Art Evolution 11: Jim Roslof

Art Evolution 11: Jim Roslof

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Art Evolution, 1979-2009, continues as we journey back in time to the founding days of the RPG genre. For those of you who have missed what’s come before, you can catch-up here.

The year was now twenty-ten, I had my ‘Iron Kingdoms Lyssa‘, and I was deep in the process of expanding my vision of true Art Evolution to a full-blown epic. Ten artists down and I was ready to move on to the second half of my dream list.

b2modulecover-254The first name on that slate was Brom. Pressed by Tony DiTerlizzi, and with other artists clamoring for this gothic-genius to be included, as well as my own love of the Dark Sun universe, I sent out my appeal him. Unfortunately Brom turned me down, nicely, to be sure, but he didn’t have the time to commit.

I took a breath, tried to find my Zen center, and placed images of a Brom Lyssa on hold. As in the cases of Erol and Clyde, it’s very tough to give up a dream, and I determined that if I kept these wonderful artists in the project loop, there might be a chance for a change of heart before all was said and done.

Putting my Dark Sun boxes to the side, I pulled forth one of the great TSR modules of all time, B2: Keep on the Borderlands. This cover was done by Jim Roslof, someone I’d seen on Facebook, and although he was long and again retired, he had been the Art Director at TSR when they went from black and white to full color. This was someone who mattered, and I needed to include him.

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“And It Goes On From There…” An Interview with Gene Wolfe

“And It Goes On From There…” An Interview with Gene Wolfe

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Gene Wolfe at Top Shelf Books
Gene Wolfe at Top Shelf Books

As I write this, it is Sunday afternoon, a quarter to five, and there is some serious gloaming and wuthering going on outside my window.

Gloaming and wuthering accurately describe the state of my stomach as well. I’ve just gotten home from a long lunch with Gene and Rosemary Wolfe at The Claim Jumper, where the appetizers are colossal, the entrees epic, and each dessert the size of a football field.

I have the touchdown in my fridge right now, all festooned in gobs of made-fresh-daily whipped cream. It’s the sort of dessert you’d wish on your worst enemy, in the interest of stopping her heart at a distance when she sees it waddling toward her.

A few weeks ago, I wheedled Gene into letting me interview him. He said sure, “Provided it is face-to-face and entirely hand-to-hand,” which made the whole thing sound like armed combat. I didn’t know then I’d be wrestling with an insurmountable mound of mashed potatoes and a heap of bellicose mushrooms, but things are always a bit surreal when you’re lunching with Wolfes.

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Pastiches ‘R’ Us (And My Two-Year Anniversary): Conan the Renegade

Pastiches ‘R’ Us (And My Two-Year Anniversary): Conan the Renegade

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conan-the-renegadeConan the Renegade
Leonard Carpenter (Tor, 1986)

Salutations, lovers of blood and thunder and me babbling about Frederick Faust! This week marks my second anniversary as a blogger on Black Gate. I’ve now held down the Tuesday spot for two years, and I believe that this missive you are now reading is my 104th post (I missed one week, but did a double-post another week during an REH birthday celebration).

Do you know what I am going to do to celebrate? I’m going to do the exact same thing I did on my first post . . . review a Leonard Carpenter Conan pastiche novel! Because I pride myself on my ability to change and adapt with the times.

Leonard Carpenter debuted on the Conan series with Conan the Renegade, which can be summed up in two words: “mercenary adventure.” Military action takes precedence over magic and wonder; most of the story unfolds in a small area around Koth and the bordering kingdom of Khoraja (seen in “Black Colossus,” which Conan the Renegade closely follows in the chronology that Tor Books was using for the pastiches at the time), and Conan’s adventuring mostly occurs within his role as a military leader and tactician. Carpenter does toss in a few horrific fantasy events, such as an unusual combat sorcerer and an ancient dungeon copied right out of “The Scarlet Citadel,” but readers who want a dark fantasy Conan should look elsewhere. Like, uhm, “The Scarlet Citadel.”

The warfare tale follows Conan to the Kothian city of Tantusium where he joins the Free Company of the mercenary captain Hundulph. Hundulph’s men are in the pay of Ivor, a Kothian prince who has risen in revolt against his uncle King Strabonus. Among the other mercenary captains rides the enticing warrior woman Drusandra, who leads an all-female band. Conan has suspicions of Ivor’s sorcerer Agohoth, a Khitan-trained wizard. This is very weird, since Conan never has suspicions about sorcerers.

