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New Treasures: Halls of Law by V. M. Escalada

New Treasures: Halls of Law by V. M. Escalada

Halls of Law VM Escalada-smallOur Friday blogger Violette Malan, author of the Dhulyn and Parno fantasy novels, has just launched an ambitious new series, the Faraman Prophecy, under the name V. M. Escalada. Violette talked about writing under a pseudonym in her most recent article for us, “What’s in a Name?

I have to admit that when my agent first suggested I use a penname, my immediate reaction was unfavourable. There are all kinds of reasons for such a suggestion, however, some of which I touched on in a previous post. Today, I’d like to talk about the actual, practical experience…

My first concern? What explanation do I give people who know me, personally? After all, people who have never met/heard of Violette Malan, aren’t likely to ask for any. The short answer, by the way, is “it’s a marketing thing.” The long answer we don’t have time for. Buy me a beer sometime at a con and I’ll tell you.

Which brings me to my second concern: Who am I in public? At a con, for example? The easy answer is: I’m whoever was invited. That’s the name that will go first on the con badge. It’s not unusual, at cons, to see people with two names on their badges, the one who was invited, and (in brackets? smaller print?) the other one. If you weren’t invited as a special guest? If you’re just registered as a regular panelist? That’s when it gets tricky. Do you use the established, familiar name first? or the new one?

Halls of Law, the first book in the Faraman Prophecy, introduces a world of military might and magical Talents on the brink of destruction. Julie E. Czerneda cals it a “fresh, engaging new fantasy series set in a world of marvelous texture and magic.” It’s available now in hardcover from DAW.

Here’s the description.

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July/August Issue of Black Static Now Available

July/August Issue of Black Static Now Available

Black Static July August 2017-smallBritish horror magazine Black Static #59, cover-dated July/August 2017, is now available. Over at Tangent Online, Jennifer Burroughs offers a detailed review of the entire issue, including “Ghost Town” by Bonnie Jo Stufflebeam.

“Ghost Town” is a story of dark magic and gruesome secrets that explores the difficult question of what the living owe the dead… A river full of a strange substance flows around a small town haunted by thousands of ghosts, the economy fueled by a black market for human bodies. Three years ago, the body of Rae’s dead wife, Emily, was stolen, which has prevented Emily’s spirit from fully passing on. She haunts Rae every night…

Stufflebeam has imagined a strange place full of horrors caused both by the power of the river and simple human ingenuity. She raises an interesting question about what people would do in a reality where the dead need a corpse, any corpse, in order to leave the physical world, and there are more ghosts than corpses. This is an eerie tale that leaves the reader with several layers of meaning to contemplate.

And “Endoskeletal” by Sara Read

A well-executed, nightmarish tale of body horror. Ashley, an ambitious archaeologist, ignores rules of policy and respect for a strange discovery found in a Swedish mountain cave, where a strange burial has been hidden away for tens of thousands of years. She finds several jars inexplicably sealed after all this time, and takes one back to the lab, setting off a horrifying chain of events…

Not a story for the squeamish, “Endoskeletal” reads like a fevered nightmare full of warnings about foolish mistakes.

Read the complete review here.

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Future Treasures: Infinity Wars, edited by Jonathan Strahan

Future Treasures: Infinity Wars, edited by Jonathan Strahan

Infinity Wars Jonathan Strahan-smallInfinity Wars is the sixth volume in what Jonathan Strahan calls The Infinity Project, a series of science fiction anthologies from Solaris that include Reach For Infinity (2014), Meeting Infinity (2015), and one of the most acclaimed anthologies of last year, Bridging Infinity (2016). Jonathan says he’s “already pushing ahead on the seventh.”

The success of the project is a huge vindication for Solaris, who took a chance on the ambitious series just when it was starting to look like the original SF and fantasy paperback anthology was dead. Infinity Wars arrives in trade paperback next month. Here’s the description.

Conflict is Eternal

We have always fought. Tales of soldiers and war go back to the very roots of our history, to the beginnings of the places we call home. And science and technology have always been inextricably linked with the deadly art of war, whether through Da Vinci’s infamous machineries of war or the Manhattan Project’s world-ending bombs or distant starships fighting unknowable opponents.

Oppenheimer once wrote that “the atomic bomb made the prospect of future war unendurable. It has led us up those last few steps to the mountain pass; and beyond there is a different country.” But unendurable or not, future always comes. War was integral to science faction at its birth and remains so today, whether on the page or on the screen.

Infinity Wars asks one question: what would Oppenheimer’s different country be like? Who would fight it? Because at the end of it all, it always come down to a soldier alone, risking life and limb to achieve a goal that may never really make sense at all. How would those soldiers feel? What would they experience?

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New Treasures: The Suffering Tree by Elle Cosimano

New Treasures: The Suffering Tree by Elle Cosimano

The Suffering Tree-smallElle Cosimano is the author of Holding Smoke and the Nearly Boswell Mysteries (Nearly Gone, Nearly Found). Her latest is a thriller that Kirkus Reviews calls “A dark mixture of mystery, history, romance, and fantasy.” It’s available now in hardcover from Hyperion.

