjured up images of an entire carnival appearing over night in what yesterday was just an empty field, and only being open for business after dark.

“If they’re grouping it in with Harry Potter, it must be a kids book,” I thought, and tried my best to ignore it.

After all, J.K. Rowling’s ability to hit that perfect chord between writing for kids yet entertaining adults was a rare thing indeed.

I busied myself with other things and shunned The Night Circus for a whole 10 days.

Then I read that on September 22nd Ms. Morgenstern’s very first outing as a novelist had reached number eleven on USA Today’s bestseller list, and that a full nine months before the book had hit the stands Summit Entertainment had purchased the movie rights.

All right, fine.

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Art Evolution 2011: Steve Prescott

Art Evolution 2011: Steve Prescott

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prescott-paizo-254

Art Evolution 2011 ends this month with our final artist of the year, but I have to say that once again it was a thrilling ride. Black Gate had the distinct pleasure of featuring the talents of Russ Nicholson, Janet Aulisio , Eva Widermann, and Chuck Lukacs this year and our final entry comes from the epic talents of Steve Prescott.

Now Steve has been doing this a long time, all the way back to the early days of White Wolf when an art director from the company visited his college campus and reviewed portfolios. For my part, I found Steve through Paizo’s Pathfinder. I remember waiting with anticipation for each Pathfinder adventure path to arrive at my home as the company slowly rolled out Rise of the Runelords and Curse of the Crimson Throne.

Both of these six volume series helped set the stage for each of the Pathfinder Iconic characters which were all done by artist Wayne Reynolds. When the company’s 3rd adventure path, A Second Darkness, began I was greeted with a cover credited once again to Wayne, but as I looked over the image I knew another artist had taken over the project with an incredible eye for detail.

Let’s try to put this in perspective, however, because taking over Iconics from Wayne is like replacing Joe Montana at quarterback. Thankfully, like the 49ers of the early 90s, Paizo had their own version of Hall of Fame QB Steve Young with Steve Prescott.

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On the Trail of Vanished Pulps

On the Trail of Vanished Pulps

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canadian_war_stories2Collectors have at times in the past discussed the possibility that there may be some fiction magazines issues from the last 100 years for which no copies exist anywhere. Anyone who is disheartened by this news, might take comfort from the following tale which I thought some might enjoy and/or find interesting.

I maintain a sizable online index of fiction magazines at Galactic Central, and although I don’t plan to start any serious work on the Adventure Fiction Index until 2012 (at least), I have spent a little time identifying where there are gaps in the data I have so as to maximise the time I had to fill the gaps.

Top of my list is Canadian War Stories for which, when I started, details were known only of 3 of the presumed 14 published issues – see here.

I knew of the existence of one other issue in “fannish” hands, but in five years had been unable to persuade the owner to send me the Table of Contents (ToC) for the index. As it happened, when I nudged him, he sent me the ToC by return – 4 down, 10 to go!

I put out pleas on the Fictionmags and PulpMags newsgroups, but nobody had any other issues, so the next step was to look at online library listings. No issues were listed for the British Library (or any other British academic library) or the Library of Congress, which wasn’t surprising, but AMICUS (the catalogue of Canadian libraries) identified a single library (the Canadian War Museum) which had a single issue, but it was one I was missing and they kindly sent me the ToC free of charge (they would charge me $15 for a scan or mail me a photocopy free – go figure) – 5 down, 9 to go!

Next up was Google.

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Movie Review: It Don’t Mean The Thing if It Ain’t Got That Swing

Movie Review: It Don’t Mean The Thing if It Ain’t Got That Swing

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thing-prequelThe Thing (2011)

Directed by Matthijs van Heijningen Jr. Starring Mary Elizabeth Winstead, Joel Edgerton, Ulrich Thomsen.

A dialogue that occurs in the 1982 John Carpenter movie The Thing, as scientist Blair (Wilford Brimley) explains the nature of the twisted dog-mass corpse on his operating table:

Blair: See what were talking about here is an organism that imitates other life-forms, and imitates them perfectly. When this thing attacked our dogs it tried to digest them, absorb them, and in the process shape its own cells to imitate them. This, for instance … [points to bone] That’s not dog. It’s imitation. We got to it before it had time to finish.

Norris: Finish what?

Blair: Finish imitating these dogs.

