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Year: 2014

Vintage and New: Revisiting The Night Land with James Stoddard

Vintage and New: Revisiting The Night Land with James Stoddard

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nightland-1William Hope Hodgson (1877-1918) was an English author and poet who died in Flanders Fields (how poetic) at the age of 40, his career cut short by an artillery shell. Perhaps you’ve heard of him?

Maybe not. Though the recognition will be significantly higher among readers of this site, for the general public his is a pretty obscure name (at least until a major HBO series drops references to his work, a la True Detective and Robert W. Chambers).

If you have heard of him, it’s likely because H.P. Lovecraft considered Hodgson’s novels to have been among the most brilliant works of weird horror, and more recent writers like Gene Wolfe and China Mièvelle concur.

Ironically, Lovecraft himself was once nearly forgotten — like Hodgson, he was well served by literary executors who worked tirelessly to keep his work alive until he could be more widely recognized and take his rightful place in the canon.  Hodgson’s widow and his sister-in-law both managed to keep his works in print so that the likes of Lovecraft could discover him. Unlike Lovecraft, much wider recognition has not been — and likely will not be — forthcoming, and that is largely Hodgson’s own fault.

Most new readers of Hodgson come to him through recommendations by influential popular writers; two of the most influential cheerleaders have been Lovecraft and C.S. Lewis. Although there could hardly be two more different authors than Lovecraft and Lewis, and though their fan base probably does not much overlap, both were struck by the power of Hodgson’s weird, startling imagination and had the highest praise for two novels in particular: The House on the Borderland (1908) and The Night Land (1912).

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Michael Shea, July 3, 1946 – February 16, 2014

Michael Shea, July 3, 1946 – February 16, 2014

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Michael Shea-smallFor all of the many obituaries I’ve written, I’ve been fortunate enough to have to write only two for Black Gate contributors: prolific short story writer Larry Tritten, and Euan Harvey, taken from us too young. So it is with a heavy heart that I report the death of Michael Shea, BG contributor and one of the most acclaimed sword & sorcery and horror writers of the last four decades.

In the early 70s, Michael picked up a battered copy of Jack Vance’s Dying Earth novel The Eyes of the Overworld in a hotel lobby in Juneau, Alaska. Four years later, he tried his hand at fan fiction, writing a novel-length sequel to Vance’s classic titled A Quest for Simbilis. Not knowing what else to do with it, Shea submitted it to Donald Wollheim at DAW Books. Jack Vance graciously granted permission for it to be published (and declined any share in the advance), and Wollheim released it in paperback in 1974. It was a finalist for the British Fantasy Award and launched Michael’s career — a career that produced some of the most acclaimed fantasy of the past four decades.

Eight years later, Michael published one of the most important works of modern sword and sorcery: Nifft the Lean, a collection of four linked novellas published in paperback by DAW in 1982. It won the World Fantasy Award and was followed by two sequels: The Mines of Behemoth (Baen, 1997) and the novel The A’rak (Baen, 2000). His other novels include The Color Out Of Time, the sequel to Lovecraft’s 1927 story “The Colour Out of Space;” In Yana, the Touch of Undying (1985); and The Extra (2010) and its recent sequel Assault on Sunrise (2013). His highly acclaimed collections include Polyphemus (1987), The Autopsy and Other Tales (2008), and Copping Squid and Other Mythos Tales (2010).

I had the good fortune to meet Michael at the World Fantasy Convention in Saratoga Springs, New York, in 2007. We hit it off and a few months later, I found an original novelette of Lovecraftian horror by Michael in my inbox. I was proud to publish “Tsathoggua” as part of the Black Gate Online Fiction line.

I was shocked and dismayed to find that Locus Online reported today that Michael Shea died unexpectedly on February 16, 2014. He was 67 years old. He will be sorely missed.

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Adventure On the Page: Genre Fiction vs. Joyce Carol Oates

Adventure On the Page: Genre Fiction vs. Joyce Carol Oates

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36314The more I write, the more opprobrium I feel for categorical definitions of fiction, notably “genre fiction” and “literary fiction.” I like to think I practice both, and that most readers read both. Crazier still –– lunacy, truly –– I suffer the apparent delusion that often the two categories cannot be separated, except by book vendors aiming to simplify or streamline the shopping experience.

