Black Gate

Infinity Wars is the sixth volume in what Jonathan Strahan calls The Infinity Project, a series of science fiction anthologies from Solaris that include Reach For Infinity (2014), Meeting Infinity (2015), and one of the most acclaimed anthologies of last year, Bridging Infinity (2016). Jonathan says he’s “already pushing ahead on the seventh.”

The success of the project is a huge vindication for Solaris, who took a chance on the ambitious series just when it was starting to look like the original SF and fantasy paperback anthology was dead. Infinity Wars arrives in trade paperback next month. Here’s the description.

Conflict is Eternal

We have always fought. Tales of soldiers and war go back to the very roots of our history, to the beginnings of the places we call home. And science and technology have always been inextricably linked with the deadly art of war, whether through Da Vinci’s infamous machineries of war or the Manhattan Project’s world-ending bombs or distant starships fighting unknowable opponents.

Oppenheimer once wrote that “the atomic bomb made the prospect of future war unendurable. It has led us up those last few steps to the mountain pass; and beyond there is a different country.” But unendurable or not, future always comes. War was integral to science faction at its birth and remains so today, whether on the page or on the screen.

Infinity Wars asks one question: what would Oppenheimer’s different country be like? Who would fight it? Because at the end of it all, it always come down to a soldier alone, risking life and limb to achieve a goal that may never really make sense at all. How would those soldiers feel? What would they experience?

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Back in May, during her annual trip to C2E2 here in Chicago, Goth Chick reported on a fascinating fall release she discovered at the Quirk Books booth.

Finally, a trip to C2E2 would not be complete without a stop at the Quirk Books booth… You’re probably familiar with some of their more popular recent titles including Miss Peregrine’s School for Peculiar Children and the legendary Pride and Prejudice and Zombies.

We’ve found some personal favorites through Quirk including The Resurrectionist and last year’s find, My Best Friend’s Exorcism by Grady Hendrix. As it happens, Mr. Hendrix has another gem on the market entitled Paperbacks from Hell.

Billed as “The twisted story of ’70s and ’80s horror fiction,” Paperbacks from Hell takes readers on a tour through the horror paperback novels of the 1970s and ’80s. Page through dozens of amazing book covers featuring well-dressed skeletons, evil dolls, and knife-wielding killer crabs. Read shocking plot summaries that invoke devil worship, satanic children, and haunted real estate. Hendrix offers killer commentary and witty insight on these trashy thrillers that tried so hard to be the next Exorcist or Rosemary’s Baby. It’s an affectionate, nostalgic, and unflinchingly funny celebration of the horror fiction boom of two iconic decades, complete with story summaries and artist and author profiles.

Frankly, I couldn’t have found a more perfect beach read.

Paperbacks from Hell will finally be released next month. It is lavishly illustrated, with color pics of countless 70s and 80s paperback covers. Here’s a few examples.

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We’re nearing the end of our Kickstarter for Mysterion 2, the second volume of our anthology of Christian-themed speculative fiction.  With only a week left, we’re still a ways from our funding goal. Since Kickstarter is all or nothing, if we do not make our goal, we do not receive any money, and Mysterion 2 will not happen.

While that would be unfortunate — we believe that Mysterion is a unique market, paying professional rates for speculative fiction with Christian characters, themes, or cosmology — we decided to use Kickstarter for exactly this reason.

For the first volume, we used Patreon. Patreon’s normal campaign is as a monthly subscription, but it can also be set so that the patron pays for every post you mark as a paid post. You can put up multiple paid posts per month, or you can put up none. This allowed us not to charge our patrons anything until we delivered an anthology. We felt this was necessary since we were first time anthologists. My wife and I had no idea whether we would receive enough good stories to make a worthwhile anthology. Even if we did, did we have what it took to select the best stories, edit them, format them, put the book together in an attractive package, and deliver an actual book that we would be proud of? We thought we could, but given that we didn’t actually know, we decided not to take anyone’s money until we had the book ready.

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