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Category: Series Fantasy

The Series Series: Naomi Novik’s Latest Novel of Temeraire

The Series Series: Naomi Novik’s Latest Novel of Temeraire

Blood of Tyrants-small“Series fantasy,” said John O’Neill when I asked him what he’d like my new blog column here to focus on. “It’s the most popular form of fantasy, and we virtually ignore it — especially the early stuff.”

What do you call a series about series? Series is a word with no plural, or, depending on how you look at it, a plural word with no singular form. If I can talk about the peoples of the earth, I should be able to talk about the serieses of fantasy novels, but I can’t quite bring myself to do it. No wonder the publishing industry is so fond of words like trilogy, tetralogy, saga, and so forth. Maybe you have a brilliant idea that solves this problem, a genre equivalent of the invention of the word “y’all.” My comment thread awaits.

Meanwhile, welcome to the Series Series.

You know people who won’t start reading a series until the last volume is published, because they don’t want to invest their hearts in a story that might never reach its end. You may be one of those readers.

Me, I used to say I’d try anything once. It turned out not to be quite true, but I’m still willing to try almost any book for a few pages. If it keeps me reading, I don’t worry about whether the author’s going to live long enough to complete all the plot arcs, or whether the market will allow the series to go on.

I also don’t mind putting a book or a series aside if it stops hitting the sweet spot for me. A wildly successful and highly skilled author I will not name has a few series out. I read the first volumes of each, recognized their excellences and the reasons most of my friends loved them, and I never picked up any more volumes. Not my sweet spot. Sorry.

At some point, a stream of review copies of debut novels and first volumes of fantasy series will start flowing from BG to my mailbox. I wanted to start, though, with the two series I can’t put down, the ones that have driven me to break my no-buying-new-books-until-I’m-done-moving rule. For my last post, I wrote about James Enge’s new novel of Morlock the Maker, Wrath-Bearing Tree. This week, it’s Naomi Novik’s Blood of Tyrants, the eighth novel about the naive but brilliant dragon Temeraire and his human, Captain William Laurence.

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The Series Series: The Unexpected Enlightenment of Rachel Griffin by L. Jagi Lamplighter

The Series Series: The Unexpected Enlightenment of Rachel Griffin by L. Jagi Lamplighter

Don’t start with the cover, or the blurb, or the elevator pitch. Don’t start with which other books The Unexpected Enlightenment of Rachel Griffin resembles.

To get into the right mood for the story and its intriguing implications, consider Pollepel Island, a ruined fantasy landscape in the Hudson River. Many times I’ve taken the train north from New York City and looked forward to the few minutes’ glimpse of the Bannerman Castle. It’s a story magnet.

L. Jagi Lamplighter is not the first fantasy author to use the island as a setting, but she may be the first one to capture how much it feels like a misplaced island, like a chunk of dream-Scotland lifted by giants from another continent–if not another universe entirely–and deposited randomly in America. Lamplighter’s version of Pollepel Island is an illusion that hides in plain sight the floating island of Roanoke. Yes, the Lost Colony’s Roanoke, navigated around the world by sorcerers who built there a sanctuary and a school.

All roads lead to wizard school. Don’t let it get you down. Lamplighter is doing several unexpected things with the wizard school trope.

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New Treasures: She Returns From War by Lee Collins

New Treasures: She Returns From War by Lee Collins

She Returns from War-smallI love Angry Robot books. I don’t pay much attention to publishers when I’m at the bookstore. But when I’m home, and my purchases are stacked by my big green chair, it’s hard not to notice that half of them have the Angry Robot logo on the spine.

I think they’re just in tune with the kind of books I’m most interested in. Which is weird, because I’m not exactly sure what they are myself. But I know they involve great cover art, intriguing settings, and women in cowboy hats. This week, anyway.

