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Where Did the Cat Come From? Or, Who Translated This S&*%?

Where Did the Cat Come From? Or, Who Translated This S&*%?

Christie 2Talking about subtitles last week got me thinking about book translations. It’s a different beast, of course; for one thing, translating prose isn’t subject to the same time constraints that translating dialogue is. So that should make translations better than subtitles, right?

In general, I think that’s true. However, with one exception, I’m going to focus on occasions when it’s been done badly. After all, when the translation’s done well, no one notices.

We all know examples from our mundane lives of unfortunate, or impossible, translations. I’m sure everyone’s heard the story of Chevrolet having to change the name of their Nova for the South American market. In Spanish, “no va” means “doesn’t go.” Not the best name for a car.

As I’ve mentioned before, I often read in Spanish to keep in practice, and since my preferred reading material is genre (Fantasy, SF and Crime), this has often meant that I’m reading books translated into Spanish.* This can be helpful, since I often own the book in English, and if something gets away from me (miss the meaning of two or three critical words and the whole paragraph can go wonky on you) I can check the original, which is far superior to hauling out the dictionary and trying to sort it out piecemeal. I learned this the hard way.

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Blogging Sax Rohmer… In the Beginning, Part Four

Blogging Sax Rohmer… In the Beginning, Part Four

illo-Sax Rohmerrohmer2We already noted in our last installment that Arthur Henry Ward had adopted the pseudonym of Sax Rohmer for his relatively successful career as a music hall songwriter and comedy sketch writer. He would later claim that he worked as a newspaper reporter during these years, but that his articles were published anonymously. Allegedly he covered waterfront crime in Limehouse, but he also claimed to have successfully managed interviews with heads of state. There is little doubt the man was a great raconteur, but none of the anonymously published articles and interviews Rohmer credits himself with writing have ever been located by researchers. It is highly questionable whether he ever actually worked as a journalist or at least to the extent he claimed. What is factual is that he did begin having works published anonymously.

As a young man, he ran with a crowd of self-styled bohemians who occupied a clubhouse on Oakmead Road in London. Each member of the gang was known by rather fanciful nicknames with Rohmer being known as Digger. Their activities ran from simply hanging around the clubhouse to picking up girls and attempting various get-rich-quick schemes to avoid making an honest living. Some of their schemes were of questionable legality.

Around this time, Rohmer decided he would fictionalize their exploits. It is believed he authored seven stories about the Oakmead Road Gang. Five manuscripts were known to have survived their author’s death: “Narky,” “Rupert,” “Digger’s Aunt,” “The Pot Hunters,” and “The Treasure Chest.” All seven stories were submitted for anonymous publication to Yes and No. It appears only the first of the group of stories ever saw print. The surviving four manuscripts passed upon the death of Rohmer’s widow to Cay Van Ash. When Van Ash died in Paris twenty years ago, Rohmer’s unpublished manuscripts were being held by a friend in Tokyo (where Van Ash lived for many years while teaching at Waseda University). When the friend had his visa rescinded on short notice in 2000, he was forced to leave his  belongings behind, where they were junked by a Japanese family who thought the storage boxes contained worthless garbage.

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Goth Chick News Checks into The Grand Hotel

Goth Chick News Checks into The Grand Hotel

The Grand Hotel-smallWhen exploring the back roads on the far outskirts of my beloved New Orleans, it is not unusual to spot the occasional decrepit plantation home.  It will be there, nearly out of sight behind the dense, mossy trees, but you can just spot the vine-covered columns barely supporting what was once a magnificent monument to the splendor of the “Old South.”

The sight of such a house, nearly consumed by the wildness lurking just beyond the paved road, always ignites sadness and dread in equal measure; sadness at the idea that this once, much-loved structure has been abandoned to the swamp, and dread at the idea that those who once loved her might still be doing so while peering back at you from behind those rotted lace curtains.

An isolated, deteriorating mansion sitting at the end of an overgrown road triggers something in all of us.  You hear “I dare you” in the back of your mind.  You wonder if there’s a flashlight in the trunk and you start thinking there would be no harm at all in going up one or two of the porch steps, just to see…

Author Scott Kenemore knows exactly how we feel.

