The Autobiography of Mark Twain

The Autobiography of Mark Twain

mark-twainMark Twain, the legendary American author and humorist, left behind perhaps the most famous unpublished autobiography in history.  Claiming the opinions and stories within were too strong to be received by his public, Twain left instructions that the book was not to be published until 100 years after his death.

Samuel Clemens (“Mark Twain”) died on April 21, 1910. Accordingly, the University of California Press published Volume One of the Autobiography of Mark Twain this week, releasing the 760-page first installment of what will be a 3-book series on Monday, November 15.

Twain dictated his autobiography in 1906, four years before he died.  The text of those dictations, with explanatory editorial notes, have been gathered into these volumes.  While unpublished, the autobiography has not been secret — in fact, biographers have had access to it for the last century, so there are no bombshells waiting for us in its pages.

What there is is a stream-of-consciousness self-portrait created from anecdotes, stories, and portraits of America as it existed over a century ago, captured by one of this nation’s keenest writers and social critics.  Written with little regard for chronological order, Twain tells of his encounters with the fabulously wealthy (but “grotesque”) Rockefeller family, his troubles with bankruptcy, the tragic death of his daughter Susy, who died at 24 of meningitis, and much more. Over at Ambrose & Elsewhere, our main man James Enge has done a full review, saying in part:

Standout sections of this book include Twain’s discussion of his brother Orion, who seems to have been bipolar, and Twain’s account of how he patiently and gently corrected an overzealous editor… there is a lot else here, including a sort of 19th century Paris Hilton – a woman who was famous simply for being famous. That story made me feel better about our crappy media culture – apparently it’s always been crappy, ever since the invention of mass media.

Twain, author of The Prince and the Pauper, A Connecticut Yankee in King Arthur’s Court, and The Mysterious Stranger, was one of America’s finest fantasists.   The Autobiography of Mark Twain, Volume One, includes 66 photographs and is priced at $34.95.  More information is at the Amazon.com listing.

Goth Chick News: In Dog Years We’re Seven

Goth Chick News: In Dog Years We’re Seven

goth-chickWelcome to Goth Chick post number fifty-two.

It was one year ago this week that I moved into the underground offices beneath Black Gate headquarters and began tackling the challenges of a new job. As I’m sure you can appreciate, those early days were a singular challenge. First there was the task of getting all the boys around here to put the toilet seat in the down position, and then the tedious undertaking of choosing the first group of interns — and assigning them to clean the various science experiments out of the communal refrigerator. To say nothing of the effort needed to find new locations for all the cleaning supplies, so I could make space for my desk and drink blender.

Given my initial reception from the other staff members, I was struck with the sneaking suspicion that our editor and chief, John O’Neill, may not have been completely forthcoming in describing the scope of my new role. For instance, several of my fellow staff members kept dropping by to inform me the coffee maker was smoking from lack of coffee, or that the bucket under the leak in the ceiling was overflowing.

In spite of these numerous inane interruptions, I set about to do what John had asked of me: bringing my “unique skills to bear on the daily challenges of the Black Gate team.” True that the staff was certainly a tad heavy on boys wearing shirts with Star Trek quotes, and a sci-fi convention anywhere in the world left the phones unanswered and the mail piling up. It was therefore my task to equalize this imbalance by doing exactly that which I excelled at: Throwing mocking, dark, threatening female sarcasm right into the center of the Enterprise bridge known as Black Gate. So, for your amusement (as well as my own), Goth Chick News went live in November, 2009.

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Fantasy, The Middle-East, and a Conversation with Saladin Ahmed

Fantasy, The Middle-East, and a Conversation with Saladin Ahmed

blackgateamal1Hi! My name’s Amal! We’ve never met. Well, unless we have. But most likely we haven’t, because I’ve never blogged here before, even though Ms. Claire Rides-the-Lightning Cooney has mentioned me in my capacity as one of the Editors of Goblin Fruit in her ever-so-mighty three-part article extravaganza about mine humble ‘zine.

Anyway, towards summer’s end, Claire Too-Sexy-For-Trousers Cooney told me about a conversation our very own scurrilous blarneyful dear John O’Neill had with some friends, in which they were trying to think of Muslim SF writers, and coming up blank. Then someone thought of me! My vanity, it was flattered!

Except, I am not Muslim.

I am, however, a first-generation Lebanese-Canadian, and that may as well be the same thing.

Over the last nine years, I’ve had occasion to be startled, and then to cease to be startled, by the extent to which my Middle-Eastern-ness gets conflated with Muslim-ness as a matter of course, as well as the extent to which people feel entitled to learning my religion along with my name. This is not the space in which I want to think about why precisely that is – I have a blog too, after all – but it is the space which Ms. Awesomesauce Cooney offered me to talk about the ways in which we might see the Middle-East positively represented in fantasy, as well as showcase a writer of fantasy literature who does in fact happen to be Muslim.