She Returns From War is the sequel to the supernatural western The Dead of Winter, released last October. The tag line is True Grit Meets True Blood, which is clever. Have you noticed this burgeoning mini-trend of western-horror-fantasies, including Guy Adams’s The Good The Bad and the Infernal, Mercedes Lackey & Rosemary Edghill’s Dead Reckoning, and the Bloodlands novels of Christine Cody? Apparently it’s a thing. See? We’re paying attention.

Four years after the horrific events in Leadville, a young woman from England, Victoria Dawes, sets into motion a series of events that will lead Cora and herself out into the New Mexico desert in pursuit of Anaba, a Navajo witch bent on taking revenge for the atrocities committed against her people.

She Returns From War was published by Angry Robot on January 29, 2013. It is 361 pages, priced at $7.99 in paperback and $6.99 for the digital edition.

The recent coverage Angry Robot titles we’ve covered were The Crown of the Blood by Gav Thorpe, The Lives of Tao by Wesley Chu, The Bookman Histories by Lavie Tidhar, and The Corpse-Rat King, by Lee Battersby.

See all of our recent New Treasures here.

New Treasures: Night Pilgrims: A Saint-Germain Novel by Chelsea Quinn Yarbro

New Treasures: Night Pilgrims: A Saint-Germain Novel by Chelsea Quinn Yarbro

Night Pilgrims A Saint-Germain Novel-smallLast April, we reported on the special Bram Stoker Award given out to the Vampire Novel of the Century (the Century in question being the 20th, for you confused millennials in the crowd.)

Hotel Transylvania (1978), the very first Count Saint-Germain novel, was a heavy contender for that special award, and in the 35 years since it appeared Yarbro has built up a loyal following with over two dozen novels featuring the immortal Count. Last week the 26th, Night Pilgrims, arrived in stores.

Even setting aside her popular Saint-Germain series, Yarbro is a heavy-hitter in fantasy circles. Two of her earliest novels, The Palace (1979) and Ariosto (1980), were nominated for the World Fantasy Award, and she was named a Grand Master at the World Horror Convention in 2003. The last Yarbo title we discussed here was her 1985 paperback To the High Redoubt.

Chelsea Quinn Yarbro’s first Saint-Germain novel, Hotel Transylvaniawas recently nominated as Vampire Novel of the Century. Her Saint-Germain cycle, now comprised of more than twenty-five books, is a masterwork of historical horror fiction. The vampire Count Saint-Germain has crisscrossed the world many times, seeking love and the blood of life and seeing humanity at its best and worst.

In Night Pilgrims, Saint-Germain is living in a monastery in Egypt when he is hired to guide a group of pilgrims to underground churches in southern Egypt. The vampire finds a companion in a lovely widow who later fears that her dalliance with the Count will prevent her from reaching Heaven.

The pilgrims begin to fall prey to the trials of travel in the Holy Lands; some see visions and hear the word of God; others are seduced by desires for riches and power. A visit to the Chapel of the Holy Grail brings many quarrels to a head; Saint-Germain must use all his diplomacy and a good deal of his strength to keep the pilgrims from slaughtering one another.

Night Pilgrims was published by Tor Books on July 30. It is 426 pages in hardcover, priced at $29.99 ($14.99 for the digital edition).

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Professor Jameson’s Space Adventures, or Zoromes Make the Happiest Cyborgs

Professor Jameson’s Space Adventures, or Zoromes Make the Happiest Cyborgs

Amazing Stories April 1938-smallI first ran across Neil R. Jones’s Prof. Jameson stories in junior high while reading Isaac Asimov’s Before the Golden Age — which, by the way, is one of my favorite anthologies.

Neil R. Jones’s first Prof. Jameson adventure appeared in the July 1931 issue of Amazing Stories. In this first story, “The Jameson Satellite,” Mr. Jones gives us all the background information that we’ll ever need to follow this wonderful over-the-top space adventures of Professor Jameson and his Machine Men colleagues, the Zoromes!

