Black Gate – Page 636 – Adventures in Fantasy Literature

Distinctive Visions of Earth After Climate Change: Drowned Worlds, edited by Jonathan Strahan

Monday, October 10, 2016 John ONeill Comments 2 comments

Reading reviews frequently helps heighten my anticipation for a book. That’s certainly the case with Jonathan Strahan’s acclaimed new anthology Drowned Worlds, a collection of SF tales which looks at the future of Earth after the full effects of climate change.

The book includes all-new fiction from Ken Liu, Kim Stanley Robinson, Christopher Rowe, Kathleen Ann Goonan, Charlie Jane Anders, Jeffrey Ford, Rachel Swirsky, Lavie Tidhar, Catherynne M. Valente, and many others. It’s been getting some terrific reviews, from places like Tor.com, Locus Online, and other fine institutions. Here’s a few samples, starting with author James Lovegrove in the Financial Times.

Taking its cue — as well as its title — from JG Ballard’s 1962 debut novel The Drowned World, the book offers 15 memorable, distinctive visions of Earth after climate change has exerted its grip. Sea levels have risen, and deserts have spread. People live aboard rafts, amid ruins, on other planets. The Anthropocene era has done its apocalyptic worst. There is nevertheless, a thin silvery thread of hope — humankind, through its adaptability and ingenuity, endures.

And here a snippet from Gary K. Wolfe’s lengthy review at Locus Online.

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Tabletop Terror: Betrayal at the House on the Hill

Monday, October 10, 2016 Andrew Zimmerman Jones Comments 2 comments

I was the only gamer geek in my family growing up. We played Monopoly, Clue, Risk, and so on, the staple games of the twentieth-century American experience, brought to you by Milton-Bradley, but my mother wasn’t a fan. She and my grandmother both tended more toward word games like Scrabble and card games, particularly Rummy variants. I became an avid Solitaire player early on. And we had an Atari, of course, then a Nintendo. So I was a gamer from an early age, but not a board gamer.

From high school and through college, I pretty much abandoned board games in favor of roleplaying games. Advanced Dungeons & Dragons (2nd edition) at first, but eventually I became engrossed in the World of Darkness system from White Wolf Games (now published by Onyx Path Publishing).

Board games had completely fallen off my radar by the time I got out of college and began actively adulting. Board games, after all, were for kids, right? In the age of roleplaying games and video games, including an array of online roleplaying games, surely there was no way a board game could be nearly as engaging, nearly worth the time commitment to play it.

It was Betrayal at House on the Hill (Amazon) that dispelled that illusion, showing me what board gaming had become while I hadn’t been paying attention.

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The Public Life of Sherlock Holmes: Back to the Television

Monday, October 10, 2016 Bob Byrne Comments 4 comments

So, episode 98 of Elementary aired weekend before last. That, of course, is the modern day Sherlock Holmes show, set in New York City, featuring Johnny Lee Miller as the brilliant, socially challenged detective, and Lucy Liu as a female Doctor Watson. The show, which began in 2012, just kicked off season five.

Meanwhile, on January 1 of 2017, BBC’s Sherlock FINALLY airs season four. Set in modern day London, it has launched Benedict Cumberbatch to superstardom and also escalated Martin Freeman’s (that Bilbo guy) career. There have been nine episodes since the show began in 2010, plus one television movie, The Abominable Bride. It’s no surprise, with two year and eleven months between episodes, that rumors abound that season four will be the end.

Do you want the bad or the good first? The bad? Ok, we’ll open with Sherlock. Among my top five all-time favorite shows after season two, season three was a self-indulgent, “we can do better than Doyle” and “look how clever we are” claptrap. Somehow, The Abominable Bride won an Emmy for best television movie. The ending of it was worse than Matt Frewer’s Hound of the Baskervilles.

I think Sherlock is now a bad show and hope that it gets put to rest after these three episodes.

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Black Gate Online Fiction: “Queen of Toads” by Joe Bonadonna

Sunday, October 9, 2016 John ONeill Comments 1 comment

We posted Joe Bonadonna’s Dorgo the Dowser novelette “The Moonstones of Sor Lunarum,” part of Joe’s first swords and sorcery collection, Mad Shadows: The Weird Tales of Dorgo the Dowser, way back in December 2011. It quickly became one of our most popular online stories, and it has remained so for nearly five years. We also presented an exclusive excerpt from Waters of Darkness, his supernatural pirate dark fantasy novel co-written with David C. Smith, in 2013. Since then, Joe has become one of our most reliable and popular reviewers.

We are very pleased to have the opportunity to present “Queen of Toads,” an old-fashioned pulp horror tale, for your reading pleasure.

