Read “Martyr’s Gem,” a new Novella from C.S.E. Cooney, at GigaNotoSaurus

Read “Martyr’s Gem,” a new Novella from C.S.E. Cooney, at GigaNotoSaurus

GigaNotoSaurus logoIt seems so long ago now that our first website editor, the ridiculously gifted C.S.E. Cooney, packed up her bags and headed East to Rhode Island. There she found a small but comfy aerie to do her writing, and began turning out ridiculously wonderful short stories.

We’ve published a few here. Her novella “Godmother Lizard,” which Tangent Online called “a delightful fantasy… [it] entranced me from the beginning,” appeared here in November, and we published the sequel “Life on the Sun” — which Tangent called “bold and powerful… this one captured a piece of my soul. Brilliant” — on February 10.

But even Black Gate isn’t big enough to contain C.S.E. Cooney’s talent, and on May 1st her 19,000-word novella “Martyr’s Gem” was published online at GigaNotoSaurus. Here’s a taste from the intro, just to let you know what you’re in for:

“They remember the days before the Nine Cities drowned and the Nine Islands with them. Before our people forsook us to live below the waters, and we were stranded here on the Last Isle. Before we changed our name to Glennemgarra, the Unchosen.” Sharrar sighed. “In those days, names were more than mere proxy for, Hey, you!”

“So, Hyrryai means, Hey, you, Gleamy?”

“You have no soul, Shursta.”

“Nugget, when your inner poet is ascendant, you have more than enough soul for both of us. If the whitecaps of your whimsy rise any higher, we’ll have a second Drowning at hand, make no mistake.”

GigaNotoSaurus is a webzine edited by Ann Leckie. It publishes one longish fantasy or science fiction story every month, including the recent Nebula nominees “All the Flavors” by Ken Liu and “The Migratory Pattern of Dancers” by Katherine Sparrow.

Settle in to your favorite reading place, turn off your phone, and read “Martyr’s Gem” here.

Goth Chick News: Dracula Meets Downton Abbey and The Tudors

Goth Chick News: Dracula Meets Downton Abbey and The Tudors

image001Yes, originally I said the exact same thing.

Give me one good reason why the world needs another retelling of Dracula.

I mean, haven’t we suffered enough? As it is, the mythology has been altered so many times to try and make something new out of it, that If Bram Stoker ever found out about Edward Cullen, he’s be spinning in his grave like a rotisserie ham.

On the other hand, it was probably only a matter of time before network television realized that there is a viewer appetite for old fashioned violence and sexy blood drinking, and why the heck should HBO have all the fun with True Blood anyway?

Which brings me to two good reasons why we may want to listen to the Dracula tale being retold one more time…

Downton Abbey and Jonathan Rhys Meyers.

NBC is launching a Dracula mini-series this fall which will actually take place in 1890s London (as opposed to trying to modernize the story). In this telling, Dracula has assumed the identity of an American entrepreneur with aspirations of bringing modern science and technology to Victorian society.

This is all a ruse of course, as Dracula’s true endeavor is the pursuit of revenge against humankind after it nearly destroyed him centuries earlier. The only thing that may spoil his plans for vengeance is the comely young lass he’s recently fallen in love with – who may also be the reincarnation of his dead wife.

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Explore History Through Tiny Cardboard Counters with Against the Odds Magazine

Explore History Through Tiny Cardboard Counters with Against the Odds Magazine

Against-the-Odds-magazine-35-smallI discovered something fascinating while I was trolling eBay for vintage fantasy board games this morning: Against the Odds, a magazine published out of Southeastern, PA, which includes a complete game in each issue.

Now, it’s true that I get a little giddy around magazines. If I didn’t, I wouldn’t have published one for a decade. And I also love games. So magazines that include games? I had to go have a bit of a lie down.

Against the Odds is a quarterly periodical of history and simulation, and it looks remarkably similar to the great gaming magazines published by SPI, Strategy & Tactics and Ares, both of which included a game with each issue. Ares, published between 1980 and 1984, was one of my all-time favorite magazines. In that short span it brought over a dozen highly regarded games into the world, including Barbarian Kings, Star Trader, Nightmare House, The High Crusade (based on the Poul Anderson novel), Citadel of Blood, and many others. All 17 issues are currently available as free PDFs at Archive.org.

Against the Odds doesn’t have the same focus on fantasy and science fiction as Ares, but that doesn’t mean it’s not fascinating. The first issue I came across, #35 (December 2011), includes the game Boudicca: The Warrior Queen, featuring an historical clash between the Roman Empire and a loose collection of Celtic tribes on the barbaric island of Britannia in 61 A.D.

She meant “trouble” for the Roman occupation of Britain. After her revolt succeeded in burning three major towns and slaughtering tens of thousands of Roman citizens and allies, the Emperor Nero seriously considered whether this distant land was worth the cost to stay. Governor G.S. Paulinus’ remarkable victory – perhaps at the location later known as “Watling Street” – reaffirmed Roman domination. They would remain in Britain for over 300 more years.

