The Shock of the New: Chris Moriarty’s Spin State

The Shock of the New: Chris Moriarty’s Spin State

Spin StateMy reading’s defined, largely, by sheer chance. I stumble across something at a used-book sale, buy it along with a box of other books, put it on my shelf and forget about it, then finally years later take it down and read it and, often, realise I should have started in on it long before. Which is a long way around to explaining how I just now came to read Chris Moriarty’s debut novel Spin State, which was published in 2003. And why I’m only now writing about the best work of 21st-century science fiction I personally have read.

The first book of a trilogy (the second, Spin Control, came out in 2007; the third, Ghost Spin, was published earlier this year), Spin State was nominated for the Philip K. Dick Award and the Spectrum Award. A frenzied yet controlled mixture of hard sf, cyberpunk, space opera, political saga, hard-boiled noir, war story, and any number of other genres, Spin State captures the mind-shredding sense of wonder of science fiction as well as any book I’ve ever read. It’s densely written, intricately and dextrously plotted, and boasts dialogue both fiercely dramatic and bluntly true. It also always seems to aim at character, using its twists to generate powerful scene after powerful scene.

It ought to be a mess. It’s a long book, but covers much ground; it seems that every scene, every line, is doing three different things — touching off fuses to detonate later. But it never falls apart, never distintegrates into noise. It challenges you: I had to read the opening pages twice before I caught the rhythm of it. Set hundreds of years in the future, AIs possess wired human bodies, genetic constructs build interstellar Syndicates, and quantum technologies make distance something different than what we understand: you can physically be located on a space station in a far solar system but sit down to a full meal in an elegant restaurant on the Moon in the light of the environmentally ruined Earth. Technologies and politics are complex, and in fact the history of this future is complex all along the line: there’s a kind of take-no-prisoners ferocity to the unrelenting beat of new and wild ideas the book throws at you. Which is to say it’s in the best tradition of science fiction.

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Win a Complete Autographed Set of John R. Fultz’s Books of the Shaper Trilogy!

Win a Complete Autographed Set of John R. Fultz’s Books of the Shaper Trilogy!

seven-princesLast week we celebrated the arrival of Seven Sorcerers, the third and highly-anticipated final volume in John R. Fultz’s Books of the Shaper trilogy.

The trilogy opened with Seven Princes (January 2012), which Barnes & Noble called “flawless epic fantasy,” and Seven Kings (January 2013), which thebookbag.co.uk called “wonderful stuff… Tarantino and Tolkien have a literary love child and his name is John R. Fultz.” Seven Sorcerers brings the sequence to a close with thundering climax that does not disappoint.

Now you have a chance to win a complete autographed set of all three volumes, compliments of Orbit Books and John R. Fultz.

How do you enter? Simple — just send an e-mail to john@blackgate.com with the title “Seven Sorcerers” before Friday, December 20, 2013, and we’ll enter you in the drawing. One lucky winner will win all three books.

Can’t wait for the contest? Try some of John’s exciting fiction right here at Black Gate, including “When the Glimmer Faire Came to the City of the Lonely Eye,” which appeared as part of the Black Gate Online Fiction line, or the three stories that appeared in our print version: “Oblivion Is the Sweetest Wine”(BG 12); “Return of the Quill” (BG 13); and “The Vintages of Dream” (BG 15). And you can read more about John’s philosophy of fantasy in his recent article, “One Man’s Trash…

All entries become the property of New Epoch Press. No purchase necessary. Must be 12 or older. Decisions of the judges (capricious as they may be) are final. Terms and conditions subject to change. Sorry, US and Canada entrants only. Not valid where prohibited by law. Eat your vegetables. And good luck!

New Treasures: Fiddlehead by Cherie Priest

New Treasures: Fiddlehead by Cherie Priest

Fiddlehead Cherie Priest-smallI’m extremely intrigued by Cherie Priest’s The Clockwork Century series, and have been ever since the first volume, Boneshaker, appeared in 2009 and was nominate for both the Hugo and Nebula awards.