Not long ago, I delved back into Joyce Carol Oates’s introduction to a delicious anthology, Tales of H.P. Lovecraft, and I came across this passage:

However plot-ridden, fantastical or absurd, populated by whatever pseudo-characters, genre fiction is always resolved, while literary fiction makes no such promises; there is no contract between reader and writer for, in theory at least, each work of literary fiction is original, and, in essence, “about” its own language; anything can happen, or, upon occasion, nothing.

Now –– and I say this as a long-time and self-avowed fan of your work, Ms. Oates –– them’s fightin’ words.

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Ghosts of the Past: Vernon Lee

Ghosts of the Past: Vernon Lee

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Pope Jacynth and More Supernatural TalesWith Women in Horror Month having just wrapped up (and Women’s History Month having just started in many places), I thought I’d take a moment to write a few words about Violet Paget, a Victorian-era art critic and writer of ghost stories who published under the name Vernon Lee. I’ve not read her criticism, but I recently found a collection of her fiction and was tremendously impressed.

You can get an excellent overview of Paget’s life and works from this article by Brian Stableford. To summarize: Born in 1856 in France, she first published a story at the age of 13, and adopted her pseudonym — a nod to her poet half-brother Eugene Lee-Hamilton — in 1877. Her first book, Studies of the Eighteenth Century in Italy, appeared in 1880 alongside a collection of Tuscan fairy tales. Paget was living with Lee-Hamilton in Florence at this time; she never married, but her life was marked by intense emotional relationships with several women. Various ghost stories and tales followed through the 1880s and 90s, along with essays (primarily travel writing and pieces on medieval Italian art and architecture), plays, and non-supernatural novels. The stories largely ceased with the opening of the twentieth century, but she continued to produce essays and the occasional novel. She died in Italy in 1935.

A passionate traveller who was called “the cleverest woman in Europe,” known for being energetic, argumentative, and a frequent wearer of men’s clothes, Paget was an Aesthete, although apparently not overly impressed by Oscar Wilde; Stableford quotes her as describing Wilde as “plain, heavy and dull, but agreeable.” Still, she published a story in The Yellow Book in 1895. She effectively established the word ‘empathy’ in English, specifically with reference to one’s reaction to art. Even in her fiction, her sensitivity to art comes through, as does her engagement with the past — with ruins and remnants, and specifically with the culture and inheritance of Italy. You can find much of her work online.

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The Return of The SFWA Bulletin

The Return of The SFWA Bulletin

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SFWA Bulletin 203-smallIt’s been a rough twelve months for The Science Fiction Writers of America Bulletin.

Early last year, issue #200 drew complaints for some generally tasteless remarks on female editors from columnists Mike Resnick and Barry Malzberg (and a cover that did nothing to allay concerns that SFWA was still presided over by an Old Guard unwelcoming to women). The problems compounded in later issues as Resnick and Malzberg mocked and trivialized those who raised the issue, and C.J. Henderson praised Barbie for maintaining “quiet dignity the way a woman should.” In June, editor Jean Rabe stepped down and the Bulletin went on hiatus.

Compounding the problem, the recent petition to protect the magazine from perceived censorship and the evils of political correctness put the spotlight back on the missing Bulletin. (And, naturally, in the midst of a fierce debate on whether sexism inside SFWA was a real issue, a member used the SFWA boards at SFF.Net to launch a sexist attack on ex-SWFA officer Mary Robinette Kowal.)

Now SFWA reports that the long-delayed issue 203 has gone to the printer. Guest-edited by Tansy Rayner Roberts, who was ably assisted by Production Editor Jaym Gates, this issue is described as “an outreach tool for conventions and other events.”

While Resnick and Malzberg are noticeably absent, the issue does contain interviews with Eileen Gunn, Adam Rakunas and 2013′s Norton winner E.C. Myers, and contributions from Sheila Finch, Richard Dansky, James Patrick Kelly, Cat Rambo, Ari Asercion, Michael Capobianco, Russell Davis, M.C.A. Hogarth, Nancy Holder, and Erin Underwood, and many others.

