A Review of The Lion of Cairo, by Scott Oden
The Lion of Cairo, by Scott Oden
Thomas Dunne Books (384 pages, $25.99, December 7, 2010)
I think it’s totally cool that the dedication page of Scott Oden’s forthcoming novel The Lion of Cairo (U.S. publication date Dec. 7) pays homage to a sword and sorcery legend:
To Robert E. Howard
whose tales of swordplay and sorcery
gave inspiration to a kid from Alabama
and caused him to take up the pen
in his own time
After the Howard name-drop you pretty much know what you’re in for: Pulse-pounding sword play, leagues of warring assassins, political intrigue, a hint of evil sorcery, and the clash of armies on a grand stage. On all these elements Oden delivers.
Though inspired by the man from Cross Plains, The Lion of Cairo is no slavish imitation of Howard. The work — book one of the Emir of the Knife trilogy — shares just as much or more in common with Harold Lamb’s Swords from the East or Steven Pressfield’s historical fiction than REH’s tales of the Hyborian Age. Cairo’s main character, the assassin Assad, is more Pale Rider than muscular Cimmerian. He’s a dude you don’t want to tangle with: Deadly with a blade instead of a six-gun; not cocky but quietly confident in his abilities; single-minded of purpose; a stone-cold killer. Though he’s an assassin Oden successfully manages to portray him as sympathetic, a killer we can get behind. It’s a pretty nifty bit of characterization.



Conan the Renegade
The Outlaws of Sherwood, by Robin McKinley
I escaped with the family for the realm of Florida over the last week, and we did the usual tourist things. I managed to leave most of my deadline worries behind me, and while I took my writing notebook, I actually got very little work done. Instead, I recharged, spent time with my wife and kids, and didn’t obsessively think about plotting, dialogue, or character motivation.
As I write this, I’m closing in on the 50,000 word mark of my 
