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Back to the Ninth Legion . . . Yep, Still Lost: The Eagle

Back to the Ninth Legion . . . Yep, Still Lost: The Eagle

the_eagle_posterThe Eagle (2011)
Directed by Kevin Macdonald. Starring Channing Tatum, Jamie Bell, Donald Sutherland, Mark Strong, Tahar Rahim.

Less than a year after Centurion was released theatrically on a small number screens, along comes another historical adventure film telling the tale of the vanished Ninth Legion. Except The Eagle got released on many screens. In a just and fair movie world, the situation would be the opposite. But anybody who has every griped about the Academy Awards knows that we live in no such world. (And by the way . . . no Best Score nomination for Daft Punk’s work on TRON Legacy?)

The Eagle is the opposite of Neil Marshall’s incredibly energetic, almost gonzo Centurion. Marshall’s film uses a great cast to flesh out its characters and themes of survival and duty while keeping an insane and glorious momentum. At every turn, Centurion does its damndest to keep audience’s adrenaline high. The Eagle, given greater dramatic space for characters between battle scenes, sketches out complete blanks for protagonists, contains no sense of the Roman frontier, and features poorly shot and edited battle scenes that emit out not single nanowatt of excitement. (Oh, I’ll be generous. Not a single microwatt of excitement.) No wonder Focus Features unceremoniously dumped this film out in early February, during Valentine’s Day weekend, up against a kid’s CGI animated movie and romantic comedy starring Adam Sandler. The Eagle is totally disposable.

And given the subject matter, it’s a shame. I hate to see any movie mess up the wonders that the Roman Empire can deliver in terms of action and spectacle. It takes a tremendous amount of work to make me dislike a film about the empire, but dammit if director Kevin Macdonald (The Last King of Scotland, State of Play) and his cast and crew put in overtime to produce a boring film.

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Supernatural Spotlight – Episode 6.13 “Unforgiven”

Supernatural Spotlight – Episode 6.13 “Unforgiven”


Dean (left) and Sam (right) Winchester
Dean (left) and Sam (right) Winchester (from a previous episode)

Every episode starts off with a monster attack … but this week, the monster is Sam! A year earlier, in Bristol, Rhode Island, Sam worked a case with his grandfather Samuel. He shot someone or something, which made Samuel look a bit uncomfortable.

As they were leaving town, though, they got pulled over by a deputy … who soulless-Sam beat senseless when he tried to arrest them, because Sam was suspiciously covered in blood.

“You think there may be calmer ways we could have done all of that?” Samuel asked.

“Do we care?” Sam replied, reminding us all why soulless-Sam was not a fun guy to hang out with.

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Internet Possibilities, Gene Wolfe, and The Fifth Head of Cerberus

Internet Possibilities, Gene Wolfe, and The Fifth Head of Cerberus

The Fifth Head of CerberusReading The Fifth Head of Cerberus, I was struck by the way the book seemed eminently suited to the internet age. Never mind that it was written in the early 1970s. Like many of Gene Wolfe’s fictions, it’s a text whose nature is in harmony with the way the internet allows a text to be scrutinised; its depths, its meanings, its allusions — or at least some of them — can produce multiple readings, any of which can be valid, but which deepen the work as a whole the more of them you can think of and hold in your head at once. And can any one reader imagine as many different readings as a community of readers will produce?

The internet’s helped change the way an audience interacts with a story. Fan communities discuss and break down details on blogs and message boards; it’s most obvious with TV shows and serialised comics, where analysing past stories may help predict future plot developments, but it’s there also for stand-alone narratives like movies and novels. To an extent it was always there, whether in the form of literary criticism or of things like fanzines and APAs, but the internet’s made that degree of interaction and communal scrutiny far more common.

On one level it’s obvious why Wolfe’s writing thrives under this sort of analysis. A typical Wolfe story will seem simple on the surface, with a few odd gaps or apparent contradictions in the narrative; but, when investigated, those gaps or contradictions will seem to suggest a different way of reading the story, suggest that what’s actually happening is something larger and perhaps more disturbing than what appears to be going on, suggest perhaps that the story that’s actually being told is completely other than it appears at first glance to be. A lively critical community — and Wolfe has an active mailing list and a wiki dedicated to his work — can help unpack these subtleties, and clarify some of the possibilities confronting the reader. The Fifth Head of Cerberus, though, is an example of how a community of readers can be even more useful.

