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Year: 2015

Sarah Avery Nominated for 2015 Mythopoeic Award for Tales from Rugosa Coven

Sarah Avery Nominated for 2015 Mythopoeic Award for Tales from Rugosa Coven

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tales-from-rugosa-coven-Avery-smallBlack Gate blogger Sarah Avery has been nominated for the 2015 Mythopoeic Award for her novel Tales from Rugosa Coven, published in 2013 by Dark Quest.

The Mythopoeic Fantasy Award for Adult Literature is given to the fantasy novel, series, or collection for adults published during the previous year that best exemplifies “the spirit of the Inklings,” the Oxford literary discussion group that included J. R. R. Tolkien and C. S. Lewis. The winners will be announced during Mythcon 46, held July 31 – August 3, 2015, in Colorado Springs, Colorado. Congratulations to Sarah, and all the nominees!

Sarah’s short story “The War of the Wheat Berry Year,” a slender and deceptively simple fantasy featuring The Traitor of Imlen, was published in Black Gate 15. The complete list of nominees for the 2015 Mythopoeic Awards follows.

Mythopoeic Fantasy Award for Adult Literature

  • Sarah Avery, Tales from Rugosa Coven (Dark Quest)
  • Stephanie Feldman, The Angel of Losses (Ecco)
  • Theodora Goss, Songs for Ophelia (Papaveria Press)
  • Joanne M. Harris, The Gospel of Loki (Gollancz)
  • Joe Hill and Gabriel Rodriguez, Locke & Key series (IDW Publishing)

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May Issue of Swords and Sorcery Magazine Now Available

May Issue of Swords and Sorcery Magazine Now Available

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Swords and Sorcery Magazine May 2015-smallIssue 40 of Curtis Ellett’s Swords and Sorcery Magazine, cover-dated May 2015, was published this week. Each issue of Swords and Sorcery contains two short stories, and is available free online. This issue includes new fiction from Christopher Mowder and Anna Sykora, and a discussion of Fritz Leiber’s Fafhrd and the Grey Mouser by Fritz Leiber (strangely called “Fritz Lieber” in the intro) by Rick Hudson.

“The Goblin’s Son,” by Christopher Mowder, is the story of a goblin father who must deal with his son going off to war and serving beside old enemies to help create a peace. This is Mowder’s first published short story.

“How Pawla Stole the River Livvy,” by Anna Sykora, is an ecological fable and a delightful fantasy. A wild creature helps a village of humans drive off invaders who threaten their homes. Sykora is a prolific writer who has published over a hundred stories and many poems. This is her first appearance in Swords & Sorcery.

“Back in Lankhmar Again,” by Rick Hudson, is a discussion of the Fafhrd and the Grey Mouser stories by Fritz Lieber (sic). Hudson is a noted writer of literary fiction, a Senior Lecturer in English Literature at Manchester Metropolitan University. His essay “Return to Hyboria” and story “Wraith-Raker” have recently appeared in Swords & Sorcery.

Read the current issue here.

Swords and Sorcery Magazine is edited by Curtis Ellett, and is available free online. Fletcher Vredenburgh reviewed issue #40 in his May Short Story Roundup. See our June Fantasy Magazine Rack here, and all of our recent Magazine coverage here.

Future Treasures: The Great Bazaar & Brayan’s Gold by Peter V. Brett

Future Treasures: The Great Bazaar & Brayan’s Gold by Peter V. Brett

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The Great Bazaar and Brayan's Gold-smallPeter V. Brett’s second novel in the Demon Cycle, The Desert Spear, became an international bestseller, and the next two books in the series made him one of the top-selling authors on the market. So it’s no surprise that The Great Bazaar and Brayan’s Gold, two limited edition novellas from P.S. Publishing, set in the world of the Demon Cycle, and detailing Arlen’s early adventures, have been sold out for years.

Now Tachyon Publications is releasing an omnibus collection of both novellas in a handsome and affordable trade paperback edition. It something no fan of Peter V. Brett will want to miss.

