Black Gate – Page 594 – Adventures in Fantasy Literature

New Treasures: Swift to Chase by Laird Barron

Wednesday, October 26, 2016 John ONeill Comments 1 comment

In his review of the 2014 Laird Barron tribute volume The Children of Old Leech, James McGlothlin wrote:

If you’re not familiar with Laird Barron, you really should be. He’s a multiple Shirley Jackson Award winner and currently on the 2014 World Fantasy Award ballot. I’ve raved about him several times on Black Gate, including here and here and here. Barron’s writing is often called Lovecraftian; but not in a pastiche sort of way. Rather, Barron is really good at capturing a cosmic-horror-feel in his stories that many believe Lovecraft perfected.

In addition, Barron is also like Lovecraft in that in his stories have recurring regions, locations, characters, and even a recurring evil book… [Barron is] one of the true masters of the weird that we currently have.

Barron is not resting on his laurels, however. In the last 12 months he’s released two novellas, Man With No Name and X’s For Eyes, and his highly anticipated fourth collection Swift to Chase arrived in hardcover, trade paperback and digital format earlier this month. Click on the images above to read the complete back cover copy.

Swift to Chase was published by JournalStone on October 7, 2016. It is 294 pages, priced at $29.95 in hardcover, $18.95 in trade paperback and $7.95 for the digital edition. See all our recent Laird Barron coverage here.

October 2016 Nightmare Magazine, People of Colo(u)r Destroy Horror! Special Issue, Now on Sale

Tuesday, October 25, 2016 John ONeill Comments 0 Comment

Uber-editor John Joseph Adams has had enormous success with his Kickstarter-funded DESTROY special issues of Lightspeed, Fantasy, and Nightmare. The original idea sprung from the ludicrous Alt-Right claim that women were destroying science fiction; that gave birth to the brilliant and groundbreaking Women Destroy Science Fiction! special issue of Lightspeed, a massive 479-page issue released in 2014.

Since then there have been multiple successful iterations, including Queers Destroy Science Fiction in June of last year, and People of Colo(u)r Destroy Science Fiction, in June of this year. The People of Colo(u)r Destroy Fantasy! special issue of Fantasy will be published in December, and The People of Colo(u)r Destroy Horror! special issue of Nightmare magazine arrived this month. Here’s the description from the website.

Nightmare was founded on the core idea that all horror is real horror. The whole point of this magazine is that horror fiction is vast. It is inclusive. Horror is about all people and for all people.

The People of Colo(u)r Destroy Horror! special issue exists to relieve a brokenness in the genre that’s been enabled time and time again by favoring certain voices and portrayals of particular characters. Here we bring together a team of POC writers and editors from around the globe to present horror that explores the nuances of culture, race, and history. This is horror for our present time, but also — most of all — for our future.

People of Colo(u)r Destroy Horror! is 100% written and edited by people of color, and is lead by guest editor Silvia Moreno-Garcia, with editorial contributions from Tananarive Due, Maurice Broaddus, Arley Sorg, and others. It features four original, never-before-published short stories, from Valerie Valdes, Nadia Bulkin, Gabriela Santiago, and Russell Nichols. Plus, there’s four classic reprints by Nisi Shawl, Priya Sharma, Terence Taylor, and Pulitzer Prize-winning author Junot Díaz. On top of all that, we also have an array of nonfiction articles and interviews, from Alyssa Wong, Chesya Burke, Rochita Loenen-Ruiz, Jayaprakash Satyamurthy, and Chinelo Onwualu, as well as original illustrations by Kimberly Wengerd, SainaSix, Maggie Chiang, and Reiko Murakami.

Enjoy the destruction!

Here’s the complete TOC for this special issue.

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Sheri S. Tepper, July 16, 1929 – October 22, 2016

Tuesday, October 25, 2016 John ONeill Comments 3 comments

Sheri S. Tepper, the prolific fantasy author who was awarded the World Fantasy Award for Life Achievement last year, died on Saturday.