He welcomes you to The Grand Hotel, where nobody checks out.

Where the desk clerk invites you into his mysterious and crumbling hotel, then takes you on a little tour to introduce you to the hotel’s “long term” residents who only look like they never call for room service.

As the very proper and solicitous clerk takes you deeper and deeper into the heart of the hotel, secrets that have been hiding for eons begin to show themselves. Although your guide seems quite prepared for this experience, there is some question as to whether or not the rest of the world shares his readiness.

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Why Humorous Fantasy Isn’t Popular

Why Humorous Fantasy Isn’t Popular

The Chronicles of Thomas Covenant the Unbeliever (six volumes)
“Clench Racing”

Dave Langford describes Clench Racing thus:

Up to six can play. The rules are simple: each player takes a different volume of Stephen Donaldson’s blockbuster Chronicles of Thomas Covenant, opens it at random, and leafs feverishly through the text. You win by being first to find the word “clench” (or “clenched”, “clenching”, etc). It’s a fast, furious sport, and a round rarely lasts a full minute.

Clearly, Fandom has a tradition of affectionate mockery of the books it loves. Furthermore, Geeks, the cultural group that includes Fandom, tend to value intelligent wit. It seems odd then that Humorous Fantasy isn’t a massive subgenre.

It’s hard to get facts and figures. An industry insider friend says that Humorous Fantasy’s bestseller/midlist ratio is the same as for other subgenres, it’s just that there’s less of it. Similarly, two authors I know who had humorous fantasy series that petered out both said that the main problem was the size of the market. One of them told me about how at conventions people’s eyes glazed when he talked about his humorous series, but lighted up when he talked about other projects.

Of course, you could argue that Terry Pratchett is so prolific and so very good, that he simply absorbed the subgenre. However, in Heroic Fantasy there’s room for Patrick Rothfuss and Joe Abercromby.  George RR Martin may dominate Epic Fantasy, but he has peers. It seems that a typical reader has slots for several favorite authors in a couple of chosen subgenres, but just one slot for Terry Pratchett Humorous Fantasy.

So, I don’t think I’m going out on a limb assuming that Humorous Fantasy isn’t popular compared to other Fantasy subgenres. Why is this?

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Goth Chick News Crypt Notes: Holy Millennium Falcon Han Solo!

Goth Chick News Crypt Notes: Holy Millennium Falcon Han Solo!

Holy Millenium Falcon Han SoloWhere Star Wars is concerned, even a goth chick can go fan-girl.

Just in from the UK today: A pilot taking publicity photos for a flying school accidentally buzzed one of the sets of the new Star Wars movie with pretty impressive, if unintentional, results.

Matthew Myatt originally thought his pictures were of experiment aircraft at the Greenham Common airfield in Berkshire, England. Greenham Common is a former RAF airbase. Myatt was photographing one plane from another and it wasn’t until he got back and started reviewing his images that he realized what he had captured: none other than a partially built Millennium Falcon and an X-Wing fighter.

It appears that, at least in part, director J.J. Abrams will use models for filming rather than pure CGI. As one excited fan wrote on www.theforce.net, “Who’d’ve guessed filmmakers still build physical models?” and “Looks like the Falcon got a paint job!”

Star Wars is due out in December, 2015

Future Treasures: Shattered Shields, edited by Jennifer Brozek and Bryan Thomas Schmidt

Future Treasures: Shattered Shields, edited by Jennifer Brozek and Bryan Thomas Schmidt

Shattered Sheilds-smallWell, here’s a fun thing: an upcoming anthology packed with tales of epic battles and soldiers struggling against overwhelming odds, with a stellar cast of contributors.

Shattered Shields is edited Jennifer Brozek and Bryan Thomas Schmidt, and will be available in November. Jennifer — who got her start as an RPG reviewer in Black Gate magazine back in 2002 — has previously edited no less than ten anthologies, including Space Tramps and Human for a Day. Her co-editor Bryan Thomas Schmidt has also edited Space Battles and Beyond The Sun, among others.

