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Blogging Sax Rohmer’s The Return of Dr. Fu-Manchu, Part Eight – “The Fiery Hand”

Blogging Sax Rohmer’s The Return of Dr. Fu-Manchu, Part Eight – “The Fiery Hand”

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fiery-hand“The Fiery Hand” was the eighth installment of Sax Rohmer’s Fu-Manchu and Company.   The story was first published in Collier’s on September 25, 1915 and was later expanded to comprise Chapters 24-26 of the second Fu-Manchu novel, The Devil Doctor first published in the UK in 1916 by Cassell and in the US by McBride & Nast under the variant title, The Return of Dr. Fu-Manchu.

8073861This serves as Rohmer’s variation on the haunted house story and mines the same territory as countless Sherlock Holmes pastiches where the reader is assured that the detective will arrive at a rational explanation because the other characters are convinced that the mysterious goings-on must be of supernatural origin from the start. That said, the story is an excellent one and finds Rohmer in fine form.

Inspector Weymouth calls on Nayland Smith and Dr. Petrie to enlist Smith’s aid in investigating the Gables, a property in Hampstead that appears to have been haunted for the past two years. The previous owners, a Quaker family who lived at the house for over forty years sold it after manifestations of a fiery hand holding a flaming dagger appeared. They said nothing of the incident at the time for fear of not being able to sell the property.

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Frank M. Robinson’s Legendary Pulp Collection for Sale

Frank M. Robinson’s Legendary Pulp Collection for Sale

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incredible-pulpsOne of the largest and most impressive pulp collections in the world is now for sale.

Pulp historian and author Frank M. Robinson, whose books on pulps include The Incredible Pulps, Pulp Culture: The Art of Fiction Magazines, and Science Fiction of the 20th Century: An Illustrated History, is selling his collection of nearly 10,000 pulps magazines. The sale will be conducted through John Gunnison’s Adventure House Auctions.

Adventure House has prepared a YouTube video showing a small sampling of the pulps in the collection, including Weird Tales, Spicy Mystery, The Thrill Book, Submarine Stories, Pirate Stories, and Doc Savage, here.

Highlights of the collection include rare pulps such as Ghost Stories, Miracle Science Fiction and Fantasy, Tales of Mystery and Imagination — and ultra-rare gems such as Gun Molls, Courtroom Stories, Saucy Movie Tale, Mystery Adventure, and the only only known copy of the June 1929 issue of Zeppelin Stories, which includes the near-legendary tale “Gorilla of the Gasbags.” 58 of the rarest issues in his collection are included in the MagazineArt Gallery (do a search on Frank M. Robinson).

I’m not sure how I feel about this. I’m glad the collection appears to be being kept together. But there’s no way I can buy it without winning a lottery.

I wonder if Patrick Rothfuss will offer to buy it for me.

Howard Andrew Jones and Scott Oden Surround the Sword Woman

Howard Andrew Jones and Scott Oden Surround the Sword Woman

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sword_womanAs Howard Andrew Jones month heads into the final stretch, we still have several exciting developments to tell you about.

First is the release this month of Robert E. Howard’s latest thick collection, Sword Woman and Other Historical Adventures, featuring a generous selection of classic pulp adventure tales from the creator of Conan, including “The Sowers of the Thunder,” “Lord of Samarcand,” “Hawks of Outremer,” and “The Road of Azrael.” This is the 11th volume in the handsome Del Rey editions of collected Howard fiction, following The Coming of Conan the Cimmerian, the two-volume The Best of Robert E. Howard, and El Borak and Other Desert Adventures.

Howard Andrew Jones teamed up with fellow Black Gate blogger and historical fiction author Scott Oden to bookend the collection: Scott wrote the introduction, and Howard the lengthy 22-page afterword, “Howard’s Journey,” which puts REH’s historical fiction in proper context with the great pulp writers who preceded him.  From his afterword:

Pound for pound Robert E. Howard’s historical fiction more than holds its weight against Howard’s other genre and series work. Over just a few years Howard fashioned a grander helping of these stories than many historical writers craft over a lifetime… It should not be assumed, though, that he wrote any of his stories in a vacuum… Professional author though he was, Howard still had to find his comfort level with the genre. He did so in part by being familiar with both history and the writers who brought it to life before him…

Scholars have noted the influence of Jack London and Rudyard Kipling in his work, as well as Howard’s familiarity with myth and legend, likely via Thomas Bulfinch. The shadow cast by adventure and historical adventure writer Harold Lamb has been noted but never discussed at length. Robert E. Howard seems to have found a kind of kindred spirit in Lamb, and progressed from modeling off his fiction until, student growing to master, Howard matched and even sometimes surpassed his skill.

Sword Woman is fully illustrated by John Watkiss. It includes 18 complete stories, over a half-dozen fragments, and detailed notes on the texts. It is available in trade paperback for $18, and clocks in at over 570 pages. The series is edited by Rusty Burke.

