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Reconsiderations: The Book of The Dun Cow and The Book of Sorrows

Reconsiderations: The Book of The Dun Cow and The Book of Sorrows

The Book of the Dun CowOne of the characteristics of a great book is that you can go back to it at different times in your life and get different things out of it. But then sometimes the reverse happens: you read a book before you’re ready. If you’re lucky, though, the book hangs around in the back of your mind, and eventually you pick it up again and find out what you weren’t able to grasp the first time around.

When I was in elementary school, someone gave me a copy of The Book of the Dun Cow, by Walter Wangerin, Jr. I read it, but I didn’t particularly appreciate it. Many years later, I bought another copy, and was much more impressed. I also understood why I didn’t care for it as a child. Not long ago, I found a copy of the sequel The Book of Sorrows. Reading the books together I was impressed again.

The books are an animal fantasy, set when “the earth was still fixed in the absolute center of the universe. It had not yet been cracked loose from that holy place, to be sent whirling — wild, helpless, and ignorant — among the blind stars. And the sun still traveled around the moored earth, so that days and nights belonged to the earth and to the creatures thereon, not to a ball of silent fire. The clouds were still considered to flow at a very great height, halfway between the moon and the waters below; and God still chose to walk among the clouds, striding, like a man who strides through his garden in the sweet evening.”

Humans have not yet been made, and the world is inhabited by animals, who talk and think. And they have a purpose, which is to act as Keepers against Wyrm, the evil that dwells in the heart of the earth and wants to ruin all creation. It is the connection between the animals — their community — that keeps Wyrm from rising. The two books describe two particularly vicious assaults by Wyrm against his keepers, and what happens to the animals as a result.

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Supernatural Spotlight – Episode 6.1 “Exile on Main Street”

Supernatural Spotlight – Episode 6.1 “Exile on Main Street”

Season 6 starts a year after the events in the finale of Season 5, which I detailed a few days ago. This blog post is being written somewhat stream-of-consciousnessly as I watch the episode.

SUPERNATURAL
Dean Winchester (left), Sam Winchester (center), and their formerly-dead grandfather, Samuel Campbell (right)
It will contain spoilers (like the picture at the right).

You have been warned.

At the start of the episode, Dean’s been living a year with Lisa and her son, Ben, in suburbia, after his Lucifer-possessed brother, Sam, dove into a trans-dimensional prison to save the world. It’s clear that Dean hasn’t completely gotten over his past, though, as a montage relating his mundane daily tasks to his former life makes clear.

Still, he’s making friends. One in particular, a neighbor named Sid, seems to have bonded with him over regular beers, but Dean isn’t sharing anything about his past with him. He tells him that he used to be in pest control. (I, for one, am pegging Sid as a demon or something. He’s just a little too interested in Dean’s past.)

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Blogging Alex Raymond’s FLASH GORDON, Part Three: “Tournaments of Mongo”

Blogging Alex Raymond’s FLASH GORDON, Part Three: “Tournaments of Mongo”

tournaments-big-little“Tournaments of Mongo” was the third installment of Alex Raymond’s FLASH GORDON Sunday comic strip serial for King Features Syndicate. Originally printed between November 25, 1934 and February 24, 1935, “Tournaments of Mongo” picked up the storyline where the second installment, “Monsters of Mongo” left off with Dr. Zarkov being knighted by Vultan for saving the Hawkmen’s sky city from crashing to the ground.

Before Vultan can host Flash and Dale’s royal wedding, Emperor Ming and his daughter, Princess Aura arrive with Ming’s air fleet demanding Flash be handed over. Of course, Aura wants Flash for herself while her father wants to see him dead. Vultan invokes the ancient rite of tournament to determine Flash’s fate and Ming heartily agrees, certain it will mean the Earthman’s doom.

The obvious change beginning with this strip is that Alex Raymond’s artwork is being granted more space than before as Raymond decreases the strip from nine equally-sized panels to a more inventively designed seven panels to better showcase his stunning artwork which was steadily growing in both complexity and sophistication.

Raymond began to move away from word balloons in each panel to more formal narrative in small print at the top or bottom of the panel, often relegated to a single corner. This allowed Raymond to concentrate on majestic paintings depicting Mongo’s people and wildlife in all their glory.

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Goth Chick News – Shadowland Part Deux: Thirteen Questions for Actor Jason Contini

Goth Chick News – Shadowland Part Deux: Thirteen Questions for Actor Jason Contini

legacies-endIn case you hadn’t noticed, and I’m pretty sure you did, the Black Gate webmaster got a little worked up by my last post. Though I was telling you about my latest indy-horror obsession, Shadowland, one might have gathered from the choices of accompanying pictures, that I was instead bringing you a story about lead actress Caitlin McIntosh and her former life as a beauty queen. Somewhere, wedged between those images was my interview with Wyatt Weed, Shadowland’s writer and director; but good luck finding it.

This is what happens when there are too many boys on the staff and they are left unattended for too long.

So this week I’m personally bringing you the second installment of my Shadowland coverage; an interview with lead actor Jason Contini and co-creator of the new comic series Legacies End.

I can assure you there will be no further shenanigans involving staff members who forget their professionalism and get carried away by lust.

Now where was I…?

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Supernatural Spotlight – Season Four and Five Recap

Supernatural Spotlight – Season Four and Five Recap

supernatural-season4Yesterday, I described the second and third seasons of Supernatural which all built up toward Dean Winchester’s death, as part of a demonic deal to save his brother.

