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Author: John ONeill

Interzone #263 Now on Sale

Interzone #263 Now on Sale

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Interzone 263-smallThe March/April issue of Interzone magazine is now on sale, with a cover by 2016 cover artist Vincent Sammy, “November-Class 627A” (click the image at right for a bigger version.)

Interzone #263 contains six stories:

“Ten Confessions of Blue Mercury Addicts, by Anna Spencer” by Alexander Marsh Freed
“Spine” by Christopher Fowler
“Not Recommended For Guests Of A Philosophically Uncertain Disposition” by Michelle Ann King
“Motherboard” by Jeffrey Thomas
“Lotto” by Rich Larson
“Andromeda of the Skies” by E. Catherine Tobler

Non-fiction this issue includes Shattering Illusions in SFF by Juliet E. McKenna, Future Interrupted by Jonathan McCalmont, Time Pieces by Nina Allan, News and obituaries, plus David Langford’s Ansible Link, and the regular columns: book reviews, Nick Lowe’s Mutant Popcorn film reviews, and Tony Lee’s DVD column, Laser Fodder. Issue 263 is nearly 100 pages and packed with fiction, columns, and top-notch art.

Interzone is the sister magazine of Black Static, both are published by TTA Press in the UK. The distinguished Andy Cox is the editor of both.

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Vintage Treasures: Sorcerer’s Son by Phyllis Eisenstein

Vintage Treasures: Sorcerer’s Son by Phyllis Eisenstein

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Sorcerer's Son Phyllis Eisenstein-small Sorcerer's Son Phyllis Eisenstein-back-small

I ran into my friend Phyllis Eisenstein at the Windy City Pulp & Paper Show here in Chicago over the weekend, and the first thing she said to me was, “I’m retired!”

This is exciting news. Phyllis has been nurturing several writing projects for the past few years, and I’ve been impatiently waiting for them — and it’s great to hear that she’ll finally have more time to devote to them. Though I forgot to ask if it means we’ll finally get the long-promised third volume in her Book of Elementals fantasy series, which began with Sorcerer’s Son in 1979, and continued with The Crystal Palace (1988). The third volume, The City in Stone, was actually completed a decade ago, but was left without a publisher after the sudden collapse of Meisha Merlin in 2007. The first two volumes are now long out of print.

Phyllis’ other novels include Shadow of Earth (1979), In the Hands of Glory (1981), and the Tales of Alaric the Minstrel (two novels, Born to Exile (1978) and In the Red Lord’s Reach (1989), plus various short stories). Her work has been nominated for both the Hugo and Nebula Awards, but these days of course she’s most famous for being the person who convinced George R.R. Martin to put dragons in A Song of Ice and Fire.

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Future Treasures: Wraith by Judith & Garfield Reeves-Stevens

Future Treasures: Wraith by Judith & Garfield Reeves-Stevens

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Wraith Judith and Garfield Reeves-Stevens-small Wraith Judith and Garfield Reeves-Stevens back-small

This looks like fun: a standalone supernatural thriller from The New York Times bestselling team of Judith & Garfield Reeves-Stevens. In Arlington, Virginia, a cop about to lose his career comforts a dying woman in the wreckage of her car. The next night, her ghost asks him for his help… a Russian general has infiltrated the US on a madman’s quest. His weapons are wraiths who cannot be killed. Ghosts have been weaponized.

In 1995, the CIA made a breakthrough that they hid from the world because it would change everything in modern science ― but some secrets can’t stay hidden. A rogue force has learned how to make disembodied minds capable of lethal action. Ghosts have been weaponized, and now a Russian general has infiltrated the U.S. with a squad of “berzerkers”―an army that can’t be killed because they’re already dead. Only one person knew the general’s plans, but she died in a car crash. The only person who can communicate with her is the cop who was at her side when she died ― and now he must race to stop a force that could end life as we know it.

Wraith will be published by Thomas Dunne Books on April 26, 2016. It is 320 pages, priced at $26.99 in hardcover and $12.99 for the digital version. The cover is by Micharl Komarck.

Ann and Jeff Vandermeer’s The Big Book of Science Fiction Will be One of the Largest Anthologies the Genre Has Seen

Ann and Jeff Vandermeer’s The Big Book of Science Fiction Will be One of the Largest Anthologies the Genre Has Seen

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The Big Book of Science Fiction-smallI’ve covered a handful of truly massive anthologies at Black Gate over the years — Otto Penzler’s The Vampire Archives and The Big Book of Adventure Stories spring to mind, as well as Ann and Jeff Vandermeer’s 1152-page The Weird — but I’m not sure I’ve ever come something as hugely ambitious as The Big Book of Science Fiction, edited by the Vandermeers, and scheduled to be released by Vintage this July.

Weighing in at 1,216 pages in oversized trade paperback, this could be one of the largest anthologies the genre has seen. Here’s the description.

Quite possibly the greatest science fiction collection of all time — past, present, and future!

