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A Dark Fantasy and Horror Giveaway on Goodreads and Kindle

A Dark Fantasy and Horror Giveaway on Goodreads and Kindle

Hello, Black Gate readers. You folks showed a lot of love for my dark, dark, dark fantasy novel The Black Fire Concerto when it was excerpted here last year, and so I thought you might want to know about my debut collection of horror stories, Unseaming, due out this October.

Luckily for me, I don’t have to struggle for words to describe Unseaming. Instead, I can pluck excerpts from the introduction to my book by horror master Laird Barron:

There are images within these pages that once glimpsed will imprint themselves upon your consciousness, etch themselves into your soft brain matter. … His darkest fascinations rival anything committed to paper by the likes of contemporary masters such as Clive Barker, Ramsey Campbell, or Caitlín Kiernan. This is raw, visceral, and sometimes bloody stuff. Primal stuff.

Laird said it, not me! But boy am I honored. To whet folks’ appetite, I’m holding a Goodreads giveaway of Unseaming: twenty paperback advance reading copies are up for grabs. And to promote that giveaway, I thought I would expand it with a few more.

Through July 31, to coincide with the end of the Unseaming giveaway, five of my titles will be free on Kindle: my new poetry collection, Hungry Constellations; my sf novelette Stolen Souls; my dark fantasy tales She Who Runs and Sleepless, Burning Life; and, courtesy of the generosity of John O’Neill and of Haunted Stars Publishing, The Black Fire Concerto.

Unseaming_MD_web black_fire_concerto_front_cover Hungry Cover Mockup 0
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That’s a whole lot of literary darkness for you to savor. Click on the covers to scarf them up!

Vintage Treasures: Runyon First and Last by Damon Runyon

Vintage Treasures: Runyon First and Last by Damon Runyon

Runyon First and Last-smallIt was Chicago writer Steven Silver who introduced me to Damon Runyon, with his hilarious Cthulhu-Runyon mash-up “In the Shadows of Broadway,” published as a podcast in StarShipSofa #236 in May, 2012. Since then, I’ve been acquainting myself with Runyon’s comedic short stories, several of which were the basis for the famous Broadway musical Guys and Dolls.

Runyon First and Last is a fine sampling of his earliest and later stories, including his last, “Blonde Mink,” published in Collier’s Magazine in August, 1945, the tale of a ghost who cannot rest until his fiancé buys the headstone she promised with the $23,000 he left her… and the strange fate of the blonde mink coat she bought with the money instead. Hilarious and sad, it’s unlike any other fantasy you’ve ever read.

Here’s the blurb from the back of the book.

This is a collection of 25 short stories by one of the truly great writers of American fiction. Six of the stories presented here were written during Runyon’s earliest phase. They are technically expert and have a non-Broadway background.

Among his later stories, his last, titled “Blonde Mink,” sets a new high in the art of short story writing. It displays the full flower of that Runyonese which perfectly conveys the flavor of Manhattan’s high-flying guys and dolls.

“The Informal Execution of Soupbone Pew” is the story of the revenge wreaked upon a vile vicious character who killed a kid who had been popular with a gang of tramps and hobos.

The kind of writing included in this collection clearly shows the reasons for Damon Runyon’s world-wide reputation.

Runyon First and Last was published in paperback by Graphic Publications in 1951. It contains 27 stories of the 39 stories included in the 1949 hardcover edition. It is 189 pages; there is no cover price. The cover is uncredited. I bought my copy on eBay last month as part of a collection for just under one dollar.

New Treasures: The Year’s Best Science Fiction & Fantasy 2014, edited by Rich Horton

New Treasures: The Year’s Best Science Fiction & Fantasy 2014, edited by Rich Horton

The Year's Best Science Fiction & Fantasy 2014-smallIt’s been so busy around here for the past few months that I haven’t had time to read my favorite Year’s Best book — Rich Horton’s The Year’s Best Science Fiction & Fantasy 2014.