The only thing holding me back, of course, was the fact that it was incomplete. But now the fifth and final volume, Fiddlehead, has arrived, and by all accounts it brings the Priest’s ambitious steampunk series to a rousing conclusion.

The American Civil War has dragged on for two bloody decades as the South, aided by fantastic steam-powered machines and Texas technology, has avoided defeat again and again. Leviticus Blue’s incredible Bone-Shaking Drill Engine accidentally destroyed much of downtown Seattle, unearthing a subterranean vein of blight gas in the process, and a desperately-constructed wall around the city is the only that that keeps hordes of the living dead enclosed.

Now a deadly yellow drug from Washington has begun to circulate through the ravaged country… and genius Gideon Bardsley — who has constructed Fiddlehead, the first thinking machine — dares to ask his creation who is going to win the war…

Young ex-slave Gideon Bardsley is a brilliant inventor, but the job is less glamorous than one might think, especially since the assassination attempts started. Worse yet, they’re trying to destroy his greatest achievement: a calculating engine called Fiddlehead, which provides undeniable proof of something awful enough to destroy the world. Both man and machine are at risk from forces conspiring to keep the Civil War going and the money flowing.

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Voices in Fantasy Literature, Part 1

Voices in Fantasy Literature, Part 1

Apex Magazine March 2013-smallI have gone through phases of reading adventure fantasy, planetary romance, smoke and sorcery and epic fantasy. These sub-genres pack serious power.

Adventure fantasy is an adrenaline hit. Planetary romances like A Princess of Mars are shots of heroic wish fulfillment. And smoke and sorcery wallow in the grit of a spaghetti western.

I also go through phases where I’m looking for the emotional power and the subtle voice and character work of more literary fantasy. I recently read three pieces of short fantasy that hit me hard for different reasons. All are available online for free.

The first was “If You Were My Dinosaur, My Love” by Rachel Swirsky, Apex Magazine, March, 2013. Swirsky’s whimsical voice captivates the reader with a sing-song charm, but subversively so. The very brief story rolls faster and faster down a hill, on its way to a powerful cliff.

Here’s a sample to give you a taste of its romantic, earnest strangeness:

If you were a T-Rex, then I would become a zookeeper so that I could spend all my time with you. I’d bring you raw chickens and live goats. I’d watch the gore shining on your teeth. I’d make my bed on the floor of your cage, in the moist dirt, cushioned by leaves. When you couldn’t sleep, I’d sing you lullabies.

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The Finest Sword & Sorcery: Announcing the Winners of the Stalking the Beast Contest

The Finest Sword & Sorcery: Announcing the Winners of the Stalking the Beast Contest

Pathfinder Tales Stalking the Beast-smallLast month we invited Black Gate readers to tell us about the best sword & sorcery tale they’d ever read, in one paragraph or less.

In return, we offered to award a copy of Howard Andrew Jones’ terrific new Pathfinder Tales book, Stalking the Beast, the follow-up to his hit Pathfinder release Plague of Shadows from Paizo Publishing, to five lucky winners.

Those five winners were randomly drawn from the list of all qualified entrants.

Before we announce the winners, let’s have a look at some of the story suggestions. As much as we’d like to, we can’t reprint all the entries we received, so we’ll limit it to the 10 we found most insightful, well written, or intriguing. In the interest of diversity, we’ll limit our sampling to one entry for each author or major work. (But fret not — all qualifying entries received before December 1st were included in the drawing.)

We’ll start with David Kahler, who kicks things off in excellent fashion with the tales of Fritz Leiber:

My favorite Sword and Sorcery book is Fritz Leiber’s Swords Against Wizardry, a Fafhrd and Grey Mouser tale. From the very beginning, when the pair consult an old hag ( because, according to Fafhrd, before embarking on any great enterprise, it’s customary to consult a warlock or witch”) to the Lords of Quarmall and the battles with Hasjarl’s wizards, Swords Against Wizardry is (IMHO) one of the best of Leiber’s tales. His prose is superb, and the action sequences just as good. Fafhrd and Grey Mouser epitomize the “Neutral-Good” actions of adventurers who (even while they seek to enrich themselves) strive to do the right thing even if the “wrong” course of action would have been easier and more convenient. Thanks for the opportunity to win HAJ’s latest book! I always enjoy finding new reads and authors on your site. Keep up the good work!

