Black Gate – Page 694 – Adventures in Fantasy Literature

The 2015 Locus Recommended Reading List

Tuesday, February 2, 2016 John ONeill Comments 10 comments

Let’s assume that you’re a busy guy or gal, and don’t have time to read every new book on the shelves, regardless of how damn tantalizing the cover is. Heck, you don’t even have time to read the reviews. And let’s also assume that you still want to stay on top of the best new books. How on earth are you supposed to manage that?

As usual, Locus magazine makes it easy — by compiling a massive recommended reading list drawn from the consensus vote of Locus editors, reviewers, and outside professionals. All told, they poll some three dozen industry pros to compile the mother of all reading lists, capturing the most acclaimed fantasy novels, SF novels, YA novels, collections, anthologies, Art books, nonfiction, and short fiction of the year. It’s an invaluable resource, especially if you’re trying to get up to speed in advance of Award season.

Here, for example, is the complete Locus Recommended Reading List of 2015 Fantasy Novels:

Foxglove Summer, Ben Aaronovitch (Gollancz 2014; DAW)
A God in Ruins, Kate Atkinson (Little, Brown; Doubleday UK)
Karen Memory, Elizabeth Bear (Tor)
Nightwise, R.S. Belcher (Tor)
Beneath London, James P. Blaylock (Titan)
The House of Shattered Wings, Aliette de Bodard (Roc; Gollancz)
Prodigies, Angelica Gorodischer (Small Beer)
Wylding Hall, Elizabeth Hand (PS; Open Road)

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Future Treasures: A Painted Goddess by Victor Gischler

Tuesday, February 2, 2016 John ONeill Comments 3 comments

Never let it be said that Victor Gischler is not a versatile writer. His most recent novel, Gestapo Mars, was an over-the-top tale of interstellar Nazi mayhem, and his graphic novel, Deadpool: Merc With A Mouth, was a tale of undead mercenary dinosaur mayhem (among lots of other mayhem).

Compared to those, A Painted Goddess is actually a pretty straightforward tale. It’s the conclusion to the A Fire Beneath the Skin trilogy, in which the young warrior duchess Rina Veraiin, armed with mysterious, magical tattoos, must draw on all her abilities to save her kingdom of Helva from a nightmarish future of endless bloodshed. The first two volumes, Ink Mage (2014) and The Tattooed Duchess (2015), are still available from 47North.

A Painted Goddess will be published by 47North on March 15, 2016. It is 400 pages, priced at $14.95 in trade paperback and $4.99 for the trade paperback. The cover is by Chase Stone — see his gorgeous wraparound version here.

Pulp-era Gumshoes and Queen Victoria’s Underwear: Stitches in Time: The Story of the Clothes We Wear by Lucy Addlington

Tuesday, February 2, 2016 Comments 3 comments

GreatWarFashion — …boots-on-the-ground anecdotes about living and loving in period costume.

Did you know that men used to wear falsies?

Not for their chests, but for their calves. Back in the 18th-century, men wore stockings and knee-britches, and if you didn’t have well-turned calf muscles, then you were a “spindle shank.” So some men with skinny legs wore little cushions.

Which leads us to the young soldier Jean-Roche Coignet, seduced by an older woman, thus beset by the excruciating problem of how to hide his “wretched false calves and… three pairs of stockings.” He managed to blow out the candle and stash them under the pillow. However, what was he going to do in the morning..?

That’s perhaps the raciest story in Stitches in Time: The Story of the Clothes We Wear, Lucy Addlington’s follow up to the exquisite Great War Fashion, but gives you a sense of how she laces the book with boots-on-the-ground anecdotes about living and loving in period costume. She also scatters it with quirky side notes. Did you know, for example, that there is a market for Queen Victoria’s underwear? I’ve very glad the publishers sent me a review copy.

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Despair All The Way Down: The Illearth War by Stephen R. Donaldson

Tuesday, February 2, 2016 Fletcher Vredenburgh Comments 14 comments

“You’re determined to make this hard, aren’t you? You’re determined to make it hard for everyone.”

Hile Troy to Thomas Covenant

If Lord Foul’s Bane (go here for my review) with its rapist leper hero is a trip into the Black Hole of Calcutta, its sequel, The Illearth War (1978) is an unremitting journey into the blackest space over the event horizon. Where the first book offered hope to its characters with the successful completion of their quest, this one holds out no hope even in victory. At the best of times there is only a stay of certain execution. Mostly, though, there is loss, deep and devastating loss.