This is the sixth volume and it collects a whopping 35 stories, including C. S. E. Cooney’s “Martyr’s Gem” (originally published in Giganotosaurus) and fiction from Alex Dally MacFarlane, Howard Waldrop, James Patrick Kelly, Ken Liu, Robert Reed, Lavie Tidhar, Carrie Vaughn, and many others. Rich has collected stories from a wide range of top-notch publications, including Asimov’s, Clarkesworld, F&SF, Lightspeed, and Beneath Ceaseless Skies, and anthologies like Fearsome Journeys and Old Mars.

Here’s the complete table of contents.

“Social Services” by Madeline Ash (An Aura of Familiarity)
“Out in the Dark” by Linda Nagata (Analog)
“The End of the World as We Know It, and We Feel Fine” by Harry Turtledove (Analog)
“The Oracle” by Lavie Tidhar (Analog)
“Call Girl” by Tang Fei (Apex)
“Ilse, Who Saw Clearly” by E. Lily Yu (Apex)
“They Shall Salt the Earth With Seeds of Glass” by Alaya Dawn Johnson (Asimov’s)
“The Wildfires of Antarctica” by Alan De Niro (Asimov’s)
“The Discovered Country” by Ian R. MacLeod (Asimov’s)
“A Stranger from a Foreign Ship” by Tom Purdom (Asimov’s)

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Not A Visit From The Suck Fairy

Not A Visit From The Suck Fairy

My Real Children Jo Walton-smallA while ago, I was reminded of Jo Walton’s post on the “Suck Fairy.”

You should look at the whole post yourself, here, but let me give you a quick recap: when you reread something you once loved, that had a significant impact on you, you sometimes find that it has deteriorated considerably from what you recall.

Don’t worry, says Walton, it’s not you, it’s just that the book has been visited by the Suck Fairy, who has endowed it with… well, you get the idea.

This is an experience we’ve all had, I’m sure, but being reminded of it started me thinking about why we reread books in the first place, and, if we do, what books do we re-read?

Of course, the Suck Fairy can only affect beloved books which haven’t been revisited in some time, though they may have been read and reread often in the past. For example, I read LOTR at least fourteen times between the ages of eleven and twenty-one, but I haven’t reread it in its entirety since. I’m not afraid of the Suck Fairy – I’ve written papers on LOTR, and if that doesn’t bring on the Suck Fairy, nothing will – I’ve just been a bit busy.

No, I’m talking about books you might reread or re-visit maybe only once, maybe twice, as well as those you might regularly reread. I reread the novels of Jane Austen every year or so, for example, and the Sherlock Holmes Canon every two or three years.

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Blogging Sapper’s Bulldog Drummond, Part Five – “The Final Count”

Blogging Sapper’s Bulldog Drummond, Part Five – “The Final Count”

1189621421509Sapper’s The Final Count (1926) saw the Bulldog Drummond formula being shaken and stirred yet again. The first four books in the series are the most popular because they chronicle Drummond’s ongoing battle with criminal mastermind Carl Peterson. The interesting factor is how different the four books are from one another. Sapper seemed determined to cast aside the idea of the series following a template and the result kept the long-running series fresh, as well as atypical.

The most striking feature this time is the decision to opt for a first person narrator in the form of John Stockton, the newest member of Drummond’s gang. While Drummond’s wife, Phyllis, played a crucial role in the first book, she barely registers in the early sequels. One would have expected Sapper to have continued the damsel in distress formula with Phyllis in peril, but he really only exploits this angle in the second book in the series, The Black Gang (1922).

The Black Gang reappear here, if only briefly, and are quickly dispatched by the more competent and deadly foe they face. This befits the more serious tone of this book, which has very few humorous passages. The reason for the somber tone is the focus is on a scientific discovery of devastating consequence that threatens to either revolutionize war or end its threat forever. Robin Gaunt is the tragic genius whose invention of a deadly poison that could wipe out a city the size of London by being released into the air proves eerily prescient.

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How to Slay a Dragon, Realistically

How to Slay a Dragon, Realistically

Dragonslayers from Beowulf to St. George
How does a Dark Age warrior or Medieval knight imagine he might kill a dragon?

One of the draws of  Heroic Fantasy is that it takes the archetypal, the magical — the magical realistic even! — and makes it immersively real by engaging with it in a practical, sweaty-browed, grimy handed way.