You’re most welcome, David. Thanks for the enthusiastic entry — and good luck!

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Sword Sisters: A Partnership, a Prequel, a Picture Show, and a Print Run

Sword Sisters: A Partnership, a Prequel, a Picture Show, and a Print Run

> The first Red Reaper novel from Tara Cardinal and Alex Bledsoe is prequel to the 2014 movie The Legend of the Red Reaper
The first Red Reaper novel from Tara Cardinal and Alex Bledsoe is the prequel to the 2014 movie The Legend of the Red Reaper. Click for bigger version

Tara Cardinal has quite a story to share. And now she has a novel too. They’re not quite the same thing — but they have a lot in common.

Her, for instance. The actress/writer/director pours everything she is into her stories, and once a person knows them both, the interplay between them is obvious. Passion is a way of life for Tara, and she instills in her projects and the people around her a thirst for it.

This is not the sum of her though. Tara does all her own stunts AND swordplay, she added directing to her resume on the fly, learned how to write the score, edited the film, and interested Uwe Boll into co-producing the movie The Legend of the Red Reaper with her. Then she hit upon an idea to write a story prequel to the movie she’d written and created.  She sketched it out, discovered Alex Bledsoe wandering the same Sword & Sorcery super-aisle, and the rest is history. (Alex offers a bit of a better description of how it all worked out over on his site.)

Alex just so happened to have recently worked with RBE on Writing Fantasy Heroes, and so introductions were made, and the work began. It wasn’t long before the manuscript was going through edit exchanges, the art was being penciled & inked, and both interior and cover layout was being described, revised, and delivered.

But wait! There’s even more to the story. Tara’s passion isn’t for writing, directing, even acting. It’s for empowering children and young women in pursuit of her dream of making the world a better, happier place. The martial artist and swordswoman is also a humanitarian, psychologist, and child advocate. From the age of 12, Tara has always been about defending, assisting, and benefiting children survivors of abuse, illness, and disaster.

Best of all, Tara’s rolled all that passion, all that experience, and all those goals into a Sword & Sorcery novel that delivers the sword-swinging, monster-slaying, ancient god-defying, and good ol’ fun we Black Gaters (hmm, sounds like a football team name to me!) expect — and she’s done that while also delivering Aella, a young woman protagonist who struggles with identity, destiny, belonging, and confidence simultaneous with racial, familial, and sexual tensions.

Aella is not your everyday chain-mail bikini warrior — she’s the heroine every young woman experiencing her own struggles with identity, belonging, confidence, and belief can look up to and emulate.

Forgotten Heroes of Pulp Fiction: Jim Maitland

Forgotten Heroes of Pulp Fiction: Jim Maitland

JimMaitlandisland of terror hcWorld War I veteran, H. C. McNeile (better known by his nom de plume of “Sapper”) was a bestselling author of the last century whose works are quickly fading into obscurity.

His most famous creation, Bulldog Drummond is best remembered for the old-time movie and radio series rather than the nearly twenty novels where the character first appeared. “Sapper” also wrote numerous stories and books about a Holmes-like consulting detective, Ronald Standish as well as two books about Jim Maitland, the monocle-wearing two-fisted defender of honor who personified the ideals of the British Empire while traveling abroad.

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Goth Chick News: Godzilla Geek Out – More on the First Trailer for 2014 Remake

Goth Chick News: Godzilla Geek Out – More on the First Trailer for 2014 Remake

Godzilla 2014 Poster 2-smallFifteen years ago a horrific monstrosity was loosed on an unsuspecting public. It was huge and ghastly and made you want to avert your eyes.

And it starred Matthew Broderick.

Yes, I am referring to the 1998 “American” remake of Godzilla, which outraged fans nicknamed  G.I.N.O., an acronym for “Godzilla in Name Only,” to ensure it would never be confused with the original source material.