Goth Chick News: Barnabas Collins Rises

Goth Chick News: Barnabas Collins Rises

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image0061Though I would normally start this post by ranting about the lack of originality in Hollywood and threaten to stick my thumbs in the Black Gate blender if yet one more remake crawls into a theater near me, I’m brought up short by news of a project with a serious pedigree.

Dark Shadows is slated to start production this Spring for an early 2012 release.

If you tell me you aren’t acquainted with Mr. Barnabas Collins I will first need to inquire how the weather here compares with your home in the Congo, and did you have a pleasant flight into civilization yesterday? I would then go on to tell you that Dark Shadows was a first-of-its-kind gothic soap opera dealing primarily with supernatural themes and if, like me, you were to discover it for the first time while watching contraband reruns at a 10-year-old’s birthday sleepover, it would have scared the crap out of you.

First impressions, no matter how traumatic, can stick with a person for a lifetime and Dark Shadows clearly stuck with a large segment of the population.

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Graphic Noir: A Random Sample

Graphic Noir: A Random Sample

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peter-gunn-dell-4colorNoir comics have bubbled under the surface for decades. Even the mainstream success of the Dick Tracy newspaper strip failed to bring hardboiled detectives to the forefront of the medium. Batman started off as a noir title before quickly eschewing dark corners for brightly-colored superhero theatrics for decades. TV and movie tie-in’s, usually one-off’s from publishers like Dell popped up here and there but failed to be anything more than curios.

playback1A quick look at Dell’s Peter Gunn one-shot from 1959 is a perfect example. The television series was strictly adult fare in its day with a 9:30 PM time slot so it’s strange to see a kid-friendly comic with Pete tracking down a maker of counterfeit postage stamps as the lead story.

Dell fared much better with the simultaneous publication of a TV tie-in novel by the author of the Peter Chambers series, Henry Kane. That book managed to aim for a more sophisticated audience than late fifties network television standards would allow making Dell’s dime comic all the more strange in comparison.

The advent of the graphic novel was really the medium that allowed noir titles to flourish. Darker, more adult and frequently self-contained, the graphic novel was the perfect vehicle to bring hardboiled detectives into the graphic medium. Jim Steranko may have been the first to exploit the combination with Red Tide (1976) featuring the adventures of a gumshoe named Chandler in an appreciative nod to the creator of Philip Marlowe. That seminal work was the first graphic noir in the United States, Europe having got the drop on us first.

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Happy 100th Birthday, C. L. Moore!

Happy 100th Birthday, C. L. Moore!

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shambleau1Catherine Lucille (C.L.) Moore, one of the great pulps writers of the 20th Century and author of Judgment Night, Shambleau and Others, Northwest of Earth, and Jirel of Joiry, was born 100 years ago today, on January 24, 1911.

Moore’s first story, “Shambleau,” the tale of a beautiful alien vampire, introduced interplanetary adventurer and pulp hero Northwest Smith  in the November 1933 issue of Weird Tales. The next year she published “Black God’s Kiss,” the first tale of Jirel of Joiry. They remain two of the most famous stories Weird Tales ever published.

Much of Moore’s early science fiction and fantasy stories were collected by Gnome Press in handsome volumes that are still highly collectible today, including Judgment Night (1952), Shambleau and Others (1953), and Northwest of Earth (1954).

Moore married fellow science fiction author Henry Kuttner in 1940, and they collaborated on many classic tales for the pulps, including “Mimsy Were the Borogroves,” (filmed in 2007 as The Last Mimzy), “The Twonky,” and “Vintage Season.” Much of their work together appeared in Astounding Science-Fiction,  usually under the name Lewis Padgett or Laurence O’Donnell.

judgment-nightMoore published three novels before her death in 1987: Doomsday Morning(1957), and two with Kuttner: Earth’s Last Citadel (1943) and The Mask of Circe (1948).

Unlike most pulp authors, C.L. Moore’s fame continued to grow after her death, and the past decade alone has seen several major collections of her work including two Planet Stories editions from Paizo: Black God’s Kiss (2007) and Northwest of Earth (2008); as well as Volume 31 in the Fantasy Masterworks series from Gollancz, Black Gods and Scarlet Dreams (2002); and two huge retrospectives: Two-Handed Engine (Centipede Press, 2006) and Detour to Otherness (Haffner Press, 2010).

Over the years we’ve done our own tributes to C.L. Moore, including Ryan Harvey’s Jirel of Joiry: The Mother of Us All, Paul Di Filippo’s review of Judgment Night, and C.S.E. Cooney’s recent Jirel, Ma Joie!

Celebrate the life of one of our finest writers this week — pick up and enjoy a C.L. Moore story. You’ll thank us later.

[Thanks to Stephen Haffner of Haffner Press for the tip.]

“Jirel, Ma Joie!” (In Which I Encounter My First C.L. Moore)

“Jirel, Ma Joie!” (In Which I Encounter My First C.L. Moore)

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jirel21Due to an unfortunate (or perhaps I should say, “fortuitous”) comment I let slip in an email, Howard Andrew Jones discovered I had no idea who C.L. Moore was.

My comment was something to the effect of, “C.L. Moore? What did he write?”

