Black Gate – Page 635 – Adventures in Fantasy Literature

Future Treasures: Certain Dark Things by Silvia Moreno-Garcia

Thursday, October 13, 2016 John ONeill Comments 1 comment

Silvia Moreno-Garcia is a Mexican born Canadian fantasy writer. Her debut novel, Signal to Noise, was a finalist for the British Fantasy, Locus, Aurora and Solaris awards, and made seven year’s best lists, including B&N’s Sci-Fi & Fantasy Blog, Buzzfeed, i09, and Tor.com. Earlier this year she was also nominated for a World Fantasy Award for her Lovecraftian anthology She Walks in Shadows.

Her second novel, Certain Dark Things, is one of the most highly anticipated releases of the fall. Paul Tremblay (A Head Full of Ghosts) says it “is steeped in the history of Mexico City and vampire lore and yet manages to deftly re-invent the bloodsucker… Certain Dark Things packs a wallop.” And Lavie Tidhar says:

Not since Anne Rice’s seminal Interview with the Vampire has the vampire story been so radically reimagined. Silvia Moreno-Garcia reinvents it for the 21st century in this high-concept, explosive tale of narco-vampires in Mexico City, and just when you thought it was safe to step out of the coffin. Certain Dark Things is dark, inimitable, and so very, very cool. Unmissable.

Sounds pretty intriguing already! Here’s the description.

Welcome to Mexico City… An Oasis In A Sea Of Vampires…

Domingo, a lonely garbage-collecting street kid, is busy eeking out a living when a jaded vampire on the run swoops into his life.

Atl, the descendant of Aztec blood drinkers, must feast on the young to survive and Domingo looks especially tasty. Smart, beautiful, and dangerous, Atl needs to escape to South America, far from the rival narco-vampire clan pursuing her. Domingo is smitten.

Her plan doesn’t include developing any real attachment to Domingo. Hell, the only living creature she loves is her trusty Doberman. Little by little, Atl finds herself warming up to the scrappy young man and his effervescent charm.

And then there’s Ana, a cop who suddenly finds herself following a trail of corpses and winds up smack in the middle of vampire gang rivalries.

Vampires, humans, cops, and gangsters collide in the dark streets of Mexico City. Do Atl and Domingo even stand a chance of making it out alive?

Certain Dark Things will be published by Thomas Dunne Books on October 25, 2016. It is 323 pages, priced at $25.99 in hardcover and $12.99 for the digital edition. The cover was designed by Kerri Resnick. Get more details at Silvia’s website.

John DeNardo’s Savory Selection of Science Fiction and Fantasy for October

Thursday, October 13, 2016 John ONeill Comments 1 comment

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Over at Kirkus Reviews, the tireless John DeNardo itemizes the 13 “must-read science fiction and fantasy books being released in October.” And John reads even more than I do, so he should know. Here he is on Faller by Will McIntosh, which will be released by Tor Books on October 25.

The people of the world find themselves on floating islands of rock, with no memory of who they are, how they got there, or what happened. A man calling himself Faller discovers in his pocket a photo of himself with a woman… thus prompting him to find the woman he can no longer remember… This science fiction thriller starts with a mystery that will make you not want to put the book down.

And Impersonations by Walter Jon Williams (Tor.com, October 4).

After the fall of an evil empire that subjugated both humans and aliens, a hero emerged from the civil war that followed. But Caroline Sula offended her superiors by winning a battle without their permission, and now she is posted to old Earth to keep her quiet. But the powers that be aren’t content; someone is manufacturing evidence that would lead to her false imprisonment… This is a sweeping space opera with an emphasis on adventure.

And Yesternight by Cat Winters (William Morrow, October 4).

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How to Be a Doomed Meddler

Thursday, October 13, 2016 John Linwood Grant Comments 3 comments

I was always a Carnacki man, staunch and true. An Edwardian adventurer, willing to admit that I was afraid, but determined to stiffen that lip and see the game through. And as a follower of William Hope Hodgson’s Carnacki the Ghostfinder, I quickly took to games like Call of Cthulhu when it first came out in the eighties. The dedicated investigator pitted against almost indescribable horrors had an obvious appeal. It turned out to be a shock, because unlike our usual, intriguing fantasy RPG campaigns, in CoC we died a lot. A real lot. We were, generally, doomed.