Sheri S. Tepper was the author of dozens of popular fantasy and science fiction novels. Her first published novel was King’s Blood Four (1983), which became part of an ambitious 12-novel series set in The True Game universe, and which spanned her entire career. The seres included The True Game trilogy, the Mavin Manyshaped trilogy, the Jinian trilogy, and the Plague of Angels trilogy, which wrapped up with Fish Tails (2014). She authored many other popular series, including The Marianne Trilogy, the Ettison novels, The Awakeners novels, and especially the Marjorie Westriding trilogy, which began with the Hugo-nominated Grass in 1989.

Tepper’s standalone novels included The Revenants (1984), After Long Silence (1987), The Gate to Women’s Country (1988), The Locus Award-winner Beauty (1991), Gibbon’s Decline and Fall (1996), The Visitor (2002), and The Companions (2003). In his tribute to Tepper this week, John Scalzi writes:

She was one of my favorite science fiction and fantasy writers, and an influence on my thinking about SF/F writing… Her novel Grass has the sort of epic worldbuilding and moral drive that ranks it, in my opinion, with works like Dune and Perdido Street Station and the Earthsea series; the (very) loose sequel to Grass, Raising the Stones, is in many ways even better… If you haven’t read Grass, I really suggest you find it and put it near the top of your SF/F reading queue. You won’t be disappointed… It’s a stone classic.

Tepper began publishing poems and children’s stories in the early 60s under the name Sheri S. Eberhart. Her first genre appearance was the poem “Lullaby, 1990” in the December 1963 Galaxy. Her 1989 novella “The Gardener” was nominated for the World Fantasy Award. She was 87 years old. See our prior coverage of her work here.

One Last Time into the Primal Land: Sorcery in Shad by Brian Lumley

Tuesday, October 25, 2016 Fletcher Vredenburgh Comments 4 comments

All good things must come to an end. I get that, and as I’ve gotten older I appreciate that more than ever. However, they do not all have to end badly. Sometimes, though, as with Brian Lumley’s Primal Lands stories, they do. Despite some rough-hewn edges and some too-purple prose, I completely enjoyed the first two collections in the series, The House of Cthulhu and Tarra Khash: Hrossak! (follow the links to my Black Gate reviews). I looked forward to the culmination of these tales in the final volume, Sorcery in Shad (1991). Unfortunately, it’s a bit of a flop. Only Lumley’s easy-going style, colorful world-building, and a clear love for his characters kept its reading from being drudge work.

Lumley is a controversial figure in the world of Lovecraft Mythos fiction. By inclination, he is a writer of action and adventure. What he brought to Mythos stories were heroes who fought back, unwilling to acquiesce in the face of existential dread (and monsters), which didn’t always work very well.

It served him splendidly here, though, in his stories set on Theem’hdra, the continent-sized remnant of a gigantic volcano, in the earliest days of Man on Earth. House of Cthulhu introduced the setting and several recurring characters, most notably the sorcerer, Teh Atht, through a series of mostly independent short stories. Tarra Khash, through several linked stories, told the escapades of its titular good-hearted barbarian wanderer. By the end, Tarra Khash and his friends had saved the world from demonic domination and he had decided to head back home.

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An Experiment in Gor: What Are John Norman’s Books About, Really? The Hidden Secret of the Counter-Earth Saga is an Over-Abundance of…

Monday, October 24, 2016 Nick Ozment Comments 26 comments

I’m positive that I read the first book in the [Counter-Earth Saga/Tarl Cabot Saga/Chronicles of Counter-Earth/Gorean Cycle/Gorean Saga/take your pick], sometime back in junior high. That would be Tarnsman of Gor, first published in 1966 by Ballantine, which recounts how Earth professor Tarl Cabot is mysteriously transported to our solar system’s hidden tenth planet orbiting the sun in a position exactly counter to Earth’s. There he encounters a Barsoomian-inspired sword-and-planet environment. He quickly adapts, becoming a Gorean swordsman and assimilating into the culture of his adopted planet.

If I read any of the sequels, I can’t recall — although I remember enjoying the first book, at least the first part of it recounting Talbot’s strange experiences (involving a mysterious package, I believe) and subsequent relocation to another world. As The Encyclopedia of Fantasy (1997), a huge tome sitting here on my bookshelf, notes, the first Gor books were passable Edgar Rice Burroughs pastiches, and that’s the impression I came away with too. As a boy, I was a huge fan of ERB’s John Carter of Mars stories and was looking for something else along those lines.