Within the first few pages, we learn that Professor Jameson of the 20th century had a horrible revulsion against being buried and subsequently becoming worm food after his death. So, to ease his mind, he arranged to have his body placed in a hermetically sealed rocket after his death and then launched into orbit around the Earth.

Following me so far? Good. So now we skip ahead 40,000,000 years to find the Professor’s orbiting Tupperware bowl still circling a now-dead Earth, which is itself orbiting a dying Sun which has cooled off and become a Red Giant (we now figure that this’ll actually take somewhere around 5 billion years to happen). So far so good? Good!

We then meet a group of intergalactic explorers who are at this very moment investigating our dying solar system. Their sensors pick up a metallic object orbiting the Earth.

Now of course the reader knows immediately what the object actually is. When they finally approach Earth and discover Prof. Challenger’s coffin-ship, they take it aboard their own greatly larger ship.

It turns out that the Zoromes aren’t your run-of-the-mill extra-terrestrial explorers. Nope, they are actually cyborgs! The Zoromes wanted dearly to explore the galaxy, but knew their mortal bodies wouldn’t survive a journey that might entail thousands of years, so they traded flesh and bone for metal and circuitry. Makes sense to me.

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New Treasures: Firebrand by Gillian Philip

New Treasures: Firebrand by Gillian Philip

Firebrand Gillian PhilipHere in the U.S., Gillian Philip is known primarily for her Carnegie Medal–nominated contemporary novel, Crossing the Line, and the YA dystopian title, Bad Faith. In the UK however, she’s also known for her popular YA fantasy series, Rebel Angels, which the Sunday Times of London called “The best fantasy of 2010.”

Filled with twisted court intrigue — and even more twisted monsters from the realm of faery — Firebrand seems like exactly the kind of fast-paced adventure Black Gate readers are interested in.

Now Tor has brought the first volume, Firebrand, into print on this side of the pond, in a handsome hardcover edition with a new cover by Steve Stone.

At the end of the sixteenth century, religious upheaval brings fear, superstition, and doubt to the lives of mortals. Yet unbeknownst to them, another world lies just beyond the Veil: the realm of the Sithe, a fierce and beautiful people for whom a full-mortal life is but the blink of an eye. The Veil protects and hides their world… but it is fraying at the edges, and not all think it should be repaired.

Discarded by his mother and ignored by his father, sixteen-year-old Seth MacGregor has grown up half wild in his father’s fortress, with only his idolized older brother, Conal, for family. When Conal quarrels with the Sithe queen and is forced into exile in the full-mortal world, Seth volunteers to go with him.

But life beyond the Veil is even more dangerous than they expected, and Seth and Conal soon find themselves embroiled in a witch-hunt—in which they are the quarry. Trapped between the queen’s machinations at home and the superstitious violence of the otherworld, Seth must act before both of them are fed to the witch-hunters’ fires…

The second and third volumes, Bloodstone and Wolfsbane, are already in print in the UK. Interestingly, while all three books are marketed as YA there, Tor has mainstreamed them here in the US. It’s an interesting switch, and I’m curious to see how the market reacts.

Firebrand was published by Tor Books on February 19. It is 365 pages, priced at $24.99 in hardcover and $11.99 for the digital edition.

Martha Wells’ Emilie and the Hollow World On Sale Today

Martha Wells’ Emilie and the Hollow World On Sale Today

Emilie and the Hollow World-smallMartha Wells is one of our superstar contributors. In fact, it’s probably not an exaggeration to say that, in terms of raw ability to move sales, she was the superstar contributor to Black Gate.

Every magazine has authors who help sales. But it wasn’t until we published Black Gate 10, containing Martha’s Giliead & Ilias story “Reflections,” that I really saw what a single author could do. Subscriptions started to pour in, with letters from excited fans asking for “More Martha Wells!” We were happy to comply.

