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Pellucidar Break: The Monster Men by Edgar Rice Burroughs

Pellucidar Break: The Monster Men by Edgar Rice Burroughs

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monster-men-original-dust-jacketI’ve reached the halfway point on my retrospective of Edgar Rice Burroughs’s Pellucidar novels — and if I’ve learned one thing from having done two other complete ERB retrospectives (aside from never get in a flying vehicle with Carson Napier), it’s that I should take a break before plunging forward into the second half. Or maybe plunging down into the second half. Once a Burroughs series enters the late 1930s, the drop off in quality can get frightfully steep.

So before going Back to the Stone Age, I’m rewinding to the salad days of ERB’s career and exploring a lesser-known work: a take on Frankenstein and The Island of Dr. Moreau filtered through the pulp jungle adventure; a book of great promises and great frustrations.

The story that would eventually become The Monster Men is an ambitious thematic and character experiment that explodes with the exuberance of early Edgar Rice Burroughs. It’s also a misfire where generic pulp elements and a terrible ending undermines the potential for one of its author’s most intriguing works. The ebullience of youthful ERB bursts through, but the control and follow-through with complex ideas seem to have been left to the concurrent Tarzan, Mars, and Pellucidar series.

Burroughs wrote the novel in April 1913 during a feverish period between The Cave Girl and The Warlord of Mars. He may have devised the idea in late 1912 as a short story. But he soon discovered the short story wasn’t his medium and expanded the idea into a full-length book titled “Number Thirteen.” It appeared as “A Man without a Soul” in the November 1913 issue of All Story. For its first book publication in 1929, the name was changed to The Monster Men, by far the weakest of the trio of titles, but the one we’re stuck with. “The Man without a Soul” had been used as the title for the U.K. book publication of The Mucker, which probably accounts for the change. The title coincidence between these two books, however, isn’t exactly a coincidence, something I’ll examine later.

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Future Treasures: The Empire’s Ghost by Isabelle Steiger

Future Treasures: The Empire’s Ghost by Isabelle Steiger

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The Empire's Ghost-smallIsabelle Steiger is something of a mystery, to me at least. She came out of nowhere… no previous novels, no short stories that I can find, zip. Not even a website.

Is Steiger a pseudonym, maybe? Who knows. All I know is that she’s produced the opening novel of a brand new fantasy series that’s getting a lot of attention — no small achievement. The Empire’s Ghost arrives in hardcover in ten days.

The empire of Elesthene once spanned a continent, but its rise heralded the death of magic. It tore itself apart from within, leaving behind a patchwork of kingdoms struggling to rebuild.

But when a new dictator, the ambitious and enigmatic Imperator Elgar, seizes power in the old capital and seeks to recreate the lost empire anew, the other kingdoms have little hope of stopping him. Prince Kelken of Reglay finds himself at odds with his father at his country’s darkest hour; the marquise of Esthrades is unmatched in politics and strategy, but she sits at a staggering military disadvantage. And Issamira, the most powerful of the free countries, has shut itself off from the conflict, thrown into confusion by the disappearance of its crown prince and the ensuing struggle for succession.

Everything seems aligned in Elgar’s favor, but when he presses a band of insignificant but skilled alley-dwellers into his service for a mission of greatest secrecy, they find an unexpected opportunity to alter the balance of power in the war. Through their actions and those of the remaining royals, they may uncover not just a way to defeat Elgar, but also a deeper truth about their world’s lost history.

The Empire’s Ghost will be published by Thomas Dunne Books on May 16, 2017. It is 419 pages, priced at $25.99 in hardcover and $12.99 for the digital edition. The cover was designed by Young Jin Lim,

Worldbuilding a “Star Punk” Future #2: Post-Certainty Society in Elizabeth Moon’s Vatta’s Peace

Worldbuilding a “Star Punk” Future #2: Post-Certainty Society in Elizabeth Moon’s Vatta’s Peace

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Vatta Cold Welcome
…could be a superior Traveller campaign

Go on a Traveller RPG forum and ask for book recommendations, and somebody will suggest Elizabeth Moon’s Vatta’s War series — a series that has just spawned a rather good sequel, Vatta’s Peace.