Now imagine this conversation repurposed slightly:

Blair: See what were talking about here is a movie that imitates a popular movie with enormous name-recognition, and imitates it outwardly perfectly, while inwardly lacking its essential qualities. When it attacked John Carpenter’s The Thing it tried to digest it, and in the process shape its screenplay to imitate it while masquerading as a prequel. This, for instance … [points to film on screen] That’s not The Thing or a prequel to it. It’s a cosmetic imitation. We didn’t get to it before it finished.

Norris: Finished what?

Blair: Finished re-making The Thing while pretending that it wasn’t.

And so my review is finished.

But, if you want some further details, there is a bit more after the jump.

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Romanticism and Fantasy: The French Experience

Romanticism and Fantasy: The French Experience

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Perrault's Fairy TalesIn my previous posts about Romanticism and fantasy, I looked at British literature in the 18th century through to 1789, and tried to track the emergence of a certain kind of fantastic fiction. In order to understand what happens in British writing (and politics) after 1789, though, we have to look at what happens in France.

Before continuing, I need to emphasise: I am not an academic, or a professional historian. I’ve read a fair amount about the period, and I have an intense fascination with Romantic literature in English. These posts come out of that fascination, and are an attempt to relate what I see in that literature with the contemporary fantasy fiction that seems to me to be its direct descendant. All of which is to say that in writing about French literature and history, I am even more of a dilettante than in discussing British writing. There are people who dedicate their lives and careers to making sense of these subjects, and dissecting their various meanings; I am not one of them.

Having said that, it seems to me that the element of fantasy I found in English literature in the late eighteenth century was not present in contemporary French writing in the same way, or to the same degree. In Britain, it seems almost as though the suppression of the fantastic by neo-classical norms led to its eruption later in the century, at first under cover of antiquarianism, then more and more openly. In France, even more classical in its orientation than Britain, that process didn’t happen; instead it seems another type of fantastic fiction came to prominence.

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The Hound on a Hunt: The Evie Scelan Trilogy

The Hound on a Hunt: The Evie Scelan Trilogy

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spiralhuntSpiral Hunt
Wild Hunt
Soul Hunt
By Margaret Ronald
Harper Voyager (320/320/320 pages, $7.99, Jan 09/Jan 10/Dec 10)

Evie Scelan doesn’t want to be a hero. Unfortunately for Evie, she is the Hound. If it’s lost, she can find it, but in her world there is much that’s best left lost. This natural ability keeps drawing her into elaborate mystical conspiracies, drawing more and more unwanted power – both the social and metaphysical kinds – her way.

She’s more than happy to cruise under the radar, using her talent to sniff out lost objects (literally) on a freelance basis, but really doesn’t want much to do with the “undercurrent,” the supernatural world around modern-day Boston in Margaret Ronald’s urban fantasy setting.

You can’t really blame Evie for wanting to keep on the outside of things, because these undercurrent types seem kind of kooky. And not a good-natured type of Harry Potter wizard kooky, but more like Harry Dresden with Asperger Syndrome, sometimes with some pyromaniac tendencies thrown in. Any sane person would want to stay completely clear of this bizarre world, if they could.

Evie, unfortunately, can’t.

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The Road to The Heart of Darkness

The Road to The Heart of Darkness

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oath-of-sixIt took me years to complete the first draft of Oath of Six, the first volume in my fantasy series The Heart of Darkness.

I wrote the prologue pretty much straight through, but then lost steam. After muddling through chapter one, I skipped ahead to the epilogue because I was more sure of the ending than the beginning. I then returned to working on the second chapter, only to jump to the end again, and then back to the beginning. My productivity was even more inconsistent than it sounds since I would stop writing for weeks at a time.

After I did finish, the readers of my first draft kept saying the story started off too slowly. I had to admit there was a lot of backstory and world-building in the early chapters. However, isn’t that the norm in fantasy novels, I argued. An author spends almost as much time creating the world as he does fleshing out the characters and storyline.

Interestingly, my initial readers unanimously agreed that the early material bogging down my story didn’t include the earliest part — i.e. that prologue that I wrote so easily. They were referring to the first eight or so chapters where I was dithering my way through, stopping and starting, jumping around. No doubt my readers had sensed my original inability to immerse myself in my storyline.

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