In the marsh out back, these strange creatures. I’ve seen them at night, hopping back and forth across Venn Road, coming from and heading to the marsh. They must be going out hunting, though what they might prey upon sure has me stumped. Maybe fish or small game. Hell, they’re as big as some breeds of dogs. And the way those strange feathers of theirs glow in the moonlight — the same colour as the rocks! — makes me wonder how they could possibly sneak up on anything! Makes me wonder if they came here with those rocks, came from inside them, maybe. They look like frogs and toads, but like none I’ve ever seen before. I surely won’t be frying up and eating their legs! I told my Minerva to steer clear of the things, too. Told her not to touch or try to catch them. You never know where they might have come from and what sickness they might carry.

The complete catalog of Black Gate Online Fiction, including stories by Mark Rigney, Michael A. Armstrong, C.S.E. Cooney, Vaughn Heppner, E.E. Knight, Jason E. Thummel, Judith Berman, Howard Andrew Jones, Dave Gross, Harry Connolly, and others, is here.

“Queen of Toads” is a complete 9,000-word humorous Lovecraft-pastiche offered at no cost.

Read the complete story here.

Read an Original Short Story in the World of The Lazarus Gate and The Iscariot Sanction at the Barnes & Noble Sci-Fi Blog

Sunday, October 9, 2016 John ONeill Comments 0 Comment

Mark Latham’s new novel in The Apollonian Case Files, The Iscariot Sanction, was published by Titan Books on September 20. It’s the follow-up to The Lazarus Gate and, in honor of the occasion, the popular Sci-Fi and Fantasy Blog at BarnesandNoble.com has posted a brand new story set in the same world, “The House of the Dead.”

Mark Latham’s two novels of The Apollonian Case Files, The Lazarus Gate and The Iscariot Sanction, take place in an alternate Victorian Age in which Her Majesty’s Empire is under attack by supernatural threats, and only a mystery “gentlemen’s club” stands in the way of total oblivion. They’re great fun, mixing elements of Sherlock Holmes and H.P. Lovecraft, James Bond and H.G. Wells, with a setting we love spending time in — which is why, in honor of the release of the latest in the series, we’re pleased to present an original short story set in the same universe. Enjoy!

Read the complete story here.

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The October Fantasy Magazine Rack

Sunday, October 9, 2016 John ONeill Comments 0 Comment

We added two new magazines to our regular coverage this month: Skelos, the Journal of Weird Fiction and Dark Fantasy, edited by Mark Finn, Chris Gruber, and Jeffrey Shanks, and Postscripts, edited by Nick Gevers, which is more of a regular anthology series, but it publishes short fiction and has numbered issues, so what the hell. Welcome aboard.

We also have lots of interest for vintage fiction fans, including retro reviews by Rich Horton and Matthew Wuertz of the July 1953 issue of Galaxy Science Fiction (with stories by Clifford D. Simak, James H. Schmitz, C. L. Moore and Henry Kuttner, Fritz Leiber, and Pulitzer Prize-winner Michael Shaara), the November and December 1963 Fantastic (John Jakes, Neal Barrett, Jr., Ursula K. Le Guin, Keith Laumer, and Edmond Hamilton) and the May 1963 Amazing (Henry Slesar, Leigh Brackett, Albert Teichner, and Robert F. Young).

Check out all the details on the magazines above by clicking on the each of the images. Our September Fantasy Magazine Rack is here.

As we’ve mentioned before, all of these magazines are completely dependent on fans and readers to keep them alive. Many are marginal operations for whom a handful of subscriptions may mean the difference between life and death. Why not check one or two out, and try a sample issue? There are magazines here for every budget, from completely free to $35/issue. If you find something intriguing, I hope you’ll consider taking a chance on a subscription. I think you’ll find it’s money very well spent.

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WTF Did I Just Read? Grant Morrison’s Nameless

Saturday, October 8, 2016 Derek Kunsken Comments 0 Comment

Grant Morrison is one of the most successful and famous comic creators. His comic writing career started in small press when he was just 18 years old, and graduated to Marvel UK and the world of 2000AD in the 1980s, with some work with Marvel and DC as well.

From the mid-1990s onward, he’s been consistently working on big projects for big publishers. My own first experience with him were the early 2000s New X-Men series from time to time, but then intensively through the Batman R.I.P. and Batman Reborn arcs.

I was very, very impressed with the creepy insanity he was able to channel in Batman and Robin while Dick Grayson was Batman. Serious creep factors.

But that wasn’t why I read Nameless, a recent series of his through Image.

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Modular: Eye of the Beholder – The Art of Dungeons & Dragons

Saturday, October 8, 2016 Bob Byrne Comments 4 comments

Art is a HUGE part of Dungeons and Dragons (D&D). In fact, you can’t separate the amazing illustrations, (from black and white sketches to glorious color panoramas) from the actual playing of D&D. Of course, this applies to other role playing games. Wayne Reynolds’ illustrations were a big draw for me in trying Pathfinder. But there’s a reason I mentioned D&D.

