Black Gate – Page 1018 – Adventures in Fantasy Literature

Religion in Fantasy Lit

Wednesday, October 16, 2013 Jon Sprunk Comments 5 comments

“There are three things I have learned never to discuss with people… religion, politics, and the Great Pumpkin.”
– Linus, Peanuts

Linus may have been right, but I’ve never been one to follow sensible advice. So today, I’m going to talk about religion in fantasy.

Religion is a touchy subject for some people, but it’s long been a tradition in the genre to create fictional deities and use them in a variety of ways. From Tolkien’s Silmarillion to the extensive pantheon of Stephen Erikson’s The Malazan Book of the Fallen series, fantasy is rich with mythology.

Whenever I begin to brainstorm ideas for a new novel or series, one step of my world-building is to imagine what sorts of religions will be present and how they shaped their societies. I have to ask myself questions such as: do the gods actually exist? If so, do they personally intervene in the lives of the characters? Does prayer possess temporal power? What is the role of religion in the daily lives of the common people?

These questions have vast ramifications for the story world. Even if the deities are unable or unwilling to directly intervene in the lives of mortals, the mere presence of belief will shape (or appear to shape) events. And if the deities actually answer the prayers of their adherents, that opens up all kinds of possibilities, which in turn should alter the structure of faith organizations. Just look to the history of Europe during the Middle Ages, when religion affected the politics and practices of great nations, and then imagine how powerful those priesthoods would have been if they could perform regular miracles, like ensuring bountiful harvests for the faithful or restoring the dead to life.

And what if the gods can physically manifest in the story world? How does that alter humanity’s relationship to the supernatural?

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Vintage Treasures: The Pirates of Zan by Murray Leinster

Wednesday, October 16, 2013 John ONeill Comments 13 comments

Astounding Science Fiction February 1959-small

[Click on any of the images above for bigger versions.]

Murray Leinster is one of my favorite pulp writers. I reprinted one of his earliest tales, “The Fifth-Dimension Catapult,” which first appeared in the January 1931 Astounding Stories of Super-Science, way back in Black Gate 9. Fittingly enough, when I kicked off my investigation of the Classics of Science Fiction line, I started with one of the finest volumes, The Best of Murray Leinster. More recently, I looked at his creepy pulp SF tale “Proxima Centauri” on August 15th.

But none of those is nearly as well known as his classic space fantasy The Pirates of Zan. Because, hello, space pirates. Also, it was blessed with a terrific series of covers over the three decades it was in print. So here we are with another fond look at the work of Murray Leinster.

(While we’re on the topic, why aren’t there more novels of space pirates? The only other ones I can think of are H. Beam Piper’s Space Viking, CJ Cherryh’s Merchanter’s Luck, Piers Anthony’s Bio of a Space Tyrant, and maybe A. Bertram Chandler’s John Grimes novels, at least the ones featuring his recurring adversary Drongo Kane. That’s pretty sad. Seriously, if there are two things that go great together, it’s unexplored space and pirates. Get with it, science fiction.)

The Pirates of Zan was originally serialized (as “The Pirates of Ersatz”) in three parts in Astounding Science Fiction, starting with the February 1959 issue. The famous Kelly Freas cover, featuring a pirate with a slide rule between his teeth, is one of the most beloved Astounding covers of the era. It’s shown at left above.

Don’t ask what a slide rule is, you damn punk kids.

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Ancient Worlds: The Ghosts of the Past

Tuesday, October 15, 2013 Elizabeth Cady Comments 0 Comment

haunted — This moaic is actually of a monkey skull, which somehow makes it a WHOLE LOT SPOOKIER.

I love a good ghost story.

And who doesn’t? Especially when the nights grow long, the trees grow bare, and the wind howls high up in the treetops. Like most people my age, I have cherished memories of huddling under the covers and reading Scary Stories to Tell in the Dark until I was too terrified to sleep.

(Anyone else vividly remember those drawings? The one with the girl and the spider bite? Just me? I’ll be over in the corner with my nightmare fuel…)

This is nothing new, of course. The Greeks and Romans loved a good ghost story as well. What’s amazing is just how astonishingly familiar they are.

