Black Gate – Page 958 – Adventures in Fantasy Literature

Rally Your Armies, Dominate Your Foes, and Give a Boatload of Commands in Warmachine: High Command

Thursday, March 13, 2014 John ONeill Comments 3 comments

All right, so five minutes ago I won a copy of Hordes: High Command at the Games Plus Spring Auction and I’m feeling pretty good. Sure, who wouldn’t? Looks like a sweet game and it’s mine, all mine, thanks to my killer auction skills. That’s right.

And then, before I can even enjoy my victory, the auctioneer calls out the next item up for bid: a brand new, still-in-the-shrinkwrap copy of Warmachine: High Command, starting at the low, low opening bid of one dollar.

Wait, what? Is this the same game? Do I need to own this to play the other one? Come on! I still haven’t figured out the game I just bought. This is why I avoid miniature games, damnit! I’ve only owned it for five minutes and it’s already shaking me down for more money.

Take command and muster the military might of an entire nation to conquer the Iron Kingdoms! Warmachine: High Command is a deck-building card game for 2-4 players set in the steam-powered fantasy world of the Iron Kingdoms. This stand-alone game can be played with just the contents of this box or combined with other Warmachine: High Command products for a customizable experience. Leverage your resources, rally your armies, and dominate your foes to set your banner above all of western Immoren! This box contains game rules and 386 cards, including: 89 Cygnar cards 89 Khador cards 89 Protectorate of Menoth cards 89 Cryx cards 15 Winds of War cards 15 Location cards.

Warmachine: High Command was published by Privateer Press on August 28, 2013. Learn more at the website. It retails for $44.99; I won my copy at auction for $17. Reluctantly. I note that I now own two core sets of a collectible miniatures game and somehow I still don’t own any miniatures. God help me, I’m never gonna figure this game out.

Take Command of Mighty Warriors and Beasts in Hordes: High Command, Using Cards or Whatever

Thursday, March 13, 2014 John ONeill Comments 1 comment

So I’m sitting in the front row at the Games Plus Spring Auction on Sunday, minding my own business, when the auctioneer holds up a brand new, still-in-the-shrinkwrap, copy of Hordes: High Command and starts the bidding at a dollar.

Now, I have no idea what Hordes: High Command is all about, but the box looks pretty neat, with giant monsters and what-not. Plus, a buck. I’m sitting close enough to read the tag line at the bottom: The Game of Strategic Deck-Building Conquest in the Iron Kingdoms, and I know that promises a lot of, uh, deck-building fun… okay, to be brutally honest, I’m not 100% sure what a “deck building” game is. But you learn the art of the quick decision at auction and my card was in the air pretty much the moment I saw the beautiful babe and the monster on the cover.

Well, I won it. Whatever it is, exactly. It’s apparently a stand-alone game that can be played with just the contents of the box or combined with other Hordes High Command products for a customizable experience. Okay, I copied that sentence from the back of the box. But I think it sounds pretty good. I looked up Hordes on Wikipedia, and it’s a “30mm tabletop miniature wargame produced by Privateer Press… [and] designed as a companion to Warmachine.” Cards and collectible miniatures… we’re moving into a terrifying area for me. Thank God the woman on the cover doesn’t look threatening too or I might wrap this in brown paper and hide it in the basement.

Still, I’ve been mightily impressed by Privateer Press over the last decade, especially their Iron Kingdoms stuff, and Wikipedia assures me the game shares the same setting as the Iron Kingdoms — and also that Hordes won the 2006 Origins Award for Miniatures Game of the Year, which is reassuring. There are plenty of intriguing things about the game (like, how come a miniatures game doesn’t come with any miniatures? What’s up with that?)

I think I might delve deeper into the mystery this week. Hordes: High Command was published by Privateer Press on October 09, 2013. The game includes a set of rules and 386 cards and is priced at $44.99. I won my copy at auction for $12, due to mad auction skillz. Learn more at the website.

Conan in Manhattan: The Relationship Between Urban Fantasy and Sword and Sorcery

Thursday, March 13, 2014 Jonathan Wood Comments 1 comment

Urban fantasy? You mean that genre where everyone gets to shag a vampire? What the hell has that got to do with fighting off the corruption of civilization with only a broadsword and a loincloth? At least, that’s pretty much where my head was at a few months before I started writing No Hero.