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A Review of The Outlaws of Sherwood, by Robin McKinley

A Review of The Outlaws of Sherwood, by Robin McKinley

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outlaws-of-sherwoodThe Outlaws of Sherwood, by Robin McKinley
Greenwillow Books (282 pages, $12.95, 1988)
Cover by Alan Lee

“I am no historian,” Robin McKinley writes in the author’s note to The Outlaws of Sherwood, “and never flattered myself that I would write a story that was historically accurate. I did, however, wish to write something that was, let us say, historically unembarrassing.” I’m no historian either, but I’d say she succeeded.

The Outlaws of Sherwood is, of course, a retelling of the Robin Hood legend. It also feels extremely real, despite the historical issues mentioned in the author’s note. This is a good story for people who like a touch of logistics in their fiction. In between adventures — the book has a somewhat episodic feel, although it’s building up to a definite climax — there are plenty off details that highlight the problems and solutions to maintaining a covert community in a tangled forest.

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Mission: Space

Mission: Space

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mission1I escaped with the family for the realm of Florida over the last week, and we did the usual tourist things. I managed to leave most of my deadline worries behind me, and while I took my writing notebook, I actually got very little work done. Instead, I recharged, spent time with my wife and kids, and didn’t obsessively think about plotting, dialogue, or character motivation.

I wanted to share one realization, though: of all the rides at any of the Disney parks and Universal, there was one true standout for me, and that was Mission Space. It simulates a craft that accelerates you out of the atmosphere, slingshots your craft around the moon toward Mars, and lands you there. I’m not much of a souvenir guy, but I loved the thing so much that I tried to go back later and buy a Mission: Space t-shirt. Alas, there were none to be found in the gift shop, which I found pretty odd, as Disney’s usually good at marketing. I could have bought a wheelbarrow full of EPCOT shirts or Star Wars junk, but alas, no Mission: Space t-shirt.

I’ve had a lot of fun on various rides over the years, but this one had me grinning with joy at the thrilling illusion that I, Howard, was really blasting off into space and feeling the Gs as I was pressed back into the acceleration couch. I sure have been wanting to game  some Traveller or Firefly since I climbed out of the ride, and I’ve been wishing that there were other space flight simulations available in a similar vein.

Novel Writing: The Hard Part

Novel Writing: The Hard Part

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The Sword in the StoneAs I write this, I’m closing in on the 50,000 word mark of my NaNoWriMo novel. I’m aiming for 100,000 words, which means I’m well behind my ideal pace, but if I can keep going for 6,000 words a day over the next week and a half, I should get there. So it’s still very possible. (You can read some thoughts on National Novel Writing Month here, some talk about the Arthurian legends that inspired my plot here, and a more detailed discussion of my plans over here.)

An outside observer might wonder what the point is. The book I write isn’t going to be very good; it’s a first draft, written in haste. Why not take it slower, and produce something better? But whatever I’d write would have to be reworked; that’s the way of things. Still, even assuming that this particular way of working is conducive to eventually producing something worthwhile … well, what is it that’s worthwhile, exactly? What, in short, is the point of writing this novel?

I don’t know if there’s really an answer to that. But why ask the question at all?

Only because that’s where I’m at with the novel.

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Black Gate 14 Sneak Peek: “The Natural History of Calamity” by Robert J Howe

Black Gate 14 Sneak Peek: “The Natural History of Calamity” by Robert J Howe

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natural-history-277The third novella in Black Gate 14 was “The Natural History of Calamity” by Robert J. Howe, one of the most popular pieces of fiction we’ve published in some time. SF Site says:

This wry, stylish urban fantasy is narrated by Debbie, who is a karmic detective… she chooses to help a guy who is worried that his girlfriend Becky has taken up with a sleazebag named Michael who turns out to be part of Debbie’s past. What’s more, every encounter with Michael shipwrecks her own karmic balance… the tension mounts inexorably to a surprisingly poignant climax.

Tangent Online says:

Every time Debbie tries to do something to level Becky’s or Mike’s karma, her own suffers. But she can’t figure out why; and by the time she gets wise, it’s almost too late. An original concept, as far as I know — and in some ways reminiscent of a feminine version of Jim Butcher’s Harry Dresden, in execution. A good, fun read… Recommended.

