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Month: January 2011

Feature Excerpt: Rich Horton’s “Back to the Future: Modern Reprints of Classic Fantasy”

Feature Excerpt: Rich Horton’s “Back to the Future: Modern Reprints of Classic Fantasy”

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centaurideviceContributing Editor and SF historian Rich Horton’s article for Black Gate 14 was on modern reprints of the best in classic fantasy and science fiction:

Orion, via their imprints Millennium and later Gollancz, took a different tack in keeping important SF in print. The SF Masterworks series, beginning in 1999, undertook to reprint the very best science fiction novels of the past century or so… a couple of story collections slipped in, including most significantly (to my mind) The Rediscovery of Man, by Cordwainer Smith, the complete stories of one of the oddest and most intriguing SF writers ever. Other interesting works… include what may be Jack Vance’s best singleton novel, Emphyrio; M. John Harrison’s cynical take on Space Opera, The Centauri Device; Michael Moorock’s colorful and louche science fantasy, The Dancers at the End of Time (always my personal favorite among his works); one of the most significant works from Russia: Roadside Picnic, by Arkady and Boris Strugatsky; and the complete “Roderick” novels by John Sladek, brilliant satire from one of the field’s best and darkest satirists.

As we wrap up the Sneak Preview of the massive 14th issue of Black Gate we’ve posted a lengthy excerpt from Rich’s article, in which he covers titles from Baen Books, the SF and Fantasy Masterworks lines from Orion, the Science Fiction Book Club, Wildside Press, and NESFA Press.

Rich’s previous feature articles for us include “Fictional Losses: Neglected Stories From the SF Magazines,” (Black Gate 11) “The Big Little SF Magazines of the 1970s,” (BG 10) and  “Building the Fantasy Canon: the Classic Anthologies of Genre Fantasy” (BG 2).

The complete “Back to the Future: Modern Reprints of Classic Fantasy” appears in Black Gate 14.

Charlene Brusso Reviews A Magic of Nightfall

Charlene Brusso Reviews A Magic of Nightfall

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magic-of-nightfallA Magic of Nightfall
S.L. Farrell
DAW (656 pp, $7.99, March 2009 – March 2010 mass market edition)
Reviewed by Charlene Brusso

Fans of S.L. Farrell’s marvelous ability with character and world-building (check out the Cloudmage trilogy) will cheer at the arrival of the latest book in the Nessantico Cycle (sequel to A Magic of Twilight). Book two returns readers to the marvelous Renaissance style city of Nessantico, “the most famous, the most beautiful, the most powerful of her kind,” bustling with energy, ambition, magic (much of it unauthorized), and ever-rising intrigue. But this is a Nessantico 25 years after the events of Twilight, a shaky Nessantico and its powers-that-be set to tumble down the slippery slope that has been steadily growing steeper in the last few years.

Nessantico is the capital, both political and religious, of the Holdings, an immense and entrenched empire – immense, but half the size it used to be. To the east, rival nation-state Firenzcia is forming its own alliances with its neighbors. Likewise, the Concenzia Faith has undergone a schism. In Nessantico, the much-beloved Ana ca’Seranta still serves as the “real” Archigos, but rival Archigos Semini ca’Cellibrecca, a conservative religious hardliner, leads the faithful in Brezno in Firenzcia. Unlike Ana, Semini has no tolerance for heretics like the Numentodo, natural philosophers who’ve proven that magical ability has no link to religious faith.

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Hook ’em and Don’t Let Go

Hook ’em and Don’t Let Go

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windsofkhalakovocover_smSelling novel-length fiction is tough. Really tough. Anyone who’s been in it for any length of time can tell you how competitive it is, how quickly the rejections can stack up, how frustrating it can be to get someone to even look at your manuscript. If you’re like me, you’ve tried submitting dozens of query letters in hopes that someone will at least ask for a few pages of the work itself. I mean, that’s fair, right — to at least look at the stuff before you reject it?

Trouble is, agents and editors receive many, many more queries than they can possibly accept. It’s not uncommon to find agents receiving 75 queries or more per day. Can you imagine trying to read partials from all of them? Impossible.

This brings to light the importance of the query letter. It is your knock at the door, your two seconds to say what you want before the door is closed with you still on the outside. So let’s take a closer look at the letter, this introduction of yourself and your work. It usually has three main sections: an opening which contains a hook, a brief description of the work, and your credits. The focus of this article is that first little section, where your hook will lie.

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Short Fiction Review #33: Oxford American Future Issue

Short Fiction Review #33: Oxford American Future Issue

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oxford-americanOxford American Issue 70 contemplates life in 2050 with 11 stories that share a pessimistic view of America’s future beset by natural and man-made disaster, human folly and avarice.  In other words, just like it is today, only worse.

While dystopia has always been a fundamental science fictional trope (indeed, the one that has historically been most likely to gain literary credence, e.g., Brave New World and 1984), there was a time, particularly during the Golden Age of the 1930s to 1950s but still continuing on in counterpoint to the New Wave movement during the 1960s/1970s, when writers portrayed a future improved by technology, not devastated by it. Even the cyberpunks, despite their bleak industrial noir settings, arguably depicted technology as a “force for good” when their renegade heroes turn the technological tables to upend the corporate masters.