Tori Burns and her family left D.C. for claustrophobic Chaptico, Maryland, after suddenly inheriting a house under mysterious circumstances. That inheritance puts her at odds with the entire town, especially Jesse Slaughter and his family — it’s their generations-old land the Burns have “stolen.” As the suspicious looks and muttered accusations of her neighbors build, so does the pressure inside her, and Tori returns to the pattern of self-harm that landed her in a hospital back in D.C. It all comes to a head one night when, to Tori’s shock, she witnesses a young man claw his way out of a grave under the gnarled oak in her new backyard.

Nathaniel Bishop may not understand what brought him back, but it’s clear to Tori that he hates the Slaughters for what they did to him centuries ago. Wary yet drawn to him by a shared sense of loss, she gives him shelter. But in the wake of his arrival comes a string of troubling events — including the disappearance of Jesse Slaughter’s cousin — that seem to point back to Nathaniel.

As Tori digs for the truth — and slowly begins to fall for Nathaniel — she uncovers something much darker in the tangled branches of the Slaughter family tree. In order to break the curse that binds Nathaniel there and discover the true nature of her inheritance, Tori must unravel the Slaughter family’s oldest and most guarded secrets. But the Slaughters want to keep them buried at any cost.

The Suffering Tree was published by Hyperion on June 13, 2017. It is 357 pages, priced at $17.99 in hardcover and $10.99 for the digital edition. The cover is by Justine Howlett.

See all our latest New Treasures here.

Brian Aldiss, August 18, 1925 — August 19, 2017

Brian Aldiss, August 18, 1925 — August 19, 2017

Sci-fi writer Brian AldissBrian Aldiss, one of the most brilliant and acclaimed science fiction authors of the 20th Century, produced more than 80 books and some 40 anthologies in a career spanning more than six decades. His first publication, the short story “Criminal Record,” appeared in the July 1954 issue of John Carnell’s British SF magazine Science Fantasy, and his recent anthology The Folio Science Fiction Anthology, was published just last year.

Aldiss’ groundbreaking SF included the novels Non-stop (1958), Hothouse (1962), The Dark Light Years (1964), Barefoot in the Head (1969), The Malacia Tapestry (1976), and The Helliconia Trilogy (1982-85). His most important anthologies and collections include The Saliva Tree and Other Strange Growths (1966), Penguin Science Fiction (1961), The Penguin Science Fiction Omnibus (1973), Space Opera (1974), Galactic Empires, Volume 1 & 2 (1976), and six volumes of The Year’s Best Science Fiction (edited with Harry Harrison, 1968-1973). Aldiss received two Hugo Awards, for Hothouse and Trillion Year Spree: The History of Science Fiction (1986) [in his acceptance speech, Aldiss famously held the Hugo high and said “It’s been a long time since you’ve given me one of these, you bastards!”], and a Nebula Award for the novella “The Saliva Tree.” His short story “Super-Toys Last All Summer Long” (1969) was basis for the Steven Spielberg film A.I. Artificial Intelligence.

Our previous coverage of Brian Aldiss includes:

Starship/Non-Stop
Bow Down to Nul
Hell’s Cartographers, edited by Brian W. Aldiss and Harry Harrison
The Digest Enthusiast #6: Hothouse: Brian Aldiss’ Dystopian Odyssey, by Joe Wehrle, Jr.

Brian Aldiss died on Saturday at his home in Oxford. He was 92 years old.

Future Treasures: Paperbacks from Hell: The Twisted History of ’70s and ’80s Horror Fiction by Grady Hendrix

Future Treasures: Paperbacks from Hell: The Twisted History of ’70s and ’80s Horror Fiction by Grady Hendrix

Paperbacks-From-Hell-smallerBack in May, during her annual trip to C2E2 here in Chicago, Goth Chick reported on a fascinating fall release she discovered at the Quirk Books booth.

Finally, a trip to C2E2 would not be complete without a stop at the Quirk Books booth… You’re probably familiar with some of their more popular recent titles including Miss Peregrine’s School for Peculiar Children and the legendary Pride and Prejudice and Zombies.

We’ve found some personal favorites through Quirk including The Resurrectionist and last year’s find, My Best Friend’s Exorcism by Grady Hendrix. As it happens, Mr. Hendrix has another gem on the market entitled Paperbacks from Hell.

Billed as “The twisted story of ’70s and ’80s horror fiction,” Paperbacks from Hell takes readers on a tour through the horror paperback novels of the 1970s and ’80s. Page through dozens of amazing book covers featuring well-dressed skeletons, evil dolls, and knife-wielding killer crabs. Read shocking plot summaries that invoke devil worship, satanic children, and haunted real estate. Hendrix offers killer commentary and witty insight on these trashy thrillers that tried so hard to be the next Exorcist or Rosemary’s Baby. It’s an affectionate, nostalgic, and unflinchingly funny celebration of the horror fiction boom of two iconic decades, complete with story summaries and artist and author profiles.