So when we decided that we would launch a new magazine, Occult Detective Quarterly, we knew what we wanted. Someone even suggested that Doomed Meddler Quarterly would be a good alternative name. We wanted tales of psychic detectives, amateur supernatural sleuths, embittered foes of the Dark, and people who ended up having to investigate malevolent forces against their wills. New Lovecraftian terror was welcome, as was old-fashioned pluck. Stories from Carnacki to Constantine, with terrified innocents thrown in along the way.

We held an open call for stories over the Summer, and we even received quite a few tales where the protagonist didn’t die, not yet. He or she survived with a modicum of sanity, which counts as a major victory in this sort of area. Not only did we get stories from people unknown to us, but tales from seasoned fantasy and weird fiction authors.

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Fantasia 2016, Day 16: Two Fish Stories (Collective Invention and Too Young To Die!

Wednesday, October 12, 2016 Matthew David Surridge Comments 0 Comment

Collective Invention By July 29, the sixteenth day of the Fantasia Festival, I was beginning to feel exhausted. I’d had some thoughts of watching three movies that Friday, but in the end could only manage two. I made it down to the Hall Theatre in the afternoon to watch the Korean satire Collective Invention (Dolyeonbyuni), then came back right after for the raucous Japanese comedy Too Young To Die! (Too Young To Die! Wakakushite Shinu). Neither struck me as flawless, but both in different ways were interesting experiences.

Collective Invention tells the story of Park Gu (Lee Kwang-soo), a Korean man whose head has been changed into that of a giant fish thanks to unexpected side effects from medical tests. We get his story through the eyes of Sang-won (Lee Cheon-hee), an aspiring reporter who breaks Park’s story and makes him famous. Park’s not entirely happy about becoming a major media figure, and the medical company behind his transformation isn’t happy about the bad publicity they get. Their counterpunches, and the ups and downs of Park’s life and public profile, make the spine of the movie — along with the moral choices Sang-won and the others around him find themselves making, balancing the exploitation of Park against their own careers and ideals.

Directed and written by Kwon Oh-kwang, Collective Invention is a wide-ranging satire. It reads to me as though it takes on specific targets (the media, fame, the medical industry, the law, and more) as part of a general social critique. And at this point I need to repeat something I’ve mentioned before in these articles: I’m a North American with no particular insight into Korean society. So I can’t speak to how people with more knowledge than I will react to this movie; the point of my writing this review is that perhaps what I write may be relevant to an international audience. On the other hand, I get the distinct impression that this movie is primarily concerned with speaking to the Korean media landscape, to the concerns of Korean youth, and to Korea in general. That’s appropriate for a satire, but does it work for an international audience?

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New Treasures: The Late Breakfasters and Other Strange Stories by Robert Aickman

Wednesday, October 12, 2016 John ONeill Comments 2 comments

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Robert Aickman was one of the finest horror writers in our field. He received the World Fantasy Award in 1975, and the British Fantasy Award in 1981, the year he died.

Not familiar with Aickman? Great! There’s never been a better time to try him. The marvelous Valancourt Books has returned much of his work to print, including The Late Breakfasters and Other Strange Stories, an omnibus collection of his early work, released in hardcover and an affordable trade paperback format last week. It contains his debut novel The Late Breakfasters (1964), half a dozen short stories, and a new introduction by Philip Challinor.

I first discovered Valancourt by standing in front of their booth at the World Fantasy Convention a few years ago, and being absolutely astounded at how many terrific books they have in their back catalog. Here’s a few I’ve managed to highlight recently at Black Gate.