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The Ballantine Adult Fantasy Series: The Wood Beyond the World by William Morris

The Ballantine Adult Fantasy Series: The Wood Beyond the World by William Morris

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The Wood Beyond the World William Morris-smallThe Wood Beyond the World
William Morris
Ballantine Books (237 pages, June 1969, $0.95)
Cover art by Gervasio Gallardo

With this installment in my reviews of the Ballantine Adult Fantasy series, we come to the first volume by a man who has one of the worst reputations for prose in the series.

I’m talking of course about William Morris. Lin Carter published four of Morris’s works in five volumes; The Well at the World’s End came in at two volumes. Carter appears to have had plans for another four volumes.

In his introduction, Carter makes the claim that Morris invented the modern quest fantasy. Personally, I think that may be stretching things a bit. Morris did invent a number of things, including the Morris chair, but I’m not sure he should get sole credit for modern fantasy.

I must admit I came to this book with some trepidation. After the Adult Fantasy line was canceled, the Newcastle Forgotten Fantasy Library published 24 volumes, with five by Morris. I attempted to read one, the collection Golden Wings and Other Stories, about ten or twelve years ago. I didn’t get very far.

Fortunately, The Wood Beyond the World isn’t a long book. Furthermore, it’s broken up into short chapters, with a line break and a heading before every paragraph or two. Of course with Morris, paragraphs can be more than a page long.

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Humor, Evocative Images, and Just the Right Touch of Pathos: I.F Rowan’s Welcome To The Underworld

Humor, Evocative Images, and Just the Right Touch of Pathos: I.F Rowan’s Welcome To The Underworld

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Welcome to the Underworld-smallThere are many pleasures involved in running a magazine. But nothing like watching the talented young writers you’ve published and nurtured move on to even greater success and acclaim.

Iain Rowan is a fine example. I published four of his delightful adventure fantasies in Black Gate, all featuring the clever con man/accidental exorcist Dao Shi. Since those early days, Iain has gone on to great success as a crime novelist, with his debut novel, One of Us, shortlisted for the UK Crime Writers’ Association Debut Dagger award. He followed that with the YA novel Sea Change, about haunted, folklore-ridden England, and two collections, Nowhere to Go and Ice Age.

He’s also published over thirty short stories, been reprinted multiple times in Year’s Best anthologies, and won a Derringer Award.

But his clever and funny Dao Shi stories — “Looking for Goats, Finding Monkeys“ (BG 6), “The Turning of the Tiles” (BG 8), “Welcome to the Underworld” (BG 10, selected for Rich Horton’s 2007 Best of the Year), and “From the Heart of the Earth to the Peaks of the Sky“ (BG 11, selected for Dave Truesdale’s 2007 SF & Fantasy Recommended Reading List) — remain my favorites. What can I say?

Now Iain has finally collected all four stories in a single volume, with an entertaining afterword discussing the tales. Published under the name I.F. Rowan — presumably to differentiate it from his crime work — Welcome to the Underworld offers a compact and economical way to read all four tales, nearly 40,000 words of adventure fantasy.

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Black Gate Online Fiction: The Alchemist’s Revenge by Peter Cakebread

Black Gate Online Fiction: The Alchemist’s Revenge by Peter Cakebread

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The Alchemist's Revenge-smallBlack Gate is very pleased to offer our readers an exclusive excerpt from The Alchemist’s Revenge by Peter Cakebread, the first novel from the co-author of the role playing games Airship Pirates and Clockwork & Chivalry.

The first sign William noticed was the glowing, up on the ridge ahead.

Ralph and Belinda stared, transfixed by the bright white lights. The mules made a frightened, keening sound, seemingly ready to bolt. The lights ahead had begun to form up. To take shape.

Upon the ridge, there were ghosts. There were hundreds, perhaps thousands. They were formed up in fighting blocks, a veritable host of white translucent shape, spirits of the parliamentarian soldiers, who had lined up on that ridge, on the day of the battle. The sight was awe-inspiring, and terrifying.

