Goodbye, Innsmouth Magazine

Goodbye, Innsmouth Magazine

Innsmouth Magazine 15-smallI was dismayed to find, as I was cataloging our recent magazine coverage for the Late April Magazine Rack, that the delightful digital horror zine Innsmouth Magazine, published by Innsmouth Free Press, released its final issue last summer.

In a post titled “Goodbye, Innsmouth Magazine,” the editors offered a brief explanation:

Well, it had to happen sometime. Innsmouth Magazine says a fond farewell with its final issue, number 15, this spring. We’ve had fun putting together this little zine, but don’t make enough sales to keep it afloat. So, it must go.

It’s always a sad milestone when the field loses another fine magazine. The good news is that Innsmouth Free Press continues, and has recently produced some terrific books, including Jazz Age Cthulhu by Jennifer Brozek, A.D. Cahill, and Orrin Grey, and the anthology Sword & Mythos, edited by Silvia Moreno-Garcia and Paula R. Stiles. The final issue of the magazine, #15, is still worth your attention, and contains plenty of good stuff:

Innsmouth Magazine uncoils its tentacles with seven stories of the Weird and the macabre. Do you dare to stay in “The Peach Room”? Can you survive “The Lust of Ebon Teeth”? Could it be true that “The Ocean is Eating Our Graves”? Fiction by William Meikle and many others. Welcome to our final issue!

Innsmouth Magazine was edited by Silvia Moreno-Garcia and Paula R. Stiles, and available exclusively in digital format for $4/issue. We last covered Innsmouth Magazine with issue #4. You can still purchase back issues through Amazon, Smashwords, Weightless Books, or right at their website.

Vintage Treasures: Crompton Divided by Robert Sheckley

Vintage Treasures: Crompton Divided by Robert Sheckley

Crompton Divided-smallRobert Sheckley (July 16, 1928 – December 9, 2005) was primarily a science fiction writer, producing hundreds of short stories and roughly two dozen novels, including The Status Civilization (1960), The 10th Victim (1966), and Dimension of Miracles (1968). From time to time, however, he turned his hand to fantasy, as in a trio of comic fantasies written with Roger Zelazny, Bring Me the Head of Prince Charming (1991), If at Faust You Don’t Succeed (1993), and A Farce to Be Reckoned With (1995).

In Crompton Divided (1978), published in the UK as The Alchemical Marriage of Alistair Crompton, Sheckley stepped into Philip K Dick territory. Alastair Crompton is diagnosed with virus schizophrenia in his youth, and two dangerous aspects of his personality are medically separated from him and allowed to grow and develop on their own: the self-indulgent Loomis, who embodies all of Crompton’s lust, and the dangerously violent Stack, who got all of his rage. When he reaches adulthood the mild Crompton, despite the fact that he is repulsed by them, sets out on a Jungian quest to re-integrate his personalities and become a whole person.

The bizarre case of Alistair Crompton

He is a tortured soul. Separated at an early age from two conflicting personalities, Alistair Crompton has hatched a daring scheme to reintegrate himself. Installed in different host bodies and dispatched to distant planets, the two other Alistairs have developed lives of their own: Loomis — as grossly self-indulgent and amoral as Alistair is moderate and prim. Stack — as vicious and impulsive as Alistair is meek and cautious. What happens when the original Alistair reengages himself first with Loomis, then with Stack? Discover for yourself in this odyssey by one of the grand masters of science fiction. It’s mind-bending.

Crompton Divided is an expanded version of the novella “Join Now,” originally published in the December 1958 issue of Galaxy. It was published by Bantam Books in November 1979. It is 182 pages, priced at $1.95. I bought an unread copy online for about 50 cents earlier this month. The cover is by Paul Lehr.

A World With Larger Teeth and Sharper Claws: Marie Bilodeau’s Nigh, the First Great Serialized Novel of 2015

A World With Larger Teeth and Sharper Claws: Marie Bilodeau’s Nigh, the First Great Serialized Novel of 2015

Nigh Marie Bilodeau Book 2-small Nigh Marie Bilodeau Book 3-small Nigh Marie Bilodeau Book 4-small

Back in January I told you about Nigh, Book One, the first installment in a terrific new serialized fantasy novel from Marie Bilodeau, the author of the Heirs of a Broken Land trilogy. New chapters have arrived every month since, and there are now four full installments available. The most recent, Nigh Book Four, shot up the Amazon bestseller charts the week of its release, and has been getting some great press. Here’s the description:

With the hopes of the faerie realm turned to dust, Alva Viola Taverner and Hector Henry Featherson strike the final blow to the veil between worlds, shattering it and returning them to the human realm. But one hundred years has passed for humanity, and things have changed. The world awaiting them now bears larger teeth and sharper claws, and it hungers for much more than their lives.