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Blogging Sax Rohmer’s The Return of Dr. Fu-Manchu, Part Four – “The White Peacock”

Blogging Sax Rohmer’s The Return of Dr. Fu-Manchu, Part Four – “The White Peacock”

fu-manchu-and-company“The White Peacock” was the fourth installment of Sax Rohmer’s Fu-Manchu and Company. The story was first published in Collier’s on March 6, 1915 and was later expanded to comprise Chapters 11-13 of the second Fu-Manchu novel, The Devil Doctor first published in the UK in 1916 by Cassell and in the US by McBride & Nast under the variant title, The Return of Dr. Fu-Manchu.

The story gets underway with Dr. Petrie scouring the criminal district of Whitechapel Road with its Jewish hawkers and crowds of Poles, Russians, Serbs, Romanians, Hungarians, Italians, and Chinese immigrants. Petrie notes that he never sees a face wholly sane or healthy among these underworld denizens he terms “a melting pot of the world’s outcasts.”

resurrection-de-fu-manchuThe reader quickly learns that Nayland Smith disappeared the previous night having set out in search of Shen Yan in Limehouse. Inspector Weymouth and his men are searching frantically for some sign of Smith. Consequently, Petrie’s paranoia (and xenophobia) is increased dramatically with the disappearance of the friend he holds above all others and who personifies the British Empire and Petrie’s sense of stability.

Petrie meets up with Inspector Ryman at the police station and learns they have already begun dragging the Thames in search of Smith. Petrie learns that Weymouth raided Shen Yan’s when Smith failed to emerge after entering the gambling house. No sign of either Smith or Burke, the American detective that accompanied him or of Shen Yan has been found.

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“A Paladin, a Fighter, or a Thief!” S.J. Tucker Gives Away a Freebie

“A Paladin, a Fighter, or a Thief!” S.J. Tucker Gives Away a Freebie

Photo by Kyle Cassidy
Photo by Kyle Cassidy

“Come bards from the north, elves off the moor
Gamers off work get down to the store
Scratch your neighbor what’s underneath?
A wizard or a cleric or a thief!”

Musician S.J. Tucker (of whom I have spoken at length) has released a FREE SONG on her website, entitled “D&D.”

And it has orcs and elves and paladins in it (oh, my!), ’cause she’s just that cool.

She writes in her LiveJournal:

This is my first time writing and releasing a parody: “D&D” is sung to the tune of “The Napoli” by Mr. Steve Knightley of British folk group Show of Hands. …Definitely give a listen to the original as well as to my parody version–it’s every bit as cool for different reasons, being about a (relatively recent) shipwreck…there’s piracy.

…This is very exciting for me, guys, not least because I have proof now that my years of filling out character sheets has, in fact, paid off…or it will, if you help me spread the word. Please download the song and share the link with others–encourage friends to explore my other available downloads as well; you know how it works, every little bit makes a difference!

Check it out! It’s way fun. And I’ve never even played Dungeons and Dragons in my life!

Art of the Genre: The Drow

Art of the Genre: The Drow

Two roads diverged in a wood, and I – I took both…

Jeff Dee shows some skin on the back cover of D3
Jeff Dee shows some blue skin on the back cover of D3

Today I follow the rise of the Drow, both in their conceptual purpose and the art that has defined them.

In modern fantasy there have been dark elves as far back as Tolkien when he speaks of Eol the Dark Elf who forged Anguirel the blade used by Beleg Strongbow in the Hurin mythos. Yet, corrupted elves, and the mystery they hold, have become something else entirely when placed in the framework of role-playing games.

Somewhere, in some nearly forgotten time, Gary Gygax read something, perhaps Funk & Wagnall’s Unexpurgated Dictionary, stating: “[Scot.] In folk-lore, one of a race of underground elves represented as skilful workers in metal. Compare TROLL. [Variant of TROLL.] trow and he used it to create the absolutely fantastic D&D monster we now call Drow.