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October 2016 Clarkesworld Now Available

Wednesday, October 12, 2016 John ONeill Comments 0 Comment

Okay, I’ve settled into a routine now. I drop by Charles Payseur’s Quick Sip Reviews to see what he thinks of this month’s crop of magazines, read what he has to say about Clarkesworld, and then make a beeline to the Clarkesworld website. The guy knows how to whet your appetite for good fiction.

Here he is on Genevieve Valentine’s 9,000-word tale, “Everyone from Themis Sends Letters Home.”

So this is a rather heartbreaking story about a place that doesn’t even exist. Not exactly. It’s about a woman who has been unfortunate all her life finally being a part of something that she loves, that makes her feel…okay, and then having to find out that it’s been not only a lie but a cruel one… It’s also about a game, a game that comes to be something more than that, mired in the horror of what it did but also in the good that came of it. The story is brilliantly told through letter, at first between Marie and a mysterious other person, then drawing out to include other people… The story does a terrific job of selling the idea of the game and then exploring how the game abused its test subject. How a corporation teamed with a prison to use people and how no one cared. The story flits from person to person but only through letters, so that the story is in some ways the evidence being gathered by the main character, by Benjamina, to turn over to expose what has happened. And it’s completely believable that such treatment of inmates would happen. It points to how we treat the incarcerated, how we treat those we’ve deemed criminal. How powerless they become and how easy they are to use, even when it leaves permanent damage. It’s a wrenching story and I love how it plays out, the guilt and the pain and the yearning. It uses form to great effect and you should definitely read this one. Go!

Read Charles’ complete review of the issue here.

The October Clarkesworld, issue #121, is packed with new fiction by Robert Reed, James Patrick Kelly, Chi Hui, and Nnedi Okorafor & Wanuri Kahiu, and reprints by Jy Yang and Michael Swanwick.

Here’s the complete list of stories.

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Fantasia 2016, Day 15: Ghosts and Djinns (Lace Crater and Under the Shadow)

Tuesday, October 11, 2016 Matthew David Surridge Comments 0 Comment

At 7:30 PM on Thursday, July 28, I was in a seat in the De Sève Theatre waiting to see a screening of an American independent horror-comedy called Lace Crater, about a woman who catches a venereal disease from a ghost. After that I’d cross the street to the Hall theatre for a showing of the Iranian horror movie Under the Shadow. I wasn’t entirely sure what to expect from either film, which from experience I knew was often the best way to come to a screening at Fantasia. I was pondering this when the lights went down and Adam Kritzer, producer of Lace Crater, was introduced to the crowd. He thanked us for coming, and urged all of us in the audience to turn to our neighbours, whether we knew them or not, and say whether we believed in ghosts. There was an aisle to my left. I glanced to my right. The man beside me shrugged. “Not particularly,” he said in French. “Same here,” I replied.

One’s personal beliefs aside, Lace Crater is an intriguing film. Written and directed by Harrison Atkins, it starts with a group of young friends who go to a house in the Hamptons, owned by the family of Andrew (Andrew Ryder), one of the bunch. Low-key sexual banter ensues. One of the women, Ruth (Lindsay Burdge, of The Midnight Swim and The Invitation), ends up sleeping alone in a guest house, which Andrew has warned her may be haunted. It is, by a ghost named Michael (Peter Vack). Michael, clad in burlap wrappings, isn’t very scary. He and Ruth end up talking, and connecting. And sleeping together. But back in the city, Ruth finds her one-night stand has consequences. She’s caught something that looks a lot like an STD from Michael, and it makes her increasingly erratic, putting increasing strain on the small network of her friends. Will she find a cure? Or will she have to face Michael again?

Kritzer’s introduction had promised a sexy ghost story, which I assume now was a joke; Lace Crater is, when you get down to it, a movie about a woman who has a one-night stand and contracts a nasty social disease. Which doesn’t strike me as the most sexually charged story in the world. On the other hand, there’s an engaging low-key aspect to the whole affair, a sense of normality, of mundanity, that reasserts itself through the whole tale. It’s a movie that resolutely refuses to let its supernatural aspects dominate.