From the dangerous world of the Demon Cycle comes the early adventures of Arlen, Peter V. Brett’s quintessential fantasy hero. These exciting origin tales follow Arlen as he learns to navigate a world where the elemental forces of evil conjure themselves from the earth each night.

Humanity has barely survived a demonic onslaught by using magical wards that protect their cities and homes. Only a handful of mercenaries and explorers risk traveling after the sun sets. Arlen, seeking adventure and fortune, is barely protected by the warded armor upon which he has inscribed intricate defensive runes. From a journey ferrying a wagonload of dynamite to a mountain stronghold, to a dangerous mission to recover desert treasures, Arlen faces friends and enemies with a strong arm and a cunning wit.

We’ve previously covered Peter’s novels The Daylight War and The Skull Throne.

The Great Bazaar & Brayan’s Gold will be published by Tachyon Publications on July 14, 2015. It is 186 pages, priced at $14.95 in trade paperback. There is no digital edition. Cover by Elizabeth Story.

Out Now! The Change: Tales of Downfall and Rebirth, an Anthology Edited by S.M. Stirling

Out Now! The Change: Tales of Downfall and Rebirth, an Anthology Edited by S.M. Stirling

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The Change Tales of Downfall and Rebirth-smallAlthough the release date is Wednesday, S.M. Stirling’s new anthology of stories in the Emberverse is now for sale on Amazon.

You can purchase it here.

ALL-NEW STORIES OF THE EMBERVERSE
by S.M. Stirling, Harry Turtledove, Walter Jon Williams, John Birmingham, John Barnes, Jane Lindskold, and more…

“[A] vivid portrait of a world gone insane,”* S. M. Stirling’s New York Times bestselling Novels of the Change have depicted a vivid, utterly persuasive, and absorbingly unpredictable postapocalyptic wasteland in which all modern technology has been left in ashes, forcing humankind to rebuild an unknowable new world in the wake of unimaginable — and deliberate — chaos.

Now, in this startling new anthology, S. M. Stirling invites the most fertile minds in science fiction to join him in expanding his rich Emberverse canvas. Here are inventive new perspectives on the cultures, the survivors, and the battles arising across the years and across the globe following the Change.

In his all-new story Hot Night at the Hopping Toad, Stirling returns to his own continuing saga of the High Kingdom of Montival. In the accompanying stories are fortune seekers, voyagers, and dangers — from the ruins of Sydney to the Republic of Fargo and Northern Alberta to Venetian and Greek galleys clashing in the Mediterranean.

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A Gateway to Fantasy for Young Readers: Amulet by Kazu Kibuishi

A Gateway to Fantasy for Young Readers: Amulet by Kazu Kibuishi

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amulet coverWith the height of the “Harry Potter phenomenon” nearly a decade past, we now have a new generation of seven- and eight-year-olds who were born after the final book in that series came out. A perennial question comes up: What will be the next “gateway” work that ushers young readers into a lifelong love of fantasy and speculative fiction?

Well, some may rightly ask, why can’t it be Harry Potter? Or A Wrinkle in Time, or The Dark is Rising sequence, or The Chronicles of Prydain, or The Chronicles of Narnia, or The Hobbit, or The Wonderful Wizard of Oz, or…?

Many do still find their first taste of enchantment in books that are decades or even a century old, but there is no denying that — at least in the publishing and bookselling world — there has to be a “latest model.” Librarians still push those beloved older books faithfully, but their sales pitch is a lot stronger when it comes as a follow-up to a young reader who, having just read something that is currently “all the rage,” asks, “What else out there is like this?”

I’m here today to suggest that if you want a contemporary work that will introduce 3rd to 7th graders to the pleasures of epic fantasy, steampunk, people with animal heads, and wise-cracking robots, you could do a lot worse than hand them the graphic novel Amulet Book One: The Stonekeeper (2008) by Kazu Kibuishi. But be prepared: odds are good that they will immediately be demanding books 2 through 6. And then they will be waiting with bated breath for book 7 and cursing that there is now a two-year interval between volumes (welcome, Young Reader, to the Pains of Following a Series that is Ongoing. To better understand what you are in for, see any conversations referencing George R.R. Martin or Patrick Rothfuss).