Novels are where she truly built her career, however — including The Fall of Ile-Rien trilogy, The Cloud Roads trilogy, and the Nebula-nominated The Death of the Necromancer. Today her first young adult novel, Emilie and the Hollow World, arrives in bookstores, and Martha discussed the ups and downs in her career that led her here with refreshing candor on her blog:

This is the third book I finished back in 2009, during my career crash that lasted from around 2006-2007 to 2010. A career crash for a writer is kind of like if you had a job where you’ve been going in to work every day and everything seems fine. But then gradually, over time, you realize you’ve been fired, and they don’t want you there and they aren’t going to pay you and everyone you work with knows this. It’s just that no one has told you.

The novel follows the adventures of young Emilie, whose clumsy attempt to run away and join her cousin in the big city lead her to stowaway on the wrong ship, where she’s quickly caught up in a grand adventure involving an experimental engine, an attempt to ride the aether currents, and a journey to the interior of the planet — not to mention sabotage, an encounter with the treacherous Lord Ivers, and the strange race of the sea-lands.

Emilie and the Hollow World was published today by Strange Chemistry. It is 304 pages in paperback for $9.99 ($6.99 for the digital edition). The only version of the cover we have is the pre-publication version (which still has a placeholder quote), but you can see all the detail on this handsome cover by clicking on the image at right.

New Treasures: Dream Castles: The Early Jack Vance, Volume Two

New Treasures: Dream Castles: The Early Jack Vance, Volume Two

Dream Castles-smallI spent this past weekend at Capricon 33, a local Chicago science fiction convention. The panels and readings were excellent, and perhaps the highlight was a Saturday night panel titled “Judging a Book by Page 119.” Steven Silver, Rich Horton, Kelly Strait, and Helen Montgomery read page 119 of some of their favorite novels, and the audience was left to guess the book. Someone in the back row correctly identified Poul Anderson’s The High Crusade, and I was pretty close with Robert Holdstock’s Mythago Wood trilogy (although I got the exact book wrong), but the panelists  managed to stump us on Iain M. Banks Consider Phlebas, Patrick Rothfuss’s The Name of the Wind, Saladin Ahmed’s The Throne of the Crescent MoonRange of Ghosts by Elizabeth Bear, The Little Country by Charles de Lint, and many others.

I can’t spend more than an hour or two at a good convention without realizing I’m not reading enough good books. I scurried to the Dealer’s room first chance I got and spent a few bucks in an attempt to rectify the situation. I found plenty of great treasures, but the real gem of the lot was the sole copy of the out-of-print Dream Castles: The Early Jack Vance, Volume Two, which I stumbled on at Larry Smith’s table.

I’ve been looking for a copy of Dream Castles for nearly a year — ever since I bought the first volume, Hard Luck Diggings. Both were published by Subterranean Press, and both gather early pulp fiction from one of the greatest 20th Century science fiction and fantasy writers.

Dream Castles collects short stories and novellas from Astounding Science Fiction (“I’ll Build Your Dream Castle,” Sept. 1947), Marvel Science Stories (“Golden Girl,” May 1951), and many other pulps — including Fantastic Science Fiction Fantasy, Space Science Fiction, and Orbit Science Fiction. The short novel, “Son of the Tree,” originally appeared in the June 1951 issue of Thrilling Wonder Stories.

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Carrie Vaughn Steals the Show

Carrie Vaughn Steals the Show

kitty-steals-the-show-smallI was reviewing science fiction magazines for SF Site when I first encountered Carrie Vaughn. It was in the Fall 1999 issue of Patrick Swenson’s Talebones, one of the best of the small-press magazines, that I read her story “The Girl With the Pre-Raphaelite Hair,” which I noted in my review “delivers a wallop… A tightly-written tale with a powerful ending.”

Not bad for her first science fiction story. Carrie published more than 50 over the next decade, carving out a name for herself. But it was her debut novel, Kitty and the Midnight Hour (2005), that truly catapulted her to stardom. Featuring late-night DJ (and secret werewolf) Kitty Norville — who hosts a Denver talk show about Werewolves, Vampires, and other supernatural creatures — the book was an instant success. The fourth in the series, Kitty and the Silver Bullet (2008), hit The New York Times Best Seller list, and she’s repeated that impressive feat with at least four subsequent volumes.