For example, a surrealist artist might paint a city inhabited by human wolves, but James Enge in Wolf Age plunges his hero into a realistically imagined civilization of werewolves and makes him fight to survive physically and morally.

That’s what the genre does. It says: Assume this crazy but cool thing was true; what would be the implications?

Now, dragons are about as crazy and cool and magical as beasts get. Suppose you had to kill one?

Don’t look to Greek Myth for tips! Yes, Heracles prunes the Hydra to death,  but he’s a demigod. Jason slays the Colchian dragon, but only after Media cast Sleep on it. Faced by a dragon, a mythological hero uses supernatural cheat codes. Puny humans without magic or divine descent don’t get a look in — which is fine. The listener, or reader, is civilised, and dragons belong to another era.

You’ll have more luck with the tales crafted — evolved in the telling — for the descendants of the barbarians who took down the Roman Empire. These rough men were accustomed to resolving problems through the medium of muscle-powered violence. The dragon, like a post-Roman city, a Byzantine army, or the walls of Jerusalem, merely presented an interesting challenge and thus their response becomes interesting to us:

So how does a Dark Age warrior or Medieval knight imagine he might kill a dragon?

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Vintage Treasures: To Here and the Easel by Theodore Sturgeon

Vintage Treasures: To Here and the Easel by Theodore Sturgeon

To Here and the Easel-smallA few weeks ago, I wrote about Theodore Sturgeon’s collection The Stars Are the Styx and complained that virtually all of Sturgeon’s brilliant short story collections had now been out of print for over three decades.

I did this mostly out of bitterness and greed. I’d spent several years happily tracking down all 16 of Sturgeon’s paperback collections — a highly collectible lot — but now, those days were over. I wanted more, but  no more were forthcoming. It’s not like I was going to discover a new Sturgeon collection I’d never heard of or something.

Of course, a few days after I wrote that article, I discovered a new Sturgeon collection I’d never heard of.

It was To Here and the Easel, a gorgeous Panther paperback from 1975, with an eye-catching Peter Jones cover. I discovered it accidentally on eBay and, after gawking at it for several long minutes — and them making sure it wasn’t simply a retitled version of a US collection I already had — I promptly purchased it.

It arrived a few days later and I am thrilled to have it. Here’s the back cover blurb:

Here are all the ingredients for a splendidly varied and entertaining collection of science fiction and science fantasy: a mental parasite which lives in the minds of successive human hosts, forcing them to do its will… the man who ‘reads’ gravestones… a devastating weapon sent from beyond space and time which poses the ultimate threat to an already shaky galactic federation… and more!

With virtuoso skill and brilliance of invention, Theodore Sturgeon displays in this collection the mastery of his field which has won him international acclaim.

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New Treasures: There is No Lovely End by Patty Templeton

New Treasures: There is No Lovely End by Patty Templeton

There is no Lovely End-smallIt’s always a delight when one of our bloggers publishes a book. But it is a very special delight to see the brilliant Patty Templeton release her first novel, There is No Lovely End, which I have been enjoying in tiny snippets at various readings across Chicagoland for the last two years.

There is No Lovely End is a ghost book with a truly amazing cast of characters, living and dead — including Hester Garlan, once the most powerful medium in the nation, bereft of her supernatural gifts and in relentless pursuit of the boy she thinks can return them: her son Nathan; and Sarah Winchester, heiress to the Winchester Rifle fortune, on a quest of her own to rid herself of ghosts. Not to mention a very resourceful rat named O’Neill. C.S.E. Cooney calls the novel “a New World populated with a new kind of ghost. Templeton’s language is lavish and diabolical, as if Charles Dickens strolled into the Cabinet of Dr. Caligari and came out the other end wearing ruby slippers.” How right she is.