What if life was neverending? What if you could change your body to adapt to an alien ecology? What if the pope were a robot? Spanning galaxies and millennia, this must-have anthology showcases classic contributions from H. G. Wells, Arthur C. Clarke, Octavia E. Butler, and Kurt Vonnegut, alongside a century of the eccentrics, rebels, and visionaries who have inspired generations of readers. Within its pages, you’ll find beloved worlds of space opera, hard SF, cyberpunk, the New Wave, and more. Learn about the secret history of science fiction, from titans of literature who also wrote SF to less well-known authors from more than twenty-five countries, some never before translated into English. In The Big Book of Science Fiction, literary power couple Ann and Jeff VanderMeer transport readers from Mars to Mechanopolis, planet Earth to parts unknown. Immerse yourself in the genre that predicted electric cars, space tourism, and smartphones. Sit back, buckle up, and dial in the coordinates, as this stellar anthology has got worlds within worlds.

And here’s the complete Table of Contents — including a rich assortment of world SF.

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New Treasures: The Orphan Fleet by Brendan Detzner

New Treasures: The Orphan Fleet by Brendan Detzner

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The Orphan Fleet-smallI’ve been following Brendan Detzner’s work with keen interest for the past few years. He’s published a number of tight, razor-sharp horror stories in places like Podcastle, ChiZine, Pseudopod, One Buck Horror, and other fine venues.

When I heard he was turning his hand to adventure fantasy, I jumped at the chance to be an early reader, and I’m glad I did. Here’s my enthusiastic blurb, which ended up on the finished novella, The Orphan Fleet.

The Orphan Fleet is terrific adventure fantasy — a non-stop tale of action and strange magic on a wind-swept mountain top where abandoned children have forged a free community, servicing far-traveling airships on sturdy wooden platforms. Here masked heroes with names like Golden Sam and The Sparrow are the ultimate celebrities — and the mysterious Count leaves shivers of terror wherever he treads. When that community is threatened by an admiral who demands the return of his prized daughter, it triggers a terrible war fought in the air, on the ground, and in the old abandoned scaffolding circling the mountain … a war where Golden Sam may prove himself a true hero after all, and the Count has a terrible role to play.

Michael Penkas reviewed two of Brendan’s previous collections for Black Gate: Scarce Resources and Beasts.

The Orphan Fleet was published by Attack Rabbit Books on April 15, 2016. It is 83 pages, priced at $2.99. Order copies directly at Amazon.com.

See all of our recent New Treasures here.

Uncanny Magazine Issue 9 Now on Sale

Uncanny Magazine Issue 9 Now on Sale

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Uncanny magazine March April 2016-smallUncanny editors Lynn and Michael Thomas spill the beans on the March/April issue of Uncanny in their editorial.

Our cover is by the designer of the universally famous Space Unicorn logo, the fantastic Katy Shuttleworth, and is called “Strange Companions.” Our new fiction this month features a gorgeous and intricate examination of love and obsession by Rachel Swirsky, “Love Is Never Still,” a haunting and passionate story by Shveta Thakrar, “The Shadow Collector,” Max Gladstone’s fantastic and fun yarn “Big Thrull and the Askin’ Man,” Kelly Sandoval’s heart–wrenching and beautiful “The Wolf and the Tower Unwoven,” and finally Simon Guerrier’s cheeky and bittersweet “The Artificial Bees.” As we write this, David Bowie passed away only a few weeks ago. In memory of Bowie and how his work affected many of us, our reprint this month is Daryl Gregory’s surreal Bowie examination “Just Another Future Song,” originally published in Glitter & Mayhem, the SF/F nightlife/roller derby anthology we co–edited with John Klima.

Our essays this month feature Jim C. Hines poking holes in a tired defense of racism by historical figures, Kyell Gold introducing us to the fabulous world of furry fandom, an examination of the “Phildickian” existence of author George R. R. Martin by Javier Grillo–Marxuach, and finally a fascinating discussion about the increasingly blurred lines between “fan” and “pro” by Mark Oshiro.

All of the content became available for purchase as an eBook (PDF, EPUB, MOBI) on March 1, 2016.

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Future Treasures: The People in the Castle by Joan Aiken

Future Treasures: The People in the Castle by Joan Aiken

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The People in the Castle-smallMy introduction to Joan Aiken was her marvelous novel The Cuckoo Tree, which I had pressed on me by my friend Alex Lambert more than 30 years ago. That led me to Black Hearts in Battersea, Midnight is a Place, and The Whispering Mountain.

Small Beer Press, which has brought us many delightful volumes over the years, will be publishing a collection of Joan Aiken’s “Selected Strange Stories” next week, and I’m looking forward to it. Kirkus Reviews calls it:

A welcome anthology of fantasy stories by a 20th-century master. The author of the beloved classic gothic for children The Wolves of Willoughby Chase, Aiken (1924-2004) also wrote hundreds of works of popular fiction that spanned the genres, from fantasy to horror to historical fiction, including several Jane Austen sequels. Naturally the tone of her books and short stories varies with their content, but its main notes include sophisticated, spritely satire and the darker moods of literary fairy tales. Fans of Wolves will recognize the honorable orphans and cruel guardians who populate these tales. Typically the wicked meet with fitting fates and the innocent triumph, though for Aiken, a good death counts as a happy ending. She plays with the contrast between the eldritch and modern culture and technology: ghosts and dead kings out of legend who contact the living by telephone, a doctor who writes prescriptions for fairies, a fairy princess who’s fond of Westerns.

