The Series Series: American Craftsmen by Tom Doyle

The Series Series: American Craftsmen by Tom Doyle

American Craftsmen Tom Doyle-smallOh, best and most delicious of conspiracy-theory secret histories! From the first moment I heard the premise of American Craftsmen, I knew I would love this book. I am glad to report that it was even better than I imagined — smarter, funnier, more multi-layered and suspenseful, with even more kickass action.

Tom Doyle’s craftsmen are mages whose lineages have served in defense of our nation since George Washington bound them in a secret Compact. As the novel opens, with a craft op gone wrong in Iraq, old feuds between the Fighting Families and classic turf wars among occult branches of government bureaucracies threaten the United States from within.

Our hero Dale Morton gets hit with the triple-whammy of a dying foe’s curse, a case of straight-up PTSD, and subtle undermining by a mole who has infiltrated America’s supernatural defense forces. Whoever wants Morton out of the way is up to no good, so Morton leaves the Army to save it. His inner life is painstakingly honorable, but his environment is so full of intrigue that he has needed to cultivate his own devious tendencies and sufficient gallows humor to get himself through the day. He cunningly gives every appearance of going home to lick his wounds. Meanwhile, he works out how he’ll get a crack at the traitor hiding among his former comrades-at-arms.

The House of Morton itself is a House divided. Dale is the only living member of the household, and his numerous resident ghosts form rival camps around the sorcerous styles of Hawthorne and Poe. He knows how to recognize the cruel magics of the Left-Hand Path, because he grew up literally haunted by its most famous practitioners. Like every virtuous member of the Morton family for a century and a half, Dale has dedicated himself to the line of protective ancestors and pitted himself against the wicked ancestors his peers in the service will never let him live down.

Read More Read More

New Treasures: Fearsome Magics: The New Solaris Book of Fantasy, edited by Jonathan Strahan

New Treasures: Fearsome Magics: The New Solaris Book of Fantasy, edited by Jonathan Strahan

Fearsome Magics-smallBack in September, I told you about Jonathan Strahan’s newest fantasy collection Fearsome Magics: The New Solaris Book of Fantasy, the follow-up to his acclaimed Fearsome Journeys. Fearsome Magics has a stellar list of contributors, including Ellen Klages, Robert Shearman, Nina Kiriki Hoffman, Tony Ballantyne, and many more. I’m too lazy to copy over the complete list and the back copy text from my prior post, but you can read them here.

Here’s what James McGlothlin said in his review of the first volume:

Many of Fearsome Journeys’ stories fit squarely within the tradition of fantasy — which I love! For instance, many contain typical tropes such as magic, dragons, wizards, fighters, thieves, etc., as well as familiar plot angles like quests to recover treasure or kill some monster or dragon. However, as one would expect from this lineup, many are fairly experimental attempts to push the boundaries of what is, or should be, considered fantasy…

I can say — without any reservation — all of stories contained within Fearsome Journeys are extremely well-crafted… There’s no doubt that these are some of the best writers in the field today.

Solaris Books continues to single-handedly fuel a renaissance in paperback anthologies, including two top notch science fiction anthology series: Ian Whates’s Solaris Rising and Jonathan Strahan’s Reach for Infinity. I’m very pleased to see a fantasy series join that august list. They’ve shown no signs of resting, either — their newest anthology is Dangerous Games, edited by Jonathan Oliver.

Fearsome Magics is edited by Jonathan Strahan and published by Solaris Books. It was published on October 7, 2014. It is 352 pages, priced at $7.99. The cover is by Tomasz Jedruszek. Our last report on Solaris was Tor.com Salutes Solaris Books on September 30.

Adventure On Film: Richard Lester’s The Three Musketeers

Adventure On Film: Richard Lester’s The Three Musketeers

three rideI can hear the protests already: “Don’t you mean Alexander Dumas’s The Three Musketeers?” Well, yes. In a way. But I refer here to the film, not the novel. This 1973 outing is one of perhaps eight full-length film adaptations of this grand French chestnut, and, as directed by Richard Lester, it’s essential viewing for all fans of action, swordplay, and pace.

Indeed, to cut and slash the weighty novel down to a manageable length, no small violence has been done to the text, and the film practically tumbles over itself trying to keep up with its own story-telling requirements. Lester fills each rowdy frame with visions of period France; in his crowd scenes, there’s so much going on that the film bears an immediate second viewing, just to keep up with the busy visuals.

