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New Treasures: The Black Witch by Laurie Forest

New Treasures: The Black Witch by Laurie Forest

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Is there anything as delightful as a debut fantasy novel that comes out of nowhere and gets rave reviews? (Never mind, it’s a rhetorical question). The latest example to cross my desk is The Black Witch by Laurie Forest, a 600-page fat fantasy that Kirkus calls “A massive page-turner that leaves readers longing for more,” and that Publishers Weekly praises with “Exquisite character work, an elaborate mythology, and a spectacularly rendered universe make this a noteworthy debut.” It arrived in hardcover and digital formats on May 1st.

A new Black Witch will rise… her powers vast beyond imagining.

Elloren Gardner is the granddaughter of the last prophesied Black Witch, Carnissa Gardner, who drove back the enemy forces and saved the Gardnerian people during the Realm War. But while she is the absolute spitting image of her famous grandmother, Elloren is utterly devoid of power in a society that prizes magical ability above all else.

When she is granted the opportunity to pursue her lifelong dream of becoming an apothecary, Elloren joins her brothers at the prestigious Verpax University to embrace a destiny of her own, free from the shadow of her grandmother’s legacy. But she soon realizes that the university, which admits all manner of people — including the fire-wielding, winged Icarals, the sworn enemies of all Gardnerians — is a treacherous place for the granddaughter of the Black Witch.

As evil looms on the horizon and the pressure to live up to her heritage builds, everything Elloren thought she knew will be challenged and torn away. Her best hope of survival may be among the most unlikely band of misfits… if only she can find the courage to trust those she’s been taught to hate and fear.

The Black Witch was published by Harlequin Teen on May 1, 2017. It is 601 pages, priced at $19.99 in hardcover and $9.99 for the digital edition. The cover was designed by Mary Luna. Read an excerpt at Entertainment Weekly.

Black Gate Interviews Egyptian Science Fiction Author Mohammad Rabie

Black Gate Interviews Egyptian Science Fiction Author Mohammad Rabie

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51JYgQ68kPL._SY344_BO1,204,203,200_One pleasant stop on my recent trip to Cairo was the American University’s bookshop near Tahrir Square. It’s a treasure trove of books on Egyptology and Egyptian fiction in translation. Among the titles I picked up was the dystopian novel Otared by Mohammad Rabie.

This novel, originally published in Arabic in 2014 and published in English in 2016 by Hoopoe, the fiction imprint of the American University of Cairo, is a grim dystopian tale of Cairo in 2025.

After several botched revolutions in which the people repeatedly fail to effect real social and political change, Egypt is invaded by a foreign power. The army crumples, most of the police collude with the occupiers, and the general public doesn’t seem to care. A small rebel group decides to take back their nation, and one of its agents is former police officer turned sniper, Otared. The rebels basically become terrorists, deciding the only way to get the people to rise up is to make life under the occupation intolerable, which means killing as many innocent civilians as possible.

The world Rabie paints reminds me very much of the insane landscape in Paul Auster’s In the Country of Last Things, with its violence, its cruelty, and its bizarre customs (in Otared almost everyone wears a mask) that begin to make sense once you learn more about the world. Throw in a nightmarish disease that affects only children, plus a national death wish, and you have a grim but compelling read. No science fiction novel has gut punched me this hard for a long, long time.

Mohammad Rabie is an emerging force in Egyptian letters. Born in 1978, he graduated from the Faculty of Engineering in 2002. His first novel, Amber Planet, was released in 2010 and won first prize in the Emerging Writers category of the Sawiris Cultural Award Competition in 2011. His second novel, Year of the Dragon, came out in 2012. Otared was shortlisted for the International Prize for Arabic Fiction in 2016 (popularly referred to as the Arabic Booker). Curious to learn more, I sat down with Rabie (OK, I shot him an email) to speak with him about his writing.

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Adventure in a Ruined Future Paris: The Dominion of the Fallen Novels by Aliette de Bodard

Adventure in a Ruined Future Paris: The Dominion of the Fallen Novels by Aliette de Bodard

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I met Aliette de Bodard at the Nebula Awards Weekend here in Chicago in 2015, and I was totally charmed. She is smart, self-deprecating, and very funny (and a very sharp dresser, as I recall). That was a few months before the debut of her major fantasy novel The House of Shattered Wings, which won the 2015 British Science Fiction Award, and which Tim Powers called “A Gothic masterpiece of supernatural intrigues, loves and betrayals in a ruined and decadent future Paris… this novel will haunt you long after you’ve put it down.” On her website, Aliette describes the books as:

A series of dark Gothic fantasies set in a turn-of-the-century Paris devastated by a magical war – featuring magicians, witches, alchemists, Fallen angels, and the odd Vietnamese ex-Immortal…

The second novel, The House of Binding Thorns, arrived in trade paperback from Ace last month, and it’s already winning wide acclaim. F&SF called it “dizzying and beautiful,” and the B&N Sci-Fi Blog called it “A truly grand story, brimming with action, heart, representation, and magic.”