On the ridge ahead, the spectral soldiers were fighting, locked together, struggling with each other. A vast white shape appeared on the horizon, crashing down through the struggling spirits, crushing and dissipating those in its path. It was an ethereal Leviathan, an opaque memory of the large metal landship. Then ghostly alchemists and riders joined the fray, sweeping in from the sides of the valley. Images of unearthly elemental forms and exploding potion flasks added to the chaos.

Peter Cakebread is the co-author and designer of various RPGs, most of which are published by Cakebread & Walton. They include the Kingdom & Commonwealth campaign; the Clockwork & Cthulhu Sourcebook; and the acclaimed Dark Streets sourcebook, which brings Lovecraftian horror to Georgian London. The Alchemist’s Revenge is the first volume in the Companie of Reluctant Heroes series.

The complete catalog of Black Gate Online Fiction, including stories by Jon Sprunk, Tara Cardinal and Alex Bledsoe, E.E. Knight, Vaughn Heppner,  Howard Andrew Jones, David Evan Harris, John C. Hocking, Michael Shea, Aaron Bradford Starr, Martha Wells, Nina Kiriki Hoffman, C.S.E. Cooney, and many others, is here.

The Alchemist’s Revenge was published by Delta14 Publishing on April 3, 2013. It is 224 pages and available in digital format for $4.99. Learn more at Delta14.

Read a complete sample chapter of The Alchemist’s Revenge here.

New Treasures: Immortal Muse by Stephen Leigh

New Treasures: Immortal Muse by Stephen Leigh

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Immortal Muse-smallI bought my first Stephen Leigh book, Slow Fall to Dawn, the opening volume in the epic tale of the space-faring Hoorka assassins, way back in 1981. Since then, he’s published some 20 novels and over 40 short stories, including six volumes in Ray Bradbury Presents, and The Woods (2012). The most recent was the omnibus Assassin’s Dawn, which collects all three books in the Hoorka Trilogy: Slow Fall to Dawn (1981), Dance of the Hag(1983), and A Quiet of Stone (1984).

He also writes fantasy under the name S.L. Farrell, including three volumes of the Nessantico Cycle and The Cloudmages Trilogy.

His newest novel features the famous alchemist Nicholas Flamel, who’s also featured prominently in Michael Scott’s bestselling The Secrets of the Immortal Nicholas Flamel and Harry Potter and the Sorcerer’s Stone, just to name some recent examples. I wonder if we’re witnessing the birth of the new genre of Nicholas Flame literature. Could happen.

Immortal Muse is an unforgettable tale that sweeps readers from 1300s Paris to modern-day New York — with interludes in the 1635 Rome of Bernini, the 1737 Venice of Vivaldi, the French Revolution in Paris with Lavoisier and Robespierre, 1814 London with William Blake and John Polidori, fin de siècle Vienna with Gustav Klimt, and World War II France with Charlotte Salomon.

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Confessions of a Reluctant Self-Publisher — Now with extra Giveaways!

Confessions of a Reluctant Self-Publisher — Now with extra Giveaways!

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Forever In The Memory Of God-smallI’ll be giving away copies of my mini-ebook-collection Forever in the Memory of God and Other Stories to the first five commenters who ask for one. But why should you bother? Read on!

Here is a list of things I want to do: Write; make a living with my pen.

And a list of the things I don’t want to do: marketing; selling; formatting; cover design; manual reading; forum perusing; guru worshipping; elbowing my way through the pack; self-publishing…

And yet, here we are.

Once upon a time, it was all so very different. I wrote a book and the first agent I sent it to loved it. So did a large number of publishers and in no time at all, they were clawing each other’s eyes out to get access to my manuscript. Then, exactly as it had happened in all my dreams, editors were engaged in an auction for the right to publish me. Me!

My agent used to ring me once or twice a day, cackling with glee over the latest rise in the price and the shameless favours being offered, until finally, we had hitched ourselves up to a brilliant and famous editor. How could it go wrong?

Oh, it didn’t! Not yet! Because, next came foreign language publishers from every corner of the globe. They too pledged undying love for a li’l ole book called The Inferior, and what they said about the story and the characters made me blush in parts of my body that few cameras have ever seen.

I’m sick of this boasting. Can we get to the bad part?

Yes, let’s start the dive now. Or “death-spiral,” if you prefer.

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