I met Howard in person once, about a billion years ago at World Fantasy in Saratoga Springs. I retain no clear picture of him in my head, except from images I’ve gleaned off of his Facebook profile page, but from his quick reply, I could so clearly see the bare patches on his skull where he had just torn out huge clumps of hair in rage and frustration.

But he was quite polite about it all.

In his email, he linked me right to Ryan Harvey’s thorough and passionate overview of Herself, Catherine Lucille Moore, Mighty Sorceress of the Pen, Queen Mother of the First Female Sword-Swinging Spit-Fire Protagonist in Fantasy and Science Fiction. This article I happily read, promising myself I would devour some C.L. Moore books the first chance I got!

And then I promptly forgot all about it.

But Howard Andrew Jones and John O’Neill, undaunted by my insouciance, both earnestly strove to further my education in this, our beloved genre. By hook, crook and conspiracy, they contrived to smuggle me a copy (through dangers untold and hardships unnumbered) of C.L. Moore’s Jirel of Joiry for my birthday.

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Black Gate Kuttner Contest: And the Winners Are…

Black Gate Kuttner Contest: And the Winners Are…

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kuttnerBlack Gate magazine is very pleased to announce the winners of our Kuttner Contest:

Pawel Martin
Alexander G. Tozzi
G. W. Thomas

All three winners receive a copy of Terror in the House: The Early Kuttner, Volume One, compliments of publisher Haffner Press. Terror in the House is 712 pages in hardcover, and is edited by Stephen Haffner and illustrated by Harry V. Parkhurst. Congratulations to the winners!

To enter the contest required a one-sentence review of your favorite Henry Kuttner short story. Winners were chosen at random from all eligible entries.

The wide range of entries gave us a fine appreciation for just how well Henry Kuttner is still remembered over 50 years after his death, and these concise reviews of readers’ favorite Kuttner tales should help those less familiar with him understand the enduring quality of his fiction. Some of the best entires we received are collected below.

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Take Advantage of Holiday Discounts at Lulu.com

Take Advantage of Holiday Discounts at Lulu.com

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luluI got a reminder from Lulu.com this morning that the window for placing Holiday orders in time for Christmas is closing.  Thanks Lulu!

Plus, they sent me the handy coupon at right.  It’s good for 20% off any order (up to a total of $100 savings) until Dec 31, 2010.

I hope I don’t get in trouble for sharing it. Probably not.  But if anybody locks you in a small room and shines a bright light in your face and demands to know where you got this coupon, remember these handy phrases: “I’ll talk!  It was Gordon van Gelder.”

Or just go get your own coupon online, at their Daily Deals page.

startling-storiesLulu is the leading Print on Demand (POD) publisher. Need a reminder of all the great titles available at Lulu?

Over the past year we’ve told you about the two volumes of The Clayton Astounding reprints, Vagabonds of Space and Planetoids of Peril.

For gamers, there’s the new role playing game of heroic rodents, Hyperborean Mice, featuring grim swords & sorcery action… with talking mice.

For short fiction lovers, there’s G.W. Thomas’ terrific Dark Worlds magazine, featuring tales of modern adventure fantasy, and the new incarnation of pulp magazine Startling Stories, from Wild Cat Books (shown at left).

And don’t forget Charles R. Saunders’ latest Imaro novels, The Naama War, and The Trail of Bohu.

At that and much more.  Support your favorite small press publishers, and get some great gifts at the same time. How cool is that?

Blogging Alex Raymond’s Flash Gordon, Part Five: “The Witch Queen of Mongo”

Blogging Alex Raymond’s Flash Gordon, Part Five: “The Witch Queen of Mongo”

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flashgordon2_1cvr1“The Witch Queen of Mongo“ was the fifth installment of Alex Raymond’s Flash Gordon Sunday comic strip serial for King Features Syndicate. Originally printed between April 21 and October 13, 1935, “The Witch Queen of Mongo” picked up the storyline where the fourth installment, “Caverns of Mongo” left off with Flash and Dale setting out to conquer the cave kingdom that was awarded to Flash following the tourney held by Ming and Vultan.

Writer/artist Alex Raymond benefitted greatly from the contributions of ghost writer Don Moore who developed characterization to bring much-needed balance to the nonstop parade of cliffhangers. The serial quickly sets the tone with Dale’s mounting frustration with Flash’s preference for continued adventures over settling down and marrying her. This development coincides with the introduction of Azura, the titular Witch Queen of the Kingdom of Syk.

azuracomicsAzura is the second of Alex Raymond’s stunning exotic women of Mongo and rivals Aura in complexity and appeal. The Witch Queen’s descent from the heavens on a stair of flames is an iconic image that may have influenced Frank Frazetta’s cover art for Conan the Freebooter three decades later. Likewise, Flash’s Nordic-style horned helmet suggests the strip was a vital inspiration on the depiction of Robert E. Howard’s barbarian pulp hero.

From the very start, the point is made that the Witch Queen’s “magic” is nothing more than advanced technology. The continued juxtaposition of the futuristic with medieval fantasy remained a potent formula for success with the stip.

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