Best of all, of course, are the fabulous, kinetic, and often hilarious sword fights. Athos, Porthos, and Aramis may be musketeers, but there’s hardly a discharge of powder and shot to be found; these heroes (dandies and drunks, really) live by the sword, full stop.

Read More Read More

Clashing Blades, Hairbreadth Escapes, and Daring Rescues: The Big Book of Swashbuckling Adventure, edited by Lawrence Ellsworth

Clashing Blades, Hairbreadth Escapes, and Daring Rescues: The Big Book of Swashbuckling Adventure, edited by Lawrence Ellsworth

The Big Book of Swashbuckling Adventure-smallBack in May, BG blogger Lawrence Schick (who also writes as Lawrence Ellsworth) told us about his huge upcoming anthology The Big Book of Swashbuckling Adventure: Classic Tales of Dashing Heroes, Dastardly Villains, and Daring Escapes. Now the book has arrived, and it looks very appetizing indeed. If you enjoy tales of adventure, this one looks like it would make a splendid late Christmas present to yourself.

The word “swashbuckler” conjures up an indelible image: a hero who’s a bit of a rogue but has his own code of honor, an adventurer with laughter on his lips and a flashing sword in his hand. This larger-than-life figure is regularly declared passé, but the swashbuckler is too appealing to ever really die. Who wouldn’t want to face deadly danger with confidence and élan? Who can deny the thrill of clashing blades, hairbreadth escapes, and daring rescues, of facing vile treachery with dauntless courage and passionate devotion?

The swashbuckler tradition was born out of legends like those of the Knights of the Round Table and of Robin Hood, revived in the early 19th century by Romantic movement authors such as Sir Walter Scott. The genre caught hold with the publication of Alexandre Dumas’ The Three Musketeers in 1844, and for the next century it was arguably the world’s leading form of adventure fiction.

Featuring selections by twenty hugely popular writers from the last century including Rafael Sabatini; Johnston Mcculley (creator of the Zorro character); Alexandre Dumas: Arthur Conan Doyle; and Pierce Egan (author of Robin Hood), this anthology is dedicated to the swashbuckler’s roots: historical adventures by the masters of the genre. Most of these stories have been out of print for decades; some have never before been collected in book form. All are top-notch entertainment.

The Big Book of Swashbuckling Adventure was published by Pegasus on December 15, 2014. It is 604 pages, priced at $24.95 in paperback or $20.08 for the digital edition.

Doc Savage Meets… The Grinch Who Stole Christmas

Doc Savage Meets… The Grinch Who Stole Christmas

Doc Savage Grinch-small

Kez Wilson has been publishing Doc Savage fantasy covers at his website for years, and they get more and more creative as the months go by. His December entry this year (#252) sees Doc Savage face off against a diabolical agent of Christmas evil. Here’s his Doctor Seuss-inspired back cover copy:

Every Who down in Whoville liked Christmas a lot. But the Grinch, who lived just north of Whoville, did not. Then he got a wonderful idea! An awful idea! THE GRINCH GOT A WONDERFUL, AWFUL IDEA! Word of his plan to steal Christmas did leak, and the holiday began to look rather bleak. Then Cindy Lou Who took matters in her own tiny hands and got word to the one man who could foil those evil plans. Now when Grinchy Claus slips down the chimney with intent to burglarize, he’ll be face to face with a new holiday protector with glistening bronze skin and golden eyes.

Wilson’s pastiche covers are based on the brilliant work of James Bama and Bob Larkin, who illustrated the original Doc Savage paperbacks from Bantam. Check out his marvelous Doc Savage Fantasy Cover Gallery to see the Man of Bronze face off against Buffy, Ming the Merciless, Cthulhu, 007, The Thing, the Terminator, Sharknado, the Hardy Boys, Barbarella, Doctor Who, Kirk and Spock, and many others.

The Public Life of Sherlock Holmes: Arthur Wontner, the Third Great Holmes

The Public Life of Sherlock Holmes: Arthur Wontner, the Third Great Holmes

Simpson_Wontner
Joseph Simpson’s drawing from 1908
Wontner_Simpson
Wontner; circa 1935

With his turn-of-the century stage play, William Gillette was the first great Sherlock Holmes. Eille Norwood was the second, making a series of popular silent film adaptations of Doyle’s stories in the early twenties. The third great Sherlock Holmes, Arthur Wontner, is one of my personal favorites.