Eye of the Beholder: The Art of Dungeons & Dragons, a documentary by X-Ray Films and Cavegirl Productions, is due out next year. And what a BRILLIANT idea! In addition to featuring artists and their work, it will also include interviews with game designers, authors, insiders and fans.

If this preview doesn’t grab you, I’m not sure you’re a D&D fan. If you read Part One of my history of Necromancer and Frog God Games (you did, didn’t you?), you saw those awesome Necromancer covers. I’ve loved D&D art since I started playing and I even had a puzzle with Larry Elmore’s drawing from the cover of the Red Box.

There’s a very short article about it in Format Magazine that has a bunch of wonderful D&D art from several of the greats. Makes me think of those great Dragon Magazine covers.

You can read Bob Byrne’s ‘The Public Life of Sherlock Holmes’ column here at Black Gate every Monday morning.

He founded www.SolarPons.com, the only website dedicated to the ‘Sherlock Holmes of Praed Street’ and blogs about Holmes and other mystery matters at Almost Holmes.

He is an ongoing contributor to The MX Book of New Sherlock Stories series of anthologies, with stories in Volumes III, IV and the upcoming V.

Future Treasures: The Starlit Wood: New Fairy Tales, edited by Dominik Parisien and Navah Wolfe

Saturday, October 8, 2016 John ONeill Comments 4 comments

Every once in a while a really stellar anthology comes along that generates a lot of pre-publication whispers, gradually growing to a steady buzz of excitement. This year that anthology is The Starlit Wood: New Fairy Tales.

The Starlit Wood was assembled by Dominik Parisien, editor of the highly acclaimed Clockwork Canada, and Navah Wolfe, editor at one of the most exiting new imprints in the industry, Saga Press. Several of my friends have privately tipped me off that this is the best fantasy anthology of the year, and the public accolades have just started to pour in. Terri Windling calls it “Excellent… I loved it,” Jeff VanderMeer says it’s “Classy, smart, and entertaining… and featuring the best and most exciting fantasy writers working in the field today.” And Publishers Weekly raved, saying it’s “A rich sample of what awaits us in the world of fairy tales.”

For anyone looking to revisit the wondrous (and frequently dark!) world of fairy tales — or who just wants to a taste of what the best writers in fantasy are doing today — The Starlit Wood is your best opportunity this year. It contains stories by Aliette de Bodard, Amal El-Mohtar, Jeffrey Ford, Max Gladstone, Margo Lanagan, Seanan McGuire, Garth Nix, Naomi Novik, Sofia Samatar, Catherynne M. Valente, Genevieve Valentine, and many others, and will be released in hardcover this month by Saga Press.

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Fantasia 2016, Days 12 through 14: Afterlife, Life-in-Death, and Madness (We Go On, Aloys, and Therapy)

Friday, October 7, 2016 Matthew David Surridge Comments 0 Comment

We Go On I had errands keeping me away from the Fantasia film festival on Monday, July 25. Now, interruptions are a sad fact of life, but sometimes it’s easy to get back into the swing of things; and as it happened the next day I made it back to the De Sève theatre to watch an American horror film called We Go On, which served to get me back into the Fantasia spirit. Then the day after that I saw two more movies at the De Sève, an odd Swiss romance called Aloys followed by a French horror film called Therapy. The latter had been directed by 16-year-old Nathan Ambrosioni — his second feature film. Together the movies made an odd meditation on life, death, and horror.

We Go On was written and directed by Andy Mitton and Jesse Holland (the IMDB credits Holland with “story,” while Mitton gets credit as “writer” as well as for screenplay and story). Miles Grissom (Clark Freeman) is an adult man in Los Angeles suffering from a crippling fear of death. He therefore offers $30,000 to anyone who can prove that there’s life after death — reincarnation, ghosts, anything. Deluged with people who claim to have proof, Miles and his cynical mother (Annette O’Toole) begin a quest to investigate the most promising responses. Things do not go as Miles might have expected.

Nor do things go as the audience might have expected either, and in this case I mean that in the best way. We Go On is thoroughly unpredictable, with an unusual structure and a story that moves between horror and character-based drama. Miles and his mother almost alternate as leads, and one can make a strong argument that the crucial choice shaping how the climax plays out is hers.

More than that, when Miles first gets responses to his offer, he’s able to eliminate most out of hand except for three or possibly four. He then investigates those few contacts one by one; as you might expect he has no luck at first. Also as you might expect his early investigations end up returning to become relevant to the movie later on. But how they become relevant is interesting. In one case it’s plot-related, but another is more thematic, putting forward ideas about fear and the supernatural that inflect the rest of the movie.

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