Black Gate

When I arrived at the Nebula Awards conference on Thursday, one of the first things I received was a complimentary copy of issue #208 of the flagship publication of the Science Fiction and Fantasy Writers of America, The SFWA Bulletin. It’s an oversize magazine (not a digest), an impressive 84 pages on heavy stock, which I read on my long train ride back to St. Charles later that night.

The SFWA Bulletin has changed a lot over the years, and I’ve enjoyed plenty of issues. But this is certainly the best single issue of the magazine I’ve ever read. It is devoted almost exclusively to the 2016 Nebula Award nominees, with a 50-page section that examines each and every nominee in detail — with mini-author bios, a story synopsis, a few paragraphs on the origin and story-behind-the-story from the nominees, and fascinating tidbits on each tale, such as favorite reactions from fans, thoughts on possible sequels, and lots more.

There’s also cover reproductions — book or magazine as the case may be — for each entry, which I greatly appreciated. (I don’t know why I enjoy seeing high-res cover reproductions of recent magazines, but I do!)

This also happens to be Neil Clarke’s first issue as full-time editor of the Bulletin (he’s been acting as interim editor since John Klima’s departure last year). While he’s done a stellar job, it’s clear he’s not 100% satisfied. In his editorial, he wonders whether readers might not be better served with a post-Nebula issue instead.

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I love Peter Mohrbacher’s cover for the May issue of Clarkesworld, a gorgeously creepy piece titled “Ananiel, Angel of Storms” (click the image at right for a bigger version.) Mohrbacher has covered other Clarkesworlds — mostly recent issue 111 — but this is the first to really make me sit up and take notice.

Robert L Turner III at Tangent Online raves about Rich Larson this issue, calling him “an excellent new talent.”

“Jonas and the Fox” by Rich Larson is set in a post revolution farming community. Fox is a poet and fugitive from the new junta after the revolution starts to eat its own. He is hiding in the body of his nephew who is brain dead after an accidental fall. His Nephew Jonas, the other title character, must come to terms with the stranger inhabiting his brother’s body. The novelette cleverly links the revolution’s rewriting of history with the disconnect between Fox and his new body. The story is touching, and manages to keep you guessing as to how it will end. Larson is a young author and well worth keeping an eye on. If this piece is representative of his work, we could be looking at an excellent new talent.

Read his complete review here.

Clarkesworld #116 has five new stories by Cat Rambo, Robert Reed, Cassandra Khaw, Rich Larson, and Luo Longxiang, and two reprints by Joe Abercrombie and Sunny Moraine.

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The 12th issue of the online-only Fantasy Scroll Magazine, cover dated April 2016, is now available. In his editorial Iulian Ionescu gives us a sneak peek of the contents. Here’s a snippet:

The fiction section opens with “Mother Salt and her Sisters” by James Troughton, a story that brings a fresh new look to the myth of the mermaid, and adds a darker than usual twist. Next is “Apprentice” by James Van Pelt, a story about the relationship between the mentor and mentee, filled with magical mystery that will keep you guessing through the end. Jason Hine’s “Prosperity’s Shadow” follows, set in a medieval-type of fantasy world where magic is used to control the masses, and we observe the struggle of the enforcer who has to deal with the weight that his job puts on his conscience. “The Memory of Huckleberries” by Rebecca Birch is sure to bring a tear to your eye. It’s a heartwarming story of love, sacrifice, and loss…

“Boo Daddy’s” by Anna Yeatts follows, a tale set in the Wild West, with a little twisted twist that will definitely creep under your skin. Intrigued? We end the fiction section of the issue with “Skies of Sand and Stee”l by Jeremy Szal, a science fiction story that follows the protagonist in his quest to stop mass exploitation in a world where entire cities float above ground.

Issue 12 continues the epic adventures of Shamrock in a new installment titled “Shadows,” written by Josh Brown with art by Alberto Hernandez. The non-fiction section includes interviews with authors Angela Slatter and Brian Staveley, a book review for God of Clay by Ryan Campbell and a movie review for 10 Cloverfield Lane, directed by Dan Trachtenberg.