It’s also a book that almost defeated me. For three weeks it defied my efforts to put into words what I thought was going on in it and what I thought of it. It’s not that it’s super complicated, but it’s a shadowy thing that required more work than I’m used to to understand its guts.

The Illearth War is a story steeped in existential dread. Both inaction and action in the face of soul-crushing evil seem to lead to disastrous ends. To believe or not to believe? To fight or not to fight? To kill or to be killed? Does it make any difference? This is heady stuff for fantasy and bound to put off more casual readers, but Donaldson takes on the debate with conviction and seriousness.

The dilemma is addressed primarily by contrasting Thomas Covenant’s attitude toward the Land with that of a new character from our world, Hile Troy. Covenant refuses to accept the magical Land, its healing properties, or to lift a finger to save it, while Troy fully embraces it and is completely dedicated to its survival. Each man is convinced of the rightness of his path, and both suffer calamitous losses for their convictions. Covenant scoffs at Troy for thinking he can thwart Lord Foul while Troy berates Covenant for refusing to fight. Donaldson plays these titans, inaction versus action, against each other like musical counterpoints. Each reflects off the other, exposing its opponent’s dangers and rewards. This is the heart of The Illearth War.

It’s not an argument made lightly or with straw men. Donaldson digs deeply into each man’s mind and character, exploring the complex motives and reasoning behinds their choices.

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Witch Doctors and Mind-Reading Sleuths: Richard Powers’ Interior Art for 1950s Men’s Adventure Magazines

Monday, February 1, 2016 Doug Ellis Comments 2 comments

In going through several hundred issues of men’s adventure magazines for this year’s upcoming Jerry Weist estate auction at the Windy City Pulp and Paper Convention, I came across the interior illo above by Richard Powers. It’s from the January 1957 issue of Men.

I was actually surprised how many great artists appeared in the issues of Men that I went through, including Bama, Saunders, De Soto, Belarski and many, many more. Some really great art in there!

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Apex Magazine #80 Now on Sale

Monday, February 1, 2016 John ONeill Comments 0 Comment

In his editorial this month, Jason Sizemore gives us the details on the unusually-packed January issue.

You’ll note that the amount of content in this month’s Apex Magazine is… well, astounding: six original works (including a novelette by Ursula Vernon), seven poems, two reprints, and a nonfiction article. Much of this additional content was provided as reward goals for our successful subscription drive held in mid to late November. Thank you for helping us reach our goal!

The crown jewel of issue 80 is the novelette “The Tomato Thief” by Ursula Vernon. For fans of her Nebula Award-winning story “Jackalope Wives” take note — “The Tomato Thief” is set in the same universe and is an indirect sequel. Also in this issue, we have a second original story by Ursula titled “Razorback” that will remind our readers of her excellent “Pocosin” from issue 68.

Lettie Prell, one of my favorite writers, makes a triumphant return to our pages with the disconcerting “The Open-Hearted.” Also returning is Nigerian author Chikodili Emelumadu with “Soursop.” We welcome newcomers Jennifer Hykes (“Bones of the World”) and Carrie Cuinn (“That Lucky Old Sun”) to the pages of Apex.

Here’s the complete TOC.

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New Treasures: The Birthgrave Trilogy by Tanith Lee

Monday, February 1, 2016 John ONeill Comments 10 comments

Tanith Lee passed away on May 24 of last year, and her loss was a major blow to fantasy readers around the world — especially fans of heroic fantasy. In the fast-paced world of modern publishing, the death of an author frequently means the death of their backlist as well, since without new books being released to drum up interest, older titles can quickly be forgotten.

So I was extremely pleased to see DAW, Lee’s long-time US publisher, re-release her first fantasy novel The Birthgrave in a handsome new edition last June, followed by Shadowfire, the second title in the trilogy, last September. The final volume, Hunting the White Witch, arrives on bookshelves tomorrow, completing the trilogy.

The Birthgrave (452 pages, $7.99 print & digital, June 2, 2015)
Shadowfire (304 pages, $7.99 print & digital, September 1, 2015)
Hunting the White Witch (304 pages, $7.99 print & digital, February 2, 2016)

All three covers are by Bastien Lecouffe Deharme.