And Grasping for the Wind says:

Surprise twists, a significant dose of self-deprecating humor, and a no-nonsense first person point of view make this story hard to walk away from. From the little teaser at the beginning, to the depth of character and clever use of karma as plot device, Howe’s story is a real pleaser from beginning to end. My favorite of the magazine and one I highly recommend.

“The Natural History of Calamity” appears in Black Gate 14. You can read an excerpt here, and the complete Black Gate 14 Sneak Peek is available here. You can find additional reviews of the entire issue here.

Robert J. Howe lives in Brooklyn, New York. Art by Matthew Laznicka.

Spaceships and Beautiful Women

Spaceships and Beautiful Women

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astronomy-pic21

As I’ve written previously, the cover art of pulp science fiction magazines had two prevelant themes: spaceships and beautiful women. Both appealed on a primal level to young teen boys, and together they created a seductive vision of a promised future. Most boys my age looked forward to graduation and their first car; I was waiting patiently for a ride to Alpha Centauri piloted by women in lingerie. Hey, it got me through high school.

So, as glorious and awe-inspiring as NASA’s Astronomy Pictures of the Day have been, with sweeping high-res images of distant galaxies and massive supernova remnants, I’ve always felt they were missing… a certain something.

So you can imagine my delight at the image above, posted this week, of astronaut Tracy Caldwell Dyson peering out from the Cupola window bay of the International Space Station. Science is at last catching up to the promise of generations of early SF, with beautiful women gazing down at the Earth with (oh please, God) wistful dreams of conquest.

Stay tuned for news on flying cars and jet packs.

Who’d have thunk it?

Who’d have thunk it?

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On the heels of John’s report about Mark Twain’s autobiography comes the news that the $35 760 page first volume of a massive, somewhat disjointed, work is a bestseller.

twain-articleinlineSo in this Kindelized, iPadded and Nooked age of reading trivialized by celebrity tell-it-alls, self-help elevation and political numbwits (though excerpts from the book demonstrate that things were just as bad in Twain’s era as ours, except ours is perhaps a little worse thanks to the Internet and cable TV), Mark Twain’s physical opus is this season’s Christmas holiday hit, surpassing even that of Keith Richards.

Of course, cynic that I am (a cynicism inspired by youthful exposure to Mark Twain), I wonder how many copies will go unread, mere ornaments on a bookshelf, a hip gift idea, especially if that gift has a certain cache as something hard to get.

Somewhere, Twain is finding this immensely amusing.

Rogue Blades Entertainment Announces Winners of Challenge! Discovery 2010 Contest

Rogue Blades Entertainment Announces Winners of Challenge! Discovery 2010 Contest

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discoveryBack in May Rogue Blades Entertainment, publishers of  Rage of the Behemoth, Demons, Return of the Sword and other excellent fantasy anthologies, announced the first annual Challenge! writing contest. Open to fiction in a wide variety of genres (“Sword & Sorcery, Sword & Planet, Soul & Sandal, Western, Mystery, Dark Fantasy” and others), the Challenge! Discovery contest invited authors to submit works directly inspired by a single piece of art by V Shane, pictured at right.

The winners of the  Challenge! Discovery 2010 writinng contest are (in no particular order):

“A Fire in Shandria” ~ Frederic S. Durbin
“In the Ruins of the Panther People” ~ Daniel R. Robichaud
“The Serpent’s Root” ~ David J. West
“Fire Eye Gem” ~ Richard Berrigan Jr.
2nd PLACE: “Cat’s in the Cradle” ~ Nicholas Ozment
“Some Place Cool and Dark” ~ Frederic S. Durbin
“The Ash-Wood of Celestial Flame” ~ Gabe Dybing
“Witch with Bronze Teeth” ~ Keith J. Taylor
“Inner Nature” ~ John Kilian
1st PLACE: “Attabeira” ~ Henrik Ramsager

Honorable mentions go to Eric Magliozzi for “Songs of the Dead,” and Michael Navarro for “The Golden Maiden.”

The winning entries will be collected in the Challenge! Discovery anthology, to be published by Rogue Blades Entertainment around Christmas this year. More information on the contest results and the upcoming book is here.

Congratulations to all the winners!  I’m looking forward to reading the stories.