Pliny the Elder famously tells this story about a haunted house:

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The Cleric and the Crucifix

Tuesday, October 15, 2013 James Maliszewski Comments 2 comments

“Come to me, Arthur. Leave these others and come to me. My arms are hungry for you. Come, and we can rest together. Come, my husband, come!”

There was something diabolically sweet in her tones — something of the tingling of glass when struck — which rang through the brains even of us who heard the words addressed to another. As for Arthur, he seemed under a spell; moving his hands from his face, he opened wide his arms. She was leaping for them, when Van Helsing sprang forward and held between them his little golden crucifix. She recoiled from it, and, with a suddenly distorted face, full of rage, dashed past him as if to enter the tomb.

So does Dr. John Seward describe the encounter between Abraham Van Helsing and newly-risen Lucy Westenra in Chapter 16 of Bram Stoker’s Dracula. I’m not knowledgeable enough in literary vampire lore to be able to say with any certainty that the 1897 novel is the first time we see a bloodsucker recoil from a crucifix, but, even if it’s not, I have little doubt that it was probably the most widely-read and influential example of it. Not only has the novel itself sold untold copies in the English-speaking world alone, but motion picture adaptations, starting with F.W. Murnau’s unauthorized 1922 film, Nosferatu, have added much to the popular conception of “the undead” (to borrow Stoker’s own coinage) – and how to combat them.

In the world of gaming, it’s well-known that the medieval miniatures rules, Chainmail, written by Gary Gygax and Jeff Perren, was the immediate predecessor to Dungeons & Dragons, especially its “Fantasy Supplement,” which introduces the option of including magic and monsters so as to “refight the epic struggles related by J.R.R. Tolkien, Robert E. Howard, and other fantasy writers.” Even a cursory examination of Chainmail reveals that there’s nary a mention of religion in its pages, including in the Fantasy Supplement. This shouldn’t really come as a surprise, since the priest isn’t a distinct literary archetype in the pulp fantasy literature that inspired Gygax (as revealed in innumerable posts about his Appendix N bibliography on this site and elsewhere). Consequently, Chainmail includes only “heroes” and “wizards” as individual units.

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God Stalk by P. C. Hodgell

Tuesday, October 15, 2013 Fletcher Vredenburgh Comments 10 comments

Out of the haunted north comes Jame the Kencyr to Rathilien’s greatest city, Tai-Tastigon. From the hills above, the city appears strangely dark and silent. She arrives at its gates with large gaps in her memory and cat claws instead of fingernails. She’s carrying a pack full of strange artifacts, including a ring still on its owner’s finger… and she’s been bitten by a zombie. Wary, but in desperate need of a place to heal, Jame enters the city. So begins God Stalk, the first book in P.C. Hodgell’s Kencyrath series and one of my absolute, bar none, don’t-bother-me-if-you-see-me-reading-it, favorite fantasy novels.

When this book first came out in paperback in 1983, my friend Carl bought it at the original NYC Forbidden Planet on 13th Street. Raving about it, he tossed it to me. Then I passed it to someone else. By the time it finished its circuit through the rest of my friends and back to its original owner, its cover was bent, stained, and more than a little torn. I’ve gone through several copies myself over the years, having lost or upgraded it multiple times. When I reread it this past week, I was excited that I enjoyed it as much as, if not more than, I had in the past. I’m so grateful Carl gave me this book thirty years ago. P.C. Hodgell seems so far below the general fantasy radar, I don’t know if I would have ever heard of her at all, which is pretty darn shameful.

The Kencyr are a group of three races sworn to the service of the Three-Faced God and bound together by him to fight Perimal Darkness, a warping force of chaos and evil sweeping over the planes of existence. The rulers of the Kencyr are the human-looking High Born, of which Jame is one. The warriors and artisans are the Kendar, still human-looking but larger and longer-lived. Finally, there are the giant catlike Arrin-Ken, the judges.

As Jame remembers bits and pieces of her missing life, an eons-old struggle against the Darkness is revealed to the reader. The Kencyr fled to Rathilien three thousand years ago after betrayal at the highest level almost led to their extinction. Jame may have an important place in the war and among her people, though every answer leads to another question, some not answered until much later in the series.