But I’m also here to recommend them to anyone who likes this sort of stuff, regardless your age. I mentioned “3rd to 7th graders” in the last paragraph because those are the perimeters the publisher, Scholastic, says they are written toward. As someone who does not fit that demographic, I can vouch for them being worthwhile reads even if you are middle-aged.

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The June Fantasy Magazine Rack

The June Fantasy Magazine Rack

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Analog Science Ficiton June 2015 1000th issue-300 Apex Magazine Issue 72-300 Beneath-Ceaseles-Skies-173-300 Inhuman 6-300
Lightspeed May 2015-300 Uncanny-Magazine-Issue-4-300 Locus magazine May 2013-300 Nightmare Magazine May 2015-300

The big news this week is the unexpected return of the magazine of strange creature fiction, Allen K’s Inhuman Magazine, which I erroneously assumed to be defunct. I love this little monster zine, and I’m glad to see it return after a three-year absence, with a new issue crammed with fiction from Michael Bishop, Tim Curran, C. J. Henderson, Darrell Schweitzer, Gahan Wilson, and many others. Copies are just $6.99. Check out all the details by clicking on the image above — or click any any of the pics, to see our detailed report on each issue. Go ahead, try it! I’ll wait.

As we’ve mentioned before, all of these magazines are completely dependent on fans and readers to keep them alive. Many are marginal operations for whom a handful of subscriptions may mean the difference between life and death. Why not check one or two out, and try a sample issue? There are magazines here for every budget, from completely free to $7.50/issue. If you find something intriguing, I hope you’ll consider taking a chance on a subscription. I think you’ll find it’s money very well spent.

Our mid-May Fantasy Magazine Rack is here.

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New Treasures: The Astonished Eye by Tracy Knight

New Treasures: The Astonished Eye by Tracy Knight

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The Astonished Eye-smallTracy Knight’s short fiction has appeared in the anthologies Werewolves, The UFO Files, Masques V, and Whitley Strieber’s Aliens. His first novel, The Astonished Eye, was published as a limited edition hardcover by PS Publishing in 2002, and garnered high praise. Horror World called it “an uncanny blend of mystery, science fiction, fantasy and horror,” and William Thompson at SF Site said “some time has passed since I last read a novel with so much thought and ability condensed into a single slim and conceptually compressed novel.”

Now Stark House has reprinted the novel in paperback for the first time, with the original introduction by Philip José Farmer, and a new intro from Tracy Knight.

Ben Savitch, reporter for The Astonished Eye — America’s famous tabloid journal — finds himself in Elderton, Illinois, the town where he was born. After years of chasing fame, this is the last place he expected to be searching for the elusive exclusive that would put his name on the map. But a UFO landing has been reported in the area, and Savitch intends to be the one to track it down.

However, a strange kind of magic is at work in Elderton. Savitch soon meets Almo Parrish, the last surviving Munchkin (or is he?), Chandler Quinn, builder of just about anything (including a TV hero!) and Vida Proust, who seems to be dead (only no one wants to tell her). They all have something to teach Savitch about being human, if only he will take the time to listen — before it’s too late. Tracy Knight takes the story of one man’s search for his identity and blends it into a tale of fantasy, mystery and science fiction, with all the charm of a modern American fable.

The Astonished Eye was published by Stark House Press on September 29, 2014. It is 194 pages, priced at $15.95 in trade paperback. The book design is by Mark Shepard.

The Public Life of Sherlock Holmes: Magnifying Glass, Pipe and Deerstalker

The Public Life of Sherlock Holmes: Magnifying Glass, Pipe and Deerstalker

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Pipe_RathboneThe curved pipe. The magnifying glass. The deerstalker cap. These three objects are intimately associated with the enduring image of Sherlock Holmes. Sir Arthur Conan Doyle was quite astute to use these rather uncommon devices for his singularly uncommon detective.

Well, not quite. In addition to Doyle, we should also credit three other men for creating the picture we see of Sherlock Holmes, over a century later.