But it might have been different. Can you as the leader of a various cluster of independent Celtic tribes cause enough trouble and loss to make the Romans leave your island? Can you as the commander of scattered Roman troops snuff out the rebellion more effectively than Paulinus? Will London burn or be saved? These are your challenges in ATO issue #35, Boudicca: The Warrior Queen by Richard Berg.

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New Treasures: The Best Science Fiction and Fantasy of the Year, Volume Seven, edited by Jonathan Strahan

New Treasures: The Best Science Fiction and Fantasy of the Year, Volume Seven, edited by Jonathan Strahan

The Best Science Fiction and Fantasy of the Year Volume Seven StrahanI always look forward to the Best of the Year anthologies. It’s an annual ritual, like the arrival of spring, heralding new hope and rebirth for the land. Or something.

Over the next few months, we’ll see several of them, from Rich Horton, David Hartwell, Gardner Dozois, Stephen Jones, and Paula Guran, just to name a few. But the season kicks off every year with Jonathan Strahan’s Best Science Fiction and Fantasy of the Year, certainly one of the most interesting volumes for fantasy fans.

Like the preceding six volumes, it is published by Night Shade Books, who are experiencing difficulties. Likely this will be the last one, at least in this format.

In short: if you’re at all interested in a generous collection of some of the finest SF and fantasy from the best writers in the genre, do what I did and buy it now while it’s still available.

Here’s what we know about the stories:

Four artificial intelligences struggle towards life on the icy moon of Callisto; insect love means something deeply disturbing in a world of mantis wives; an elderly woman matches wits with Death in a battle for her life; a birthday party on a spaceship is haunted by ghosts from afar; a UFO researcher finds far more than she’s looking for in the backwoods of Missouri; a grand tour of the solar system ends in an unexpected discovery; a researcher strives to make one last grand discovery before the stars wink out a final time…

And here’s the complete table of contents.

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Before the Onslaught of the Barbarians: Tangent Online on “Niola’s Last Stand”

Before the Onslaught of the Barbarians: Tangent Online on “Niola’s Last Stand”

Vera NazarianDave Truesdale at Tangent Online reviews Vera Nazarian’s adventure fantasy tale, published here on May 12:

Niola, a young woman, and her grandmother have packed their meager belongings and are ready to leave their city of Menathis, for the evil army of the Varoh is nearly at the gates, and the entire city is emptying itself before the onslaught of the barbarians. At the last minute, however, Niola’s lame Gran decides she must seek the decaying temple of the goddess Rohatat and pray one last time to the goddess.

While Niola believes this a foolish waste of time, she nevertheless honors her promise to wait for her grandmother, not moving beyond the doorway of their cramped dwelling on one of the city streets. During the cold, lonely wait, a series of gods — wispy wraiths — appear one after the other to her, each presenting her with, in turn, a sword, a shield, and a spear, exhorting her to defend the city at all costs.

Vera Nazarian is a two-time Nebula Award Finalist and a member of Science Fiction and Fantasy Writers of America. She made her novelist debut with the critically acclaimed Dreams of the Compass Rose (set in the same ancient world universe as “Niola’s Last Stand”) in 2002, followed by epic fantasy Lords of Rainbow in 2003. Her recent work includes the 2008 Nebula Finalist novella, The Duke in His Castle, and Pride and Platypus: Mr. Darcy’s Dreadful Secret.

Read Dave’s complete review here. The complete catalog of Black Gate Online Fiction, including stories by Robert Rhodes, Jason E. Thummel, Ryan Harvey, Steven H Silver, Nina Kiriki Hoffman, Emily Mah, C.S.E. Cooney, Howard Andrew Jones, Harry Connolly, and many others, is here.

“Niola’s Last Stand” is a complete 7,000-word adventure fantasy tale. It is offered at no cost. Read the complete story here.

Spanish Castle Magic, Part One

Spanish Castle Magic, Part One

DSC_1634

Living in Spain, I’ve had the good fortune to visit many of the country’s castles.

The most stunning, and most popular, is the Alcázar in Segovia, an easy day trip from Madrid. It’s in great condition, mainly because it was never caught up in the Reconquista or blasted apart during the Spanish Civil War. Built on the end of the rocky promontory atop which Segovia stands, it’s literally cut off from the rest of the town by a deep moat cut through the bedrock.

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James McGlothlin Reviews Writing Fantasy Heroes: Powerful Advice From the Pros

James McGlothlin Reviews Writing Fantasy Heroes: Powerful Advice From the Pros

Writing Fantasy HeroesWriting Fantasy Heroes: Powerful Advice From the Pros
Edited by Jason M. Waltz
Rogue Blades Entertainment (202 pp, $14.99, trade paperback, February 2013)

In recent days, Sarah Avery has been doing some excellent in-depth posts reviewing Writing Fantasy Heroes, a collection of essays from some of the best fantasy practitioners in the field. Having recently been one of the winners of a contest for this book, Black Gate has allowed me the opportunity to give my two cents concerning the book as well. I won’t pretend to improve on any of Avery’s review here. Rather, I’ll offer some comments on just a few of the essays that I reacted most strongly to.