Marie’s space fantasy Destiny’s Blood was nominated for the Aurora Award, and she blogs here at Black Gate every second Friday. Nigh, Book 4 was published on May 7 by S&G Publishing. It is 57 pages, priced at 99 cents. It’s available at Amazon.com, B&N.com, and other fine digital bookstores.

Want to Break Into Comics?

Want to Break Into Comics?

onibk_292  If you want to break into the big comic publishers, a bit of internet research, or visiting a local comic-con will reveal the accepted wisdom pretty quickly:

  • If you’re an artist, show your portfolio to editors at a con, or establish an online portfolio and email the editors. There’s lots of advice in different places about breaking in as an artist, and lots of places to learn (the comicsexperience.com podcast seems to me to be a great place to start).
  • If you’re a writer, pair up with an artist, make a comic, sell to the smaller comic presses to show your abilities and then approach bigger publishers, who, of course, offer a bit more money.

There isn’t really an advertised direct route in for writers either way. The submission guidelines at DC are pretty clear that they’re only looking for artists.

Marvel does let on that they’re looking for writers and artists, but mostly through the process laid out above.

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Clarkesworld 104 Now on Sale

Clarkesworld 104 Now on Sale

Clarkesworld 104-smallThe newest issue of Clarkesworld, one of the best genre mags on the market, is now on sale. Issue 104 contains five new short stories, plus reprints from James Van Pelt and Hannu Rajaniemi.

Short stories featured this issue are:

The Garden Beyond Her Infinite Skies” by Matthew Kressel
For the Love of Sylvia City” by Andrea M. Pawley
Mrs. Griffin Prepares to Commit Suicide Tonight” by A Que, translated by John Chu
Ossuary” by Ian Muneshwar
An Evolutionary Myth” by Bo-Young Kim
Solace” by James Van Pelt (from Analog, June 2009)
Tyche and the Ants” by Hannu Rajaniemi (from Edge of Infinity, Nov 2012)

Non-fiction includes “Destination: Mars” by Andrew Liptak, who’s also been writing a fine series of pulp and classic SF retrospectives SF at Kirkus Reviews over the last few months (see a partial list here); “Another Word: It’s Good to Be Lazy and Foolish” by SF author Ken Liu; an interview with author and editor Cat Rambo; and an editorial, “Overload!” by Neil Clarke, in which he talks about (among other things) his upcoming Year’s Best Anthology: The Best Science Fiction of the Year, Volume 1, to be published “sometime in 2016” by Night Shade Books. This issue also includes two podcasts.

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The March of the 10,000

The March of the 10,000

WeberRingoMarchUpCountry
The mercenaries that became heroes. The heroes that became a trope.
Holy ****! Scythed chariots!!!
Holy Cow! Actual scythed chariots.

The mercenaries that became heroes.

The heroes that became a trope.

401 BCE and Cyrus the Younger draws up his rebel army on the banks of the River Euphrates near Cunaxa.

We’re in what will be modern Iraq, deep inside the Persian Empire. Even so, the right flank belongs to 10,000 Greek mercenaries, mostly heavily armoured hoplites and veterans of both sides of the brutal Peloponnesian War.

At midday, a white cloud of dust rises over the the horizon, a cloud so vast that it casts a shadow on the plain. At last, the sun flashes on bronze spear points and the army of King Artaxerxes trundles into view; 40,000 men drawn from the reaches of the empire… heavy infantry, archers, exotic skirmishers, armoured cavalry… oh and — Holy Cow! — actual scythed chariots.

Chanting their paen, rattling spear on shield, the Greeks dress their ranks and march into action…

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Future Treasures: Storm and Steel by Jon Sprunk

Future Treasures: Storm and Steel by Jon Sprunk

Storm and Steel-smallStorm and Steel, the long-awaited sequel to Blood and Iron — which Sarah Avery said “takes the prize for strange worldbuilding… full of powerful imagery and a vivid sense of place,” will be released in just a few weeks. Jon Sprunk is also the author of the popular Shadow Saga (Shadow’s Son, Shadow’s Lure, Shadow’s Master), and expectations are running high for the second volume of his new trilogy, The Book of the Black Earth.

An empire at war. Three fates intertwined.

The Magician. Horace has destroyed the Temple of the Sun, but now he finds his slave chains have been replaced by bonds of honor, duty, and love. Caught between two women and two cultures, he must contend with deadly forces from the unseen world.

The Rebel. Jirom has thrown in his lot with the slave uprising, but his road to freedom becomes ever more dangerous as the rebels expand their campaign against the empire. Even worse, he feels his connection with Emanon slipping away with every blow they strike in the name of freedom. The Spy. Alyra has severed her ties to the underground network that brought her to Akeshia, but she continues the mission on her own. Yet, with Horace’s connection to the queen and the rebellion’s escalation of violence, she finds herself treading a knife’s edge between love and duty.