Dean was sucked into Hell, leaving his brother Sam on Earth with the demon Ruby, who has taken on something of a friend and mentorship role with him.

More spoilers to follow …

Season Four

Season four of Supernatural began, a year after his death, with Dean crawling his way out of the grave with no real idea how he got back. But he doesn’t appear to be a demon or any other kind of beastie … so what’s going on?

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Art Evolution 2: Eric Vedder

Art Evolution 2: Eric Vedder

exalted

Last week I kicked off the Art Evolution blog series, explaining my plan to collect ten of the greatest fantasy role-playing artists for a shared project to illustrate a single character in their best known style. For my first installment I chose Earthdawn and Shadowrun artist Jeff Laubenstein.

With Jeff Laubenstein and a Shadowrun Lyssa‘ in the fold, I took stock of my list and imagined how I would gain other universally recognizable names. I determined that each name carried a ‘weight’, a kind of industry standard validity recognizable to other artists.

Remember, I was working this alone, without a single writing credit to my name, so I had to find legitimacy where I could. Understanding that, and without a previously established friendship with the lion’s share of these artists, I needed a greater combined ‘weight’ of already contracted artists to approach the next heavier weighted contributor on my list.

At this point I only had a single artist signed so I went back into the few art connections I’d made during my time trying to market my other writings. Like most struggling writers in their publishing infancy, I believed there might be a shortcut or magic bullet to getting published. J.K. Rowling couldn’t buy bread before Harry Potter, but she went out and purchased a lovely red transparent folder to place her Potter manuscript in before she sent it to a perspective publisher.

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Supernatural Spotlight – Season Two and Three Recap

Supernatural Spotlight – Season Two and Three Recap

supernatural-season21When last we left Sam and Dean Winchester, they’d rejoined their father, John, and confronted the demon that killed their mother (a demon with glowing yellow eyes, named Azazel), but the demon got away. Season one ended with their car being slammed into by a semi being driven by a demon.

Now, allow me to spoil a couple more seasons of the show, before the season 6 premiere on Friday.

Season Two

Season two starts immediately after the accident, with the demon trying getting out of the semi to kill them. Sam, however, is conscious, and he’s able to chase the demon off with the Colt. (Remember, the Colt is a special gun they located which can kill any demon.)

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Pastiches ‘R’ Us: Conan and the Amazon

Pastiches ‘R’ Us: Conan and the Amazon

081252493401lzzzzzzzConan and the Amazon
John Maddox Roberts (Tor, 1995)

You may have noticed that in my series of reviews of Conan pastiche novels, I have yet to review an entry from Roland Green.

That is correct. I have not. Noted. Moving on. . . .

Of the authors of the long-running Tor series of novels, which started with Robert Jordan’s Conan the Invincible in 1982 and concluded with Roland Green’s Conan and the Death Lord of Thanza in 1997, with Harry Turtledove’s Conan of Venarium as something of a “coda” in 2004, John Maddox Roberts is the most consistently entertaining. (I love the novels from John C. Hocking and Karl Edward Wagner, but as each man unfortunately wrote only a single book, the sample is much smaller.) Roberts was the first new author to take over when Robert Jordan retired from the series after seven books published over only three years. In the eight novels that Roberts wrote, he shows deft ability with storytelling and action scenes, and a thankful tendency not to overplay his hand and try to ape Robert E. Howard’s style. His first Conan novel, Conan the Valorous, is one of the best of the Tor series, and shows a superior handling of the barbarian’s homeland of Cimmeria than Turtledove would achieve in Conan of Venarium.

However, Roberts had his down moments, and alas he stumbled at the finish line.

Conan and the Amazon is the last of Roberts’s Conan novels. It’s also his poorest, although a plot description, the salacious promise of the title, and a great cover with a super-croc would indicate it has sword-and-sorcery joys aplenty inside.

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Worlds Within Worlds: The First Heroic Fantasy (Part IV)

Worlds Within Worlds: The First Heroic Fantasy (Part IV)

This is the fourth in a series of posts investigating the question of who wrote the first otherworld fantasy (you can find the first part here, the second here, and the third here). By ‘otherworld fantasy’ I mean a story set entirely in another world, with no framing device to connect it to reality. Traditionally, the credit for inventing otherworld fantasy has been given to William Morris. I have another figure in mind.

You can see her there on the right.

In 1837, Sara Coleridge, the daughter of poet Samuel Taylor Coleridge, published a book called Phantasmion, which was received, and reviewed, as a fairy tale novel. And, at first glance, it certainly seems similar to the German and French fairy tales that were popular at around that time. But I don’t think it reads like a fairy tale, certainly not once it gets going.

It reads very like a high fantasy. In fact, like an otherworld fantasy.

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Mortals, meet Demon Lovers: A review of Goblin Fruit Magazine, Part II

Mortals, meet Demon Lovers: A review of Goblin Fruit Magazine, Part II

goblin-fruit-autumn2Okay, this is the Age of the Internet, so you’ve probably had this experience.

Say you’ve met a couple of like-minded ladies at a few writing conventions (as described in Part I). Say these conventions were World Fantasy 2007 and WisCon 2008 respectively. Say you’ve set about exchanging a million emails with these ladies, the occasional phone call, friending them on LiveJournal and Facebook, and rediscovering, happily, the merits of snail mail. These ladies just happen to be the two editors of Goblin Fruit Magazine.

Fantastic! You send them your really long rhyme-y poems nobody else wants, and sometimes they even take them, and even when they don’t, they seem to like you anyway. Life is totally Utopian.

You all read fantasy, right? What happens after Utopia?

DOOM!

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