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The Dandelion Dynasty and Sagrada Família

Tuesday, October 11, 2016 Ken Liu Comments 2 comments

The Dandelion Dynasty is an attempt at melding two separate literary traditions, both of which I’ve been fortunate enough to inhabit.

One of them traces a lineage from ancient, fragmentary pre-dynastic legends and Warring States Period annals to the spare, vivid biographies in Records of the Grand Historian, to elegant Tang Dynasty lyric poems and politically subversive Yuan Dynasty plays and pre-modern Ming Dynasty novels, and thence to the first vernacular Chinese stories, whose awkward but also lively language is cobbled together by great writers who were also courageous translators and who enriched the new medium with neologisms and adopted grammatical structures and strange metaphors imported from the West, and finally, to the wuxia classics that revived the strength of Chinese storytelling and the modern web serials that represent the lives of men and women in a society seized by some of the greatest upheavals and tumultuous changes ever encountered by any human society, incorporating along the way historical romances, oral storytelling, and magnificent fantasies that have been built up by generations of artists, brick by brick, like the Great Wall itself.

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Horror and Swords & Sorcery

Tuesday, October 11, 2016 Fletcher Vredenburgh Comments 14 comments

The air has turned crisp, the sun is dipping below the horizon earlier each evening, and the supermarket candy section seems to have grown exponentially. Halloween is just around the corner and, like many of you, my mind has turned to haunts and frights.

Horror is one of the primary elements dividing swords & sorcery from epic fantasy. To quote the Horror Writers Association’s site, horror fiction is that which “elicits an emotional reaction that includes some aspect of fear or dread.” Horror has been intrinsic to the genre from its earliest days. Robert E. Howard’s heroes, Kull, Conan, Bran, and Solomon Kane all face off against supernatural horror. In general, the worlds of S&S are dark and dangerous. The protagonists, mostly loners, find themselves pitted against an inimical universe populated with carnivorous forces of darkness that sate their hunger on humanity.

Epic fantasy is concerned with things like the fate of the world, the battle between Light and Darkness, or big dynastic squabbles. There may be moments of terror in epic fantasy (e.g. LotR’s Watcher in the Water; A Song of Ice and Fire’s wights), but it’s rarely the main event. Not in every story, but in most of their S&S work, writers like Clark Ashton Smith, Karl Edward Wagner, and C. L. Moore, created tales that were horror first and foremost. They spun nightmares and darkness into thread and, along with strands of adventure and mystery, wove from it something moodier than Prof. Tolkien or his successors.

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Self-Published Book Review: The Soldier and the Slave by Andrew J. Luther

Monday, October 10, 2016 Donald Crankshaw Comments 0 Comment

If you have a book you’d like me to review, please see this post for instructions to submit. I’ve received very few submissions recently, and I’d like to get more.

The Soldier and the Slave by Andrew J. Luther is this month’s self-published novel. I last reviewed a book of Mr. Luther’s in 2015, called The Severed Oath, the second book of his Tales of The Undying Empire series of standalone novels. The Soldier and the Slave is the beginning of a new trilogy in that world called The Undying Empire: Rebellion.

In The Severed Oath, the Emperor played only a small part. He wasn’t very helpful, but neither was he particularly malevolent. The Emperor does not appear in The Soldier and the Slave, but he has a much more sinister role. He has ordered a detachment of his legions, led by Commander Kied, to secure a valley while a small team of specialists search for something hidden in it. The valley is inhabited by farmers, unimportant but citizens of the Empire. While Kied is initially content to follow orders, even if it involves confining Imperial citizens to their homes, he balks when he discovers what’s planned for the second part of his orders: the wholesale execution of the citizenry. His refusal, while noble, leads only to his arrest and imprisonment, and the execution of his command staff.

Reduced to a slave in the mines, he is paired up with Rotos. A giant of a man, Rotos is not only strong, but powerful, possessing abilities unlike any that Kied has seen. He can overwhelm most people with sheer presence, though Kied proves at least partially resistant. Rotos is also unfriendly, unwilling to even talk to Kied at first.

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