The history of the Kencyr and their endless war are really only the background for God Stalk. This novel centers on Jame’s adventures during a year in Tai-Tastigon. From the night of her arrival during the Feast of the Dead Gods, her residency in the great city is one of constant action and intrigue. She has entanglements with bandits, thieves, innkeepers, and deities. It’s a dangerous place, but also enticing.

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New To View: An Interview With Betwixt‘s Joy Crelin

Monday, October 14, 2013 markrigney Comments 1 comment

Fantasy and sci-fi markets come and go (as, in fact, do periodicals in general). Most don’t survive six months. Some, however, have an aura of staying power, even right out of the gate; it shows in their guidelines, in the way they present themselves to the watching, skeptical world. One such magazine is Betwixt. I recently posed a few questions to Joy Crelin, editor and publisher of Betwixt, to quiz her about her hopes for her new venture and to take her pulse on all things spec fic. Whether you’re a writer, a reader, or a magazine publisher, you’ll want to hear what she has to say.

There are a fair number of fantasy mags and ‘zines on the market. Where does Betwixt fit in the pantheon?

As Betwixt is still so new, its editorial point of view is still evolving — and honestly, I expect it will continue to evolve indefinitely. The gist of the magazine’s ethos is deliberate eclecticism. When it comes down to it, I want to publish the kinds of stories I want to read. That means fantasy, science fiction, horror, magic realism, slipstream, whateverpunk, and all the configurations and mash-ups and niches thereof. I like having the freedom to publish stories that speak to me without having to decide whether they conform well enough to someone else’s expectations of what a fantasy or science fiction story should be — or my expectations, for that matter!

At the same time, I recognize that eclectic can often read as wishy-washy, so it’s important to me that there be at least a degree of internal consistency in each issue of the magazine. Overarching themes tend to develop in most collection works I edit, whether I expect them to or not, and so far Betwixt has been no exception.

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New Treasures: Cold and Dark

Monday, October 14, 2013 John ONeill Comments 6 comments

I couldn’t go to Gencon in August. I had to work. Someone had to — the rent on our spacious rooftop headquarters here in downtown Chicago doesn’t pay itself.

Certain members of our staff did attend that august gathering, however. I’m not going to point any fingers, but I will point you, without comment, to Howard Andrew Jones’s GenCon Writer’s Symposium 2013 and Andrew Zimmerman Jones’s three-part (three-part! That’s how much fun you can have at Gencon) Post-Convention Recap. That’s right. While some us were putting in long hours, trying to finish that scathing expose on the use of polluted air in model zeppelins, everyone on staff named Jones got to go Indianapolis to party. But I’m not bitter.

I’m lying. I’m totally bitter. What’s a guy got to do to keep up with the Joneses around here? It’s not just all the fun they had; it’s the fantastic loot they brought back. Like Cold and Dark, a new RPG of gritty science fiction horror from Chronicle City — publishers of Dungeonslayers, Achtung! Cthulhu, and the upcoming Punktown — which draws inspiration from Pitch Black, Dead Space, and other classics of dark SF. Here’s the back-cover copy:

Centuries from now mankind lives on in the Sirius galaxy, an enormously vast and dense system of stars. It’s a greedy industrial society run by corporations and the Governmental Industrial Complex. The onslaught of strip-mining has stirred something terrible best left buried and forgotten.

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Oz Revives The Screaming Skull!

Monday, October 14, 2013 Nick Ozment Comments 0 Comment

A few years back, I had the pleasure of reviewing B-movies on a page hosted by Nathan Shumate’s Cold Fusion Video Reviews. Yes, I was part of his cabal of Cold Fusioneers — not to be confused with early scientific researchers into the elusive possibilities of cold fusion. Until a “catastrophic server failure” wiped out the main site and all the ancillary sites it hosted, Cold Fusion had been one of the longest-running review sites on the Internet.

Nathan decided to retire Cold Fusion and pursue other popular web projects he has launched, but I still have my reviews safely stored on a hard drive, the only place they currently exist…until now! As part of my October “five weeks of frights,” I’ve dug up my review of The Screaming Skull (1958), a fun film to watch this time of year. Some Black Gate readers will also take note that this film allegedly was inspired by a short story of the same name by classic weird-story author F. Marion Crawford.