The Vatta books are, of course, a really good read. They’re gritty and realistic — it helps that Moon’s ex-military. They’re also fast-paced and well-written, they have vivid characters you enjoy hanging out with, and a strong female protagonist (or two). The same can be said of her other big SF series, affectionately known among my friends as “Scary Horse Aunts In Space” (*) but it’s the Vatta books that come up because they feel a lot like Traveller, meaning they fit my definition of Star Punk:

Set in [a] spacefaring civilization… where… technology has somehow failed to eliminate the human element, where you still need a human to pull the trigger or pilot the scout ship, and where nanotechnology, 3D-printing and vertical farms have neither eliminated trade, nor ushered in a crime-free post scarcity society. They all involve individuals or companions — adventurers, traders, investigators, contractors — pursuing goals of only local significance. (*)

Except for not being an ensemble piece, the series really could be a superior Traveller campaign! It even kicks off with Ky operating as a free trader having left Naval Academy due to a scandal — did somebody fail her survival roll during character generation? It expands to encompass family corporations, commercial espionage, romance, family drama, conspiracy, politics, atrocity, piracy and ultimately set-piece space battles.

However, it rarely loses sight of the business of space travel. Our intrepid hero must deal with crew, repairs, finance, quirky local custom, in addition to the issues around using a civilian ship in armed conflict against pirates and other enemies… this is like a story from the 1970s, but with a tighter plot, modern diversity and values, and much better writing.

The setting — the worldbuilding — is also very Traveller-like in that the technology is limited in such a manner as to create a near-future-but in spaaace feel. Moon achieves this mostly by deploying the third of the options identified in the my last article: she turns the technology against itself.

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In 500 Words or Less: Ghost Talkers by Mary Robinette Kowal

In 500 Words or Less: Ghost Talkers by Mary Robinette Kowal

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Ghost Talkers Mary Robinette Kowal-smallGhost Talkers
By Mary Robinette Kowal
Tor (304 pages, $24.99 hardcover/$11.99 paperback, August 2016)

Every year I end up teaching at least one section of Grade 10 Canadian History as part of my day job (yes, I work with high school students by choice on top of writing) and begin the course by talking about the First World War. I’ve discussed trenches, the Battle of the Somme, German artillery, etc. so often that that particular stretch of history feels like a long-time colleague. Which meant that Mary Robinette Kowal’s Ghost Talkers (my first exploration of her work, though I’ve listened to Writing Excuses for years) was interesting for me not just as an avid reader but also as a historian, to see how introducing mediums and spirits to the front lines would change the nature of the war.

The amount of research that Kowal must have done for this novel shows. From the dialogue between the characters, to the references to actual events and aspects of period culture and slang, the characters in Ghost Talkers felt the same as individuals from primary sources I’ve read for my teaching. At the same time, the characters are realistic and easy to relate to; central protagonist Ginger, one of the senior members of the army’s Spirit Corps, is particularly compelling because she’s motivated by the death and grief around her (some of which is quite personal) but keeps pushing herself to discover the threat against her people before it’s too late.

Ginger’s entire story is set against the historical fact of women’s status and patriarchal society at the time of the First World War (in Canada most women couldn’t vote at the time) and since part of the story is about women proving their worth in a “man’s war,” I’m left wondering what would happen at the end of this alternate war. Would women be forced to go back to their traditional roles, like in our world, or would things be different?

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Vintage Treasures: Where Time Winds Blow by Robert Holdstock

Vintage Treasures: Where Time Winds Blow by Robert Holdstock

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Where Time Winds Blow Holdstock-small Where Time Winds Blow Holdstock-back-small

Several bloggers at Black Gate have piqued my interest in Robert Holdstock recently. In his November review of his pseudonymous sword & sorcery novel Berserker: Shadow of the Wolf, Fletcher Vredenburgh wrote:

Holdstock’s vision of the Viking age is merciless and dread-filled. The Norse are vicious, murderous bandits, continuously killing and raping their way across Ireland. The Norse themselves live in fear of the gods, no wonder in the face of murderous Berserkers. Haunts and monsters lurk in every shadow, sneaking from behind one tree to another. Men live under curses and the constant fear of sudden violent death. Most often death is unfair and ignoble.