Along with Doyle, we must tip our deerstalker (and puff on our pipe in honor of) illustrators Sidney Paget and Frederic Dorr Steele, a well as the great stage performer, William Gillette.

It is the contributions of the latter three upon which Eille Norwood, Arthur Wontner, Basil Rathbone, Jeremy Brett and others based their portrayals. Of course, since Rathbone’s Universal films were set in the 1940’s, his wardrobe was contemporary to the times. But his two films for Twentieth-Century Fox fit the classic image.

Let’s take a look at three “props” that have been commonly associated with Holmes for over a century.

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Averting War: It’s Not as Simple as Pacifism

Averting War: It’s Not as Simple as Pacifism

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Trial-of-Intentions-small2This is Part Two of a two-part article, wherein I explore two fundamental responses a people or nation might have to the threat of war. In Part One, I talked about the “Escalation to Fight.” This time, I want to discuss averting war in the first place.

Folks who read part one will remember that I started out with the phrase, “War. What is it good for?” — a reference to Edwin Starr’s version of the song by the same name. We’ll see if the song snippet is relevant by the time I’m finished.

First, let me say, that I don’t pretend these are the only two responses to the threat of war. In fact, nations can and do engage in war as a perennial part of their industry. Or, it’s a response on religious grounds. (Thanks to those who’ve commented on Part One of this article for drawing attention to these things.) And I’m sure there are more. I’m having to be overly reductive due to spatial constraints. So, please bear with me.

So, then, if a nation or kingdom elects not to escalate to violence, another response is to try and avert war before it begins. They might engage in peace talks. They might surrender. They might try to buy their way out of the conflict. Etc. In essence, they work to find resolution to the alternative, which would eventuate in massive casualties.

To avoid the deaths of so many countrymen, a nation may prefer to be conquered. Or to cede any number of things: land, wealth. You get the idea.

And I can see how in a fantasy novel, the writer could take any of these approaches and make them work. I’m not of the opinion that it must always be an Armageddon-level battle to be interesting.

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Gothic Urban Fantasy: Yangsze Choo’s The Ghost Bride

Gothic Urban Fantasy: Yangsze Choo’s The Ghost Bride

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The Ghost BrideYangsze Choo’s 2013 book The Ghost Bride starts out very much like a gothic novel. Li Lan, the beautiful young daughter of an impoverished scholar in the Chinese community of Malacca in the year 1893, draws a sinister marriage proposal from the rich and powerful Lim family: a ceremonial spirit marriage to Lim Tian Ching, the recently-deceased heir to the Lim wealth. But Li Lan finds herself drawn to Tian Ching’s cousin, Lim Tian Bai — and then Tian Ching begins to appear in her dreams, eager for their upcoming nuptials. She tries to exorcise him, and then what started as a gothic becomes broader and stranger. Li Lan enters a world of ghosts where she uncovers hints of corruption among the judges of hell, and then must undertake a quest into a further and yet more fantastical world, a Campbellian hero(ine)’s journey of dangers and guardian allies and magic items.

The Ghost Bride is a highly entertaining book, wonderful in the most literal sense. It’s the first novel by Choo, a Malaysian writer of Chinese descent living — at least as of 2013 — in California. She builds a remarkable setting, selecting the right details to create a sense of Malacca as a place without (at least to me, who knows nothing of Malaysia) over-exoticising her subject. It’s a tricky balance for a fantasy story. Choo’s highly conscious of the multiple cultures and overlapping histories of her city, and the way religions and magical beliefs accrete. But there’s always a sense of human reality behind the magic, a complex and living reality.

Choo adroitly describes the beliefs and ghosts at play without slowing her story down. Just as everyday things like food and clothing are described as needed, so holidays and folk practices are explained swiftly, naturally, and evocatively. Plot’s thus foreshadowed without being obvious, and the fantasy aspects of the book are set up, but in such a way that character’s deepened at the same time: the vivid setting informs the people in the book, and their choices, and their desires. And we see how different beliefs interact and come to inform each other.

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