The book includes a brand new Black Company story from Glen Cook, a Paksenarrion tale from Elizabeth Moon, a Runelords story by David Farland, a tale of October Daye from Seanan McGuire — and a story set in the World of Zang by our very own John R. Fultz. Here’s John on his story:

“Yael of the Strings” is my contribution…  Most of the Zang Cycle stories were collected this year in The Revelations of Zang, but this is a brand-new excursion into that world. The protagonist isn’t a soldier at all, but a minstrel whose fencing skills become his only chance at survival when the red tide of battle overwhelms. “Strings” revisits the nation of Ghoth with its behemoth spiders (from “Oblivion Is the Sweetest Wine”), and introduces Sharoc, Land of the Griffon.

Readers who remember John’s terrific sword and sorcery tale, “Oblivion Is the Sweetest Wine” (from Black Gate 12) will surely want this one. Other contributors include Cat Rambo, Robin Wayne Bailey, Dave Gross, James L. Sutter, and many others.

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Art of the Genre: Art of the Iconic Female #5: Princess Leia

Art of the Genre: Art of the Iconic Female #5: Princess Leia

fa832e1c671c8fb5638dadc8425630da-d5lc2cf-industry-reacts-to-star-wars-episode-vii-s-lack-of-womenToday continues the Art of the Genre series on the Iconic Female.  If you’ve missed any of the others, click on the hotlinks to find #1, #2, #3, and #4, and now on to the good stuff!

I was six when Star Wars was initially released.  I did get to see it in the theater, but I more remember the feel of the venue and the oddity of the aliens rather than if I had an emotional attachment to Princess Leia.  I know I must have enjoyed the film because my house quickly filled up with Star Wars figures, posters, and memorabilia, but none of this led to a particular ‘love’ of Leia.  Honestly, the only true memory of Leia I had in those early days was that her very thin and small laser pistol was lost when I tried to put her in Luke’s landspeeder.  To this day, I swear it is still ingeniously stuck inside that toy even though the odds are that it was devoured by my mother’s two inch shag carpeting where the incident occurred.

Nonetheless, Leia didn’t ‘blossom’ for me until the release of Empire Strikes Back, where, like Han Solo himself, I became smitten with her.  By this point, in 1980, I was a precocious nine year-old who was just beginning to truly understand that girls had more to offer than all my friends had previously surmised.  I well remember my Cloud City play-set, and the outstanding Han Solo figure with blue jacket that could stand proudly beside the intricately woven hair of Cloud City Leia.  I’m also pretty sure this was the first time I ever saw a kiss onscreen that didn’t make me look away, so certainly some things were readily changing in my view of this iconic character.

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In the Mail

In the Mail

AE08Despite what my post last week may have implied, I too have been culling my RPG collection. This isn’t driven so much by a concern about space – that’s what garages are for, after all – but utility. In the thirty-five years I’ve been involved in this hobby, I’ve accumulated a lot of games, but how many of them do I actually play with any regularity? Heck, how many of them do I play at all?

The answers to those questions are surprisingly short, as I’ve discussed before. Of course, I’m not so stonyhearted that I’d consign to the flames (or at least eBay) any RPG I hadn’t played in the last year or two. I’m a hopelessly sentimental guy who revels in nostalgia and youthful memories. That’s why I keep around Gamma World and Gangbusters, neither of which I’ve played in decades. I used to play these games with great regularity and I hold out hope that I will get to do so again (plans are afoot for a new Gamma World campaign later this month!). But Blue Planet or Spycraft or even D&D settings like Planescape or Dark Sun? Nah.

Overall, then, my RPG collection is growing smaller, though I prefer to think of it as growing more “focused.” That said, its size isn’t wholly on a downward trend. That’s because, while I’m buying very few new games, I’m continuing – even increasing – my purchase of RPG fanzines.