And in his March review of Mythago Wood and Lavondyss, Derek Kunsken wrote:

There are a few novels I will return two over and over… one truly haunting work is Robert Holdstock’s Mythago Wood and Lavondyss. The novels won the World Fantasy Award in 1985 and the BSFA Award in 1988 respectively… reading Holdstock is to viscerally experience layers of deep, Jungian time. The wood is haunted not by ghosts of the past per se; it is haunted by the ancient memories of ghosts that each person carries within them, all the legends, remembered in story and forgotten.

The running theme through both reviews is that Holdstock is a master of setting, and that seems borne out by my most recent discovery, the Timescape paperback Where Time Winds Blow. It’s a standalone SF novel set on a strange SF planet where reality is fluid, and subject to mysterious winds that scream across the surface. That definitely sounds like my kind of book. Where Time Winds Blow was published by Timescape / Pocket Books in May 1982. It is 262 pages, priced at $2.95. The cover is by Carl Lundgren. I bought the copy above online this week for $2.79.

New Treasures: The Choice Series by Paul McAuley

New Treasures: The Choice Series by Paul McAuley

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Something Coming Through Paul McAuley-small Into Everywhere Paul McAuley-small

Paul MaAuley was an early contributor to Black Gate, with a review column titled On the Edge. His first novel, Four Hundred Billion Stars (1988), won the Philip K. Dick Award; his 1996 novel Fairyland won the Arthur C. Clarke Award and the John W. Campbell Memorial Award for Best SF Novel. His latest is a pair of contemporary SF novels about an enigmatic alien race who make an equally enigmatic gift to mankind… Alastair Reynolds calls the first one, Something Coming Through, “as tight and relentlessly paced as an Elmore Leonard thriller… the freshest take on first contact and interstellar exploration in many years.” Here’s the description for Something Coming Through.

The Jackaroo have given humanity fifteen worlds and the means to reach them. They’re a chance to start over, but they’re also littered with ruins and artifacts left by the Jackaroo’s previous clients. Miracles that could reverse the damage caused by war, climate change, and rising sea levels. Nightmares that could forever alter humanity — or even destroy it.

Chloe Millar works in London, mapping changes caused by imported scraps of alien technology. When she stumbles across a pair of orphaned kids possessed by an ancient ghost, she must decide whether to help them or to hand them over to the authorities. Authorities who believe that their visions point towards a new kind of danger. And on one of the Jackaroo’s gift-worlds, the murder of a man who has just arrived from Earth leads policeman Vic Gayle to a war between rival gangs over possession of a remote excavation site.

Something is coming through. Something linked to the visions of Chloe’s orphans, and Vic Gayle’s murder investigation. Something that will challenge the limits of the Jackaroo’s benevolence …

Something Coming Through was published by Gollancz on June 21, 2016. It is 384 pages, priced at $12.99 in paperback and $1.99 for the digital edition. The sequel, Into Everywhere, was published in paperback by Gollancz on June 14, 2016. It is 384 pages, priced at $19.99 in paperback and $5.99 for the digital edition.

Why You Should Go to Conventions

Why You Should Go to Conventions

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The Dray Prescot series 3-small

The Dray Prescot series, by Alan Burt Akers

Last month, I posted in a couple of Facebook groups a piece of new art that Deb and I had bought. In response to the post, one person asked how to go about acquiring illustration art, and I mentioned that one good venue was going to conventions such as The Windy City Pulp and Paper Convention (shameless plug) or PulpFest for vintage art, or IX or Spectrum Fantastic Art Live for new stuff. And many of the larger comic conventions also have some dealers who specialize in vintage illustration art, or artist attendees doing current work. And several SF/fantasy conventions, such as World Fantasy, Boskone or Worldcon still have good art rooms (and Boskone in particular has strong vintage art components to their art shows), though in most cases SF cons are not what they used to be when it comes to art. In addition to conventions, I also mentioned various auction houses, eBay and dealers, which are more typical day-to-day places to find illustration art, as cons are scattered throughout the year and most of us can’t attend all of them.

Of course, this is only my opinion, and others may have different experiences, particularly when it comes to collecting newer illustration art. Our focus is on older illustration art, and while we do have several pieces that have been created in the past few years, the bulk of our collection is illustration art that’s at least 30 years old, with the majority of it at least 60 years old and some over 100 years old.

