Black Gate – Page 990 – Adventures in Fantasy Literature

Reenact Clash of the Titans on Your Kitchen Table With Mythic Battles

Thursday, March 20, 2014 John ONeill Comments 6 comments

When you’re a collector, your enemy is the impulse purchase. Unless you’re independently wealthy — or you collect caterpillars or something — you need to budget carefully, and make every purchases count. Your goals are ambitious, and one or two impulse buys can leave a carefully thought-out acquisition plan in ruins.

All this goes out the window at an auction. Auctions are all about the impulse buy. A tantalizing treasure is on the auction block for a scant 15 seconds — just long enough to think, “What the heck is that? Is that the guy from 300, or some kind of Spartan paratrooper? Man, I bet Drew would play this with me. Wonder if you can play the guy with the glowing forehead? Is there a Kraken miniature? It’d be worth the 10 buck opening bid just to get a Kraken miniature. OMG it-must-be-mine” — and then bang, the auction is over, you’re the proud owner something called Mythic Battles, and you’re out seventeen bucks.

Mythic Greece is in chaos: Athena and Hades are at war and have sent their greatest heroes to battle. Take on the role of these generals out of legend, leading fantastic armies and lead your troops to victory!

Mythic Battles is a game which simulates epic confrontations and battles that will take your breath away. Thanks to its innovative system – the Building Battle Board (BBB), which combines game mechanisms from miniature games, board games and card games – Mythic Battles offers you an experience the likes of which you have never seen. Recruit your army, play your cards to activate your units, roll your dice to resolve combat – reinvent your way of playing!

This box contains two complete armies to play with two or four players, an initiation campaign, as well as all that’s required to play as you wish. Other armies and units will periodically be released to flesh out your campaigns.

I bought my copy of Mythic Battles at the Games Plus Spring Auction and so far I’ve been very pleased with it. It was designed by Benoit Vogt and was published by Lello/Play & Win in 2012, with a retail price of $49.99. There have been two expansions: The Bloody Dawn of Legends (2013) and Tribute of Blood (2014). And no — there is no Kraken miniature (I know. What were they thinking?)

Firefly, A Retrospective — Part 6

Wednesday, March 19, 2014 Jon Sprunk Comments 4 comments

Hey there! I’m back this week with part 6 of my examination of the Firefly series. So far, we’ve covered the pilot in Part 1, episodes two and three (“Train Job” and “Bushwhacked”) in Part 2, “Shindig” and “Safe “ in Part 3, “Our Mrs. Reynolds” and “Jaynestown” in Part 4, and “Out of Gas” and “Ariel” in Part 5.

We’re into the second half of the season, where I really feel the show finds its stride.

First up, War Stories!

War Stories (Episode 10)

It starts with Simon and Shepherd Book (who was absent last episode during the hospital heist) discussing River’s condition. Simon thinks he’s closing in on what the Alliance did to her. River is struggling, though, because the treatments aren’t working all the time.

The crew is feeling good after their last job, though Wash gets irritated with Zoe for not backing his plan to cut out the middlemen when selling their loot. Instead, she takes the captain’s side in the discussion, and Wash feels Mal and Zoe are too close. Meanwhile, Inara’s attractive female client arrives on the ship. Jayne sees them and announces that he’ll be in his bunk. Classic Jayne!

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Future Treasures: The Silk Map, A Gaunt and Bone Novel by Chris Willrich, Due May 6

Wednesday, March 19, 2014 John ONeill Comments 4 comments

We published Chris Willrich’s gloriously imaginative sword-and-sorcery tale “The Lions of Karthagar” in Black Gate 15. I’ve been very curious about his popular Gaunt and Bone tales, which have appeared in The Magazine of Fantasy & Science Fiction, Flashing Swords, Beneath Ceaseless Skies, and other places. The first Gaunt and Bone book, The Scroll of Years — which contained a complete novel plus the very first published story, “The Thief with Two Deaths” (from F&SF, June 2000) — was released in September of last year and now we have the details on the sequel.

At the end of The Scroll of Years, the poet Persimmon Gaunt and her husband, the thief Imago Bone, had saved their child from evil forces at the price of trapping him within a pocket dimension. Now they will attempt what seems impossible; they will seek a way to recover their son. Allied with Snow Pine, a scrappy bandit who’s also lost her child to the Scroll of Years, Gaunt and Bone awaken the Great Sage, a monkeylike demigod of the East, currently trapped by vaster powers beneath a mountain. The Sage knows of a way to reach the Scroll — but there is a price. The three must seek the world’s greatest treasure and bring it back to him. They must find the worms of the alien Iron Moths, whose cocoons produce the wondrous material ironsilk.