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Art Evolution 10: Matthew D. Wilson

Art Evolution 10: Matthew D. Wilson

Art Evolution, the project to catalogue great fantasy RPG artists over the past thirty years depicting a single character, began here, and the tenth master is detailed below.

l5r-254With the inclusion of a ‘Battletech Lyssa‘ I’d done it, landing nine of my ten artists and only Erol Otus still holding out. What to do next? I emailed Erol, told him I had a venue for market, all nine other artists signed on, and we only needed him to complete the project. Erol promptly denied me again…

Still, nine representations put me over the moon. I looked back at my bookshelves and decided to try and live inside the mantra of my own lofty dreams. It was time to break out of the boundaries of money and convention and just go for it.

I pulled down Iron Kingdoms and rediscovered Matthew D. Wilson, a favorite of mine since the day I first saw TSR’s Forgotten Realms supplement The Unapproachable East. I broke out my D&D 3rd Edition Players Handbook and tripped over myself for not already including the works of Todd Lockwood. Going with Tony DiTerlizzi’s advice, I dipped into the early nineties with my collection of Dark Sun boxed sets and decided Brom was an absolute must.

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Weird Tales 356 Arrives

Weird Tales 356 Arrives

wt356The latest issue of the Grand Old Lady of dark fantasy, Weird Tales, arrived at the Black Gate rooftop headquarters last week. This is issue 356, Summer 2010, of a magazine that’s been published semi-regularly since 1923.

This issue’s theme is “Uncanny Beauty: A celebration of the eerily sensuous.” Fittingly, it includes fiction from the eerily sensuous Catherynne M. Valente, as well as a tarot card riff on an eerily sensuous Lady Gaga video, written by the entirely sensuous Amal El-Mohtar.

Plus — there’s more fiction from Ian R. MacLeod, Kat Howard, L.L. Hannett, Mike Aronovitz, and poems by Natania Barron and the extremely cool F.J. Bergmann. Non-fiction includes an article on “Strange Faces” by Theodora Goss, a look at Weird Tales pulp cover artist Margaret Brundage by Paula Guran, a fine remembrance by Senior Editor Stephen H. Segal of long-time WT editor George H. Scithers, who recently passed away, a column about H.P. Lovecraft by Kenneth Hite, and the usual book reviews.

Editor Ann VanderMeer continues to collect sniffs from some of the old guard, who seem to find insufficient sword & sorcery in this incarnation of the new weird, but so far I find little to fault with the authors she has gathered around her banner. And the design and artwork remain top notch.

Cover price for the issue is $6.99. It is 80 pages; cover art is by Alberto Seveso. The website is here.

The “Saw-the-Story-in-Half” Trick

The “Saw-the-Story-in-Half” Trick

stratton_robberbride1(I passed the 50,000-word mark in National Novel Writing Month yesterday, at Day 14. Last year I achieved this at Day 13—I must be getting slow.)

I have started to view Frederick Faust as something of my writing mentor. He wasn’t a public figure, instead disguised behind “Max Brand” and his many other pseudonyms, but his excellent storytelling skill is a good teacher all on its own. However, in his letters he left behind some excellent advice about how he developed his ideas. Considering his productivity, which shames about every author in history through its sheer volume, he must have got his ideas fast.

It is easy to call Frederick Faust and other writers with enormous bibliographies to their credit (Andre Norton comes to mind immediately within speculative fiction) as “natural storytellers.” But I wonder how much that takes away from their efforts. Faust’s own notes about his writing indicate a man always on the search for “story,” and not simply plunking down in front of the typewriter and trusting to luck. Early in his career, Faust was constantly worried that each idea he had would be the last one he would ever find—and I think most writers would admit to a similar fear. But Faust discovered, “You spot stories in the air, flying out of conversations, out of books.”

Here’s a remarkable piece of advice I discovered in one of Faust’s letters, which offers an interesting writing exercise: “When you read a story, pause halfway through; finish the story in detail in your imagination; write it down in brief notes. Then read the story through to the end. Often you find that you have a totally new final half of a story. Fit in a new beginning and there you are.”

That so simple it’s beautiful. I’ve tried it a number of times, usually on modern works, and always come up with a sketch of something completely new. So far, I’ve never used one of these outlines to complete a full story, but a few other ideas have come out of this brainstorming.