Frankly, I couldn’t have found a more perfect beach read.

Paperbacks from Hell will finally be released next month. It is lavishly illustrated, with color pics of countless 70s and 80s paperback covers. Here’s a few examples.

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New Treasures: Haunted Worlds by Jeffrey Thomas

New Treasures: Haunted Worlds by Jeffrey Thomas

Haunted Worlds Jeffrey Thomas-small Haunted Worlds Jeffrey Thomas-back-small

Jeffrey Thomas is best known for nearly a dozen novels, collections, and shared world anthologies set in the city of Punktown, a crime-ridden metropolis on the colony world Oasis, a city of aliens, mutations, private detectives, and sentient machines. His Punktown novels include Deadstock (2007) and Blue War (2008), and his most recent collection was Ghosts of Punktown, published by Dark Regions Press in 2016. Punktown is also the setting for the last publication from Miskatonic River Press, a Kickstarter-funded setting book for Call of Cthulhu that is very late but still appears to be (fingers crossed) in the pipeline (the latest updates from May and July seem upbeat).

Thomas’ recent short fiction has appeared in Interzone, World War Cthulhu, The Children of Old Leech, Year’s Best Weird Fiction, Weird Fiction Review, and many other fine places. His latest book, Haunted Worlds, collects some of his most recent fiction, including the Lovecraftian tale “The Temple of Ugghiutu,” two stories set in Punktown, and several previously unpublished stories. The foreword is by Ian Rogers.

Haunted Worlds was published by Hippocampus Press on August 1, 2017. It is 248 pages, priced at $20 in trade paperback. There is no digital edition. The cover art and frontispiece are by Kim Bo Yung. Get complete details and order copies at the Hippocampus website.

Heroic Fantasy Quarterly 33 Now Available

Heroic Fantasy Quarterly 33 Now Available

Heroic Fantasy Quarterly Q33

While I was strolling through the streets of my hometown of St. Charles, a mysterious traveler in black slipped me a tightly bound scroll. “Keep if safe,” he whispered. “And honor the pact of knowledge.” When I got home, I found it contained a copy of the latest issue of Heroic Fantasy Quarterly, plus a tasty-looking recipe for Canadian date squares. Looks like it’s my lucky week.

The latest issue of HFQ includes stories by Evan Dicken, Raphael Ordoñez, and Jason Carney, plus poetry from Andrew Crabtree, Kendall Evans, and Michael Tilbury. Here’s the complete TOC, with fiction links.

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The 2017 Hugo Award Winners

The 2017 Hugo Award Winners

The Obelisk Gate-medium Every-Heart-a-Doorway_Seanan-McGuire-small Words Are My Matter Writings About Life and Books Ursula K. Le Guin-small

The winners of the 2017 Hugo Awards were announced on Friday at the 75th World Science Fiction Convention in Helsinki, Finland. I wish I had been there! But since I wasn’t, let’s just get this over with. Here’s the complete list of winners. Congratulations, all you cool people. In Helsinki, eating pickled herring. I don’t want to hear about it.

Best Novel

The Obelisk Gate, N.K. Jemisin (Orbit)

Best Novella

Every Heart a Doorway, Seanan McGuire (Tor.com Publishing)

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New Treasures: Graphic Classics Volume 26: Vampire Classics

New Treasures: Graphic Classics Volume 26: Vampire Classics

Gothic Classics Graphic Classics Volume 14-small Graphic Classics Volume 23 Halloween Classics-small Graphic Classics Volume 26 Vampire Classics

I’ve been a huge fan of Tom Pomplun’s Graphic Classics comic anthologies for years, ever since I received a copy of the first one, Volume 1: Edgar Allan Poe, in 2001 (back when they were Rosebud Graphic Classics, a spin-off of Rosebud magazine). Some of my favorites are Volume 4: H. P. Lovecraft, Volume 14: Gothic Classics, and Volume 23: Halloween Classics (back cover here). But I hadn’t seen a new release in over three years, ever since Volume 25: Canine Feline Classics back in 2014. So imagine my surprise when I accidentally stumbled on a copy of Graphic Classics Volume 26: Vampire Classics, which snuck into bookstores on June 28. Here’s the description.

Vampire Classics features a unique adaptation of the 1922 silent film, Nosferatu. Plus a horror-western by “Conan” creator Robert E. Howard and Ray Bradbury’s “The Man Upstairs.” With “The Strange Orchid” by H.G. Wells, “Olalla” by Robert Louis Stevenson, and a short story by famed horror writer and co-editor Mort Castle.

Our previous coverage of Graphic Classics includes:

Graphic Classics Half-Price Sale
It’s Halloween Already with Graphic Classic’s Halloween Classics
Get Graphic Classics Volume 23: Halloween Classics for only $10 in October

Graphic Classics Volume 26: Vampire Classics was published by Eureka Productions on June 28, 2017. It is 144 pages, priced at $19.95. See all our recent Comics coverage here.