See, I never really expected to write an urban fantasy novel. Except now I’m on my fourth…

Back when I started writing my first urban fantasy novel, No Hero, what I really wanted to capture was my love of the old pulps, to create some good old-fashioned two-fisted action. Men of moral fiber refusing to bow down and be beaten. I was flailing around for a way to channel that when a friend said to me, “You know, urban fantasy is just sword and sorcery with a modern day setting.”

Now, obviously this is a slightly problematic statement. But as I thought about it, I realized the argument had more heft than I’d originally considered.

In an article in this magazine, “The Demarcation of Sword and Sorcery,” Joseph A McCullough V lays forward a pretty clear blueprint for the subgenere. First he deals with characters, stating that they are: 1) self-motivated, 2) outsiders, and 3) of heroic stature.

The first two of those characteristics are perhaps taken best together. The quintessential urban fantasy character is probably the private investigator. By definition these are outsiders: they are not part of any larger legal organization, they operate alone or within a small support network of other loners and social oddities, and they are outside of the world they investigate. They stand apart from the criminals they pursue. What’s more, they are self-motivated: they decide the cases they take. They decide how to pursue them. While not all characters are private detectives (none of mine are), they do all tend to share these traits (yep, I’m covered).

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Firefly, A Retrospective — Part 5

Wednesday, March 12, 2014 Jon Sprunk Comments 6 comments

Good day, fellow Browncoats (and Alliance moles). So far, we’ve covered the pilot in Part 1, episodes two and three (“Train Job” and “Bushwhacked”) in Part 2, “Shindig” and “Safe “ in Part 3, and “Our Mrs. Reynolds” and “Jaynestown” (episodes 6 and 7) in Part 4.

We’re zooming into the second half of the season and coming up on some really great episodes. So make sure your six-shooter is loaded and let’s go.

Out of Gas (Episode 8)

This is one of my favorite episodes of all time, from any show. There is symmetry and a poignancy that we seldom see on broadcast television.

It begins with Serenity drifting in space. She is empty of crew. All is quiet. Then we see Mal fall to the floor with blood coming from somewhere. Next we are flashed back to Mal and Zoe checking out the ship for the first time. He is excited by the possibilities this little Firefly-class ship offers; she is not impressed.

Back in the “present,” Mal struggles to his feet with a piece of machinery in his hand and staggers off. Then we flashback to the crew sitting around the dinner table and sharing some laughs. It turns out to be Simon’s birthday and they surprise him with a cake. He’s about to blow out the candles when the lights flicker. A moment later, fire explodes from the engine compartment.

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The Novels of Michael Shea: Assault on Sunrise

Wednesday, March 12, 2014 John ONeill Comments 6 comments

We’re back on the record with the fourth installment of our survey of the books of Michael Shea, who passed away last month. This time, we’re looking at his final novel, Assault on Sunrise, the sequel to The Extra and the second book of The Extra Trilogy — which, sadly, will presumably never be completed. As I mentioned last time, I honestly wasn’t sure it was the same Michael Shea when I first saw the cover of The Extra, as it looked more like an urban thriller than the kind of adventure fantasy Michael was famous for. With this volume, all my doubts were swept away. Only Michael Shea could pull off a giant-insect attack with this kind of panache in 2013.

Less than a hundred years in the future, pollution, economic disaster, and the rapacious greed of the corporate oligarchy has brought America to its knees and created dystopian urban nightmares, of which L.A. may be the worst.

Curtis, Japh, and Jool are film extras, who — with the help of a couple of very gutsy women — survived being anonymous players in a “live-action” film in which getting killed on-screen meant getting killed for real. Surviving the shoot made them rich enough to escape the post-apocalyptic Hell that L.A. has become. But their survival was not what Panoply Studios’ CEO Val Margolian had in mind, especially since it cost his company millions.