The Encyclopedia goes on to condemn later volumes in the series (which now total 34), noting that they “degenerate into extremely sexist, sadomasochistic pornography involving the ritual humiliation of women, and as a result have caused widespread offence.” DAW, which published the series from volumes 7 through 25, apparently dropped Norman for this reason (Naughty Norman!), and the subsequent 9 volumes are only available in e-book editions.

As a collector and purveyor of vintage sci-fi and fantasy paperbacks, I happen to have several Gor books sitting in a pile here beside my office desk. I will be posting them to eBay soon. I have, on occasion, picked one up and opened it at random to read a paragraph or two.

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Go Ahead. Judge The Starlit Wood by its Cover

Monday, October 24, 2016 Dominik Parisien & Navah Wolfe Comments 2 comments

We know not to judge a book by its cover, but sometimes it’s just so hard. You look at a book and think, Wow, I need to take a look at that. As a writer or an editor, you dream of that perfect match, of that gripping cover that perfectly conveys the story you’re eager to share, that makes people want to pick up your book. With The Starlit Wood: New Fairy Tales, we feel we’ve been fortunate enough to get just that. We’re so thrilled with every element of the packaging of The Starlit Wood, so we wanted to share a bit about the process of creating such a lovely book.

The Starlit Wood is our love letter to fairy tales. The book is a cross-genre anthology of fairy tale retellings, featuring everything from science fiction, western, and post-apocalyptic, to traditional fantasy and contemporary horror. Retellings of lesser-known fairy tales takes place alongside traditional ones, which makes for a really unique experience where the familiar and the unfamiliar co-exist. The book features established authors like Naomi Novik, Garth Nix, Seanan McGuire, and Margo Lanagan, as well as rising stars like Charlie Jane Anders, Sofia Samatar, and Daryl Gregory. The full table of contents is here.

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The Public Life of Sherlock Holmes: Poul Anderson’s “The Archetypal Holmes”

Monday, October 24, 2016 Bob Byrne Comments 3 comments

Poul's wife Karen, also a sccifi author and Sherlockian, drew these for his essay. — Poul’s wife Karen, also a scifi author and Sherlockian, drew this for his essay.

As far as Sherlockians go, I have a rather large Joseph Campbell library. I’ve even written about Holmes and the Monomyth (“The Hero’s Thousand-and-First Face”). Through Campbell, I discovered Carl Jung’s The Archetypes and the Collective Unconscious. However, all attempts to read it were abandoned rather quickly. I found it tough going. I do have a decent handle on archetypes from Role Playing Games, though.

Anywhoo…The late Poul Anderson was one of the giants in the field of science fiction: he was racking up Hugo Awards when that meant something. He was also a devotee of Sherlock Holmes and a member of The Baker Street Irregulars. For good measure, he was also a Solar Pona fan and a Praed Street Irregular. Anderson wrote some odd Holmes pastiches and some, insightful, erudite Sherlockiana about the great detective.

In September of 1968, The Baker Street Journal included “The Archetypical Holmes,” a fine essay by Anderson and the kind of excellent Sherlockiana that is sadly all too rare these days – made obsolete by pop-centric, culture-appeasing works. Take it away, Poul!

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New Treasures: The Apothecary’s Curse by Barbara Barnett

Sunday, October 23, 2016 John ONeill Comments 0 Comment

Do you like the TV show House? So does Barbara Barnett. In 2010 she wrote Chasing Zebras: The Unofficial Guide to House, M.D., and in 2014 she released House, M.D.: The Unofficial Guide to Season Seven.

In 2016, she channeled her love for the show into her first novel The Apothecary’s Curse, which publisher Pyr describes as “Penny Dreadful meets House, M.D. in this genre-bending urban fantasy mixes alchemy and genetics as a doctor and an apothecary try to prevent a pharmaceutical company from exploiting the book that made them immortal centuries ago.” It’s an unusual take on urban fantasy to be sure, but an intriguing one. The Apothecary’s Curse is available now in trade paperback.

In Victorian London, the fates of physician Simon Bell and apothecary Gaelan Erceldoune entwine when Simon gives his wife an elixir created by Gaelan from an ancient manuscript. Meant to cure her cancer, it kills her. Suicidal, Simon swallows the remainder — only to find he cannot die. Five years later, hearing rumors of a Bedlam inmate with regenerative powers like his own, Simon is shocked to discover it’s Gaelan. The two men conceal their immortality, but the only hope of reversing their condition rests with Gaelan’s missing manuscript.