And so the rogues join a grand contest waged along three thousand miles of dangerous and alluring trade routes between East and West. For many parties have simultaneously uncovered fragments of the Silk Map, a document pointing the way toward a nest of the Iron Moths. Our heroes tangle with Western treasure hunters, a blind mystic warrior and his homicidal magic carpet, a nomad princess determined to rebuild her father’s empire, and a secret society obsessed with guarding the lost paradise where the Moths are found — even if paradise must be protected by murder.

Chris Willrich is also the author of the Pathfinder Tales novel The Dagger of Trust.

The Silk Map will be on published by Pyr Books on May 6, 2014. It is 442 pages, and will be priced at $15.95 in trade paperback and $11.99 for the digital edition. Visit Chris’s website here.

New Treasures: Night Owls by Lauren M. Roy

Wednesday, March 19, 2014 John ONeill Comments 9 comments

I love fantasies about book stores. They already seem magical to me anyway, so they’re a logical setting for tales of strange goings-on and otherwordly adventure. Add a cast of quirky characters and a supernatural menace or two, and I’m sold.

Night Owls bookstore is the one spot on campus open late enough to help out even the most practiced slacker. The employees’ penchant for fighting the evil creatures of the night is just a perk…

Valerie McTeague’s business model is simple: provide the students of Edgewood College with a late-night study haven and stay as far away as possible from the underworld conflicts of her vampire brethren. She’s experienced that life, and the price she paid was far too high for her to ever want to return.

Elly Garrett hasn’t known any life except that of fighting the supernatural beings known as Creeps or Jackals. But she always had her mentor and foster father by her side — until he gave his life protecting a book that the Creeps desperately want to get their hands on.

When the book gets stashed at Night Owls for safekeeping, those Val holds nearest and dearest are put in mortal peril. Now Val and Elly will have to team up, along with a mismatched crew of humans, vampires, and lesbian succubi, to stop the Jackals from getting their claws on the book and unleashing unnamed horrors…

I can’t find much about author Lauren M. Roy — I eventually uncovered her website — but I did discover she is a bookseller, in addition to being a first-time novelist and a freelance writer for games such as Trail of Cthulhu, Dragon Age, and A Song of Ice and Fire Roleplaying. I also found a pic of her wearing a cool hat at GoodReads. I think all authors should be required to wear cool hats, so we can spot them in public. And buy them lunch.

Night Owls was published on February 25, 2014 by Ace Books. It is 296 pages, priced at $7.99 for both the paperback and digital versions. It is the first volume in the Night Owls series.

Vintage Treasures: The Dunwich Horror and Others by H.P. Lovecraft

Tuesday, March 18, 2014 John ONeill Comments 12 comments

Back in December, in the comments section of my post on “H.P. Lovecraft, A. Merritt, and Appendix N: Advanced Readings in D&D,” Joe. H. noted:

My first encounter with Lovecraft was the… paperback of Colour Out of Space. I was probably too young and had no idea what I was in for — the title story scared the bejeebers out of me (and to this day still creeps me out)… it was actually the Jove edition; the one with the Rowena painting of a Great Old One from “Shadow Out of Time” on the cover. Needless to say, it was the cover that drew me.

(Hmmm … Rowena also pulled me to Clark Ashton Smith with her City of the Singing Flame cover.)

Naturally, I went searching for evidence of a Jove edition of The Colour Out of Space, and it didn’t take long to find. In the process I also discovered the companion volume, The Dunwich Horror. Both were published by Jove in 1978; see them side-by-side here.

This is why I love collecting paperbacks. I have the Arkham House three-volume set of Lovecraft’s collected fiction in hardcover, but I still find different editions delightful — particularly the compact and inexpensive paperbacks, and especially when they’re as eye-catching as these two. Rowena is a very gifted artist and her interpretations of a Great Old One (on The Colour Out of Space) and Wilbur Whateley (for The Dunwich Horror and Others) are wholly unique and vibrantly real.

Of course, the other reason I love collecting paperbacks is the joy of the hunt, and by late December I was on a hunt for both volumes.