To be fair, there were two good things about the film. One, even with an estimated budget of $130M it did at least break even in the US, pulling in $136M. Second, TriStar Pictures was able to keep all the velociraptor special effects guys employed (they had recently been laid off following the release of Jurassic Park: Lost World in 1997).

However what happened this week may finally eradicate the revulsion from our collective memories.

As my co-worker Ryan Harvey announced on Tuesday (by jumping up and roaring “out loud with him at the top of my lungs”… while at work), Legendary and Warner Brothers released the trailer for their 2014 Godzilla reboot and it looks pretty epic. Considering how long it took me to actually access it, there is clearly a whole lot of interest in seeing what will happen with the iconic monster this time around.

Monsters‘ special effects guru, Gareth Edwards writes the story and directs an eclectic cast including Elizabeth Olsen (Kill Your Darlings), Bryan Cranston (Breaking Bad), Aaron Johnson (Kick-Ass) and Juliette Binoche (The English Patient).

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Understanding Tolkien: Why His Landscapes Work

Understanding Tolkien: Why His Landscapes Work

hobbit-book-cover
…the story and the world it articulates, rocks.

There’s no better way to experience the distinction between text and structure than to go back to the roots of our genre.

A few years ago, as a result of a spectacular parenting own-goal, The Hobbit -– a battered old copy that Mrs Harold-Page’s father once purchased for 8s 6d –- ended up as our five year old son’s bedtime story.

It was near midnight, and we were trying to coax our overtired insomniac little boy into sleep mode. I thought, Let’s read something that will hold his attention, but be so far over his head as to hypnotise him into dozing off. Instead, of course, the little blighter perked up and asked enough questions to understand what was going on. The following night — at a more reasonable time — he wanted The Hobbit again. I pointed out it was a bit old for him. Could he even remember the last thing that happened?

They got captured by trolls, but Gandalf did this voice then another voice and the trolls argued until the sun came up and they turned to stone…Is that Smaug on the cover, Daddy?

So, The Hobbit it was.

Reading the Hobbit is a bit like listening to Bill Haley and the Comets. The beat is there, but the delivery — though charming and skilled — is not quite right to the modern taste.

The Hobbit is packed with Herodotian ring composition, editorializing, explicit allusions to the character’s future, and lots of “telling” rather than “showing,” all of which distance us from the story.

Worse, Gandalf is the only person who really does anything until well into the book. It’s page 62 before Thorin even strikes a goblin, and he does that off screen, and in narrative summary — imagine how Robert E Howard would have handled that…

Even so, the story and the world it articulates, rocks.

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The Rebirth of Ares Magazine

The Rebirth of Ares Magazine

Ares Magazine 2014-smallIn the early ’80’s, Simulation Publications, Inc. (aka SPI) published a magazine named Ares. It included science fiction and fantasy along with articles and a complete game in every issue. It was short-lived, lasting only 19 issues, and Dragon revived it briefly within its own pages as an Ares section (see our review of issue #3 of the original magazine, featuring the game Barbarian Kings). And so it remained as an intriguing concept that simply ceased publication.

But that wasn’t the last hope for Ares. As Yoda would say, “No, there is another.” One Small Step Games, under Michael Anderson, decided to venture into remaking the old magazine. “The big idea is to fill a void,” says Anderson, “a new magazine that combines a standalone, unique, playable board game in every issue with a collection of spectacular, new fiction.”

With pay rates of five cents per word, Ares is serious about finding great fiction. Their preferred genres include fantasy, science fiction, horror, and pulp adventure.

They plan on publishing bi-monthly, and each issue will include 80 pages of fiction and other content, wrapped around the playable game. The first game will be War of the Worlds by independent game designer Bill Banks.

On January 1, Ares will launch a Kickstarter campaign to raise funding for this endeavor. If successful, the target delivery date for the first issue is May 1, 2014.

A magazine of speculative fiction AND a playable game? That sounds like a great combination to me.

Check out their website for more information: Ares Magazine.