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Justin Cronin on Bringing The Passage Trilogy to Television

Justin Cronin on Bringing The Passage Trilogy to Television

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Justin Cronin The Passage trilogy-small

Over at DGO, Patty Templeton interviews author Justin Cronin on bringing his bestselling horror trilogy to the small screen. Let’s listen in, shall we?

The Passage is a damn fine book. It’s a doorstopper of a read with deep characters and a full-tilt apocalyptic plot. The first in a completed trilogy, The Passage establishes a near-future world ravaged by a contagious virus that leaves its victims in a vampire-like state. From there, one world dies and another is born…

PT: THE PASSAGE TRILOGY IS COMING TO TV. WHAT EXCITES YOU MOST ABOUT THE PROJECT?

JC: I think TV is so good now. Film is a director’s medium and TV has become a writer’s medium. TV is natural for ensemble storytelling and for telling a big story. Television is also a very good way to bring people to the books. Television is around for a long time, assuming the show is successful enough to stay around. Movies come and go, now. Half the movies I want to see are gone from the theaters before I can see them. Whereas television is one of our great cultural pleasures. Good television is kind of like Dickens used to be. It’s episodic and we can all go down to the pier and await the next chapter of David Copperfield.

Read the complete interview at DGO!

Trader to the Stars by Poul Anderson

Trader to the Stars by Poul Anderson

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oie_221517P0i26eYZI have no idea which Poul Anderson book I picked up first. It might have been The Winter of the World or Hrolf Kraki’s Saga. Whichever it was, I enjoyed it. It was enough to get me grabbing books at random from the big stack of his work my dad had bought. I’ve read a ton of his books, but with nearly seventy novels and sixty short story collections to his name, I still have plenty to go.

I’d venture a guess that Poul Anderson, multiple Hugo- and Nebula-winner, is probably better remembered for his fantasy than for his science fiction. Since his death in 2001, it seems his fantasy writing, the seminal swords & sorcery novel The Broken Sword in particular, has acquired a much greater reputation than his sci-fi.

While he wrote many standalone sci-fi novels, a large number were part of a specific future history. The Technic Civilization covers humanity’s spread across the stars, beginning, chronologically, with the story “The Saturn Game” set in the year 2055 and ending with “Starfog” in 7100. The majority of the stories take place during the second half of the third millennium and feature Falstaffian merchant prince Nicholas van Rijn, his agent David Falkayn, or Imperial secret agent Dominic Flandry.

Anderson’s future history stories are a mix of pulp space opera and hard sci-fi. At the heart of many of the stories is an explicit scientific conundrum that needs to be answered. Each puzzle, though, is couched in adventures with alien barbarians, enemy planets, or galactic empires.

Trader to the Stars (1964) collects three van Rijn adventures, “Hiding Place,” “Territory,” and “The Master Key.” Each features van Rijn working out evolutionary puzzles, usually in the face of some grave danger and always in hopes of making a profit. The first two throw the trader into the middle of danger, while the third lets him, Nero Wolfe-like, get to the bottom of a native uprising from the luxurious surroundings of his penthouse.

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Future Treasures: Shattered Warrior by Sharon Shinn and Molly Knox Ostertag

Future Treasures: Shattered Warrior by Sharon Shinn and Molly Knox Ostertag

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Shattered Warrior-small Shattered Warrior-back-small

Sharon Shinn is one of our favorite writers around these parts. I know, I know, we have a lot of favorite writers. But do we have fond memories of mobbing them at breakfast with the entire Black Gate staff, as we do with Sharon? No, we do not.

Sharon has published more than 25 novels over the past two decades, including the Samaria series, Twelve Houses series, and the Elemental Blessings novels. Her latest project is a graphic novel with award-winning webcomic artist Molly Knox Ostertag (Strong Female Protagonist), titled Shattered Warrior. Set on a world conquered by the alien Derichets, it tells the tale of Colleen Cavenaugh, who toils in a factory for her alien masters, until the day her home is invaded by an unlikely band of human resistance fighters.

Here’s a scan of the inside flap, and a few sample pages to showcase some of Ostertag’s colorful art and character design.

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