This industry is hard on new writers, and over the last ten years I’ve seen it defeat more than a few talented authors. So it’s a genuine pleasure to watch someone climb to the very top of the field, from her first short story to the tenth volume of her bestselling series, on nothing more than hard work and talent. If you haven’t tried Carrie Vaughn yet, her latest effort, Kitty Steals the Show, makes a good jumping-on point:

Kitty has been tapped as the keynote speaker for the First International Conference on Paranatural Studies, taking place in London. The conference brings together scientists, activists, protestors, and supernatural beings from all over the world — and Kitty, Ben, and Cormac are right in the middle of it.

Master vampires from dozens of cities have also gathered in London for a conference of their own. With the help of the Master of London, Kitty gets more of a glimpse into the Long Game — a power struggle among vampires that has been going on for centuries — than she ever has before. In her search for answers, Kitty has the help of some old allies, and meets some new ones, such as Caleb, the alpha werewolf of the British Isles. The conference has also attracted some old enemies, who’ve set their sights on her and her friends.

All the world’s a stage, and Kitty’s just stepped into the spotlight.

Kitty Steals the Show was published on July 31 by Tor Books. It is 342 pages, priced at $7.99 for both the digital version and the mass market paperback.

New Treasures: Jeffrey E. Barlough’s What I Found at Hoole

New Treasures: Jeffrey E. Barlough’s What I Found at Hoole

what-i-found-at-hoole-smallJeffrey E. Barlough’s Western Lights series may be the best fantasy books you don’t know about.

I didn’t know about them either, until Jackson Kuhl’s review of Strange Cargo in Black Gate 8. Jackson has called Barlough “a wonderful yet unappreciated fantasist… a talent I invite everyone to sample.” In his review of Anchorwick, the fifth novel in the series, he summarized the intriguing setting this way:

In a world where the Ice Age never ended, a cataclysm has reduced humanity to a slip of English civilization along North America’s western coastline. It’s neither steampunk nor weird western; the technology is early 19th century. It’s kinda-sorta gaslamp fantasy, except there doesn’t seem to be any natural gas. Barlough’s creation is best described as a Victorian Dying Earth — gothic and claustrophobic yet confronted by its inhabitants with upper lips held stiff. As the books are fantasy mysteries, the less said about their plots, the better… mastodons and mylodons mixed with ghosts and gorgons? Yes, please.

Now the seventh novel in the series, What I Found at Hoole, has arrived in a handsome trade paperback from Gresham & Doyle. It picks up at the end of the second volume, The House in the High Wood, which was a nominee for the 2002 Locus Award for Best Fantasy Novel.

Mr. Ingram Somervell has been called to the remote village of Hoole, in the uplands of Ayleshire, to inspect some property bequeathed to him by an uncle he had never met. Almost at once he finds himself plunged into mysteries that confound him. Why had Clement’s Mill, a dilapidated old mill that did no milling, been left to him… Why had his uncle ordered the old chapel on the fellside and its coffin-crypt sealed after the arrival of Miss Petra, his ward and heir? What was the ghostly yellow light that had been seen on Cowdrie Beacon? And what to make of the frightful dreams hinting at some unimaginable catastrophe plaguing young Somervell since he came into Ayleshire?

These novels, with their oddly pastoral cover art — the cover to this one, F.H.Tynsdale’s A Country Cottage and Church, is from the 19th Century — are an entertaining mix of genres, blending fantasy, gothic mystery, and even a dash of period comedy straight out of P.G. Wodehouse. Don’t miss them.

What I Found at Hoole was published by Gresham & Doyle on November 1st. It is 259 pages and priced at $14.95 in trade paperback. There is no digital edition.