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How to Assemble an Instant Science Fiction Collection

How to Assemble an Instant Science Fiction Collection

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Windy City Pulp and Paper 2017 Science Fiction Paperbacks-small

I came home from the 2017 Windy City Pulp & Paper Show with a lot of books.

The 120 SF & fantasy paperbacks books above represent the bulk of my purchases this year. I found plenty of additional treasures — including early issues of Hugo Gernsback’s Science Wonder Stories, a handful of hardcovers, art books, bargain graphic novels, and plenty of magazines — but this year, it was mostly about the paperbacks.

And man, what a haul. As I mentioned in my brief report Saturday morning, one of the highlights of the convention was discovering a vendor in the back of the room selling mint condition, unread SF paperbacks from the 70s and 80s at cover price (about $2 each). It was like stepping back in time 30 years into a well-stocked bookstore. You can’t reasonably expect someone to keep their head under circumstances like that.

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Future Treasures: Nebula Awards Showcase 2017, edited by Julie E. Czerneda

Future Treasures: Nebula Awards Showcase 2017, edited by Julie E. Czerneda

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I attended the Nebula Awards ceremony here in Chicago last year, where Black Gate bloggers C.S.E. Cooney and Amal El-Mohtar were both nominated for awards, and got to see the gorgeous Nebula trophies (surely one of the most beautiful awards in the business) given out in person. So you can understand that I’ve been looking forward to Nebula Award Showcase 2017, which collects all of the winning stories — including “Hungry Daughters of Starving Mothers” by Alyssa Wong (Best Short Story), “Our Lady of the Open Road” by Sarah Pinsker (Best Novelette), and Binti by Nnedi Okorafor (Best Novella) — as well as excerpts from all the nominees for Best Novel (including the winner, Naomi Novk’s Uprooted) and all the nominees for Best Short Story.

Believe it or not, the Nebula Awards have been given out by SFWA for 50 years, and this is the 50th anthology collecting the winners and runners-up. That’s a lot of great fiction packed into a highly collectible series of hardcover and paperback volumes (that’s a subtle tip for you collectors.) Nebula Awards Showcase 2017 will be published by Pyr on May 16, 2017. It is 336 pages, priced at $18 in trade paperback and $9.99 for the digital edition — a bargain, considering it includes Binti (priced at $9.99 all on its own) in its entirety. The cover is by Maurizio Manzieri.

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Spacial Delivery by Gordon R. Dickson

Spacial Delivery by Gordon R. Dickson

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oie_84350M5i9fCBeSpacial Delivery (1961), a slight and slender book, is a relic of a past age when not every new book by an author had to be some sort of masterpiece. The same year this book came out, Dickson published two other novels and ten short stories. Over the course of fifty years of published writing, he wrote 55 novels and nearly 200 short stories. I can’t say for sure, but that sort of volume seems to have given him the freedom to write whatever sort of stories he wanted, whether high-concept space opera like his Childe Cycle, pulp fare like Hour of the Horde, comic stories like his Hoka collaborations with Poul Anderson, or middle-of-the-road standalones like this book.

When my friend Carl tossed me this back in the early eighties, he told me it was a comedy. I trusted him and gave it a read. It was funny, not in the laugh-out-loud style of the Hoka stories (which if you haven’t read, are about teddy bear-like aliens who have trouble distinguishing fact from fiction, and act out human stories, including Sherlock Holmes and The Jungle Book), but good for a chuckle or two. On rereading, the humor’s a little thin, but it’s a decent enough way to spend a couple of hours.

Out in a crucial sector of space between regions of human and Hemnoid hegemony, lies Dilbia, a planet of high mountains and deep forests. The Dilbians have a rugged, frontier-style civilization, with people living in small towns or with their clans in forests. The Dilbians themselves, well, the cover gives it away. They sort of look like bears — very big bears.

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New Treasures: Deadmen Walking by Sherrilyn Kenyon

New Treasures: Deadmen Walking by Sherrilyn Kenyon

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Deadmen Walking-smallThis looks like fun… a novel of curses, demons, pirates, and a sentient ship on the Spanish Main from the author of the #1 New York Times bestselling Dark-Hunter novels. Of course, it had me at pirates and curses, but the rest of it sounds pretty good too. It arrives in hardcover from Tor tomorrow, and is the opening volume of a promised series.

Hell hath no fury as a demon caged…

To catch evil, takes evil.

Enter Devyl Bane — an ancient warlord who has absolutely no love of humanity. Yet to return to the human realm as one of the most notorious pirates in the Spanish Main for the sake of vengeance, he makes a bitter bargain with Thorn — an immortal Hellchaser charged with battling the worst monsters the ancient gods ever released into our world. Monsters and demons Bane himself once commanded against Thorn and the humans.

For eons, those demons have been locked behind enchanted gates… which are starting to buckle. Now, Bane, with a vicious crew of Deadmen at his command, is humanity’s last hope to restore the gates and return the damned to their eternal prisons.