Dark conspiracies bubble to the surface as war and zealotry spread across the empire. Old alliances are shattered, new vendettas are born, and all peoples — citizen and slave alike — must endure the ravages of storm and steel.

Storm and Steel will be published by Pyr on June 2, 2015. It is 479 pages, priced at $18 in trade paperback and $11.99 for the digital edition. The cover is by Jason Chan. Learn more at Pyr Books or read our exclusive excerpt of the first novel here.

The Top 50 Black Gate Posts in April

The Top 50 Black Gate Posts in April

Hugo Award Black GateLooking over our traffic stats for last month, I want to give a shout-out to M Harold Page, who managed to heroically crack the Top 10 without once mentioning the Hugo Awards or Rabid Puppies. Well done, Mr. Page!

He was the only one to accomplish that extraordinary feat, however. Every other article in the Top 10 for April (and more than a few in the Top 25) directly addressed the ongoing Hugo Awards controversy, which began on April 4th when Worldcon announced the nominees for the 2015 Hugo Awards — a group which usually represents the finest science fiction and fantasy of the year, but this year was largely dictated by a single individual, Vox Day (Theo Beale), and his Rabid Puppy supporters, who crammed the slate with 11 nominees from Theo’s tiny publishing house, Castalia House, and nominated Vox Day personally for two Hugo Awards.

Not coincidentally, Black Gate received the first Hugo nomination in our history, and one of our bloggers, Matthew David Surridge, was nominated for Best Fan Writer, both as a direct result of being included on the Rabid Puppy slate. We declined those nominations, for reasons that I think should be fairly obvious.

The most popular article on the BG blog last month — indeed, one of the most popular posts in our history — was Matthew’s “A Detailed Explanation,” in which he analyzed the extraordinary events around this year’s Hugo nominations, and enumerated the reasons why he declined science fiction’s highest honor. It the few weeks since it has been posted, it has been read over 50,000 times.

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Knock, Knock: Or, The Portal Fantasy Revisited

Knock, Knock: Or, The Portal Fantasy Revisited

Moonheart-smallThis week I participated in a Mild Meld over on SFSignal on the theme of portal fantasies. I’m not the only person who did, and you can see the whole post here, but, as is so often the case when you’re asked to consider an intriguing idea, I’m still thinking about it. Warning: For the sake of clarity I repeat some of my SFSignal observations, but I don’t overlap much.

Working on that post, and thinking about classic portal fantasies such as the The Wizard of Oz or the The Chronicles of Narnia, or the more recent Chronicles of Thomas Covenant (though even they aren’t particularly “recent,” are they?) got me wondering about the evolution of the portal fantasy over the last 35 years.

Let me review the classic version: Human beings from our world find an entrance to a secondary world where magic works, the supernatural exists, etc., and adventures are undertaken. Often there’s a kind “quest” element involved as well, in that the protagonists have to complete a task in order to be able to return to our world. These are often called “primary world fantasies” even though most or all of the action takes place in the other world.

Again, in the classic version of the portal fantasy, the reader is riding the shoulder of the protagonist, seeing and learning everything about the new world at the same time the protagonist does. CS Lewis even introduced new protagonists, so that he could keep explaining things in later books without seeming repetitious. Of course we all recognize this as a use of the stranger-in-a-strange-land trope (SISL), which is invariably interdependent with the portal trope.

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Goth Chick News: Super Heros, Zombies and Three Guys in Green Tights

Goth Chick News: Super Heros, Zombies and Three Guys in Green Tights

C2E2 Expo-smallIf you happened to be hanging out in downtown Chicago recently, perhaps enjoying the first wiff of a thaw in the air, then you also ran a fair chance of seeing Khaleesi riding the El train.

After all, April in the Windy City can only mean one thing.

It is once again time for the mother of all spandex parades, otherwise known as the Chicago Comic and Entertainment Expo (C2E2 for you cool kids).

Started back in 2010, C2E2 is a fan convention spanning the latest and greatest from the worlds of comics, movies, television, toys, anime, manga and video games. The 840K square foot show floor was packed light saber to body suit with literally hundreds of exhibitors, panels and autograph sessions. And though this year’s attendance has not yet been officially published, estimates place it at a record-breaking 60K plus.

As we have done for the prior four years, Black Gate photog Chris Z and I gleefully donned our official press passes (by far the coolest looking ones in the industry) and waded into the fray; in order to provide you a chance to peep at least a small portion of the sights too numerous to catalog.

Thanks to a pre-opening chat with perennial Goth Chick News fav, horror comic writer Dirk Manning, we were able to skirt the biblical-sized masses queued at the entrance and get an early look at show floor. The sheer number of booths dedicated to comics alone made me wonder (and later discover) the actual size of the domestic industry for comics and graphic novels, in dollars.

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