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Issue #198 of Beneath Ceaseless Skies features fiction by Thomas M. Waldroon and Sylvia V. Linsteadt, a podcast by Sylvia V. Linsteadt, and a reprint by Noreen Doyle. Nicky Magas at Tangent Online offers us a fine summary of both tales:

Brothers Henry and James have crossed an entire ocean to escape the religious persecution of their native England in “Or I Wil Harrie Them Out of This Land” by Thomas W. Waldroon. At first their new home is a paradise: wide, open spaces, the thrill of adventure and the freedom to explore any dream or ambition they might have. Before long, however, disease and conflicts with the natives begin to take their toll on the small community, and the Puritan settlement discovers that just because they’ve escaped from one evil, doesn’t mean they’re free from another…

The streets of 1880s San Francisco are lit with the oil of marine mammals in Sylvia V. Linsteadt’s “Whale-Oil.” Sixteen year-old Altair has a talent for seeing the sorts of other world things that no one else can. Call it a remnant of childhood imagination, but one night in the fog-thick streets, Altair looks up to find the tethered souls of hundreds of slaughtered whales and seals, bound to the lamps that burn their oil. Meanwhile, in a marsh out by the ocean, Old Iris stands on her heron’s legs for a long-awaited visitor to follow her blue lamp light to her hut. The world has grown too hungry, she knows, and all too soon it will end… Lovers of magical realism and the environmentally conscious will be charmed.

Here’s the complete Table of Contents.

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I love Sarah Zar’s cover to Apex #83 (at right; click for bigger version); and the contents look pretty good, too. Jason Sizemore gives us the complete scoop in his editorial.

This month we’re publishing only two works of original fiction, because both are lengthy pieces, totaling nearly 14,000 words combined, and our goal is to publish around 12,000 words of original fiction each month. In Andrew Neil Gray’s “The Laura Ingalls Experience,” a mech takes a simulated adventure to the American frontier of the 1800s. A search for self in a hollow world makes for poignant story. “The Teratologist’s Brother” by Brandon H. Bell is a prime example of the type of world/unsettling SF Apex Magazine strives to publish. Part dystopia, part Lovecraftian, you will be piecing the puzzles of this story together long after you finish reading it.

Former Apex Magazine editor and frequent contributor Catherynne M. Valente returns to our pages (after a too-lengthy absence) with “The Quidnunx.” This novelette reprint is a masterful example of world building and creating something that is both entirely alien and entirely beautiful. Geoffrey Girard, author of the upcoming Apex Publications collection, first communions, gives us a taste of his collection by sharing the story “Collecting James” with the Apex Magazine readers. Having the story fresh in my mind, I can honestly say if this one doesn’t make you squirm, then you’re a tougher person than I.

For our nonfiction selections, we have two interviews. Russell Dickerson talks with our cover artist Sarah Zar. Andrea Johnson questions author Andrew Neil Grey. Finally, rounding out the issue are poems by John Yu Branscum, Michael VanCalbergh, Jeremy Paden, and Craig Finlay. Our podcast this month is “The Teratologist’s Brother” by Brandon H. Bell.

Here’s the complete TOC, with links to all the free content.

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Fletcher Vredenburgh kicks off our coverage of two very promising new publications this month in his regular magazine column: Cirsova, a magazine of sword and sorcery and science fiction, and Pulp Literature, which attempts to re-capture the high adventure spirit of the great pulp mags — and largely succeeds. Here’s Fletcher.

Two incredibly impressive magazines crossed my desk this past month: the very first issue of the brand new Cirsova, edited by P. Alexander, and Pulp Literature #10, edited by the triumvirate of Mel Anastasiou, Jennifer Landels, and Susan Pieters. Both are hefty collections (Cirsova is 95 pages and Pulp Literature is 229) and are available as e-books as well as real live paper versions.

P. Anderson may say that what ties the various stories in Cirsova together is a love for the glorious pulp adventures of the past. While that is clearly true, their truest similarity lies in the authors’ love of storytelling… Cirsova has built a stage for writers to tell stories with narrative force, audacious adventure, and outlandishly magnificent settings. If this is what the first issue looks like, I expect future ones will blow me away…

Pulp Literature has been around for several years now, having published ten thick issues… While it has only a few swords & sorcery stories, I was blown away by PL’s quality and richness… Pulp Literature is filled with a wide variety of genres. Senior citizen detectives, Jewish monsters in contemporary Ontario, poetry, all sorts of good things. Don’t let that literature tag scare you off. The editors’ love of pulp in so many varieties means they have a love of storytelling and don’t neglect it. How such a magazine has escaped wider notice eludes me.

In other news, we also reported that dark fantasy magazine The Dark is switching to monthly. Check out all the details on the magazines above by clicking on the each of the images. Our Mid-April Fantasy Magazine Rack is here.

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