Now he’s taking his revenge. After several plainclothes police are found dead in the former extras’ new home, the bucolic, peaceful town of Sunrise, California, the entire town is subjected to Margolian’s invidious plan to punish the entire town… and make a fortune doing it. Margolian has created toxic, murderous wasp-like mechanical creatures to set upon the people of Sunrise, while his film crew captures the carnage in what promises to be the bloodiest “live-action” film yet. With their haven from L.A. besieged by the deadly assault, the former extras — and their fellow townspeople — are faced with a grim task: to defeat the creatures and take back their town and their freedom. Michael Shea’s Assault on Sunrise is a saga of courage and sacrifice in a world gone mad.

Assault on Sunrise was published August 13, 2013 by Tor Book. It is 287 pages, priced at $25.99 in hardcover and $12.99 for the digital edition. There is no paperback edition. I bought my copy new on Amazon for $3.98 in early March; discounted copies are still relatively plentiful from several sellers.

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Tough Urban Fantasy Women and Cloak-guys, You’ve Overstayed Your Welcome

Wednesday, March 12, 2014 John ONeill Comments 37 comments

Ursula Vernon, the Hugo Award-winning creator of Digger, nicely articulates the tedious sameness of much of modern fantasy, and makes an eloquent call for fresh, rich settings to draw her back into the genre, at her blog Bark Like a Fish, Damnit!

I love fantasy. I love it dearly… and god help me, I am so very sick of nearly all of it… I scan the new book section of Barnes & Noble and go “Cloak-guy, Cloak-guy, Steampunk Guy, Cloak-guy, Tiger, Cloak-guy, John Jude Palencar That I Would Buy A Print Of But Not The Book, Tough Urban Fantasy Woman, Cloak-guy.”

None of it excites me. It’s the setting, I think. Has to be. I picked up The Ghost Bride and read it in two fascinated days. When I discovered Sarah Addison Allen’s magical realism books, I devoured every single one, one after another.

I think I am tired of Fantasyland.

You know where it is. It’s the vague European city and countryside that has no sense of place to it… Perhaps it’s just a call for books to take me someplace that I haven’t been already. Many, many times… I am desperately tired of farmboys in search of their lonely destiny, and if you are going to introduce yourself as a ranger, you goddamn well be putting out fires and fretting over declining woodpecker populations in the next paragraph…

But mostly I just scan over the new releases and feel no desire to read any of them.

I hear this complaint frequently, but I rarely hear it laid at the feet of setting as Ursula does here. And rightly so. (And I’ve never heard of Sarah Addison Allen before, but her novels — including Garden Spells and The Girl Who Chased the Moon — look very intriguing indeed.)

Read the complete post here.

Future Treasures: Year’s Best Weird Fiction, Volume One, edited by Laird Barron

Tuesday, March 11, 2014 John ONeill Comments 6 comments

There’s lots of great news in this post. So grab some coffee, find a seat, and pay attention.

A few months back, the folks at Undertow Publications, an imprint of the fabulous ChiZine, launched an Indiegogo funding campaign for a brand new anthology of weird fiction: Year’s Best Weird Fiction. The campaign wrapped up in September and was a rousing success. (Good news!)

In fact, it was successful enough that the anthology is planned to be an annual affair. (Good news!) And as the editor of the first volume, the publishers have selected none other than the talented Laird Barron, author of The Beautiful Thing That Awaits Us All, The Croning, and The Light is the Darkness. (Great news!) Here’s the book description:

Each volume of the Year’s Best Weird Fiction will feature a different guest editor. Along with 125,000 words of the finest strange fiction from the previous year, each volume will include an introduction from the editor, a year in review column, and a short list of other notable stories.

Once the purview of esoteric readers, Weird fiction is enjoying wider popularity. Throughout its storied history there has not been a dedicated volume of the year’s best weird writing. There are a host of authors penning weird and strange tales that defy easy categorization. Tales that slip through genre cracks. A yearly anthology of the best of these writings is long overdue. So . . . welcome to the Year’s Best Weird Fiction.

Year’s Best Weird Fiction, Volume One will be published August 19, 2014 by Undertow Publications. I don’t have a projected page count, but it will cost $17.95 in trade paperback. The cover art is by Santiago Caruso, with design by Vince Haig. Learn more at ChiZine.