[And if you wonder “What’s up with this David guy?” with whom I co-hosted the review, stick around to see my explanation at the end of the post.]

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DAVID: This is a Manning’s Manly Movies review that reaches its climax in shocking horror. Its impact is so terrifying that it may have an unforeseen effect. It may KILL you! Therefore the reviewers feel it necessary to provide free flowers to anyone who dies of fright while reading THIS REVIEW!

OZ: What are you doing?

DAVID: A-ha! About time you pulled your head up out of your books long enough to review another movie with me, professor!

OZ: What were you doing?

DAVID: I’m borrowing an idea from the producers of this week’s movie. When The Screaming Skull was screened in theaters back in the fifties, the movie opened with a voice-over narrator as a casket lid slowly opened, revealing a burial contract inside…

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Black Gate Online Fiction: “The Gentle Sleeper” by David Evan Harris

Monday, October 14, 2013 John ONeill Comments 1 comment

David Evan Harris, author of the acclaimed stories “The Mudslinger” and “Seeker of Fortune,” returns to our pages with the tale of a daring confrontation between the dread Baron Weller and a mysterious assassin known as Arland, “The Gentle Sleeper.”

“You are Arland,” the Baron continued. “First Elder of the House of Elementals in the Kingdom of Corland.”

“You are mistaken, my lord,” said Arland.

“Marraine described you perfectly,” said the Baron. “From your height, to the tangled hair. She claimed you were much stronger than you looked.”

“My name is Edward,” said Arland. “I am a fabric merchant.”

“You are an assassin,” said the Baron casually. “The Gentle Sleeper, they call you. A man of little magical strength but with perfect control, who can stop the air from reaching a man’s lungs. You’ve come to kill me, I expect. And I expect you realize by now that you have failed, and that an unpleasant death will begin for you quite shortly.” The Baron leaned back in his chair, holding the bell against his chest.

“Does this mean you don’t want me to find you some clothing?” Arland asked.

Grasping For the Wind called “The Mudslinger” “An epic fantasy… I look forward to more” and Tangent Online called “Seeker of Fortune” “Exceptional. A must read.”

The complete catalog of Black Gate Online Fiction, including stories by Janet Morris and Chris Morris, John C. Hocking, Michael Shea, Peadar Ó Guilín, Vaughn Heppner, Aaron Bradford Starr, Martha Wells, Nina Kiriki Hoffman, E.E. Knight, C.S.E. Cooney, Howard Andrew Jones, and many others, is here.

“The Gentle Sleeper” is a complete 5,000-word short story of adventure fantasy. It is offered at no cost.

Read the complete story here.

The Cold Edge of Forever, II: City

Sunday, October 13, 2013 Matthew David Surridge Comments 5 comments

This is the second part of my attempt to write about Star Trek, and specifically the episode “The City on the Edge of Forever.” For reasons which I hope will soon make sense I started off yesterday by writing about the 1954 short story “The Cold Equations.” What I’m about to try to do is tie that into a discussion of the Trek episode, and then go on to look at that episode in the context of the show overall. I am going to assume in what follows that you’re familiar with the episode (the plot synopsis is here; if it helps, it’s the one with the Guardian of Forever, where Kirk and Spock travel back to 1930), and that you know things like who Captain Kirk is, and who Mister Spock is, and so on and so forth. This I think is a fair assumption. Everybody knows these characters. Which is a part of why I want to talk about the episode, and its context. So before anything else, I want first to talk about the exercise of unknowing them. (And as an aside, the poster at right is by artist Juan Ortiz, who did an image for every episode of the original series. Worth taking a look at, and the whole run has been collected in a single book.)

Lately I’ve been watching the first season of Star Trek week by week, on a TV network that airs old shows from the 50s through 70s. Seeing the series in that context means seeing it as part of the fabric of its time. Some series, I`ve found, become very different: the original Twilight Zone, always a good show, becomes downright mind-bending. Watching Trek in that way I find myself caught up in the craft of the writing, direction, and (yes) acting; and I seem to forget everything I know about what happens outside of the show I’m seeing.

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