Britain’s Twickenham Film Studios snagged Wontner after his successful performance as Sexton Blake (a detective hero of British schoolboys) and signed him to play the world’s foremost private consulting detective. The Sleeping Cardinal was a hit in England, with Wontner’s performance praised widely. Picturegoer Weekly wrote: “Wontner’s rendering of Sherlock Holmes is wholly convincing, even to the smallest mannerisms.”

Retitled The Fatal Hour to better appeal to action-oriented American audiences, it played for over a month on Broadway, which was unheard of at the time for a British film. In those pre-Oscar days, it even won the New York Critics’ Cinema Prize as the best mystery drama.

The story included elements of “The Empty House” and “The Final Problem,” though Colonel Moran only plays a minor part and Moriarty himself shoots at the bust of Holmes! Norman McKinnel’s Moriarty is one of the more under-appreciated portrayals of the Professor.

Wontner, who bore a strong resemblance to Sidney Paget’s drawings, received rave reviews. A few years later, the famous American Sherlockian Vincent Starrett wrote, “No better Sherlock Holmes than Arthur Wontner is likely to be seen and heard in pictures in our time…his detective is the veritable fathomer of Baker Street in person.”

Read More Read More

The Classic Games of Metagaming: Chitin I: The Harvest Wars

The Classic Games of Metagaming: Chitin I: The Harvest Wars

Chitin Second edition cover-smallWe’re back to reviewing the games that introduced me to fantasy and science fiction gaming. This is the second in a series, following my look at Steve Jackson’s classic Ogre earlier this month.

The second game I purchased from Metagaming (still by mail order, if I remember correctly) was Howard Thompson’s ambitious and imaginative science fiction wargame Chitin I: The Harvest Wars. I ordered it after seeing the advertisement in Analog magazine in 1978. The brief text of the ad read:

The intelligent insects of the plant Chelan go to war for one reason only. Food. This detailed tactical game pits varying forces of the specially-bred Hymenopteran warrior types against one another. Victory goes to the player who removes the most food — including enemy bodies — from the board.

Now, this was pretty cool. In 1978, science fiction games primarily meant things like SPI’s Outreach, and Avalon Hill’s Stellar Conquest. You got a bunch of starships and space marines, you plopped them down on a stellar map, and tried to blast the hell out of the other guy. Something like Ogre, in which one player took the role of an A.I.-powered supertank, was considered innovative.

Chitin, however, was genuinely different. There were no starships. No space marines. No planets ripe for the plucking.

There weren’t even any humans. Chitin was a true science fiction game — it placed you in an imaginative setting on a far away world, smack dab in the middle of a life-or-death struggle between two alien cultures.

Like all microgames, it shared a couple of appealing aspects with its predecessor Ogre: it could be set up, and played, in a matter of minutes. It was also about one-fifth the price of those big SPI and Avalon Hill games… no small thing when you’re an unemployed teen.

Read More Read More

Vintage Treasures: Unknown and Unknown Worlds, edited by Stanley Schmidt

Vintage Treasures: Unknown and Unknown Worlds, edited by Stanley Schmidt

Unknown edited by Stanley Schmidt Baen-smallI intended to post a brief article on Echoes of Valor II today, continuing the series as promised after I covered the first volume last week.

But the first comment on that article, from BG blogger Thomas Parker, was:

Isn’t it time for someone to do some anthologies from Unknown? (Have there been any since the old Pyramid paperbacks?)

Thomas is talking about two paperback anthologies edited by western author D.R. Bensen, The Unknown (1963) and its sequel The Unknown 5 (1964), which collected stories from Unknown magazine. I covered the 1978 Jove reprints of both books in a lengthy Vintage Treasures post last December.