Part of the bleakness here might be because Oxford American terms itself  “The Southern Magazine of Good Writing,” and the American South certainly has a collective consciousness of disasters dating back to the Civil War, but most recently with Katrina and the BP oil spill in the Gulf.  “The Vicinity of the Sick” by M.O. Walsh depicts a Louisiana where people have to wear bio-hazard suits to go in the water; a woman dying of cancer is driven by her reluctant husband to a restricted biohazard in hope of escaping the soul-sapping hazards of technological illusions that pervade “normal” existence in Connie May Fowler’s “Do Not Enter the Memory”; and a strange pair from opposite socio-economic backgrounds try to survive (and discover some basic bond of humanity) in the Bayou following ecological and technological collapse in “Maroon” by Susan Straight.  Along the same lines, in a non-fction piece, Kevin Brockmeier lists his “Ten Great Novels of the Apocolypse.”

In addition to ecological disaster, the stories share to varying degrees the usual suspects for end-of-the-world scenarios: the amoral corporate focus on the bottom-line and self-interest, the numbness of media and advertising that leads to unhealthful lifestyles, medical advances that keep people biologically alive in bodies long past expected mileage.

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New Treasures: Dan Abnett’s Warhammer 40K: Horus Rising on Audio CD

New Treasures: Dan Abnett’s Warhammer 40K: Horus Rising on Audio CD

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horus-cdI have a 3-hour commute to my job in Champaign, Illinois, and I exhausted the excellent Dark Adventure Radio Theatre adaptations of H.P. Lovecraft’s major works months ago. What’s a bored commuter to do?

Rejoice when the latest Black Library Audio CD arrives, that’s what. I thoroughly enjoyed Nick Kyme’s Thunder From Fenris — a tale of desperate battles against a zombie plague (and worse) on a frozen planet — last year, and have been looking forward to the next release. Nothing helps the miles (and miles) of cornfields of  Illinois slip by like a fast-paced tale set in the Warhammer 40,000 universe, lemme tell you.

As entertaining as it was, Fenris was only 70 minutes, and it fit on a single CD. This week’s mail brought the much more imposing Horus Rising: a 6-hour, 5 CD audio extravaganza adapting one of the central works in the Warhammer 40K canon – the tale of the epic betrayal of the immortal Emperor by his Warmaster, Horus:

It is the 31st millennium. Under the benevolent leadership of the Immortal Emperor, the Imperium of Man has stretched out across the galaxy. It is a golden age of discovery and conquest. But now, on the eve of victory, the Emperor leaves the front lines, entrusting the great crusade to his favourite son, Horus. Promoted to Warmaster, can the idealistic Horus carry out the Emperor’s grand plan, or will this promotion sow the seeds of heresy amongst his brothers? Horus Rising is the first chapter in the epic tale of the Horus Heresy, a galactic civil war that threatened to bring about the extinction of humanity.

Abridged from the best selling novel by Dan Abnett and read by award winning star of stage and screen Martyn Eliis, Horus Rising comes to life in this almost 6 hour reading.

Six hours!  Just long enough to occupy me all the way to work, and back.  Champaign, here I come!

Blogging Sax Rohmer’s The Return of Dr. Fu-Manchu, Part Two: “The Cry of the Nighthawk”

Blogging Sax Rohmer’s The Return of Dr. Fu-Manchu, Part Two: “The Cry of the Nighthawk”

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nighthawk“The Cry of the Nighthawk“ was the second installment of Sax Rohmer’s Fu-Manchu and Company. The story made its debut in Collier’s on December 26, 1914 and was later edited to comprise Chapters 4-6 of the second Fu-Manchu novel, The Devil Doctor first published in 1916 in the UK by Cassell and in the US by McBride & Nast under the variant title, The Return of Dr. Fu-Manchu.returnolandnpad

Rohmer’s tale bears definite similarities to his first Fu-Manchu story, “The Zayat Kiss” (1912) in that the story opens with Dr. Petrie at work in his principal vocation caring for a patient called Forsyth who has turned up at his residence late that evening with a badly infected hand. Petrie, in true pulp fashion, fails to recognize that Forsyth is the spitting image of Nayland Smith with a moustache.
Finished with his patient, Petrie goes to his study to find Smith with the lights out staring frantically outside just as he had at the opening of “The Zayat Kiss.” Petrie joins him and they watch poor Forsyth walk to his doom under the elms. They hasten outside after hearing the cry of a nighthawk and retrieve Forsyth’s dead body with its mutilated face. Only then does Petrie realize that Forsyth is Smith’s doppelganger and the duo then deduce that the poor man shared the fate intended for Smith.

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Goth Chick News: We’re Bats About New DVD Releases!

Goth Chick News: We’re Bats About New DVD Releases!

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image0041The holidays are over and according to AccuWeather, approximately 70% of the United States has snow on the ground and for a whole lot of you, this may be just a rare enough occurrence that for the moment, you’re mildly amused. But trust me when I tell you the novelty of throwing it at each other, sliding down it, or for a select group of you, writing your name in it, is going to wear off. And that’s when the cabin fever sets in.