Apparitions! Outlaws! Mediums! 1884. Nathan Garlan hears and sees the dead. Using his uncanny aptitudes to assist society and its specters, he has become the most acclaimed medium in Boston. But not all esteem him. Nathan Garlan’s own mother craves her boy butchered — and she’s not the only one…

Misery! Lust! Murder! New Haven. Sarah Winchester is the heiress to the Winchester Rifle fortune and a haunted woman. She has searched for release from familial phantoms for two decades, yet found no respite. However, she has heard of a medium in Boston who regularly administers miracles…

Wit! Wonders! Outrage! Who is the Reverend Doctor Enton Blake? Why does the lawless Hennet C. Daniels search for him? What form of profane curio is a trick box — and what, precisely, does one inter within it? Will Sarah Winchester find serenity through Nathan Garlan’s services? Or will Hester Garlan find her son first?

There is No Lovely End was published on July 1st by Odd Rot. It is 444 riveting pages, priced at $16 in trade paperback, and $4.99 for the digital edition. Check out the trailer here. The cover and interior spot art are by Matthew Ryan Sharp. It gets my highest recommendation.

The Start Of A Grand Adventure Goblin Moon by Teresa Edgerton

The Start Of A Grand Adventure Goblin Moon by Teresa Edgerton

oie_2254425vQLXHqXWMatthew David Surridge reviewed Teresa Edgerton’s Goblin Moon (1991) here at Black Gate early last year, and here I am to write about it again. It’s a book that, though recently reprinted, I suspect most readers are unaware of, so I want to shine another spotlight on it. Also, since reading Tim Powers’s The Drawing of the Dark, my itch for swashbuckling adventure got itchier.

I read this when it first came out and my memory of it was very pleasant. I remembered loving the dry humor and also the tremendous detail. Now my friend Carl, on the other hand, said he hated any book that spent as much time as it did describing characters’ clothes. My response was, if I recall correctly, that he was missing the point or something like that.

On rereading Goblin Moon this past week, I was happy to find that, one, the book held up very well and two, yes, Carl missed the point or something. Actually, the point he missed was that Teresa Edgerton created a deliriously detailed world, down to the clothing, that is richer than just about any other in fantasy.

There are a host of things that make Goblin Moon a fun read. The elaborate world-building, the intricate plot, and the colorful characters, to name an important triumvirate, are exactly the sorts of things you want to find in a book with its roots in Stevenson, Thorndike, and Sabatini. Add a lively pace and clever writing and you’ve got the perfect way to while away several lazy hours amidst floating coffins, decadent diabolists, a vengeful fairy, and an interlude with pirates.

Goblin Moon opens with a pair of river scavengers, Jed Braun and his uncle Caleb, drawing a coffin out of the waters of the River Lunn. The casket bears the strangely undecayed body of a man and several tomes of dark magic. Their discovery leads Caleb back to an old companion, the bookseller and one-time alchemist Gottfried Jenk, and consequently leaves young Jed in need of a new way to support himself.

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The Public Life of Sherlock Holmes: The Case of the Copyrighted Detective

The Public Life of Sherlock Holmes: The Case of the Copyrighted Detective

Copyright_SnoopyThis column was written the day before a nine-day, 1,900 mile round trip venture to Disney World. So, it’s a bit of a rush job. I’ll tackle the issue in more depth when the Supreme Court gets going.

Did that catch your interest?

Beginning with his children, the heirs of Sir Arthur Conan Doyle have battled to maintain control of the Sherlock Holmes copyright. The sons developed a reputation that endures to this day of gleefully trying to stick it to anyone who wanted to use Holmes without paying them their due.

When August Derleth attempted to publish his first collection of Solar Pons tales (you’re going to be reading lots more about Pons in this column: trust me!), the deceased Doyle’s sons threatened to sue him. Derleth persisted and happily, over 70 Pons stories would be published.

Derleth said, “The plain fact is that the Doyle sons are a pair of lazy bastards who have tried to eke out a complete living from proceeds of their father’s writings. Others have told me that before; I was dubious; but I am less so.”

All 60 of Doyle’s Holmes stories are in the public domain in England. At one time they also were in America, but when Disney backed legislation to protect their ownership of Mickey Mouse, the last set of Holmes stories, collectively known as The Casebook of Sherlock Holmes, came back under copyright protection.

The characters from all non-Casebook stories and those previous stories remained in the public domain, for use by all. To avoid “trouble,” and/or to get the Estate’s blessing, many authors, filmmakers, etc., have paid a fee to use Holmes.

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