The People in the Castle will be published by Small Beer Press on April 26, 2016. It is 256 pages, priced at $24 in hardcover and $14.99 for the digital edition. The cover, “The Castle in the Air” (1939) is by Joan Aikman. Kelly Link provides an introduction, and you can read a complete sample story, “The Cold Flame,” at Tor.com.

The Dark Magazine Becomes Monthly, Launches Patreon Account

The Dark Magazine Becomes Monthly, Launches Patreon Account

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The Dark August 2014-smallThere are big changes afoot for Sean Wallace’s The Dark Magazine, one of the finest dark fantasy magazines on the market — including switching from quarterly to monthly, relaunch their podcast series, and much more. Here’s the complete scoop from the magazine’s new Patreon page:

For almost three years, The Dark Magazine has brought readers a quality selection of original dark fantasy and horror from both new and established authors. Published by Prime Books and edited by Sean Wallace, the magazine has also received critical reception and recognition in the field with recent stories reprinted in year’s best anthologies and several listed on the Locus Recommended Reading List.

And now it is time for the next step in our evolution:

* adding more original fiction to every monthly issue
* adding podcasts, all done by an awesome team of narrators
* increasing the pay rate to our authors, up to the SFWA qualifying rate
* adding a monthly print edition, to be available worldwide

Read the complete announcement, and sign up to support the magazine here.

The Dark is a monthly magazine edited by Sean Wallace, with assistance from Jack Fisher. You can read issues free online, or help support the magazine by subscribing to the ebook editions, available for the Kindle and Nook in Mobi and ePub format. Issues are around 50 pages, and priced at $2.99 through Amazon, B&N.com, Apple, Kobo, and other fine outlets. A one-year sub (12 issues) is just $23.99 – subscribe today.

We last covered The Dark with Issue 11. See our Mid-April Fantasy Magazine Rack here, and all of our recent Magazine coverage here.

Vintage Treasures: Inter Ice Age 4 by Kōbō Abe

Vintage Treasures: Inter Ice Age 4 by Kōbō Abe

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Inter Ice Age 4-small Inter Ice Age 4-back-small

The recent success of foreign SF writers in translation in the US — including Cixin Liu (The Three-Body Problem) and Thomas Olde Heuvelt (Hex), among others — seems like a modern phenomenon. But truthfully, our genre has been open to talented writers from around the world for decades. As far back as the days of Jules Verne, Americans have been warmly receptive to foreign SF writers, and over the decades that’s included authors like Stanislaw Lem (Solaris), Italo Calvino (Invisible Cities), Jorge Luis Borges (Labyrinths), Arkady Strugatsky & Boris Strugatsky (Roadside Picnic), Pierre Boulle (The Planet of the Apes) and Andrzej Sapkowski (The Witcher).

Japanese writer Kōbō Abe (the pseudonym of Kimifusa Abe, who died in 1993) isn’t as well remembered here as some others, but he had a considerable impact in Japan. In 1951 he received Japan’s most important literary award, the Akutagawa, for his novel The Crime of Mr. S. Karuma, and in 1960 his novel The Woman in the Dunes won the Yomiuri Prize. His 1959 novel Inter Ice Age 4 imagines a world slowly being submerged by melting polar ice, and the desperate race to genetically modify children so they can survive the coming underwater age — and the strange prophetic computer that attempts to guide mankind into a very uncertain future.

Inter Ice Age 4 was written in 1959, and published in paperback in the US by Berkely in March 1972. It is 223 pages, priced at 95 cents. The cover is by Richard Powers. I acquired the unread copy above for about 60 cents last month, as part of a collection of 42 vintage SF paperbacks on eBay I bought for $27. Click the images for bigger versions.

Kelly Link Collection Get in Trouble is a Finalist for the Pulitzer Prize

Kelly Link Collection Get in Trouble is a Finalist for the Pulitzer Prize

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Get in Trouble Kelly Link-smallKelly Link’s sixth collection, Get In Trouble, was listed as one of two finalists for the prestigious Pulitzer Prize.

The 2016 Pulitzer Prize winners were announced yesterday by the Pulitzer Prize Board, including the award for fiction, “for distinguished fiction published in book form during the year by an American author, preferably dealing with American life.”

The winner was Viet Thanh Nguyen, for his novel The Sympathizer. The Board also recognized two finalists, the novel Maud’s Line by Margaret Verble, and Kelly Link’s short story collection Get in Trouble. In their commendation on the website, the Board described Get in Trouble like this:

A collection of short stories in which a writer with a fertile and often fabulist imagination explores inner lies and odd corners of reality.

Get in Trouble was published in hardcover by Random House February 3, 2015, and reprinted in paperback on February 9, 2016. It is 368 pages, priced at $16 for the trade paperback, and $11.99 for the digital version.