When I was a kid, gaming fanzines weren’t on my radar. I read Dragon and, later, White Dwarf, and was vaguely aware of Different Worlds, but all three of those were professional magazines produced by game companies rather than photocopied (or “Xeroxed,” as we said back in the day) pages lovingly stapled together in someone’s basement and then sent through the mail. I dimly recall hearing about Alarums & Excursions, probably from one of the older guys who hung around the hobby shop, though, as they would have been quick to point out, A&E is an amateur press association, not a ‘zine, a distinction that’s still somewhat obscure to me even today.

Regardless, fanzines played a vital role in the early days of the hobby, disseminating not only news and reviews, but also ideas derived from what players and referees were actually doing with RPGs at the time. Reading them, one could see the myriad ways that roleplaying games were being interpreted and expanded upon, which in turn sometimes gave birth to whole new games and approaches to gaming, something that, even now, sets them apart from the slicker, better produced “pro ‘zines” that followed in their wake.

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The 2014 British Fantasy Award Winners Announced

The 2014 British Fantasy Award Winners Announced

A Stranger in Olondria-smallThe 2014 British Fantasy Award winners have been announced, and once again I’m reminded that there’s a lot of fantastic fantasy out there I’m not reading.

Every year, while I’m struggling to catch up on Henry Kuttner short stories I haven’t read or something, another must-read fantasy escapes me. This year it appears to be Sofia Samatar’s A Stranger in Olondria, which so far has been nominated for the Nebula and World Fantasy Awards. On Sunday, it also won the British Fantasy Award for Best Fantasy novel (also know as the Robert Holdstock award.)

We haven’t reported consistently on the British Fantasy Awards in the past and, looking back, that was an obvious error in judgment. They’ve selected some terrific winners over the years and it’s time we paid more attention. Besides, they have an award named after Karl Edward Wagner — that alone should make them noteworthy.

The complete award list follows.

Best Fantasy Novel (the Robert Holdstock Award):

A Stranger in Olondria, Sofia Samatar (Small Beer Press)

Best Horror novel (the August Derleth Award):

 The Shining Girls, Lauren Beukes (HarperCollins)

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August Short Story Roundup

August Short Story Roundup

oie_955935TUQkHqmzFive weeks off have done a lot to recharge my batteries. Among other things, I actually read several books that are not swords & sorcery in the slightest. Among them were Tinker, Tailor, Soldier, Spy and The Honourable Schoolboy by John LeCarre (rereads both), The Children of Old Leech edited by Russ Lockhart and Justin Steele, Killer Move by Michael Marshall, and Miami Blues by Charles Willeford (also a reread). I recommend all of them highly.

I also read the first of Rafael Sabatini’s Captain Blood books, Brethren of the Main, and am in the midst of reading The Chronicles of Captain Blood. I can place the revival of my obsession with pirates at Howard Andrew Jones’s and my seven-year-old nephew’s feet. These are books you will definitely be hearing about in the near future.

But enough blather; I’m here to fill you in on the past month’s S&S shorts. Between Swords and Sorcery Magazine #31 and Heroic Fantasy Quarterly #21, six new stories made their appearances this past August. You may not love every story or even the ones I do, but I can never stress strongly enough the need to check them out for yourself. The authors and editors need to know there’s an audience for the work they’re doing.

As he has every month for the past two and half years, Curtis Ellett presented two new stories in his most recent issue of Swords and Sorcery Magazine. In the first, “Red Cat’s Marriage” by Melanie Henry, the skillfully manipulative daughter of a king brings dire consequences down on herself when she tricks a man into marriage. While well written, it’s not suspenseful nor really fantasy, let alone swords & sorcery.
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Paul Miller’s “A Promise Made” is nice meat-and-potatoes S&S. It’s right on target, giving the reader a heroic sword-wielding main character, a dangerous world filled with deadly denizens, and innocents in peril needing rescue. The Blademistress is a supernaturally gifted warrior working as a guard on a caravan in a world that has fallen to the forces of darkness. She’s determined and more than ready to do whatever is necessary to honor her promises — even to the point of death. Among the many evils haunting her world are the Fallen.

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