I was pretty sure the answer was no — there haven’t been any other paperback anthologies collecting tales from Unknown. But before I could open my mouth, Keith West posted the following comment:

Baen published a collection of stories from Unknown entitled Unknown in 1988. It was edited by Stanley Schmidt with a Thomas Kidd cover and contained 9 stories…

Galahad Books, which is a British publisher IIRC, published a substantial hardback, also in 1988, entitled Unknown Worlds Tales from Beyond. It had a blah cover but contained 25 stories. I think I picked my copy up in either a Waldenbooks or a B. Dalton’s in the remainder bin…

Keith is exactly right. I put my notes on Echoes of Valor II aside for now, and went on a hunt to find out what I could about these two Unknown anthologies.

Read More Read More

Future Treasures: Aickman’s Heirs, edited by Simon Strantzas

Future Treasures: Aickman’s Heirs, edited by Simon Strantzas

Aickman's Heirs-smallI admit that I’d never heard of Undertow books before March of this year, when they announced they’d be publishing the first volume of a new Year’s Best collection, Year’s Best Weird Fiction, edited by Laird Barron.

I’ve heard about them a great deal in the last few months, however. While I was at the World Fantasy Convention in November, I heard a lot of good things about their annual journal of the fantastic, Shadows & Tall Trees, edited by Michael Kelly; the sixth volume, Shadows & Tall Trees 2014, was released in trade paperback in June. And back in October, Undertow made the following announcement on their website:

Coming Spring of 2015, Aickman’s Heirs, edited by Simon Strantzas, an anthology of strange, weird tales by modern masters of weird fiction, in the milieu of Robert Aickman, the master of strange and ambiguous stories. Editor and author Strantzas, an important figure in Weird fiction, has been hailed as the heir to Aickman’s oeuvre, and is ideally suited to edit this exciting volume. Cover art by Yaroslav Gerzhedovich. Cover design by Vince Haig.

This is great news. Robert Aickman is one of the most revered ghost story writers of the past 50 years. In October I reported on the beautiful new Faber & Faber editions of his classic ghost story collections, Dark Entries, The Unsettled Dust, The Wine Dark Sea, and Cold Hand in MineAickman’s Heirs’s will contain stories by Nina Allan, Michael Cisco, Brian Evenson, John Langan, Helen Marshall, David Nickle, Lisa Tuttle, and many others.

Undertow is an imprint of the highly regarded ChiZine Publications (whom we examined in detail just last week.) We discussed Simon Strantzas’s fourth collection, Burnt Black Suns, in November.

See all our recent coverage of upcoming books here.

The Ballantine Adult Fantasy Series: Lud-in-the-Mist by Hope Mirrlees

The Ballantine Adult Fantasy Series: Lud-in-the-Mist by Hope Mirrlees

Lud in the Mist front coverLud-in-the-Mist
Hope Mirrlees
Ballantine Books (273 pages, March 1970, $0.95)
Cover art by Gervasio Gallardo

One of Lin Carter’s greatest achievements as editor of the Ballantine Adult Fantasy series, in my opinion, was rescuing Lud-in-the-Mist from obscurity. The third and final novel by Hope Mirrlees, Lud-in-the-Mist was her only fantasy. After this book was published, she stopped writing. More on that later.

Carter tells the story in his introduction that he had never heard of the book when a friend recommended it to him. The friend had a copy, which he loaned to Carter. Carter was immediately impressed and wanted to include Lud-in-the-Mist in the BAF series. At the time, Carter says, he didn’t know if Ms. Mirrlees was even still alive. (She died in 1978.) It’s questionable how much effort he put into locating her, since by that time the book was in the public domain.

The story takes place in a country based on both England and the Low Countries. Lud-in-the-Mist is the capital of the small country of Dorimare. It is situated at the confluence of two rivers, the Dapple and the Dawl. The Dawl is the largest river in Dorimare. The Dapple, on the other hand, has its source beyond the Debatable Hills in the land of Fairy.

Until 200 hundred years ago, relations between Dorimare and Fairy were good. Then, during the reign of Duke Aubrey, the merchants rose up and overthrew him. Aubrey wasn’t the best of people. He had a bet going with another man that they could drive the court jester to suicide. (They were successful.) But he wasn’t all bad, either. He was also known for acts of extreme generosity.

Since the time of the revolution, all traffic with the inhabitants of Fairy is forbidden. Indeed, even mentioning fairy fruit is illegal. According to the Law, it doesn’t exist, despite the fact that it was consumed with regularity before Duke Aubrey’s overthrow.

Read More Read More