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The Public Life of Sherlock Holmes: Dr Watson, Doormat

Monday, February 1, 2016 Bob Byrne Comments 2 comments

Sherlock Holmes was rather a jerk. His people skills needed some serious work. It’s blatantly obvious in Benedict Cumberbatch’s over-the-top obnoxiousness in BBC’s Sherlock, but it’s all over the Canon as well. I wrote about his unwarranted negative attitude towards Dr. Watson’s detective work in a previous post. And the Canon is replete with snide comments and remarks at Watson’s expense: to say nothing of the official police force’s!

“Come at once if convenient – if inconvenient come all the same.”

Thus does Sherlock Holmes summon Watson in “The Adventure of the Creeping Man.” And Watson obeys. We get a sample of Holmes’ imperious attitude from this quote. But Watson’s response is also rather telling.

When Grimesby Roylott of Stoke Moran confronted Holmes, he referred to the detective as a “meddler, a busybody and a Scotland Yard jack-in-office.” One has to wonder if some villain or policeman in the Canon didn’t refer to Watson as Holmes’ lapdog, lackey or errand boy?

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Non-Compliant and Self-Aware: Bitch Planet

Sunday, January 31, 2016 Matthew David Surridge Comments 0 Comment

Bitch Planet I can understand scepticism of consciously political art. But I feel it’s often misplaced. If an artist is choosing to create art about politics, it probably means that those politics have a deep power for them. Which in turn is probably because the politics are connected to their emotions, worldview, beliefs — all the things that give art power. A political theme doesn’t elevate a work of art, but good art can illuminate the political. An artist may create consciously political art because politics are their passion. A storyteller may find their politics are the lens through which to present human truth and artistic power.

Which brings me to Bitch Planet, the creation of writer Kelly Sue DeConnick and artist Valentine De Landro. Some basic information on the book: it’s an ongoing comic published by Image projected to run at least thirty issues. The first five issues have been collected into a trade paperback, while the sixth came out earlier this month. Individual issues have bonus features including essays, letters pages, and selections of tweets and instagrammed pictures from readers. Cris Peter does the colours and Clayton Cowles the lettering; art for the third issue came from Robert Wilson IV, while Taki Soma handled the sixth. The series has built a devoted fan following and been very well reviewed — and it’s easy to see why.

Bitch Planet is set in a future with interplanetary (presumably interstellar) travel and 3-D holograms and an even greater media saturation than we have today. Patriarchy’s more blatant, an MRA extremist’s idea of utopia (naturally, therefore, everybody else’s dystopia). Women can be arrested for various kinds of “non-compliance” — things like “disrespect” and “emotional manipulation” and being a bad mother and, generally, not acceding to society’s expectations. One character’s crimes include “repeated citations for aesthetic offences, capillary disfigurement and wanton obesity.” The non-compliant criminals are exiled to an off-Earth prison, the eponymous “Bitch Planet.”

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Things Your Writing Teacher Never Told You: Pro-Tip From Carlos Hernandez

Sunday, January 31, 2016 Tina Jens Comments 0 Comment

Our Pro-Tip author this week is Carlos Hernandez. Full disclosure: I got an uncorrected proof reading copy of his short story collection, The Assimilated Cuban’s Guide to Quantum Santeria, (which has been described as 12 stories of fantasy, science fiction, interstitial weirdness, and a few boldface lies), this past summer at the Nebula Awards weekend.

I gobbled that book down, and promptly made one of the stories, “More Than Pigs and Rosaries Can Give” part of the reading curriculum for the Advanced Fantasy Writing course I teach at Columbia College – Chicago. The story, synopsized by Carlos thusly: “A Cuban expatriate travels to Cuba and hires a local historian to suck the ghost of his mother out of the bullet hole where she was shot at the dawn of the Revolution,” is part history, part magical realism, and in equal parts an admonishment to be brave and dare to step off into that adventure, no matter how scary that first step may be.

Columbia College is very diverse economically, socially, ethnically, and in gender/sexuality identities. I encourage /p/u/s/h/ my students to explore stories, settings, characters, and themes beyond white knight in a generic Medieval European land rescues princess from dragon. We’ve all read that, wrote our own fan-fic, bought the “knights are crunchy and good with ketchup” T-shirt and wore it out. It’s past time for new kinds of fantasy stories.

And that is exactly what Carlos gives us in his first collection. That marvelous title, once again, is The Assimilated Cuban’s Guide to Quantum Santeria, and it’s due out at the end of January 2016 from Rosarium.

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