When modern-day pharmaceutical company Transdiff Genomics unearths diaries describing the torture of Bedlam inmates, the company’s scientists suspect a link between Gaelan and an unnamed inmate. Gaelan and Transdiff Genomics geneticist Anne Shawe are powerfully drawn to each other, and her family connection to his manuscript leads to a stunning revelation. Will it bring ruin or redemption?

The Apothecary’s Curse was published by Pyr on October 11, 2016. It is 345 pages, priced at $17 in trade paperback and $9.99 in digital format. The cover was designed by Jacqueline Nasso Cooke.

See all of our recent New Treasures here.

Invaders of Pluto, and Brain Stealers of Mars: Rich Horton on The Ultimate Weapon and The Planeteers by John W. Campbell

Sunday, October 23, 2016 John ONeill Comments 4 comments

When I was twelve years old I read a book that changed my life. It was Before the Golden Age, a collection of Isaac Asimov’s favorite pulp tales from his own early teen years, and it inspired in me a love of the pulps that endures to this day.

One of the most captivating stories was John W. Campbell’s “The Brain Stealers of Mars,” from the December 1936 Thrilling Wonder Stories. The intrepid explorers Penton and Blake use an atomic-powered craft to visit Mars, where they find a sinister race of shapeshifters, eager to hitch a ride back to Earth. Sort of a prototype for “Who Goes There?”, the far more famous tale which Campbell published two years later in Astounding, “Brain Stealers” is more a science fiction puzzler than a true horror story, as our blaster-wielding heroes must find a way to outsmart an entire race of scheming telepathic shapeshifters with designs on conquest.

The Planeteers is a collection of five Penton & Blake tales published in Thrilling Wonder between 1936-38, following their adventures as they explore the solar system in their gleaming atomic spacecraft, discovering the double-minded aliens of Callisto, a benign race on Europa, and the super-intelligent energy eater out beyond Pluto. It appeared as half of an Ace Double in 1966, paired with The Ultimate Weapon, a standalone tale of the desperate race against time to create super-weapons on the Moon to thwart an alien invasion.

Rich Horton reviewed both books on his blog Strange at Ecbatan back in June. Here’s what he thought.

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Future Treasures: Bridging Infinity, edited by Jonathan Strahan

Saturday, October 22, 2016 John ONeill Comments 0 Comment

Jonathan Strahan’s Infinity books have gradually earned a reputation as the finest ongoing anthology series in the genre — and perhaps, one of the finest in the history of the genre. In my June article The Most Successful Anthology of 2015, I pointed out that over half of the contents of the fourth book in the series had been selected for Year’s Best volumes. If that’s not a record, it has to be close. In just two weeks the fifth volume in the series, Bridging Infinity, arrives in trade paperback from Solaris, and I am very much looking forward to it.

BUILDING TOWARDS TOMORROW

Sense of wonder is the lifeblood of science fiction. When we encounter something on a truly staggering scale – metal spheres wrapped around stars, planets rebuilt and repurposed, landscapes re-engineered, starships bigger than worlds – the only response we have is reverence, admiration, and possibly fear at something that is grand, sublime, and extremely powerful.

Bridging Infinity puts humanity at the heart of that experience, as builder, as engineer, as adventurer, reimagining and rebuilding the world, the solar system, the galaxy and possibly the entire universe in some of the best science fiction stories you will experience.

Bridging Infinity continues the award-winning Infinity Project series of anthologies with new stories from Alastair Reynolds, Pat Cadigan, Stephen Baxter, Charlie Jane Anders, Tobias S.Buckell, Karen Lord, Karin Lowachee, Kristine Kathryn Rusch, Gregory Benford, Larry Liven, Robert Reed, Pamela Sargent, Allen Steele, Pat Murphy, Paul Doherty, An Owomoyela, Thoraiya Dyer and Ken Liu.

The previous volumes in the series are:

Engineering Infinity (2010)
Edge of Infinity (2012)
Reach For Infinity (2014)
Meeting Infinity (2015)

And here’s the complete Table of Contents.

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