The Golden Age of Horror Seems to be Progressing Well: The Best Horror of the Year: Volume Seven
Last year when I reviewed The Best Horror of the Year: Volume Six, I said that volume gave confirmation that we are currently living in a golden age of horror fiction, especially in short stories. This year’s The Best Horror of the Year: Volume Seven shows that this age is thankfully not ending for the foreseeable future.
As with the former editions, the seemingly inexhaustible Ellen Datlow had edited this volume. Among her many, many awards includes a very recent Bram Stoker for her horror anthology Fearful Symmetries, released last year. If you’re not familiar with any of Datlow’s anthologies they are (in my humble opinion) the gold standard of horror fiction. Datlow knows a good story!
As with previous editions, The Best Horror of the Year: Volume Seven showcases a plurality of different kinds of horror stories and styles, from old-fashioned supernatural yarns and psychological horror to Crypt-Keeper-style revenge tales. As I usually say in my review of anthologies, I’m not a fan of every story within, but each story here is without a doubt superbly written and executed.
This volume includes the usual horror “superstars” along with some very talented new blood. What I’m calling horror “superstars” are those few horror writers who unsurprisingly make regular reappearances in many of horror’s year’s best anthologies. In this volume this includes Nathan Ballingrud with his creepy tale “The Atlas of Hell,” about a mob boss seeking to track down a supposedly occultic book in the swamps of Louisiana, a “book” that turns out to be much more than bargained for. Ballingrud always has a very unique take on horror and this horrific story is no disappointment.