The reality is that 70% of otherwise (fairly) stable Americans are trapped like rats with family members, classmates or co-workers for another two months at minimum. We are all now horror-movie fodder, Steven King style, holed up without sunlight and fresh air; susceptible to maddeningly repetitive sounds like the British accent on that lizard in the insurance commercials, until the only remaining coherent thought is squishing him flat in your uninsured Hummer.

Or maybe that’s just me.

The point is, you’re in need of mind-diverting entertainment until the thaw comes; before you end up being the subject of an HBO special and some Dancing With the Stars contestant is playing you… badly.

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Rich Horton Reviews The Long Look

Rich Horton Reviews The Long Look

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long-lookThe Long Look
Richard Parks
Five Star (297 pages, $25.95, September 2008)
Reviewed by Rich Horton

I am tempted to propose a new subgenre of fantasy that I might call domestic fantasy, or ordinary-people fantasy, or anyway something that suggests stories set in secondary worlds, complete with magic, and for that matter complete with kingdoms and magicians and all the other Tough Guide to Fantasyland markers (even stew!), but populated by sensible (mostly) people, fairly typical of your neighbors in general attitudes (but not anachronistically so).

I’ve noted in multiple reviews of Lawrence Watt-Evans’s novels that they seem often to take a very common sense approach to grand fantastical tropes like dragons. So his work might fit. And a novel like Sherwood Smith’s A Posse of Princesses, about a bunch of pretty basic teenagers who happen to be princes and princesses in a fantasy world, seems to fit as well. You might even argue that aspects of the great model for so much contemporary fantasy, The Lord of the Rings, have this ring* of domesticity – that is to say, the hobbits – but really it is The Lord of the Rings, with its stark good versus evil theme, and with characters like the impossibly noble Aragorn and the angel-like Gandalf and the ethereally beautiful Galadriel and the disembodied evil of Sauron, that I see my domestic fantasies as reacting against. (In a respectful way – I love The Lord of the Rings, and so, I suspect, do most of these writers.)

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Art Evolution 18: Clyde Caldwell

Art Evolution 18: Clyde Caldwell

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The evolution of fantasy art finds another player this week, but if you’ve missed any past artist you can restart the journey here.

With the latest version in hand, I now had a ‘Nouveau Lyssa’, and my industry contacts were growing with seventeen artists down, the original total of ten far surpassed. Still, if I wanted twenty it was going to be difficult to do.

gamma-world-255I went back into my desires for the project, and over the course of the months involved there were still regrets about some artists who’d said ‘no thank you’. One of these was Clyde Caldwell. Surprisingly, although Clyde had refused an entry into the project, he was always gracious enough to reply to emails.

After a year of random emails we’d grown rather close, and I think that fact made his exclusion to the project all the more painful to me.

You see, there’s the very intriguing part of Clyde’s decision not to do the project. According to his own website, and I quote: “I generally don’t take on a private commission unless I like the subject matter (Hint: In case you haven’t noticed, I like to draw and paint scantily clad or nude, sexy female characters!)”. Now, I read that quote a hundred times, and each time I did so I kept saying to myself ‘what the hell?’ Lyssa IS his favorite subject matter! It’s something I still haven’t made sense of to this day.

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C.S.E. Cooney promoted to Black Gate Website Editor

C.S.E. Cooney promoted to Black Gate Website Editor

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claire-254Effective January 1st,  blogger and contributor C.S.E. Cooney has been promoted to Black Gate website editor.

C.S.E. (Claire) Cooney is one of the most talented new writers we’ve had the pleasure to be associated with. Her fiction and poetry have appeared in Clockwork Phoenix 3, Book of Dead Things, Subterranean magazine, Goblin Fruit, Ideomancer, Doorways, Strange Horizons, Mythic Delirium, and Apex, among many others, and her novella The Big Bah-Ha was recently published by Drollerie Press.

She has sold several long connected pieces to Black Gate, the first of which, “Godmother Lizard,” will appear in BG 16. Her short story “Braiding the Ghosts” was selected for inclusion in Rich Horton’s upcoming The Year’s Best Science Fiction & Fantasy 2011 Edition.

Claire’s first contribution to the BG blog was her review of Last of the Dragons in January, 2010. Since then her posts have been among the most popular features we’ve offered, including her 3-part examination of Fantasy in Metal, her detailed looks at Goblin Fruit and Ideomancer, and her lengthy interviews with S.J. Tucker, Gene Wolfe and Ysabeau Wilce.

For the last several months Claire has been coaxing and recruiting terrific new writers to the BG blog, including Mike Allen, Amal El-Mohtar, Magill Foote, Erik Amundsen, and others, and in October she assembled a crack team to create the first Epic Black Gate Trailer of AWESOMENESS! In between, she’s been editing behind the scenes, quietly helping other contributors get their articles posted, and generally cleaning up the place.

Claire’s enthusiasm and commitment have been infectious, and she’s brought a whole new level of energy to the Black Gate blog. We are pleased and extremely proud to have her as our new Website Editor.

For a complete list of the folks responsible for Black Gate, visit our Staff Page.