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Chilling with Miles: A Review of Cryoburn

Chilling with Miles: A Review of Cryoburn

cryoburnCryoburn, by Lois McMaster Bujold
Baen (352 pages, $25, Oct 19, 2010)

Cryoburn shows signs of being the last Vorkosigan novel. At the very least, it marks the end of a very long multi-novel arc in the series. For that reason, among others, it’s not a good place for newcomers to sample the series. For the same reason, longtime readers of the Vorkosigan stories will want to read this book, even if it is less than Bujold’s best work. (It’s still better than most sf writers on their best day.)

Although there’s no reason why Bujold couldn’t write a sequel to Cryoburn, there is some material at the end of the book that harks back to the opening entry in the series, Shards of Honor, and in it we can also hear some darkly deliberate echoes of the first Miles novel, The Warrior’s Apprentice. It’s as if LMB is marking the end of the series with ring composition. If my description seems rather vague, that’s because I’m sparing the spoiler, here. All this stuff is a sort of codicil to the novel, anyway, having nothing to do with the main story– which makes it look that much more like a deliberate signal. (I hope I’m wrong about this.)

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Supernatural Spotlight – Episode 6.8 “All Dogs Go to Heaven”

Supernatural Spotlight – Episode 6.8 “All Dogs Go to Heaven”

Dean gets in touch with his inner sniper.
Dean gets in touch with his inner sniper.

We start in Buffalo, New York, with a businessman’s car being attacked (along with the businessman) by a very angry dog. Lot of options: both werewolves and hellhounds come to mind.

At a roadside diner, Dean chats on the phone with Bobby in an effort to work out what to do about Crowley (the “King of Hell” who’s taken Lucifer’s place and busted Sam out of Hell), but Crowley shows up in the middle of the phone call. He’s got a job for Sam and Dean. Sam puts up a nominal protest, but he doesn’t have a soul, so how much can he really object to anything anyway. As Crowley puts it, “You’d sell your brother for a dollar right now if you really needed a soda.”

Dean, however, still has a soul and refuses to work for Crowley … until he points out that he can cause Sam pain whenever he wants, since he currently is in possession of Sam’s soul.

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Harlan Ellison Struggles to Sell Early Typewriter

Harlan Ellison Struggles to Sell Early Typewriter

ellisontypewriter2Harlan Ellison is selling his first typewriter.

Following the sale of Jack Kerouac’s typewriter for $22,500 at Christie’s in New York on June 22, interest in genre circles was high to see what kind of demand there would be for a similar relic from the famed science fiction writer. The item in question is a used Remington Rand “noiseless” portable dating from around 1936 to 1940, used by Ellison until he turned eighteen. Now David Silver, the man brokering the sale, reports at Harlan Ellison Webderland that he is having trouble attracting serious bids:

Way back in September, Harlan asked me to go forward and attempt to sell his extremely precious first typewriter…  but I met with virtually no success. There was a lot of “Harlan who?” or (gasp!) “You mean that Star Trek guy?” or similarly uninformed responses…. Everywhere I found mentions of the sale, I couldn’t help but feel they all lacked any real element of care…  I wasn’t expecting anybody to lie for Harlan, to invent anything, or to reinvent the wheel. I simply thought MANY of you would get excited… Stand up, spread your arms, and yell at the world, “C’mon, all you dumb asses with the money and the initiative to take ADVANTAGE of this opportunity, WHAT ARE YOU WAITING FOR?! Are you STUPID?! Do I gotta spell it out for you?! SHOW HARLAN THE MONEY!!” … We’re talking about a first tier unique collectible item with an asking price of $40,000!!

Ellison, who announced he was leaving the internet on July 6 in a short Goodbye note (saying “I’ve finally had as much of the internet as I can bear”), returned to posting at Harlan Ellison Webderland on July 26. The home page of the Webderland has been replaced with detailed information on the typewriter.

No closing date for the sale has been announced.

Novel Writing: Extrapolations

Novel Writing: Extrapolations

Ford's MordredNaNoWriMo continues. I’m adding to my word count, generating text and ideas. Last week, I talked about Malory’s Le Morte d’Arthur, which I’m using as a source text for my novel, and I mentioned that it can act as a spur to creativity.

This week, I’d like to give an example of what I meant, and go over some of the ways I’m rewriting Malory, and some of the ways I’ve interpreted him in ways that serve the purpose of my own tale. This will therefore be an unavoidably self-indulgent post.

My plan is for the story I’m writing to weave in and out around the events of Malory’s book, presenting bits of Le Morte d’Arthur from a new angle. I’m still going with the basic idea I outlined in my first post on NaNoWriMo; the Arthur story from Modred’s point of view, but a Modred who is half-elven and as deeply enmeshed in the politics of the elven world as of Camelot. Modred as a bitter moralist, struggling against fate; as I said, Modred as Elric.

So how do I get from there to a 50,000 word (or 100,000 word) novel?

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