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His Name is Vengeance: Kellory the Warlock by Lin Carter

Tuesday, March 18, 2014 Fletcher Vredenburgh Comments 42 comments

Poor Lin Carter: perhaps the greatest champion heroic fantasy ever had, an editor with few equals, one of the most knowledgeable fan boys in the world, but a poor writer. I think he would have liked his stories and novels to be remembered more fondly than they are. I believe Kellory the Warlock proves he had the potential to have been a better writer.

Carter remains despised among the Robert E. Howard scholars for his involvement in Sprague de Camp’s Conan projects. As recently as 2008, Morgan Holmes over at the Robert E. Howard United Press Association was giving him grief for his sins against good prose in general and REH in particular.

It’s easy to be rough on Lin Carter’s writing. For my very first review on Swords & Sorcery: A Blog, I really lit into Carter’s debut novel, Thongor and the Wizard of Lemuria. It’s derived entirely from Robert E. Howard and Edgar Rice Burroughs, which should mean good, pulpy fun, but instead it’s awful with no redeeming qualities. The plot isn’t built well enough to merit being called ramshackle, the characters are thin and bloodless because they’re cut out of cardboard, and the writing is lumpy and turgid. Even the cover stinks.

But his bad prose is overshadowed by the importance of his editing. His most prestigious work was the creation of the Ballantine Adult Fantasy Series (being reviewed one volume at a time here on Black Gate by Keith West). It resurrected many of the forebears of genre fantasy fiction (e.g. James Branch Cabell, H. Rider Hagard) and introduced several new authors to the public (Katherine Kurtz, Joy Chant).

The series also included several books, one being Imaginary Worlds, about the history and evolution of fantasy (though it’s been pointed out by no less a literary figure than Peter Beagle that Carter’s research was poor and his attributions incorrect). Nevertheless, these works represent one of the earliest efforts to provide a critical study of the genre.

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Review of Pathfinder Tales: Stalking the Beast by Howard Andrew Jones

Tuesday, March 18, 2014 Nick Ozment Comments 5 comments

Like many fantasy fans of my generation and the generation before (Gen X and Baby Boom respectively), I was ushered into the genre by Edgar Rice Burroughs, Robert E. Howard, and C.S. Lewis. There were others, of course, but those were the big three. Narnia gave me my first taste of a secondary world populated by mythical creatures, witches and wizards, and talking beasts. Burroughs inched me toward a more Americanized “sword and sorcery” via the “sword-and-planet” Barsoom novels. Howard’s gritty, fabled world of a certain barbaric Cimmerian delivered the full-on S&S.

Branching out from Narnia, I found my way to the towering, epic high fantasy of J.R.R. Tolkien’s Middle-Earth. And moving on from Howard I stumbled into the dangerous alleyways of Lankhmar in Fritz Leiber’s world of Nehwon.

Not surprisingly, when I got wind of a game that allowed you to invent your own characters and take them on adventures in such worlds via some cool dice, maps, rulebooks, and a little bit of imagination, I was all over it. By the sixth grade I was a devout Dungeons & Dragons player, and Tolkien was my favorite author. Both statements remain true.

So perhaps it’s a bit surprising, given this profile, that I never delved into any of the D&D novelizations — the Dragonlance Chronicles and their ilk. (I did read some of the D&D Endless Quest books, which were in the style of Choose Your Own Adventure, lured by their solo-gaming appeal — a craving that was better met by the Lone Wolf and Fighting Fantasy game books.)

My reading of Howard Andrew Jones’s new novel Pathfinder Tales: Stalking the Beast may be a test case on whether it stands on its own merits because, first, I’ve just never been much into tie-in novels. (Somewhere along the line I read a Star Wars novel, and in junior high I went on a Doctor Who kick. There were also a couple movie novelizations in the mix — inevitably written by Alan Dean Foster. But when it comes to full disclosure on that point, there’s just not much to disclose.)

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The Novels of Michael Shea: The A’rak

Monday, March 17, 2014 John ONeill Comments 6 comments

Michael Shea’s classic Nifft the Lean was published in 1982 and won the World Fantasy Award, a rare honor for a sword and sorcery collection. Nfift returned in a three-part novel serialized in Algis Budrys’ Tomorrow Speculative Fiction magazine (June – November, 1996), eventually collected by Baen Books in paperback as The Mines of Behemoth.

Nifft made one last appearance in the year 2000, in his third and final book: The A’rak.