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Nerd Empowerment Role-Model: Penny Gadget

Nerd Empowerment Role-Model: Penny Gadget

inspector-gadget-pennyI wonder if elementary school children today have as inspiring a model on animated television shows as I did when I was ten years old. My hero was Penny Gadget from the syndicated series Inspector Gadget.

Why? Because somebody my age, armed with a computer (a proto-laptop disguised as a book) and an amazing wristwatch (able to fire lasers and tracers and whatever else the plot needed) was stopping a massive global criminal enterprise on a weekly basis while the adults around her achieved nothing except looking like buffoons.

Admittedly, in the long view MAD is an incompetently run Evil Secret Organization, staffed exclusively with dingbats who constantly fail to kill an opponent who can’t tell the difference between his own dog and his own dog wearing a wig. Perhaps MAD’s leader, the Blofeld-in-Steel villain Dr. Claw, has some intelligence — he has a Ph.D., apparently, although maybe it was through a diploma mill — but this “evil genius” regularly sees his world conquest plans collapse because of a ten-year-old. A ten-year-old he occasionally captures but never recognizes. Yeah, I’m going to go with “diploma mill.”

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Fantasy and Lightspeed

Fantasy and Lightspeed

bgfantasy2John Joseph Adams is the editor of the anthologies By Blood We Live, Federations, The Improbable Adventures of Sherlock Holmes, The Living Dead (a World Fantasy Award finalist), The Living Dead 2, The Way of the Wizard, Seeds of Change, and Wastelands: Stories of the Apocalypse.

Forthcoming work includes the anthologies The Book of Cthulhu, Brave New Worlds, and The Mad Scientist’s Guide to World Domination.

And guess what else? He is now the editor of Fantasy Magazine and Lightspeed Magazine, the critically-acclaimed online short fiction magazines published by Prime Books.

Here are the guidelines for Fantasy.

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Like a Bridge Over (Sharon Shinn’s) Troubled Waters: A Review

Like a Bridge Over (Sharon Shinn’s) Troubled Waters: A Review

The Thirteenth House (art by Donato Giancola)
The Thirteenth House (art by Donato Giancola)

Troubled Waters
By Sharon Shinn
Ace Hardcover [400 pages, October 5th, 2010, $24.95]

I periodically go through Sharon Shinn phases. The word “thrall” comes to mind.

These fiction-consuming frenzies may last several weeks. When they end, I usually shake my fists at the sky and vow never to do it again. Ever. No more staying up every night for days on end rereading the Twelve Houses books and the Samaria series and that Jane Eyre retelling, Jenna Starborn, or Summers at Castle Auburn, or The Shapechanger’s Wife, or, or…

It’s exhausting, I tell you! The woman renders “prolific” a gross understatement.

And then I was offered up Troubled Waters to review for Black Gate. I’m not saying I snatched it out of John O’Neill’s hands as from the maw of many-tentacled Cthulhu. Or glared at him when he tried to take it back. I merely assured him, very calmly, that, Yes, I would like to review it, and oh does that mean I get to keep this copy, really, how nice, and no, that is not slobber on my chin.

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Supernatural Returns – Episode 6.12 “Like a Virgin”

Supernatural Returns – Episode 6.12 “Like a Virgin”

SUPERNATURALWhen we left Supernatural for its winter hiatus, Death had rescued Sam’s soul from where it was trapped with Lucifer and the Archangel Michael and placed it back into Sam’s body. (And I’d made several predictions about where the plot would go.)

We return to the series with the requisite opening monster attack … but let’s get to the important part: Sam’s got his soul back.

He’s unconscious, though, and Castiel can’t tell if he’ll ever wake up. He does, however, and doesn’t seem to remember anything that’s happened after he jumped into the pit with Lucifer & Mikey. (This is to be expected, because Death could only bring him back intact by “walling off” the part of his soul that remembered the torments inflicted upon him.)

Dean decides that Sam doesn’t need to know what’s happened, so tells him that he’s been in the hellish prison for a year and a half. He explains that Death brought Sam back, but doesn’t give further details. Bobby’s reluctant but does go along with the deception, although he makes it clear that Sam will figure it out eventually. (Turns out that eventually isn’t what it used to be.)

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