Ancient Worlds: The Argonauts and the Lemnian Women

Tuesday, March 11, 2014 Elizabeth Cady Comments 3 comments

Okay, we’ve got a boat. We’ve got a team. We’ve got a team leader. We’ve got a mission. So off we go! Straight to the…

Oh. No. Not straight there. There and back again is insufficient material for epic poetry, and if you’re writing about the first great sea voyage, there had better be more than one interesting destination.

First stop: THE ISLAND OF WOMEN.

Many of Odysseus’s adventures were thinly veiled fantasies of sexual prowess, but Apollonious isn’t even playing around here. The first stop the Argonauts make is the island of Lemnos.

Which is populated entirely with women who haven’t seen a man in years.

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Monthly Short Story Roundup – February

Tuesday, March 11, 2014 Fletcher Vredenburgh Comments 2 comments

So February’s come and gone, a bunch of new stories have been published, and some were very good. With five stories from five different authors, it’d be an exciting month if I loved all of them, but at least there were more hits than misses.

Let’s start with the February issue of Curtis Ellett’s Swords and Sorcery Magazine. It’s Issue #25 and first of the magazine’s third year of publication. That’s over fifty stories published — fifty new works of heroic fiction out there for free! Lots of writers are getting to see their first published stories — some good, some fair, some poor — out in front of eyeballs and in position to get feedback.

Even if I sound like a broken record every month (Dad, what’s a record?), I can’t urge everybody enough to check this and the other web ‘zines out and let the editors and writers know what you think. This is how the genre will continue to grow and evolve. As readers, we can do our part by supporting these magazines and these writers.

Issue #25, is equal bits weak and and strong. First, the weak: “The Wedding Gift” by Neil W. Howell. It’s a story of the moments around the arrivals at the church of a royal bride and a royal groom, told from the perspectives of several different observers. There are the war veterans now serving as guards outside the church. Then there’s the embittered mother of the bride, a disappointed and defeated queen.

They and others weigh in on the events that have led to the wedding, which is really only a plan to end a generation-long war and unite two kingdoms in peace. Into this hopeful moment comes a terror that may or may not be an accident and leads to unforeseen conclusions.

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Jon Sprunk’s Blood and Iron, Volume One of The Book of the Black Earth, on Sale Today

Tuesday, March 11, 2014 John ONeill Comments 0 Comment

Jon Sprunk’s highly anticipated Blood and Iron, the first book in his new series, The Book of the Black Earth, finally goes on sale today. We gave you the scoop on the book last month; last week Jon peeled back the curtain on the book’s origins in a guest post at Fantastical Imaginations.

The Book of the Black Earth series is set in the same secondary world as my Shadow Saga, but in a different region far to the east of Caim’s adventures. It follows three people as they struggle for freedom in an ancient land called Akeshia, where magic is worshipped and powerful God-Kings (and –Queens) hold the power of life and death over a vast race of people.

Horace is a shipbuilder and sailor who embarks on a Great Crusade for his country, but winds up shipwrecked on the shores of his enemy. Taken captive and made a slave, he discovers a hidden talent for sorcery, and thereby comes of the attention of the local ruling queen. Alyra is a slave. As one of the queen’s handmaidens, she is lovely, intelligent, and obedient. She is also a spy in the service of a foreign government, sent to turn the greedy eyes of the Akeshians away from her homeland. Jirom is a former mercenary turned gladiator. Dragooned into the queen’s army, he joins a group of subversive slaves who crave freedom…

One of the things I really wanted to tackle in this series was an original magic system. I played around with a few concepts until I hit on one that fit my world and my story. It plays on the basic “elemental” magic (earth, air, fire, and water) with a few twists of my own.

Jon Sprunk is the author of the Shadow Saga (Shadow’s Son, Shadow’s Lure, and Shadow’s Master) and a mentor at the Seton Hill University fiction writing program. He is a regular blogger for Black Gate. Blood and Iron was published by Pyr Books on March 11, 2014. It is 445 pages and is available in trade paperback for $18.00 ($11.00 for the digital version). Learn more at Pyr Books or read our exclusive excerpt here.