Prosperous Hagia’s vaults brimmed with gold. Her warehouse bulged with the goods of the Southern Seas. She had the Spider-God to thank for her prosperity.

But beneath Hagia’s ancient bargain with the A’Rak lay the direst danger. That mercenary kingdom had mortgaged its soul in its pact with the giant arachnoid. When the note fell due, death of the most hideous kind awaited the multitudes of that affluent and bustling nation.

As Hagia’s debt falls due, two foreigners arrive in Big Quay, her capital: Lagademe and her team, foremost among the world’s Nuncios — deliverers of anything to anywhere — and Nifft the Lean, thief and rogue extraordinaire.

Nifft and Lagademe, strangers to one another at the outset, will soon be struggling side by side for their lives — and a nation’s survival — against the most hideous foe in the annals of Sword and Sorcery fiction.

The A’rak was published by Baen in October 2000. It is 320 pages, originally priced at $6.99 in paperback. The cover was by Gary Ruddell. It was never reprinted, and there is no digital edition, so copies are in some demand.

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The Gargoyles of St. Wulfram’s

Monday, March 17, 2014 markrigney Comments 0 Comment

Of all the freakish critters in the original hardback Monster Manual, the one that always made the most intuitive sense to me was the gargoyle. Having seen perhaps more than my share of gargoyles by the time I entered the role-playing realms, I already knew them to be fierce, frightening, toothy, amply clawed, and sometimes winged. It stood to reason that they’d be crafty, pernicious opponents.

What made no sense was why the D&D variety weren’t made of stone, as nearly all true (read: real) gargoyles surely are. To this day, I still have no explanation for that decision on the part of the Monster Manual’s creators, Mssrs. Gygax, et al. They certainly had no intrinsic objection to stone beasties: consider the stone golem or that durable tri-form oddity, the xorn.

In order to better address this incongruity, I have abandoned my regular offices deep in Black Gate’s vast Indiana Compound and taken up residence at Harlaxton Manor, an out-of-the-way 1830s edifice set in the rolling hills of England’s Lincolnshire. Is it haunted? Probably. Not only did one of its previous owners conduct regular séances in the cozier of the two libraries, but the manor has been used in several eccentric movies, including The Ruling Class (1972) and the truly execrable remake of The Haunting (1999).

Are there gargoyles? Yes. But only two.

Luckily, just down the road, in the struggling industrial town of Grantham, an astonishment of gargoyles awaits on the walls of St. Wulfram’s, a mid-sized Anglican church that dates back to the 1200s at least.

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Tom Reamy, the Iron Throne, and George R.R. Martin’s Plan to Stay Ahead of HBO: The Game of Thrones Issue of Vanity Fair

Monday, March 17, 2014 John ONeill Comments 0 Comment

You know your HBO fantasy series has hit it big when it makes the cover of culture and fashion magazine Vanity Fair.

The April issue, on sale now, features a cast photoshoot by star photographer Annie Leibovitz and a feature on the making of the show written by Jim Windolf. But more interesting is a wide-ranging interview with author George R.R. Martin which covers, among other things, the true scale of the Iron Throne and Martin’s plan to stay ahead of the rapidly-progressing show.

The season that’s about to debut covers the second half of the third book… But there are two more books beyond that… A Dance with Dragons is itself a book that’s as big as A Storm of Swords. So there’s potentially three more seasons there, between [A Feast for Crows] and Dance, if they split into two the way they did [with Storms]. Now, Feast and Dance take place simultaneously… You can combine them and do it chronologically. And it’s my hope that they’ll do it that way and then, long before they catch up with me, I’ll have published The Winds of Winter, which’ll give me another couple years. It might be tight on the last book, A Dream of Spring, as they juggernaut forward.

I was also fascinated by his comments on the death of the brilliant Tom Reamy, whom we profiled in Black Gate 15:

Tom died of a heart attack just a few months after winning the award for best new writer in his field. He was found slumped over his typewriter, seven pages into a new story. Instant. Boom. Killed him… Tom’s death had a profound effect on me, because I was in my early thirties then. I’d been thinking, as I taught, well, I have all these stories that I want to write… and I have all the time in the world… and then Tom’s death happened, and I said, Boy. Maybe I don’t…

After Tom’s death, I said, “You know, I gotta try this. I don’t know if I can make a living as a full-time writer or not, but who knows how much time I have left?…” So I decided I would sell my house in Iowa and move to New Mexico. And I’ve never looked back.

Read the complete interview here.