For me, hands down, the chapter by Howard Andrew Jones concerning character development through dialogue was the best essay in the book. Jones, along with Saladin Ahmed and Ari Marmell (who also has a chapter in this volume), is part of a small but seemingly growing band of authors who are writing fantasy fiction in a Middle-eastern milieu — think 1001 Arabian Nights! In his essay, Jones shows how the discussions among characters in a story can go a long way towards fleshing out these characters. His examples were quite apt and I especially enjoyed the McCoy and Spock dialogue taken from the original Star Trek series.

Jones’s discussion reminded me of at least one reason why I enjoy books like George R. R. Martin’s A Song of Ice and Fire series as well as, say, Quentin Tarantino screenplays. Both artists do an excellent job of making their characters multi-faceted, and thus compelling, by the use of dialogue in their stories. I think Jones’s essay shows how poor interchanges among characters do more to make a story feel artificial than the use of fantasy tropes!

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Vintage Treasures: The Girl With the Hungry Eyes by Fritz Leiber

Vintage Treasures: The Girl With the Hungry Eyes by Fritz Leiber

The Girl With the Hungry EyesSometimes it seems that every time a new sword & sorcery novel appears, a publicist automatically slaps “comparable to Fritz Leiber!” on the cover.

I’ll tell you why: it works. When Karen Burnham at SF Signal noted that Tim Pratt’s latest Pathfinder novel Liar’s Blade had done “an excellent job of capturing the spirit” of Fafhrd and the Grey Mouser, I bought it immediately. A fantasy novel with the charm and style of Fritz Leiber’s great adventures? Where’s my credit card.

I think publicists must get tired of comparing new sword & sorcery to Fritz Leiber and Robert E. Howard. I know it’s annoying to their fans, and I don’t think it does a genuine service to most new writers — not in the long term, anyway.

And frankly, all the focus on Fritz Leiber as the poster child for exemplary S&S overlooks his success in a broad range of genres: science fiction, mystery, dark fantasy, supernatural horror, plays, and even a 1966 Tarzan novel. Ask anyone who’s read his 1965 Hugo Award-winning novel The Wanderer, about a rogue planet that drifts close to Earth — or his brilliant short story “A Pail of Air,” a post-apocalyptic tale of a family fighting to survive on a world grown so cold that oxygen has condensed out of the air, and the strange things they discover when the world has gone completely still — and you’ll find that Leiber’s Fafhrd and the Grey Mouser tales, as important as they are to the Sword & Sorcery canon, stand as only a small sample of a stellar writing career that spanned over 50 years.

As a paperback collector, it’s hard to pick my favorite Fritz Leiber book. I love Michael Whelan’s cover for Swords and Ice Magic (1977), and of course The Big Time (1961), Gather, Darkness! (1975), and the creepy Our Lady of Darkness (1977). But I think it would have to be a collection, possibly The Mind Spider and Other Stories (1961), Ship of Shadows (1979), or The Ghost Light (1984).

But I might just cheat and make it the 1949 Avon paperback The Girl With the Hungry Eyes.

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TAPE

TAPE

TAPEJason Coffman wrote, directed, produced, and shot this thirteen-minute slow-burn nightmare. Jim Carston (played by Aaron Christensen) has a problem. He finds a business card for one Mr. Lake, who specializes in “Unusual Services.” Mr. Lake agrees to make Carston’s problem go away, but on one condition. After the job is completed, he will receive a videotape and, no matter what he does, he will have to possess that tape for the rest of his life.

Now, right off, it’s a little strange that a 2012 film should revolve around a videotape, but the medium is already so outdated that it has a strange nostalgic feel to it. And, as we see in the film’s surprising climax, there’s just things you can do with a tape that can’t be done with a disc.

This short film is already gathering critical acclaim and you can watch it now on Vimeo, as well as learn more about it at the Rabbit Room Productions website. And if you want to see more of the enigmatic businessman, Mr. Lake, there’s a sequel of sorts floating around the Internet titled, “Secret Cinema.”

Just be careful about picking up strange business cards.

Michael Penkas is the website editor for Black Gate. A collection of four of his stories, titled Dead Boys, is available for download through Amazon and Smashwords. You can learn more about his various publications on his blog.

The Hunger Games and Kids: When to Say When?

The Hunger Games and Kids: When to Say When?

Mockingjay_PinOn a recent visit, my sister was shocked to discover that my boys had with them a copy of Mockingjay. At first, she assumed it was Corey’s (Corey is nearly thirteen), and was therefore even more horrified to learn that it was Evan’s book. Evan is eight.

My sister accosted me later that night (with my boys and hers all tucked up in various beds, visions of Minecraft dancing in their heads) and asked how I had come to the decision to let Evan tackle The Hunger Games books. She did not approach on an attack vector ––“How dare you let him read this trash!” No, no. Opinionated my sister certainly is, but she’s a smart (and tolerant) cookie.

Even so, my answer took the better part of twenty minutes to deliver, because I myself am puzzled by why Evan is reading The Hunger Games and why I (having viewed The Hunger Games and read Catching Fire) am at least tacitly condoning his choice.

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