But things are never so simple. And one of his biggest vexations, aside from keeping his crew from killing each other before they have a chance to save humanity, is the very ship he sails upon. For Mara, the Sea Witch isn’t just a vessel, she’s also a woman born of an ancient race Bane helped to destroy. And sister to the possessed creature who is one of the worst of those trying to break through to claim his soul, and retake the world.

Mara’s innate hatred of him makes the very fires of hell look like a sauna — not that he blames her. Centuries of war and betrayal divide them. But if Mara can’t find the humanity inside the Devyl and the Devyl can’t teach Mara to embrace her darker side for the good of their crew and the world, the two of them will go down in flames and take us all with them.

Deadmen Walking will be published by Tor Books on May 9, 2017. It is 384 pages, priced at $27.99 in hardcover and $14.99 for the digital version. The cover is by Stephen Youll.

Support the Best of Heroic Fantasy Quarterly Volume II Kickstarter!

Support the Best of Heroic Fantasy Quarterly Volume II Kickstarter!

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Best of Heroic Fantasy Quarterly Volume 2

In his review of Volume One of The Best of Heroic Fantasy Quarterly, Fletcher Vredenburgh wrote:

Regular readers of my monthly short story roundup know how great I think Heroic Fantasy Quarterly is, ranking it the most consistent forum for the best in contemporary swords & sorcery. Some may think I’m laying it on a little thick, but The Best of Heroic Fantasy Quarterly: Volume 1, 2009-2011, a distillation of the mag’s first three years, should prove that I’m not.

It’s too late to get in on the ground floor and support the creation of Volume One — but you can help support the publishers and editors of HFQ in their noble effort to produce a second volume. I asked editor Adrian Simmons to give us the scoop, and here’s what he told me.

At Heroic Fantasy Quarterly, we swore we wouldn’t be one of those sites constantly begging you for change. But we’ve swallowed our pirde (one bite at a time, which is why it has taken so damn long) and come to you, our readers and fans, for support so we can get our best-of anthologies moving again.

If you only support Kickstarters that are clear winners, you’re in luck — as of early Monday morning, the campaign has already surpassed $700 on a $500 goal, with roughly seven weeks to go. Check it out here.

Self-published Book Review: The Seventh Colour by Will Davidson

Self-published Book Review: The Seventh Colour by Will Davidson

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Seventh_ColourI’m still running behind on book reviews, but I’ve started to receive submissions again. Please keep them coming–see the instructions here.

The Seventh Colour by Will Davidson is the tale of a society in stagnation. A thousand years ago, the elves departed, and the dwarves’ slow decline led to their eventual extinction, leaving the humans alone in the world. But magic faded with the elves, and the humans were never able to match the dwarves’ technical ingenuity, so all they had were the technology and social structures left by their departed allies. And whether they worked for the dwarves and the elves or not, human society is dying trying to cling to those things.

The story is told in multiple ways. The first, and most straightforward, is the view of Tomas, an investigator in Rivertop looking into the disappearance of a number of individuals whom his boss, Victor, believes were involved in an incident that injured Victor and killed his wife. Interspersed with Tomas’s perspective is the redacted confession of subject T187356, who recounts his harrowing encounters with highwaymen and orks and the criminal rebellion that his aunt and uncles are involved with. These converge when Tomas meets the vanished individuals, and we recognize the interrogated subject as one Alyster Trale. He and his sister, Elyssa, are currently under the protection of their parents’ friends. Far from arresting his suspects, Tomas joins them on their journey to find someplace safe for Alyster and Elyssa, and he hears them out as they travel.

Merson, Forba, Rauor, Lias, Lariad, and Pepina were all good friends at University, and like many University students, they held many long discussions about the ills of the world, and what could be done about them. They hit upon the idea that they should seek out the vanished elves, and went about learning what they could of them. Much of the novel is their account to Tomas of their quest, twenty years before this new journey he’s joined them on.

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A Tale of Magical Apocalypse: The Ley Trilogy by Joshua Palmatier

A Tale of Magical Apocalypse: The Ley Trilogy by Joshua Palmatier

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Joshua Palmatier’s Ley Trilogy is one of the more original fantasy series out there. Set in Erenthrall, a vast city of light and magic fueled by a ley line network, the series follows a sprawling cast of rebels, traders, assassins, guardsmen, and magic wielders through a series of shattering events that bring apocalyptic change to their world, including quakes, magical distortions, and creatures beyond nightmare. The first novel is available in paperback from DAW, and the second in hardcover; the final volume arrives this August.

Shattering the Ley (484 pages, $25.95 in hardcover/$9.99 paperback/$7.99 digital, July 1, 2014)
Threading the Needle (453 pages, $27 in hardcover/$13.99 digital, July 5, 2016)
Reaping the Aurora (464 pages, $26 in hardcover, August 1, 2017)

All three covers are by Stephan Martiniere. Here’s the description for the opening volume.

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